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Piano and Orchestra
PERCUSSION
Soli, Mixted choir and accompaniment
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John Frandsen Simon Grotrian: Requiem: SATB
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
Wilhelm Hansen
Organ reduction with Percussion for Requiem by John Frandsen. Scored for Soloi...
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Organ reduction with Percussion for Requiem by John Frandsen. Scored for Soloists (SATB) Chorus (SATB) Girl's Chorus (SSAA) and Orchestra (2010). Latin Texts and texts by Simon Grotrian. 'In memory of the victims from the Utøya massacre 22 July 2011' Commissioned by The Danish National Symphony Orchestra / DR The texts by Simon Grotrian are sung by a Rock Singer accompanied by Organ. Parts are available on hire: hire@ewh.dk Score: WH31253
141.99 GBP - Sold by Musicroom UK
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Mahler G. - Symphonie N2 C-moll - Choeur Et Piano
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
Universal Edition
Composer: Mahler Gustav Title: Symphony No. 2 C minor Scored for: for soli, m...
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Composer: Mahler Gustav Title: Symphony No. 2 C minor Scored for: for soli, mixed choir and orchestra Language: German Edition type: piano reduction Edited by: Stark-Voit Renate, Kaplan Gilbert ISBN: 978-3-7024-7021-0 ISMN: 979-0-008-08354-9 Order number: UE35468
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Gioachino Rossini: Petite Messe Solennelle: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
Barenreiter
The ?Petite Messe Solennelle? is the finest work of Rossini?s late years. He com...
(+)
The ?Petite Messe Solennelle? is the finest work of Rossini?s late years. He composed it between 1863 and 1864 at the age of 71 as a commission for Countess Louise Pillet-Will for the consecration of her private chapel where the work received its first performance in March 1864. Together with the ?Stabat mater? the mass is one of the composer?s most important sacred works.The unusual instrumentation with two Pianos and Harmonium is entirely in keeping with the Neapolitan Keyboard tradition of the 18th century which was cultivated in France in Rossini?s day. It forms a distinct contrast to the style of large-scale sacred compositionsas written by for example Liszt and Bruckner. Rossini explained that he wrote the later Orchestral version of the work dating from 1867 out of concern that if he did not do this other composers might orchestrate the mass too heavily in later arrangements.The Piano reduction by Andreas Köhs is extremely idiomatic and largely preserves the charming character of the unusual instrumentation.- Based on the Urtext of the series ?Works of Gioachino Rossini?.- Foreword in two languages (Eng/Ger).- With a separate Harmonium part and one part for Pianos I and II.
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Gioachino Rossini: Petite Messe Solennelle: Mixed Choir: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Barenreiter
The ?Petite Messe Solennelle? is the finest work of Rossini?s late years. He com...
(+)
The ?Petite Messe Solennelle? is the finest work of Rossini?s late years. He composed it between 1863 and 1864 at the age of 71 as a commission for Countess Louise Pillet-Will for the consecration of her private chapel where the work received its first performance in March 1864. Together with the ?Stabat mater? the mass is one of the composer?s most important sacred works.The unusual instrumentation with two Pianos and Harmonium is entirely in keeping with the Neapolitan Keyboard tradition of the 18th century which was cultivated in France in Rossini?s day. It forms a distinct contrast to the style of large-scale sacred compositionsas written by for example Liszt and Bruckner. Rossini explained that he wrote the later Orchestral version of the work dating from 1867 out of concern that if he did not do this other composers might orchestrate the mass too heavily in later arrangements.The Piano reduction by Andreas Köhs is extremely idiomatic and largely preserves the charming character of the unusual instrumentation.- Based on the Urtext of the series ?Works of Gioachino Rossini?.- Foreword in two languages (Eng/Ger).- With a separate Harmonium part and one part for Pianos I and II.
21.75 GBP - Sold by Musicroom UK
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Saul SATB And Orchestra
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Novello & Co Ltd.
cet oratorio pour SATB soli, choeur SATB et orchestre est l'un de la plus riche ...
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cet oratorio pour SATB soli, choeur SATB et orchestre est l'un de la plus riche et la plus complète des oeuvres de Haendel tous, bien que pas son plus célèbre. Cette partition vocale comprend un accompagnement au piano révisé de celle de la société allemande de Handel / Chant Et Piano / 160 pages / Partition
22.70 EUR - Sold by LMI-partitions
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Georg Friedrich Händel: Samson: Opera: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Novello & Co Ltd.
Samson an oratorio for soloists mixed chorus and orchestra by George Frideric ...
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Samson an oratorio for soloists mixed chorus and orchestra by George Frideric Handel libretto by Newburgh Hamilton after Milton’s Samson Agonistes. Edited by Donald Burrows. This latest addition to the Novello Handel Edition is the first complete modern edition of the composer’s longest oratorio prepared after examination of all known contemporary sources both music and word-books. The publication embodies the complete text known to have been performed at the Covent Garden premiere in 1743 as well as identifying the later shorter versions and additions performed regularly by Handel and an Appendix of allfurther variants created by him and performed during his lifetime. It is thus a comprehensive and flexible edition for between four and eight soloists with an abundance of choral writing and some of Handel’s most sublime writing for voices.Includes an historical preface extensive notes on the performance of the different versions and useful practical notes on the interpretation of Handel.
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Georg Friedrich Händel: Messiah: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Peters
Original English Text-Vocal Score of George Fiderich Handel's Messiah HWV 56 fo...
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Original English Text-Vocal Score of George Fiderich Handel's Messiah HWV 56 for Soli Chorus and Orchestra.Edition for Voices and Piano reduction edited by Donald Burrows.
14.95 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: Magnificat D BWV 243: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Peters
Vocal Score of Johann Sebastian Bach's Magnificat BWV 243 for Soli Choir and O...
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Vocal Score of Johann Sebastian Bach's Magnificat BWV 243 for Soli Choir and Orchestra.
7.95 GBP - Sold by Musicroom UK
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Offenbach J. - La Belle Helene - Reduction Chant, Piano
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Opéra bouffe en trois actes. Edition : Piano Reduction/Vocal Score Editor : Di...
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Opéra bouffe en trois actes. Edition : Piano Reduction/Vocal Score Editor : Didion, Robert Binding : paperbound Instrumentation : 5 Soprano solo, 6 Tenor solo, 2 Mezzo-soprano solo, Baritone solo, 2 Speaker, Mixed Choir: SSTTBB, Orchestra Ensemble / Besetzung Préface Vorwort Preface Index des scènes et numéros / Verzeichnis der Szenen und Nummern / Index of scenes and numbers Ouverture Acte premier - L'oracle / Erster Akt - Das Orakel Acte deuxième - Le jeu de L'oie / Zweiter Akt - Das Gänsespiel Acte troisième - La galère de Vénus / Dritter Akt - Die Galeere der Venus
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Franz Joseph Haydn: The Creation: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Peters
Vocal Score for Soloists Choir and Orchestra
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Mozart W.a. - Litaniae Lauretanae B.m.v. Kv 195 (186d) - Reduction Chant, Piano
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
BARENREITER
Edition : Piano Reduction/Vocal Score; Urtext Edition Editor : Federhofer, Hellm...
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Edition : Piano Reduction/Vocal Score; Urtext Edition Editor : Federhofer, Hellmut;Federhofer-Königs, Renate Binding : stapled Instrumentation : Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed Choir-SATB, Orchestra, Basso continuo Kyrie Sancta Maria Salus infirmorum Regina angelorum Agnus Dei
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Franz Schubert: Rosamunde Fürstin von Cypern D 797: Orchestra: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
Barenreiter
Romantisches Schauspiel in vier Akten mit Musikbegleitung Chören und Tänzen-R...
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Romantisches Schauspiel in vier Akten mit Musikbegleitung Chören und Tänzen-Rosamunde Fürstin Von Cypern D 797Incidental music to the four-act play by Helmina von Chézy.On 20 December 1823 Helmina von Chézy?s ?great romantic drama? ?Rosamunde? received its premiere performance at Vienna?s Theater an der Wien. Unfortunately this version of the drama with ghosts shipwreck pirates attempted poisoning and other horrifying ingredients has not survived unlike Schubert?s popular incidental music which was already praised by contemporary critics. Special acknowledgment was given to ?the genius of this much-loved master? and as evidence of its popularity the overture and the ?Hunters? Chorus? had to beplayed again.Now Bärenreiter is issuing one of Schubert?s best-known compositions in a complete vocal score.The appendix includes Chézy?s draft to the play ?Rosamunde? and a reconstruction of the first version of this drama.Urtext edition based on the ?New Schubert Edition?Bilingual Foreword (Ger/Eng)Idiomatic uncluttered Piano reduction (Ger)Full score (BA5570) and vocal score (BA5570-90) available for sale performance material (BA5570-72) available for hire
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Georg Friedrich Händel: Dettinger Te Deum - HWV 283: Mixed Choir: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
HWV 283-Handel's Dettinger Te Deum was composed to celebrate England’s vi...
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HWV 283-Handel's Dettinger Te Deum was composed to celebrate England’s victory over the French at the Battle of Dettingen. This is Handel’s last and most successful setting of the Te Deum and reveals a deep understanding of the English church music tradition.The sound impact of this broadly conceived work is governed by the choirs in an almost theatrical exegesis of the text. Particularly striking are several borrowings from the Messiah which Handel had just completed.This Barenreiter Urtext edition has been edited by the Baroque specialist Amanda Babington and is based on the Urtext from the Halle HandelEdition.First Urtext editionIncludes a Foreword (Eng/Ger)Straight-forward well-presented Piano reduction (Eng)Full score and performance material (BA10706) and vocal score (BA10706-90) available for sale
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Georg Friedrich Händel: Dettinger Te Deum - HWV 283: Mixed Choir: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
HWV 283-Handel's Dettinger Te Deum was composed to celebrate England’s vi...
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HWV 283-Handel's Dettinger Te Deum was composed to celebrate England’s victory over the French at the Battle of Dettingen. This is Handel’s last and most successful setting of the Te Deum and reveals a deep understanding of the English church music tradition.The sound impact of this broadly conceived work is governed by the choirs in an almost theatrical exegesis of the text. Particularly striking are several borrowings from the Messiah which Handel had just completed.This Barenreiter Urtext edition has been edited by the Baroque specialist Amanda Babington and is based on the Urtext from the Halle HandelEdition.First Urtext editionIncludes a Foreword (Eng/Ger)Straight-forward well-presented Piano reduction (Eng)Full score and performance material (BA10706) and vocal score (BA10706-90) available for sale
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Georg Friedrich Händel: Dettinger Te Deum - HWV 283: Mixed Choir: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
HWV 283-Handel's Dettinger Te Deum was composed to celebrate England’s vi...
(+)
HWV 283-Handel's Dettinger Te Deum was composed to celebrate England’s victory over the French at the Battle of Dettingen. This is Handel’s last and most successful setting of the Te Deum and reveals a deep understanding of the English church music tradition.The sound impact of this broadly conceived work is governed by the choirs in an almost theatrical exegesis of the text. Particularly striking are several borrowings from the Messiah which Handel had just completed.This Barenreiter Urtext edition has been edited by the Baroque specialist Amanda Babington and is based on the Urtext from the Halle HandelEdition.First Urtext editionIncludes a Foreword (Eng/Ger)Straight-forward well-presented Piano reduction (Eng)Full score and performance material (BA10706) and vocal score (BA10706-90) available for sale
6.00 GBP - Sold by Musicroom UK
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Claudio Monteverdi: Vespro Della Beata Vergine 'Marienvesper': Vocal Ensemble:
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
2 Solo Sopranos 2 Solo Altos 3 Solo Tenors 2 Solo Basses Mixed Choir and Orc...
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2 Solo Sopranos 2 Solo Altos 3 Solo Tenors 2 Solo Basses Mixed Choir and Orchestra-Scholarly-critical Urtext edition orientated towards performance practice.Detailed critical commentary (Eng) in the full score.Movements 10 13 and 14 are included in their original high clef in the appendix of the full score.These movements are also available with Piano reduction as print-on-demand.Claudio Monteverdi?s ?Vespro della Beata Vergine? is without doubt one of the most popular sacred works of the 17th century. Apart from the many available recordings it is frequently performed in its entirety or in parts. The Urtext edition of this well-known work has unusual origins. It originated from a graduate seminar at the University of North Texas under thedirection of the Monteverdi specialist Hendrik Schulze.The result is an edition which combines the latest in musicological research specifically with the needs of the performer in mind. This has led for instance to a divergent evaluation of the ?Lauda Jerusalem? oriented towards performance practice with numerous additional accidentals and a new interpretation of the melodic variants from the different part books.These new musical and performance practice insights make a modern interpretation of this 400-year-old work possible.Full score & performance material available for sale.
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Charles Gounod: Messe Solennelle - Sainte Cécile: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
Barenreiter
Ste Cécile-Sacred works occupy a large part of Charles Gounod?s oeuvre. It was ...
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Ste Cécile-Sacred works occupy a large part of Charles Gounod?s oeuvre. It was the Messe solennelle en l?honneur de Sainte Cécile that established his fame as a church composer. Its melodic invention and effective handling of the orchestra reveal a close proximity to opera.This Urtext edition is based not only on the original print of 1856 but also on copyists? manuscripts and autograph sources. Rounding off this well-researched Urtext edition are an informative Introduction and a detailed Critical Commentary. The edition is being published to celebrate the 200th anniversary of Gounod?s birth.Gounod?s well-known mass in a new Urtext editionBilingualForeword (Ger/Eng) and Critical Commentary (Eng)Idiomatic piano reductionIn preparation for the Gounod bicentenary year 2018
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Edward Elgar: Coronation Ode Op. 44: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Boosey and Hawkes
The vocal score to Elgar's Coronation Ode Op. 44 for Soprano Contralto Tenor a...
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The vocal score to Elgar's Coronation Ode Op. 44 for Soprano Contralto Tenor and Bass soloists chorus and presented here with piano accompaniment.
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Georg Friedrich Händel: Let God Arise HWV 256b Chapel Royal Anthem: Mixed Choir:
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloist...
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Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloists (AB) Chorus (SATB) Flute 2 Oboes 2 Trumpets Strings Continuo BA 4263I will magnify thee HWV 250b for Soloists (SATB) Chorus (SATB) Oboe Strings Continuo BA 4264As pants the hart HWV 251e for Soloists (SAATBB) Chorus (SAATB) 2 Oboes Strings Continuo BA 4265Let God Arise HWV 256b for Soloists (AB) Chorus (SATB) Oboe Strings Continuo BA 4266Handel?s four anthems were all composed during his London period in the Chapel Royal. ?As pants the hart? his fifth setting of this Psalm text waswritten in March 1738 for performance at a benefit concert for the King?s Theatre in the Haymarket.Until just before Handel?s first visit to England the only instrument permitted to accompany the service in the Chapel Royal was the organ. These four works with their orchestral accompaniments thus represent something akin to a new genre in English church music.The four anthems are presented in clearly laid out vocal scores with straightforward piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solo numbers. Today they sound as splendid as ever!The full scores and vocal scores also contain a German translation along with the original English text.
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Georg Friedrich Händel: Let God Arise HWV 256b Chapel Royal Anthem: Mixed Choir:
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloist...
(+)
Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloists (AB) Chorus (SATB) Flute 2 Oboes 2 Trumpets Strings Continuo BA 4263I will magnify thee HWV 250b for Soloists (SATB) Chorus (SATB) Oboe Strings Continuo BA 4264As pants the hart HWV 251e for Soloists (SAATBB) Chorus (SAATB) 2 Oboes Strings Continuo BA 4265Let God Arise HWV 256b for Soloists (AB) Chorus (SATB) Oboe Strings Continuo BA 4266Handel?s four anthems were all composed during his London period in the Chapel Royal. ?As pants the hart? his fifth setting of this Psalm text waswritten in March 1738 for performance at a benefit concert for the King?s Theatre in the Haymarket.Until just before Handel?s first visit to England the only instrument permitted to accompany the service in the Chapel Royal was the organ. These four works with their orchestral accompaniments thus represent something akin to a new genre in English church music.The four anthems are presented in clearly laid out vocal scores with straightforward piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solo numbers. Today they sound as splendid as ever!The full scores and vocal scores also contain a German translation along with the original English text.
6.00 GBP - Sold by Musicroom UK
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Georg Friedrich Händel: Let God Arise HWV 256b Chapel Royal Anthem: Mixed Choir:
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloist...
(+)
Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloists (AB) Chorus (SATB) Flute 2 Oboes 2 Trumpets Strings Continuo BA 4263I will magnify thee HWV 250b for Soloists (SATB) Chorus (SATB) Oboe Strings Continuo BA 4264As pants the hart HWV 251e for Soloists (SAATBB) Chorus (SAATB) 2 Oboes Strings Continuo BA 4265Let God Arise HWV 256b for Soloists (AB) Chorus (SATB) Oboe Strings Continuo BA 4266Handel?s four anthems were all composed during his London period in the Chapel Royal. ?As pants the hart? his fifth setting of this Psalm text waswritten in March 1738 for performance at a benefit concert for the King?s Theatre in the Haymarket.Until just before Handel?s first visit to England the only instrument permitted to accompany the service in the Chapel Royal was the organ. These four works with their orchestral accompaniments thus represent something akin to a new genre in English church music.The four anthems are presented in clearly laid out vocal scores with straightforward piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solo numbers. Today they sound as splendid as ever!The full scores and vocal scores also contain a German translation along with the original English text.
6.00 GBP - Sold by Musicroom UK
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Threni Id Est Lamentationes (STRAVINSKY IGOR)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Boosey and Hawkes
Par STRAVINSKY IGOR. Détails de la formation instrumentale: 2.2.corA.2.b Clarin...
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Par STRAVINSKY IGOR. Détails de la formation instrumentale: 2.2.corA.2.b Clarinette O.sarrusophone-4.0.bugle.3.1-timp.perc:tam-t-harp-cel- Pianot-strings - Durée: 35' -/ Répertoire / Solistes, Choeur Mixte et Orchestre
82.10 EUR - Sold by LMI-partitions
(Seller in french langage)
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Mozart W.a. - La Clemence De Titus Kv 621 - Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
BARENREITER
Opera seria in 2 Akten. Klavierauszug nach dem Urtext der Neuen Mozart-Ausgabe (...
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Opera seria in 2 Akten. Klavierauszug nach dem Urtext der Neuen Mozart-Ausgabe (italienisch/deutsch) Edition : Piano Reduction/Vocal Score; Urtext Edition Editor : Giegling, Franz Binding : paperbound Instrumentation : 4 Soprano solo, Tenor solo, Bass solo, Mixed Choir, Orchestra Hn, 2 Trumpet, Kettledrum, Strings, Basso continuo
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Georg Friedrich Händel: Anthem For The Funeral Of Queen Caroline HWV 264: Mixed
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
When Queen Caroline the wife of King George II of England died on 20 November ...
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When Queen Caroline the wife of King George II of England died on 20 November 1737 Handel was commissioned to write an anthem for her funeral service. She was buried in King Henry VII?s Chapel Westminster Abbey on the evening of 17 December 1737 with Handel?s work performed after the funeral service.To emphasize the solemnity of the occasion he used a roughly 100-piece Orchestra and 80 Choristers. The piece is a so-called ?full anthem? consisting of an instrumental Introduction (?Symphony?) and thirteen interlinked choruses. The words were written by Edward Willes the Sub-Dean of Westminster at that time using passages from the King James Bible and theBook of Common Prayer albeit sometimes departing from the original wording.The absence of sections for solo voice has made this anthem a favourite among ambitious choruses and a highlight of any concert programme. Our edition contains the original unabridged version with English text. Martin Focke?s Piano reduction follows the Urtext of the Halle Handel Edition.Original unabridged version.Urtext from the Halle Handel Edition.Straightforward easy-to-play Piano reduction.Full score performance material (BA4267) and Vocal score (BA4267-90) based on the Urtext Halle Handel Edition available for sale.
16.50 GBP - Sold by Musicroom UK
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Georg Friedrich Händel: Anthem For The Funeral Of Queen Caroline HWV 264: Mixed
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
When Queen Caroline the wife of King George II of England died on 20 November ...
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When Queen Caroline the wife of King George II of England died on 20 November 1737 Handel was commissioned to write an anthem for her funeral service. She was buried in King Henry VII?s Chapel Westminster Abbey on the evening of 17 December 1737 with Handel?s work performed after the funeral service.To emphasize the solemnity of the occasion he used a roughly 100-piece Orchestra and 80 Choristers. The piece is a so-called ?full anthem? consisting of an instrumental Introduction (?Symphony?) and thirteen interlinked choruses. The words were written by Edward Willes the Sub-Dean of Westminster at that time using passages from the King James Bible and theBook of Common Prayer albeit sometimes departing from the original wording.The absence of sections for solo voice has made this anthem a favourite among ambitious choruses and a highlight of any concert programme. Our edition contains the original unabridged version with English text. Martin Focke?s Piano reduction follows the Urtext of the Halle Handel Edition.Original unabridged version.Urtext from the Halle Handel Edition.Straightforward easy-to-play Piano reduction.Full score performance material (BA4267) and Vocal score (BA4267-90) based on the Urtext Halle Handel Edition available for sale.
7.50 GBP - Sold by Musicroom UK
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