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PERCUSSION
Soli, Mixted choir and accompaniment
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Paul Mealor: With A Friend Like You: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
Novello & Co Ltd.
In 2013 Mealor composed With A Friend Like You for the final of the second seaso...
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In 2013 Mealor composed With A Friend Like You for the final of the second season of the BBC 2 series 'The Choir: Sing while you work'. All three choirs of the final presented the song at Ely Cathedral. The P&O choir was declared winner. Composed for for 3-part Treble choir with soloist 3 SATB choirs with soloists Sleigh Bells Piano and Organ.
5.50 GBP - Sold by Musicroom UK
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Henry Purcell: Ye Tuneful Muses Raise Your Heads: SATB: Score
Soli, Mixted choir and accompaniment
[Sheet music]
Novello & Co Ltd.
Full Score-Ye Tuneful Muses Raise Your Heads is a work by Henry Purcell for SSC...
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Full Score-Ye Tuneful Muses Raise Your Heads is a work by Henry Purcell for SSCtTB Soli SSATB Chorus Treble Recorders Continuo and Strings. This work is taken from the Purcell Society Edition Volume 18: Royal Welcome Songs Part II edited by Bruce Wood. This is the Full Score and lasts around 24 minutes.
20.99 GBP - Sold by Musicroom UK
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John Rutter: Magnificat - Chamber Version: SATB: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Oxford University Press
John Rutter's Magnificat is a joyous celebration of the Virgin Mary inspired by...
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John Rutter's Magnificat is a joyous celebration of the Virgin Mary inspired by feast-day festivities in countries such as Spain Mexico and Puerto Rico. Following the example set by Bach the Magnificat text is extended incorporating the fifteenth-century English poem 'Of a Rose' the prayers 'Sancta Maria' and the 'Sanctus' (set to the Gregorian chant of the Missa cum jubilo). The full scores for orchestra or chamber ensemble are now available on sale for the first time in handsome cloth-bound editions and the newly set orchestral parts are available on hire.
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John Rutter: Magnificat - Orchestral Version: Soprano & SATB: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Oxford University Press
Full Score-John Rutter's Magnificat is a joyous celebration of the Virgin Mary ...
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Full Score-John Rutter's Magnificat is a joyous celebration of the Virgin Mary inspired by feast-day festivities in countries such as Spain Mexico and Puerto Rico. Following the example set by Bach the Magnificat text is extended incorporating the fifteenth-century English poem 'Of a Rose' the prayers 'Sancta Maria' and the 'Sanctus' (set to the Gregorian chant of the Missa cum jubilo). The full scores for orchestra or chamber ensemble are now available on sale for the first time in handsome cloth-bound editions and the newly set orchestral parts are available on hire.
146.95 GBP - Sold by Musicroom UK
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Requiem: Mixed Choir and Accomp.: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Score]
Carus Verlag
Joseph Martin Kraus [1756–1792] composed his Requiem in 1775at the age of 19 f...
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Joseph Martin Kraus [1756–1792] composed his Requiem in 1775at the age of 19 for the parish church in his hometown of Buchen Odenwald. This followed the Miserere of 1773 and is the second of his surviving sacred compositions. Already in this early work Kraus shows that he was a representative of the musical “Sturm und Drang.” With all its youthful unconcern towards compositional technique this music displays his seriousness and strength of expression together with a dark instrumental timbre as well as an abruptness or at times brusqueness. The publication of the Requiem in the Complete Edition is the first historical and critical edition of the work
36.80 GBP - Sold by Musicroom UK
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Te Deum (BRUCKNER ANTON)
Soli, Mixted choir and accompaniment
[Vocal Score]
Carus Verlag
Par BRUCKNER ANTON. Anton Bruckner's Te Deum - a high point in the composer's ou...
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Par BRUCKNER ANTON. Anton Bruckner's Te Deum - a high point in the composer's output and one of the most important works of the sacred choral repertoire in the 19th century - is now available in a modern, scholarly edition. The Carus edition draws on both the two sources regarded as important, the autograph score and the first printed edition, with careful consideration given to variant readings. And so a music text has been prepared which reflects the composer's intentions as closely as possible. Great emphasis has been placed on a clear-to-read layout of the full score pages, as well as excellent legibility for the parts, which are available on sale. With current performance practice in mind, the clarinet parts are notated in B flat instead of A, corresponding with the first printed edition. The vocal score has been newly prepared to reflect current practical requirements. As an economical alternative, a chorus score is available. Bruckner's Te Deum is also available in carus music, the choir app. The app contains the music and a recording, as well as a coach to help with learning each choral part. In preparation: arrangement of the Te Deum for soli, choir, brass quintet and organ./ Répertoire / Choeur Mixte (SATB) et Piano
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Giovanni Battista Pergolesi: Il prigionier superbo: Mixed Choir
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Ricordi
Edizione critica a cura di Claudio Toscani-EDIZIONE NAZIONALE DELLE OPERE DI GIO...
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Edizione critica a cura di Claudio Toscani-EDIZIONE NAZIONALE DELLE OPERE DI GIOVANNI BATTISTA PERGOLESI (Casa Ricordi in collaborazione con la Fondazione Pergolesi Spontini di Jesi) Based on the anonymous recasting of a libretto derived in turn from La fede tradita e vendicata by Francesco Silvani (1705) Il prigionier superbo by Giovanni Battista Pergolesi was first performed on 5 September 1733 at the Teatro di San Bartolomeo in Naples. With this opera ? his second dramma serio for San Bartolomeo in less than two years ? the young composer (who had already acquired considerable professional stature in the city?s theatres churches and aristocratic circles) reprised a perennially popular subject centered aroundthe dramatic conflict between filial piety and devotion to one?s betrothed. Inserted between the opera?s three acts were the intermezzi of La serva padrona which would soon go on to take all of Europe by storm. The primary source for this edition is a manuscript copy of the score currently housed in the Conservatorio di Musica ?San Pietro a Majella? in Naples and prepared by Giuseppe Sigismondo who was quite probably working from the now-lost autograph. Two other significant manuscript copies of the score also housed in Naples (respectively in the Biblioteca Oratoriana dei Girolamini and the aforementioned conservatory) were consulted along with a number of manuscript copies of individual arias. The edition is furnished with a historical introduction which traces the libretto?s complicated literary lineage and illustrates the circumstances of the opera?s commission genesis premiere and subsequent history: and a critical apparatus containing detailed source descriptions and critical notes for both the text and the music. An earlier version of the last movement of the Sinfonia and an aria for the third act whose text does not appear in the original printed libretto are provided as appendices.
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Wolfgang Amadeus Mozart: Regina Coeli In C K.276: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Barenreiter
The young Mozart composed three settings of the Regina coeli an ancient Latin M...
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The young Mozart composed three settings of the Regina coeli an ancient Latin Marian hymn of the Catholic church. K.276 in C major probably composed in 1779 in Salzburg is scored for SATB soloists SATB chorus Oboe (2) Trumpet (2) Strings (without Viola) Organ.Full score Vocal score (BA4888-90) and performance material (BA4888) based on the Urtext New Mozart Edition are available for sale.
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Dido and Aeneas (PURCELL HENRY)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Score]
Barenreiter
Par PURCELL HENRY. Purcell Dido and Aeneas (Full Score, paperback) The opera ?Di...
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Par PURCELL HENRY. Purcell Dido and Aeneas (Full Score, paperback) The opera ?Dido and Aeneas?, a recount of the well-known story from Book IV of Virgil's Aeneid, has established itself as a favourite with the public. This is due to the skill of composer Henry Purcell and his librettist Nahum Tate, who combined an overriding tragic theme with masterfully inserted comic episodes. Long believed to have been conceived in 1689 for a performance at a ?School for Young Gentlewomen?, scholars have debated the origins of ?Dido? in recent decades, a process hampered by the lack of early musical sources. This edition addresses these challenges and evaluates the earliest sources that reproduce the opera in its surviving form. Surprisingly, these date from the 1770s and 80s, some ninety years after the work was written. Three key manuscripts ? now held at the Bodleian Library in Oxford (UK), at Tatton Park Library which is a National Trust property near Manchester (UK), and at the Wakayama Prefectural Library (Japan) - were all copied from the same original, most likely a handwritten score from 1704 which reappeared in the early 1770s, only to disappear again. This is the first 'Dido' edition based on the Tatton Park manuscript as the main source. It was produced during the second half of the 18th century by Philip Hayes, one of England's most prominent musicians. He was known in musicology for his meticulous copies of Purcell's music, often from the autograph manuscripts. The Bodleian and Wakayama manuscripts are presented in a new light and their role in this edition has been reassessed accordingly. - Urtext edition based for the first time on the Tatton Park manuscript as the main source - Informative Foreword (Eng/Ger) on the genesis, transmission, reception and performance practice - Complete facsimile reproduction of the Chelsea libretto / Date parution : 2023-06-01/ Répertoire / Solistes, Choeur Mixte et Orchestre
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Wolfgang Amadeus Mozart: Missa brevis in F major K.192: Mixed Choir: Part
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
The autograph of the Missa brevis K.192 (186f) known as the Little Credo Mass (...
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The autograph of the Missa brevis K.192 (186f) known as the Little Credo Mass (because of the Credo calls interspersed in the text of the third movement) is dated Salzburg 24 June 1774. This Mass intended for Sundays and minor feasts was in any case written for Salzburg Cathedral in the archives of which is preserved an authentic set of parts containing markings by Mozart and his father. When the master journeyed to Paris in 1777 he took the autograph of this work along with him leaving it with the canons of Heilig Geist Kloster in Augsburg to have parts copied out.According to Abert (who wrote a classic biography of Mozart) this work is considered 'by manyto be the high point of Mozart's 'youthful Masses'' and 'as far as the motivic unity of the individual movements and the strengthening of the contrapuntal element is concerned goes far beyond everything composed hitherto'.Urtext of the New Mozart EditionFull score performance material (BA4770) and vocal score (BA4770-90) available for sale.
16.00 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Missa brevis in F major K.192: Mixed Choir: Parts
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
The autograph of the Missa brevis K.192 (186f) known as the Little Credo Mass (...
(+)
The autograph of the Missa brevis K.192 (186f) known as the Little Credo Mass (because of the Credo calls interspersed in the text of the third movement) is dated Salzburg 24 June 1774. This Mass intended for Sundays and minor feasts was in any case written for Salzburg Cathedral in the archives of which is preserved an authentic set of parts containing markings by Mozart and his father. When the master journeyed to Paris in 1777 he took the autograph of this work along with him leaving it with the canons of Heilig Geist Kloster in Augsburg to have parts copied out.According to Abert (who wrote a classic biography of Mozart) this work is considered 'by manyto be the high point of Mozart's 'youthful Masses'' and 'as far as the motivic unity of the individual movements and the strengthening of the contrapuntal element is concerned goes far beyond everything composed hitherto'.Urtext of the New Mozart EditionFull score performance material (BA4770) and vocal score (BA4770-90) available for sale.
13.50 GBP - Sold by Musicroom UK
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2 sellers
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Wolfgang Amadeus Mozart: Missa brevis in F major K.192: Mixed Choir: Score
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Barenreiter
The autograph of the Missa brevis K.192 (186f) known as the Little Credo Mass (...
(+)
The autograph of the Missa brevis K.192 (186f) known as the Little Credo Mass (because of the Credo calls interspersed in the text of the third movement) is dated Salzburg 24 June 1774. This Mass intended for Sundays and minor feasts was in any case written for Salzburg Cathedral in the archives of which is preserved an authentic set of parts containing markings by Mozart and his father. When the master journeyed to Paris in 1777 he took the autograph of this work along with him leaving it with the canons of Heilig Geist Kloster in Augsburg to have parts copied out.According to Abert (who wrote a classic biography of Mozart) this work is considered 'by manyto be the high point of Mozart's 'youthful Masses'' and 'as far as the motivic unity of the individual movements and the strengthening of the contrapuntal element is concerned goes far beyond everything composed hitherto'.Urtext of the New Mozart EditionFull score performance material (BA4770) and vocal score (BA4770-90) available for sale.
19.50 GBP - Sold by Musicroom UK
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Antonio Vivaldi: Gloria in D RV 589: SATB
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Carus Verlag
D-Dur-The Gloria in D Major RV 589 is Vivaldi's most famous sacred work and it i...
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D-Dur-The Gloria in D Major RV 589 is Vivaldi's most famous sacred work and it is among his most important church music compositions. An independent work in one movement it was probably composed between 1713 and 1717 for the Ospedale della Pietà one of the orphanages of Venice in which young girls received a thorough musical training. The musically representative work is divided into 12 sections which differ in scoring movement type key and expressed emotions.
14.30 GBP - Sold by Musicroom UK
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Requiem: Mixed Choir and Accomp.: Vocal Score
Soli, Mixted choir and accompaniment
satb (soli), SATB (chorus), Keyboard
Carus Verlag
Joseph Martin Kraus [1756–1792] composed his Requiem in 1775at the age of 19 f...
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Joseph Martin Kraus [1756–1792] composed his Requiem in 1775at the age of 19 for the parish church in his hometown of Buchen Odenwald. This followed the Miserere of 1773 and is the second of his surviving sacred compositions. Already in this early work Kraus shows that he was a representative of the musical “Sturm und Drang.” With all its youthful unconcern towards compositional technique this music displays his seriousness and strength of expression together with a dark instrumental timbre as well as an abruptness or at times brusqueness. The publication of the Requiem in the Complete Edition is the first historical and critical edition of the work
13.80 GBP - Sold by Musicroom UK
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Mass in C major (BEETHOVEN LUDWIG VAN)
Soli, Mixted choir and accompaniment
[Score]
Carus Verlag
Op. 86. Par BEETHOVEN LUDWIG VAN. ?But, dear Beethoven, what have you done again...
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Op. 86. Par BEETHOVEN LUDWIG VAN. ?But, dear Beethoven, what have you done again?? Even if the authenticity of this statement, which was quoted by Anton Schindler, may be doubted, it reflects quite well the confusion that the Mass in C may have caused its commissioner, Prince Nicholas II Esterházy, in 1807. Unconventional for those times, here Beethoven opened up entirely new worlds of expression for the liturgical text, opening up new avenues for the further development of mass compositions in the 19th century. This important work of choral literature can now be performed by smaller forces thanks to this arrangement for soloists, choir and chamber orchestra. Instead of 12, just 5 wind instruments are required. The string parts can also be played by single soloists; the performance material contains suggestions about how to deal with the divisi passages. All the vocal parts (soloists and chorus) are unaltered in the arrangement, so that the vocal scores and choral scores from the original version can be used.-Large mass also performable for smaller choirs-Wind instruments of the original version reduced to five single instruments-Vocal and choral scores of the original version can be used-carus plus: the work (original version) is available in the app carus music, the Choir Coach, as well as in the series Carus Choir Coach (audio only) / Date parution : 2022-10-12/ Répertoire / Solistes, SATB et Orchestre
107.50 EUR - Sold by LMI-partitions
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Wolfgang Amadeus Mozart: Regina Coeli In C K.276: Mixed Choir: Score
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Barenreiter
The young Mozart composed three settings of the Regina Coeli an ancient Latin M...
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The young Mozart composed three settings of the Regina Coeli an ancient Latin Marian hymn of the Catholic church. K.276 in C major probably composed in 1779 in Salzburg is scored for SATB soloists SATB chorus Oboe (2) Trumpet (2) Strings (without Viola) Organ.Full score vocal score (BA4888-90) and performance material (BA4888) based on the Urtext New Mozart Edition are available for sale.
15.00 GBP - Sold by Musicroom UK
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Magnificat (BRUCKNER ANTON)
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Score]
Carus Verlag
WAB 24. Par BRUCKNER ANTON. What does early Bruckner sound like? The Magnificat ...
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WAB 24. Par BRUCKNER ANTON. What does early Bruckner sound like? The Magnificat in B flat major casts a completely unexpected light on the young composer, on the threshold of composing his great church works. Around 5 minutes in length, and in the spirit of Mozart, it was written in 1852 for a service at the Monastery Church of St. Florian. With its concise form and scoring for small forces it offers many opportunities for use. Trumpets and timpani give a festive emphasis to this song of praise to Mary. / Date parution : 2022-05-31/ Répertoire / Solistes, Ch?ur SATB et Ensemble de Chambre
29.90 EUR - Sold by LMI-partitions
(Seller in french langage)
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Te Deum (BIZET GEORGES)
Soli, Mixted choir and accompaniment
Carus Verlag
Par BIZET GEORGES. As an acclaimed opera composer, Georges Bizet admitted that h...
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Par BIZET GEORGES. As an acclaimed opera composer, Georges Bizet admitted that he had no real sensibility for sacred music. His Te Deum is nonetheless a truly fascinating and highly expressive work. From the majestic ?Te Deum laudamus?, to the skillful choral fugue of ?Fiat misericordia tua?, and the opening's powerful recapitulation, the composition shows no trace of the difficulties that beset the young Bizet by his own admission before he finally completed the work in 1858.In the extensive trilingual preface to this Urtext edition, editor Marc Rigaudière illuminates the circumstances surrounding the composition of the Te Deum, a work which occupies a singular position in Bizet?s ?uvre. The edition is based on the composer?s autograph score ? the work's only surviving source. For the first time, this work is available with all performance parts. / Date parution : 2023-06-01/ Répertoire / Solistes [ST], SATB et Piano
13.60 EUR - Sold by LMI-partitions
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Te Deum (BIZET GEORGES)
Soli, Mixted choir and accompaniment
[Score]
Carus Verlag
Par BIZET GEORGES. As an acclaimed opera composer, Georges Bizet admitted that h...
(+)
Par BIZET GEORGES. As an acclaimed opera composer, Georges Bizet admitted that he had no real sensibility for sacred music. His Te Deum is nonetheless a truly fascinating and highly expressive work. From the majestic ?Te Deum laudamus?, to the skillful choral fugue of ?Fiat misericordia tua?, and the opening's powerful recapitulation, the composition shows no trace of the difficulties that beset the young Bizet by his own admission before he finally completed the work in 1858.In the extensive trilingual preface to this Urtext edition, editor Marc Rigaudière illuminates the circumstances surrounding the composition of the Te Deum, a work which occupies a singular position in Bizet?s ?uvre. The edition is based on the composer?s autograph score ? the work's only surviving source. For the first time, this work is available with all performance parts. / Date parution : 2023-06-01/ Répertoire / Solistes [ST], SATB et Orchestre
51.70 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
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