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PERCUSSION
Soli, Mixted choir and accompaniment
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NARROW BY INSTRUMENTATION
Piano, Vocal and Guitar (4247)
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Guitar notes and tablatures (1506)
Guitar (1247)
Choral 3-part (1234)
String Quartet: 2 violins, vio… (967)
Piano, Voice (883)
Violin (782)
Marching band (763)
Choral 2-part (755)
Brass ensemble (649)
Orchestra (648)
String Orchestra (530)
Flute (506)
Organ (457)
Drums (457)
Violin and Piano (383)
Jazz Ensemble (376)
Clarinet (368)
Trumpet (356)
Alto Saxophone (334)
Ukulele (316)
Cello (307)
Soli, Mixted choir and accompa… (283)
Bass guitar (275)
Flute and Piano (269)
Lyrics and Chords (269)
Easy Piano (268)
Melody line, (Lyrics) and Chor… (247)
Keyboard (244)
Voice solo (239)
Musical course - Solfege (228)
Viola (208)
Saxophone (194)
Choral TTBB (182)
Trombone (181)
Tenor Saxophone (181)
1 Piano, 4 hands (179)
C Instruments (169)
Banjo (144)
Cello, Piano (143)
Mandolin (143)
Choral (133)
French horn (124)
Clarinet and Piano (124)
Piano Trio: piano, violin, cel… (121)
All Instruments (121)
Choral SSAA (118)
Harmonica (97)
Opera (94)
Bb Instruments (88)
Piano and Orchestra (84)
Recorder (79)
Music Theory (78)
Viola, Piano (77)
Orchestra, Violin (75)
Double Bass (75)
Harp (73)
Alto Saxophone and Piano (69)
Trumpet, Piano (69)
B Flat, E Flat, C and Bass cle… (68)
Oboe (67)
Choral Unison (63)
Accordion (63)
Percussion (62)
2 Violins (duet) (61)
Guitare (60)
Chamber Orchestra (60)
Medium voice, Piano (56)
Soprano voice, Piano (56)
Soli (SATB), Choeur Mixte (SAT… (52)
High voice, Piano (51)
Woodwind Quintet: flute, oboe,… (51)
Children choir (51)
School Ensemble (48)
Eb Instruments (46)
Divers (46)
Partition de Poche (45)
Flute and Guitar (45)
2 Pianos, 4 hands (44)
Band Scores (43)
Dulcimer (43)
2 Flutes (duet) (42)
Chant (41)
Voice, Guitar (40)
Tuba (39)
String Trio: violin, viola, ce… (39)
French Horn and Piano (39)
Bass Clef Instruments (39)
Baritone voice, Piano (39)
Tenor voice, Piano (38)
Mezzo-Soprano voice, Piano (38)
Bassoon (36)
2 Clarinets (duet) (35)
Trombone and Piano (34)
Brass Quintet: 2 trumpets, hor… (32)
Guitare Electrique (32)
Descant (Soprano) Recorder (32)
Oboe, Piano (duet) (32)
Biography (31)
ENS::Ensemble (31)
Musical Awakening (30)
Choral CD (30)
2 Guitars (duet) (30)
Piano Quintet: piano, 2 violin… (29)
Harpsichord (29)
Piano Accompaniment (27)
Low voice, Piano (27)
Soprano voice (27)
Big band (26)
2 Saxophones (duet) (26)
Cello, Orchestra (25)
Tenor voice (25)
Educatif (24)
Conducteur (24)
Double bass, Piano (duet) (24)
Wind ensemble (23)
Saxophone Quartet: 4 saxophone… (23)
Piano Quintet: piano, violin, … (23)
2 Recorders (duet) (22)
Autoharp (22)
2 Cellos (duet) (22)
Treble (Alto) Recorder (21)
Violon, Ensembles de Cordes et… (21)
Clavecin Et Instruments A Cord… (21)
Piano Quartet: piano, violin, … (21)
Concert Band/Harmonie (20)
Children choir, Piano (20)
Clarinet Quintet: Clarinet, St… (20)
B Flat, E Flat and C Instrumen… (20)
Soli (ATB), Choeur Mixte (SATB… (19)
Mezzo-Soprano voice (19)
Stationery (18)
Snare drums (18)
Choral SSAATTBB (18)
Low voice (17)
Bassoon, Piano (duet) (17)
Saxophone and Piano (17)
Flute, Orchestra (17)
2 Trumpets (duet) (17)
Violin, Cello (duet) (16)
Choral, Orchestra (16)
Solo SATB, Choeur SATB, Hautbo… (15)
Brass Quartet (15)
Percussion Ensemble (15)
Pennywhistle (15)
Dobro (15)
Gemischter Chor (SSATB/SSATB/S… (15)
3 Violons, Instruments Ă Cord… (14)
Tuba and Piano (14)
Flexible Instrumentation (14)
FlĂ»te Traversière, Violon, I… (14)
Clarinet, Orchestra (14)
Cajon (14)
SATB, 4 Parties Mixtes, 2 Viol… (14)
Clarinet Quartet: 4 clarinets (13)
Harpsichord and Strings (13)
2 Trombones (duet) (13)
Medium Voice (13)
Recorder, Piano (12)
Solistes (SATB), Choeur Mixte … (12)
String quintet (12)
Trio Ă Cordes (12)
Euphonium (12)
Flute ensemble (12)
Oboe, Violin, Viola and Violon… (12)
Choral SSATB (12)
2 Violas (duet) (12)
FlĂ»te Traversière, Violon et… (12)
High voice (12)
Lap Steel Guitar (12)
Soli (STB), Choeur Mixte (SSAT… (11)
Solo A, Choeur SATB/SATB, 2 Or… (11)
1 Piano, 6 hands (11)
Clavier Electronique et Ligne … (11)
Descent (Soprano) Recorder, Pi… (11)
Gemischter Chor (SSAATBB) und … (11)
Flute, Basso continuo (11)
Solistes SATB, Choeur SATB, 2 … (10)
Solistes (STB), Choeur Mixte (… (10)
Solistes SST, Choeur SSAATB, 2… (10)
Baritone voice (10)
Violin, Basso continuo (10)
String Trio: 2 violins, cello (10)
Solistes SB, Choeur SATB, 2 Ha… (10)
Solistes SAB, Choeur SATB, 4 F… (10)
Organ, Piano (duet) (10)
Paroisse, Choeur SATB, 2 Tromp… (10)
Orgue, 2 Violons, 2 Altos, 2 V… (10)
Solistes SATB, Choeur SATB, 2 … (10)
String Quintet: 2 violins, 2 v… (10)
Saxophone (band part) (10)
Marimba (10)
Clavecin (10)
Solistes SST, Choeur SATB/SATB… (9)
Gemischter Chor (SATB) und Orc… (9)
2 Violons Solo, 2 Violons, Alt… (9)
Solistes SATB, Choeur SATB, Fl… (9)
Solistes SATB, Choeur SATB, Ha… (9)
Solistes SATB, Choeur SATB, Fl… (9)
Children choir, Instruments (9)
Clarinet, Cello, Piano (trio) (9)
Solo instrument and Organ (9)
Piano, Guitar (Chords) (9)
Solistes SAB, Choeur SATB, 3 F… (9)
Solistes SATB, Choeur SATB, Fl… (9)
Choeur d'Enfants Ă 2 Parties … (9)
Violon, Ensembles de Cordes et… (9)
Flute Quartet: 4 flutes (9)
Orchestre: Choeur SSA, FlĂ»te … (9)
Conga (9)
Soli (T (Evangelist), B (Jesus… (9)
Lyrics only (9)
Xylophone (9)
:: (9)
Solistes SS, 2 Altos, 2 Violon… (8)
Voice and Orchestra (8)
Piano, Violin, Bandoneon, Guit… (8)
Piano, Bass, Drums (trio) (8)
Solistes SATB, 2 Cors, 2 Violo… (8)
Piano, Guitar (duet) (8)
Ensembles de Cordes et Piano (8)
Solistes SATB, Choeur SATB, 2 … (8)
Harp, Flute (duet) (8)
Soli (SATB, Soprano Aussi Chor… (8)
Solistes SSA, Choeur SATB, 2 F… (8)
String Trio: 2 violins, viola (8)
Choeur SSA, 2 FlĂ»tes Traversi… (8)
Petit Orchestre: RĂ©citant, So… (8)
Ensemble (8)
Clarinet Ensemble (8)
Quintette avec Piano (8)
Violin, Horn and Piano (8)
Recorder Ensemble (8)
Bagpipe (8)
Brass ensemble, Organ (8)
Vocal duet, Piano (8)
Solistes SSATB, Choeur SSATB, … (7)
Piano, Voice, Guitar tablature… (7)
Flute, Violin, Violoncello and… (7)
Quatuor de Cuivres, Orgue et V… (7)
Clarinette, Basson, Cor, 2 Vio… (7)
Violoncello, Basso continuo (7)
Soli (STB), Gemischter Chor (S… (7)
Flute Trio: 3 flutes (7)
Electric bass, Drums (7)
2 Choeurs Mixtes (SATB Et SATB… (7)
Flute, Piano Trio (bass, drum,… (7)
Choeur SSATB, 2 FlĂ»tes Traver… (7)
Soli (STB), Choeur Mixte (SATB… (7)
Saxophone TĂ©nor et Piano (7)
Tenor Saxophone and Piano (7)
Violon 1, Violon 2, Alto, Viol… (7)
Soprano, Piano (7)
Big Note Piano (7)
Chamber Music (7)
Horn and String Quartet (Quint… (7)
Chorale (7)
Flute, Clarinet, Piano (trio) (6)
Soli (SATB), Chor (SATB) und K… (6)
Oboe and Orchestra (6)
Klavier und Orchester (6)
4 Parties Mixtes Et Orchestre (6)
Saxhorn en Sib (6)
Flute, Viola and harp (6)
Orchester (6)
Soli (SATB), Choeur Mixte (SAT… (6)
Solo S, Choeur SATB, 2 Violons… (6)
Trombone or Euphonium (6)
Euphonium or Saxhorn and Piano… (6)
Guitar, Flute, Clarinet (6)
Orgue, 2 Hautbois, Cor Anglais… (6)
Saxhorn en Sib en Clé de Sol (6)
Solistes SATB, Choeur SATB, Pa… (6)
Saxhorn en Sib Basse Continue (6)
Set de Cordes (6)
Violine und Orchester (6)
Lute (6)
Solistes SATB, Choeur SATB, 4 … (6)
Solistes SS, Choeur SATB, 2 Vi… (6)
Cello, String Bass (duet) (6)
Bass Clarinet (6)
Trombone (band part) (6)
Soprano voice, Orchestra (6)
Violin, Viola and Orchestra (6)
Piccolo, 2 FlĂ»tes Traversièr… (6)
Hohe Stimme, Melodie-Instrume… (6)
Baryton ou Tuba et Fanfare (6)
Choeur SATB, 2 Violons, Violon… (6)
Petit Choeur SATB et Choeur SA… (6)
Fake Book (6)
Orchestre et Piano (6)
Vibraphone (6)
Violin, Guitar (duet) (6)
Guitar Tab, Voice, Bass, Drum (6)
Guitare Fingerpicking (6)
Ensemble Mixte (6)
Viola, Cello (duet) (6)
Djembe (6)
Trompette en Sib (5)
Concert Band ou Harmonie et Cl… (5)
Cello Ensemble (5)
Ensemble d'Instruments Ă Vent… (5)
Choeur Mixte (SATB), Orchestre… (5)
Trio avec Piano (5)
2 FlĂ»tes Traversières, Instr… (5)
Bodhran (5)
English horn, Piano (5)
Clavecin, 2 FlĂ»tes A Bec Et I… (5)
Violon, Viole Et Orchestre (5)
CD (5)
2 FlĂ»tes Traversières, Instr… (5)
Tout Instrument (5)
Solistes (SATB), Choeur Mixte … (5)
Soli (SATB), Chor (SATB) und O… (5)
Soli (AB), Choeur Mixte (SATB)… (5)
Choral SSAATBB, Organ (5)
Solistes SATB, Choeur SATB, 2 … (5)
Voix, FlĂ»te Ă Bec et Percuss… (5)
Percussions Diverses (5)
Saxophone Baryton (5)
Pocket, Study conductor (5)
Hautbois, Clarinette, 4 Violon… (5)
Viola da Gamba (5)
Tenor Banjo (5)
Treble (Alto) Recorder, Piano (5)
Timpani (5)
2 Violons, Instruments Ă Cord… (4)
S, A, A, T, B, Choeur Mixte A … (4)
Ensemble A Vent (4)
Violon Ou FlĂ»te, Violoncelle … (4)
FlĂ»te Traversière, Clarinett… (4)
FlĂ»te Traversière Clarinette… (4)
FlĂ»te Traversière, Hautbois,… (4)
ChĹ“ur Mixte [SATB] et Orchest… (4)
Organ, Percussion (4)
Quintette de Cuivres (4)
Flûte et Mandoline (4)
Clarinette, Violoncelle, Percu… (4)
2 Violons, Instruments A Corde… (4)
Basse, Choeur Mixte (SATB), Ha… (4)
Violon, Alto, Violoncelle et C… (4)
Clarinet, Violin, Cello, Piano… (4)
Piccolo, Piano (4)
Violon, Piano, Guitare Basse e… (4)
Saxophone, Band scores (4)
Voix Mixtes SAB et Piano (4)
3 Clarinets (trio) (4)
Clarinet (band part) (4)
Violoncelle, Contrebasse, Bass… (4)
Septuor et Dispositif Electroa… (4)
String Quartet (4)
Choeur Mixteor (SATB), Orchest… (4)
Quatuor Ă Cordes et Enregistr… (4)
2 Violons, Alto, Hautbois, Cor… (4)
Sextuor (4)
Guitar, String Quartet (4)
2 Oboes and English horn (4)
Flute, Violoncello (4)
Soli [AT] et Orchestre (4)
Solistes SATB, Choeur SATB, 2 … (4)
FlĂ»te Traversière, Violon, A… (4)
Guitar and String Quintet (4)
FlĂ»te, Clarinette, Piano, Vio… (4)
Trumpet (band part) (4)
Quatuor Ă Cordes et Electroni… (4)
Recorder Quartet (4)
Handbells (4)
Quatuor Ă Cordes (Piano ad li… (4)
Xylophone or Marimba or Vibrap… (4)
FlĂ»te Traversière Basson et … (4)
Solo Ă (B), 2 Cors et Orgue (4)
Concert Band / Harmonie (4)
FlĂ»te Traversière hautbois o… (4)
Quintette Ă vent (4)
FlĂ»te Traversière (Ensemble … (4)
Matériel D'Orchestre (4)
2 Flutes, Piano (4)
Trumpet, Trombone (duet) (4)
Violon, Alto, Violoncelle et H… (4)
Baritone Ukulele (4)
Flute, Violin, Viola (4)
Cornet et Brass Band (4)
Quatuor (4)
Trio ou Quatuor Ă Cordes (4)
FlĂ»te Traversière, Clarinett… (4)
5 Instruments Ă Vent (4)
Hautbois, Basson et Piano (4)
2 Violons Hautbois et Orchestr… (4)
2 Violins, Guitar (trio) (4)
Tous instruments (4)
String trio (4)
Guitar, Violin, Piano (4)
Soli (T (Evangelist), B (Jesus… (4)
Clarinette, Violoncelle et Pia… (4)
Choeur Mixte (SSATB) Et Instru… (4)
Hautbois et Cordes (4)
Choeur SATB et Orchestre (4)
Violon, Alto ou Violoncelle (4)
Chant et Guitare (4)
Percussions et Concert Band ou… (4)
Voix et Orchestre (4)
Scores (4)
Violin, Organ (4)
Harmonie (4)
Brass Quartet: 4 trombones (4)
Concert Band ou Harmonie et 3 … (4)
FlĂ»te Traversière, Hautbois … (4)
FlĂ»te Traversière Cordes et … (4)
Accessoire (4)
Trombone 2 (4)
Trompette ou Bugle et Piano (4)
Piano Quartet: piano, 2 violin… (4)
Guitar and Bass Tablatures, Ch… (4)
Oboe, Flute (4)
Choeur et Orchestre (4)
Violon 1 (4)
Fiddle (4)
Melody line, Piano (4)
Soprano Saxophone (4)
String Trio: 3 violins (3)
Saxophone TĂ©nor ou Ensemble Ă… (3)
Violin, Viola (duet) (3)
Cello, Organ (3)
Voix Hautes (3)
Piano, Guitar, Bass (3)
Choral Unison, Piano (3)
Lyrics & Chords (3)
Flute, Oboe, Piano (trio) (3)
Tuba or Euphonium or Saxhorn (3)
Ensemble Flexible Ă 5 Parties… (3)
Voice Soprano, Cello (3)
Voice, Clarinet, Piano (3)
Guitar Ensemble (3)
Choeur Mixte (SSATB) et Instru… (3)
Violin, Clarinet, Piano (trio)… (3)
Guitare et Voix (3)
Voix Mixtes (3)
Symphonic Band (3)
Piano, Violon et Cor ou Alto o… (3)
Flute, Cello, Piano (trio) (3)
Concert Band ou Harmonie et Ba… (3)
Clarinet, Horn, Piano (3)
Tuba TĂ©nor et Piano (3)
Woodwind Quintet (3)
CHAM::Chamber Group (3)
Flute, Clarinet (duet) (3)
Piano, Oboe and Bassoon (3)
Travaux Pour Choeurs (3)
Basse (3)
Libretto (3)
Solo Ă (B), Violon et Basse C… (3)
Bongos (3)
Baritone Saxophone (3)
2 Violins and Basso (3)
Accordion ensemble (3)
Oboe, Guitar (duet) (3)
Trompette 3 (3)
Organ and Brass Quartet (3)
3 Guitars (trio) (3)
Clavecin et Instruments Ă Cor… (3)
Baryton (3)
Bass Flute (3)
Mariachi (3)
Concert Band ou Harmonie et Ba… (3)
Violon II (3)
Saxophone Alto 2 (3)
Solistes SATB, Choeur SATB, 2 … (3)
Ligne MĂ©lodique, Paroles Et A… (3)
Hautbois et Cor Anglais (3)
Organ, Trumpet (duet) (3)
Piano Trio: mixed chamber inst… (3)
Piccolo (3)
2 Cellos, Piano (3)
Piano, Clavier ou Orgue (3)
Trombone 3 (3)
Soprano Saxophone and Piano (3)
Cello, Doublebass, Piano (trio… (3)
Clarinette, Quatuor Pour Instr… (3)
Cor en Fa (3)
Concert band, Choral (3)
Tuba et HĂ©licon (3)
Cello, Guitar (duet) (3)
2 Clarinets, Piano (3)
Conducteur De Poche (3)
Choeur SA Et Piano (3)
Harp, Cello (duet) (3)
Trompette et Concert Band ou H… (3)
Guitare (Fingerpick) (3)
DVD concert (3)
Choeur d'Enfants et Piano (3)
Chanson (3)
Clarinet, Bass Clarinet, Violi… (2)
Flûte traversière (2)
Piano Trio: Violin, Viola, Pia… (2)
Trombone en Sib ou Mib ou Tuba… (2)
Harpsychord (2)
Saxophone ensemble (2)
Clarinet, Harp (duet) (2)
Flute (band part) (2)
Trombone ou Tuba et Piano (2)
Bass Trombone (2)
Mallet Percussions (2)
Clarinet, Trumpet (duet) (2)
Trombone 1 (2)
Carte Postale (2)
Oboe, Cello (2)
4 Percussions (2)
Solo Et 3 Partie(s) Voix Aigue… (2)
SOP/BAR/ENS::Soprano, Baritone… (2)
Soli, Gemischter Chor 1 & 2, … (2)
Choeur SSA Et Percussions (2)
2 Parties Mixtes Et Piano (2)
Accordion, Flute (2)
Viola da Gamba, Basso continuo… (2)
Brass Quartet: 4 horns (2)
Xylophone et Concert Band ou H… (2)
2 Snare Drums (duet) (2)
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Johann Sebastian Bach: Magnificat In D BWV243: Mixed Choir: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Barenreiter
The 2nd version with the 4 inserts from the E-flat major version (transposed int...
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The 2nd version with the 4 inserts from the E-flat major version (transposed into D major).Barenreiter Urtext:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions thatpresent the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
26.50 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Missa longa In C Major K.262: Voice: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Barenreiter
The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so ...
(+)
The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so next to the incipit on the cover of the autograph collection of five masses in C major by his son. Mozart literature gives the year of origin as 1776 without mentioning the speculative nature of this claim.The monumentality of the Missa longa suggests that the work was written for a particularly solemn occasion. When scanning for outstanding ecclesiastical events in the 1770?s one cannot ignore the consecration of Ignaz Josef Count Spaur coadjutor and administrator of the diocese of Brixen as titular bishop of Chrysopel on 17 November 1776 in the Salzburg cathedral. Erich Schenk claimsthat Leopold Mozart?s mention of Wolfgang?s ?Spaur Mass? in a letter of 28 May 1778 was in reference to the consecration of Ignaz Josef Spaur an old friend of the Mozart family. Mozart?s work would then have to be seen as an homage of a truly personal nature. The Missa longa is the only setting of the Ordinary from this period which is appropriate to such a highly solemn event.Urtext of the ?New Mozart Edition? Ideal for church services and concert performances Full score & performance material (BA4853) and vocal score (BA4853-90) for sale
15.00 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Missa longa In C Major K.262: Mixed Choir: Part
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so ...
(+)
The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so next to the incipit on the cover of the autograph collection of five masses in C major by his son. Mozart literature gives the year of origin as 1776 without mentioning the speculative nature of this claim.The monumentality of the Missa longa suggests that the work was written for a particularly solemn occasion. When scanning for outstanding ecclesiastical events in the 1770?s one cannot ignore the consecration of Ignaz Josef Count Spaur coadjutor and administrator of the diocese of Brixen as titular bishop of Chrysopel on 17 November 1776 in the Salzburg cathedral. Erich Schenk claimsthat Leopold Mozart?s mention of Wolfgang?s ?Spaur Mass? in a letter of 28 May 1778 was in reference to the consecration of Ignaz Josef Spaur an old friend of the Mozart family. Mozart?s work would then have to be seen as an homage of a truly personal nature. The Missa longa is the only setting of the Ordinary from this period which is appropriate to such a highly solemn event.Urtext of the ?New Mozart Edition? Ideal for church services and concert performances Full score & performance material (BA4853) and vocal score (BA4853-90) for sale
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Wolfgang Amadeus Mozart: Missa longa In C Major K.262: Mixed Choir: Part
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so ...
(+)
The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so next to the incipit on the cover of the autograph collection of five masses in C major by his son. Mozart literature gives the year of origin as 1776 without mentioning the speculative nature of this claim.The monumentality of the Missa longa suggests that the work was written for a particularly solemn occasion. When scanning for outstanding ecclesiastical events in the 1770?s one cannot ignore the consecration of Ignaz Josef Count Spaur coadjutor and administrator of the diocese of Brixen as titular bishop of Chrysopel on 17 November 1776 in the Salzburg cathedral. Erich Schenk claimsthat Leopold Mozart?s mention of Wolfgang?s ?Spaur Mass? in a letter of 28 May 1778 was in reference to the consecration of Ignaz Josef Spaur an old friend of the Mozart family. Mozart?s work would then have to be seen as an homage of a truly personal nature. The Missa longa is the only setting of the Ordinary from this period which is appropriate to such a highly solemn event.Urtext of the ?New Mozart Edition? Ideal for church services and concert performances Full score & performance material (BA4853) and vocal score (BA4853-90) for sale
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Wolfgang Amadeus Mozart: Missa longa In C Major K.262: Mixed Choir: Score
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Barenreiter
The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so ...
(+)
The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so next to the incipit on the cover of the autograph collection of five masses in C major by his son. Mozart literature gives the year of origin as 1776 without mentioning the speculative nature of this claim.The monumentality of the Missa longa suggests that the work was written for a particularly solemn occasion. When scanning for outstanding ecclesiastical events in the 1770?s one cannot ignore the consecration of Ignaz Josef Count Spaur coadjutor and administrator of the diocese of Brixen as titular bishop of Chrysopel on 17 November 1776 in the Salzburg cathedral. Erich Schenk claimsthat Leopold Mozart?s mention of Wolfgang?s ?Spaur Mass? in a letter of 28 May 1778 was in reference to the consecration of Ignaz Josef Spaur an old friend of the Mozart family. Mozart?s work would then have to be seen as an homage of a truly personal nature. The Missa longa is the only setting of the Ordinary from this period which is appropriate to such a highly solemn event.Urtext of the ?New Mozart Edition? Ideal for church services and concert performances Full score & performance material (BA4853) and vocal score (BA4853-90) for sale
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Wolfgang Amadeus Mozart: Missa longa In C Major K.262: Mixed Choir: Parts
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so ...
(+)
The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so next to the incipit on the cover of the autograph collection of five masses in C major by his son. Mozart literature gives the year of origin as 1776 without mentioning the speculative nature of this claim.The monumentality of the Missa longa suggests that the work was written for a particularly solemn occasion. When scanning for outstanding ecclesiastical events in the 1770?s one cannot ignore the consecration of Ignaz Josef Count Spaur coadjutor and administrator of the diocese of Brixen as titular bishop of Chrysopel on 17 November 1776 in the Salzburg cathedral. Erich Schenk claimsthat Leopold Mozart?s mention of Wolfgang?s ?Spaur Mass? in a letter of 28 May 1778 was in reference to the consecration of Ignaz Josef Spaur an old friend of the Mozart family. Mozart?s work would then have to be seen as an homage of a truly personal nature. The Missa longa is the only setting of the Ordinary from this period which is appropriate to such a highly solemn event.Urtext of the ?New Mozart Edition? Ideal for church services and concert performances Full score & performance material (BA4853) and vocal score (BA4853-90) for sale
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Wolfgang Amadeus Mozart: Missa longa In C Major K.262: Cello & Double Bass: Part
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so ...
(+)
The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so next to the incipit on the cover of the autograph collection of five masses in C major by his son. Mozart literature gives the year of origin as 1776 without mentioning the speculative nature of this claim.The monumentality of the Missa longa suggests that the work was written for a particularly solemn occasion. When scanning for outstanding ecclesiastical events in the 1770?s one cannot ignore the consecration of Ignaz Josef Count Spaur coadjutor and administrator of the diocese of Brixen as titular bishop of Chrysopel on 17 November 1776 in the Salzburg cathedral. Erich Schenk claimsthat Leopold Mozart?s mention of Wolfgang?s ?Spaur Mass? in a letter of 28 May 1778 was in reference to the consecration of Ignaz Josef Spaur an old friend of the Mozart family. Mozart?s work would then have to be seen as an homage of a truly personal nature. The Missa longa is the only setting of the Ordinary from this period which is appropriate to such a highly solemn event.Urtext of the ?New Mozart Edition? Ideal for church services and concert performances Full score & performance material (BA4853) and vocal score (BA4853-90) for sale
5.00 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Missa in C major K.257: Mixed Choir: Score
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Barenreiter
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was pre...
(+)
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was presumably composed at the end of 1776 or in the first half of 1777. Like K.262 (246a) it is designated in Leopold Mozart?s handwriting as a Missa longa on the cover page of an early composite manuscript containing the five masses in C major. K.257 is listed there as the last work. The designation ?Missa longa? was intended to point out that this was an extensive full-scale mass. Normally it would have been called a Missa solemnis but Mozart for unknown reasons did not make use of this customary nomenclature.The name ?Credo Mass? is taken from the acclamations of ?Credo? that constantly interrupt thelike-named movement. The Mass is remarkable for its density of invention within the narrowest of confines. Further its instrumental accompaniment has an almost chamber-music quality that emerges time and again into almost symphonic proportions. Urtext of the ?New Mozart Edition? Straightforward piano reduction in the vocal score Ideal for church services and concert performances Full score & performance material (BA4859) and vocal score (BA4859-90) for saleArrangement for soloists choir & organ (BA7520) for sale
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Wolfgang Amadeus Mozart: Missa in C major K.257: Mixed Choir: Part
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was pre...
(+)
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was presumably composed at the end of 1776 or in the first half of 1777. Like K.262 (246a) it is designated in Leopold Mozart?s handwriting as a Missa longa on the cover page of an early composite manuscript containing the five masses in C major. K.257 is listed there as the last work. The designation ?Missa longa? was intended to point out that this was an extensive full-scale mass. Normally it would have been called a Missa solemnis but Mozart for unknown reasons did not make use of this customary nomenclature.The name ?Credo Mass? is taken from the acclamations of ?Credo? that constantly interrupt thelike-named movement. The Mass is remarkable for its density of invention within the narrowest of confines. Further its instrumental accompaniment has an almost chamber-music quality that emerges time and again into almost symphonic proportions. Urtext of the ?New Mozart Edition? Straightforward piano reduction in the vocal score Ideal for church services and concert performances Full score & performance material (BA4859) and vocal score (BA4859-90) for saleArrangement for soloists choir & organ (BA7520) for sale
14.00 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Missa in C major K.257: Mixed Choir: Part
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was pre...
(+)
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was presumably composed at the end of 1776 or in the first half of 1777. Like K.262 (246a) it is designated in Leopold Mozart?s handwriting as a Missa longa on the cover page of an early composite manuscript containing the five masses in C major. K.257 is listed there as the last work. The designation ?Missa longa? was intended to point out that this was an extensive full-scale mass. Normally it would have been called a Missa solemnis but Mozart for unknown reasons did not make use of this customary nomenclature.The name ?Credo Mass? is taken from the acclamations of ?Credo? that constantly interrupt thelike-named movement. The Mass is remarkable for its density of invention within the narrowest of confines. Further its instrumental accompaniment has an almost chamber-music quality that emerges time and again into almost symphonic proportions. Urtext of the ?New Mozart Edition? Straightforward piano reduction in the vocal score Ideal for church services and concert performances Full score & performance material (BA4859) and vocal score (BA4859-90) for saleArrangement for soloists choir & organ (BA7520) for sale
5.00 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Missa in C major K.257: Mixed Choir: Parts
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was pre...
(+)
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was presumably composed at the end of 1776 or in the first half of 1777. Like K.262 (246a) it is designated in Leopold Mozart?s handwriting as a Missa longa on the cover page of an early composite manuscript containing the five masses in C major. K.257 is listed there as the last work. The designation ?Missa longa? was intended to point out that this was an extensive full-scale mass. Normally it would have been called a Missa solemnis but Mozart for unknown reasons did not make use of this customary nomenclature.The name ?Credo Mass? is taken from the acclamations of ?Credo? that constantly interrupt thelike-named movement. The Mass is remarkable for its density of invention within the narrowest of confines. Further its instrumental accompaniment has an almost chamber-music quality that emerges time and again into almost symphonic proportions. Urtext of the ?New Mozart Edition? Straightforward piano reduction in the vocal score Ideal for church services and concert performances Full score & performance material (BA4859) and vocal score (BA4859-90) for saleArrangement for soloists choir & organ (BA7520) for sale
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Wolfgang Amadeus Mozart: Missa in C major K.257: Continuo: Part
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was pre...
(+)
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was presumably composed at the end of 1776 or in the first half of 1777. Like K.262 (246a) it is designated in Leopold Mozart?s handwriting as a Missa longa on the cover page of an early composite manuscript containing the five masses in C major. K.257 is listed there as the last work. The designation ?Missa longa? was intended to point out that this was an extensive full-scale mass. Normally it would have been called a Missa solemnis but Mozart for unknown reasons did not make use of this customary nomenclature.The name ?Credo Mass? is taken from the acclamations of ?Credo? that constantly interrupt thelike-named movement. The Mass is remarkable for its density of invention within the narrowest of confines. Further its instrumental accompaniment has an almost chamber-music quality that emerges time and again into almost symphonic proportions. Urtext of the ?New Mozart Edition? Straightforward piano reduction in the vocal score Ideal for church services and concert performances Full score & performance material (BA4859) and vocal score (BA4859-90) for saleArrangement for soloists choir & organ (BA7520) for sale
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Franz Joseph Haydn: Missa In Tempore Belli: Mixed Choir: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Barenreiter
Mass in Time of War-Haydn was in England in 1795 when he received word from hi...
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Mass in Time of War-Haydn was in England in 1795 when he received word from his new Prince Nicolaus II Esterházy that the Esterházy orchestra was to be reformed and Haydn was to serve again as active Capellmeister.Prince Nicolaus II demanded little from his Capellmeister except the usual routine of administration; but Haydn was to compose every year a new Mass for the name day of the Princess Josepha Maria which was celebrated the Sunday afterwards in the Bergkirche at Eisenstadt. It is known that a new Haydn mass was performed before a packed congregation in the Piaristenkirche in Vienna on St. Stephen?s Day (26 December) 1796. The writer of these notes examined when preparingthis edition the music archives of the church and found contemporary parts on the Missa in tempore belli in the church; and it seems certain that this (and not the Heiligmesse) was the work performed on that occasion and thus also the work which Haydn had just finished and performed in Eisenstadt.Urtext from Joseph Haydn WerkeFull score parts (BA4652) vocal score (BA4652-90) and study score format 22.5 x 16.5cm (TP94) available for sale
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Antonio Vivaldi: Kyrie RV 587 - SSAA: SSAA: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
Barenreiter
The ?Gloria? RV 589 is one of Vivaldi?s most popular compositions today and one ...
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The ?Gloria? RV 589 is one of Vivaldi?s most popular compositions today and one of the most regularly performed sacred vocal works from the Baroque era. The work was in all probability composed around 1716 during Vivaldi?s time at the Ospedale della Piet an orphanage for girls in Venice.Although Vivaldi?s ?Gloria? (BA 8953) was written for solo voices and mixed choir it is likely that it was performed at the girls? orphanage with female voices only. Taking this into account Malcolm Bruno?s careful arrangement for choir SSAA is of some relevance. The work when set for female voices or children?s choir remains a true masterpiece.The?Kyrie? RV 587 (BA 8954)for two choirs and two string ensembles as arranged here for female choir displays its own charm. It can be performed together with the Gloria as a type of short mass.Both arrangements are based on the recently published Urtext editions of these works. The piano reductions by editor Malcolm Bruno are easy to play and preserve the character of the works.- Effective arrangements for female choir- Forewords in English and German- Straightforward idiomatic piano reductions- Kyrie and Gloria can be combined for performanceThe orchestral parts for the original SATB version can be used for the performance of these arrangements.
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Johann Sebastian Bach: Cantata BWV 158 Der Friede Sei Mit Dir: Mixed Choir:
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Barenreiter
Der Friede sei mit dir BWV 158Cantata for Easter TuesdayThe cantata Der Friede s...
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Der Friede sei mit dir BWV 158Cantata for Easter TuesdayThe cantata Der Friede sei mit dir is one of those works of Bach’s which present the most problems. Neither the author of the text nor the history of the work’s composition is known to us; and to judge by appearances the version that has come down to us is but a fragment compounded of a number of once disparate elements and gives little indication of the work’s original form.Yet the movements that have come down to us are of such uncommon musical interest that we would not want to be deprived of them just because they may be incomplete. The modesty of its requirements is at least in partresponsible for the comparatively wide popularity enjoyed by this cantata.- Urtext of the New Bach Edition- Full score & performance material (BA10158) vocal score (BA10158-90) available for sale
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Christmas Oratorio, Part II (BACH JOHANN SEBASTIAN)
Soli, Mixted choir and accompaniment
[Score]
Carus Verlag
Und es waren Hirten in derselbigen Gegend - BWV 248.2. Par BACH JOHANN SEBASTIAN...
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Und es waren Hirten in derselbigen Gegend - BWV 248.2. Par BACH JOHANN SEBASTIAN. The Christmas Oratorio with just organ instead of orchestral accompaniment? Can this work with such a festive and colorfully orchestrated piece? This arrangement shows that it can, and surprisingly well!Carsten Klomp has carefully transcribed the orchestral writing for organ. Staying close to the original score goes hand-in-hand with a transcription brilliantly suited to the organ, with full use of the tonal and performing possibilities of the instrument.The first three parts of the Christmas Oratorio are now available from Carus in this form. So for the first time, a complete performance of Parts I?III of the work can now be given in an arrangement for soloists, choir and organ. Each of the organ parts is available to match the scores. These allow for optimal page-turns, as the choral parts are not printed and the da capo sections are always written out in full.The editions are available individually or as a set (including the three scores with the individual organ parts).The vocal parts (for soloists and choir) are identical to the original version, so that the vocal score and choral score of that version can be used.This work (original version) is also available in carus music, the choir app! / Date parution : 2022-10-12/ RĂ©pertoire / Solistes, SATB et Orgue
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Christmas Oratorio, Part III (BACH JOHANN SEBASTIAN)
Soli, Mixted choir and accompaniment
[Score]
Carus Verlag
Herrscher des Himmels, erhöre das Lallen - BWV 248 III, BWV3 248.3. Par BACH JO...
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Herrscher des Himmels, erhöre das Lallen - BWV 248 III, BWV3 248.3. Par BACH JOHANN SEBASTIAN. The Christmas Oratorio with just organ instead of orchestral accompaniment? Can this work with such a festive and colorfully orchestrated piece? This arrangement shows that it can, and surprisingly well!Carsten Klomp has carefully transcribed the orchestral writing for organ. Staying close to the original score goes hand-in-hand with a transcription brilliantly suited to the organ, with full use of the tonal and performing possibilities of the instrument.The first three parts of the Christmas Oratorio are now available from Carus in this form. So for the first time, a complete performance of Parts I?III of the work can now be given in an arrangement for soloists, choir and organ.Each of the organ parts is available to match the scores. These allow for optimal page-turns, as the choral parts are not printed, but the da capo sections are always written out in full.The editions are available individually or as a set (including the three scores with the individual organ parts).The vocal parts (for soloists and choir) are identical to the original version, so that the vocal score and choral score of that version can be used.This work (original version) is also available in carus music, the choir app! / Date parution : 2022-10-12/ Répertoire / Solistes, SATB et Orgue
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Giovanni Battista Pergolesi: Stabat Mater: Upper Voices: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
Barenreiter
Pergolesi’s famous Stabat mater a work for two soloists strings and cont...
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Pergolesi’s famous Stabat mater a work for two soloists strings and continuo quickly became a success throughout Europe. However there are numerous indications that it was also performed by choirs from very early on. Particular movements were very probably sung by a two-part choir whilst the arias were kept for the soloists. In this edition the outer movements and no. 8 are now scored for three-part choir (Sop MezSop Alto) in contrast to the solo aria movements. Three further movements are set as trios for three solo voices. The added parts are derived from the existing musical material. These lend this well-known work a completely new charmand provide a welcome addition to the repertoire for choral concerts. For performance material use original edition BA7679. Arrangement for female choir (Sop MezSop Alto) based on the Bärenreiter Urtext edition of the original work Clear straightforward piano reduction The arranger Malcolm Bruno is the editor of the Urtext edition of the Stabat Mater (BA 7679) and a renowned expert in 18th century Italian music.
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Johann Pachelbel: Christ lay in grim deaths prison: Mixed Choir: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Barenreiter
Easter Cantata-Christ lag in Todesbanden (Christ lay in grim death's prison)East...
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Easter Cantata-Christ lag in Todesbanden (Christ lay in grim death's prison)Easter CantataIn recent years the demand for making available a larger number of choral works by Johann Pachelbel (1653-1706) has made itself felt more strongly than ever before. Within the past few years the search for unpublished manuscripts of choral compositions written by Johann Pachelbel has been taken up again and not in vain. Approximately twenty instrumentally accompanied arias and thirty elaborate choral works intended for services of worship have recently been found. These date from the days when Pachelbel was an active church musician in Erfurt and Nuremberg and include compositionsof various categories e.g. motets cantatas magnificats and masses.The excellency of Pachelbel's choral works may be attributed in large part to the magnificence and splendour of their tonal character. They are unusually vocal choral and singable. In the very best sense of the term they are what the Germans call 'Gebrauchsmusik' that is to say they are functional music written for specific use in the church service. They are not music written for its own sake.Full score performance material (BA2875) choral score (BA2875-91) available for sale
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