Par VAN NUETEN GUY. Contact by Guy Van Nueten originated from the feeling of being abandoned, such as a person who treks through a barren desert following a great disaster and asks himself if there's any point in carrying on when every day brings just more of the same - still more desert. I suspect that each of us has such a desert within himself, but that it depends on circumstances whether or not we choose to make the journey through it. Contact lays out a path that we can share. This music seems especially romantic to me, in the sense that the sounds have much to say about loneliness. There are moments where this album emphasises its own seriousness, then immediately afterwards invites us todance. Contact sticks out a hand, sometimes two, mostly to show the internal process of the composer - firstly the lack of fire and the abandoned longing for this, followed by the bewilderment that there is something that is still smouldering and that can be fanned into a blazing forest fire to burn away all the pain of desolation. For this reason it is also moving music - because it wants the recognition of the listener, wants us to feel our own desolation while the piano explores further depths and heights. At times a composition is almost carelessly abandoned and another one begun. Whoever looks closely at feelings and is honest with himself and the world is always a little cruel. But finally there is an end to that desert - he sees an oasis and also a beautiful hotel. Upon entering, he sees no-one, not even at the desk, but the reigning play of light and colour is of an otherworldly power. Maybe no other people are needed here and the beauty that prevails is enough. Then sounds of music arise and some people move across to the immense hall where a wing has been set up, behind which a man is sitting, his fingers moving across the keyboard. And only one thing is real: after desolation comes comfort. That person is you and that person is me. And that music is called Contact, directly from the soul of Van Nueten. Contact by Guy Van Nueten originated from the feeling of being abandoned, such as a person who treks through a barren desert following a great disaster and asks himself if there's any point in carrying on when every day brings just more of the same - still more desert. I suspect that each of us has such a desert within himself, but that it depends on circumstances whether or not we choose to make the journey through it. Contact lays out a path that we can share. This music seems especially romantic to me, in the sense that the sounds have much to say about loneliness. There are moments where this album emphasises its own seriousness, then immediately afterwards invites us todance. Contact sticks out a hand, sometimes two, mostly to show the internal process of the composer - firstly the lack of fire and the abandoned longing for this, followed by the bewilderment that there is something that is still smouldering and that can be fanned into a blazing forest fire to burn away all the pain of desolation. For this reason it is also moving music - because it wants the recognition of the listener, wants us to feel our own desolation while the piano explores further depths and heights. At times a composition is almost carelessly abandoned and another one begun. Whoever looks closely at feelings and is honest with himself and the world is always a little cruel. But finally there is an end to that desert - he sees an oasis and also a beautiful hotel. Upon entering, he sees no-one, not even at the desk, but the reigning play of light and colour is of an otherworldly power. Maybe no other people are needed here and the beauty that prevails is enough. Then sounds of music arise and some people move across to the immense hall where a wing has been set up, behind which a man is sitting, his fingers moving across the keyboard. And only one thing is real: after desolation comes comfort. That person is you and that person is me. And that music is called Contact, directly from the soul of Van Nueten./ Répertoire / Piano

A collection of celebrated song hits and showstoppers for solo piano. Here you will find over 75 legendary jazz and blues standards, showtunes, rags, novelty numbers, and encores. Turn these pages to enjoy great musical moments of the cabaret, stage, and concert hall - or bring to life the jazz and blues clubs of days gone by. Explore the musical genius of Jermone Kern, Irving Berlin and George Gershwin - the dramatic power of George M. Cohan, W.C. Handy, Jelly Roll Morton, and John Philip Sousa - the elegant styles of Scott Joplin, Zez Confrey, James Scott, and Eubie Blake - and much, much more. / Rép International / Recueil / Piano

Piano Songbook avec du texte et des symboles d'accord. Paysage, reliure spirale. Chaque chanson sur une double page. / Piano

Von Bruno Mars bis Skyfall - Spiralbindung. Par HEUMANN HANS-GUNTER. The second book in the Piano Gefallt Mir! series brings you 50 more chart and film hits, all arranged for easy piano by renowned composer Hans-Günter Heumann. / Date parution : 2023-07-31/ Recueil / Piano

Piano Gefällt Mir! 3 comprend 50 chansons populaires, arrangées pour piano facile. Ce recueil de chansons contient les hits fille sur le feu, sous vos Belle et Hometown Glory, ainsi que plusieurs chansons du cinéma et de la télévision. / Piano

Edna Mae Burnam's popular Step-By-Step method provides students with an opportunity to learn the Piano in a unique and charming way with each lesson presented in a logical order and at a manageable pace. This comprehensive all-in-one edition of the first volume in the series features lessons solos and theory exercises. This version includes material from the Step By Step method the Write It Right theory exercises and the Pieces to Play performance pieces. Each supplement is placed where Burnam originally intended. In addition the price includes online audio and MIDI files that can be downloaded or streamed.

This Easiest Pop Songs edition of John Thompson's Easiest Piano Course allows the beginner pianist, who is progressing from part one to part two of the world-renowned course, to learn some fantastic and well-known pop songs. With simplified arrangements and large notation, these are popular hits in the familiar John Thompson style.As well as reinforcing basic technique, developing musicality and making learning great fun, the Easiest Pop Songs will be familiar to most young beginners, allowing them to learn and play some of their favourite tunes of the moment. Repertoire books like this have been specially created and graded to be used with the John Thompson's Easiest Piano Course, so pianists who are working through that will recognise the style of this songbook.This book features a number of pop songs, including Taylor Swift's Shake It Off, Sam Smith's Brilliant Stay With Me and Adele's huge smash-hit Hello. There are many more, though, such as Wings by Birdy, Flashlight by Jessie J and I Really Like You by Carly Rae Jepsen. These Easiest Pop Songs are perfect supplementary material for those working through parts 1 and 2 of the course, but also make great sight-reading practice for more advanced students. Since dynamics and phrasing are not introduced until part 3 of the course, they are not included here, although some invaluable hints and tips and fingering guides are featured for all songs.All beginner Piano pupils will love to learn the famous pop songs included in this repertoire book - an ideal complement to John Thompson's Easiest Piano Course. / Piano

Par GERARD HELENE PHILIPPE. Je débute le piano est une méthode de piano pour débutants grand public, qui permet d'apprendre le piano de façon ludique. Tous les tubes que les pianistes rêvent de jouer y sont : La valse d'Amélie Poulain (Yann Tiersen), Lettre à France (Polnareff), Someone like you (Adele), le prélude #1 en Do majeur (Bach), Honesty (Billy Joel), Imagine, Let It Be (The Beatles), Hallelujah (Leonard Cohen), Sunburn (Muse), Video Games (Lana del Rey)... En tout, 32 morceaux, des exercices et conseils. Avec sa présentation claire et accessible, sa progression intelligente et son répertoire qui couvre tous les genres et toutes les époques, Je débute le piano convaincra tous ceux qui veulent apprendre ou redécouvrir le piano sérieusement, mais dans la détente et la bonne humeur ! Et sur le CD accompagnant l'ouvrage, les morceaux en version audio, pour faciliter l'apprentissage ! 112 pages, broché. Conçu et fabriqué en France./ Méthode / Piano

Enregistré dans un monastère à Vérone, In A Time Lapse de Ludovico Einaudi explore le concept de la capture d'émotions et d'expériences dans un seul et unique intervalle de temps.

Ce recueil exclusif de partitions pour piano comprend les 14 titres tirés de l'album et 5 titres inédits. / Variétés / Partition /

Available in three levels, Spin and Tell is designed to reinforce a variety of musical skills. Each level includes interchangable game cards on a variety of topics. The game may be played by one or multiple students and allows for creativity and flexibility. Concepts taught include: key signatures and time signatures - notes - rests and signs - musical terms - intervals - triads. / Piano

Now available as a book and CD edition. Pre-practice technical exercises for the Piano. The purpose of this book is to help develop strong hands and flexible fingers. The idea is to learn two or three exercises at a time which should be played each day before practicing. Only when these are mastered should you add another. When all in the first group are mastered the next group may be introduced. Many of these exercises may be transposed to different keys. The accompanying CD is a wonderful tool for enhancing these exercises with highly acclaimed midi-orchestrated backing tracks - learning becomes so much fun! Each track is split toenable the pupil to hear both Piano part and accompaniment is the balance is centred the accompaniment without the Piano is the balance control is all the way to the left and the Piano part alone if it is all the way to the right! An ideal accompaniment to practice.

Now available as a book and CD edition. Pre-practice technical exercises for the Piano. The purpose of this book is to help develop strong hands and flexible fingers. The idea is to learn two or three exercises at a time which should be played each day before practicing. Only when these are mastered should you add another. When all in the first group are mastered the next group may be introduced. Many of these exercises may be transposed to different keys. The accompanying CD is a wonderful tool for enhancing these exercises with highly acclaimed midi-orchestrated backing tracks - learning becomes so much fun! Each track is split toenable the pupil to hear both Piano part and accompaniment is the balance is centred the accompaniment without the Piano is the balance control is all the way to the left and the Piano part alone if it is all the way to the right! An ideal accompaniment to practice.