Carmen Faust The Magic Flute And Otello-This single-volume compilation features four popular opera fantasies arranged for Violin with Piano accompaniment. Each of these frequently performed pieces was arranged by a world-class artist and offers the convenience of aseparate Violin part:Carmen Fantasy from the Opera by Georges Bizet Op. 25 transcribed by Jenö Hubay.Fantasia on Themes from Gounod's Faust Op. 20 transcribed by Henri Wieniawski.Fantasie fromMozart's The Magic Flute Op. 54 transcribed by Pablo Sarasate.Fantasie Brillante on the March and the Romance from Rossini's Otello Op. 11 by Heinrich Wilhelm Ernst.This collection is ideal forpractice performance teaching and independent study by students professional performers and amateur ensembles.

John Corigliano's Concerto for Violin and Orchestra (The Red Violin) draws upon music he composed for the film of the same name which won an Academy Award for best film score. The story spans three centuriesin the life of a magnificent but haunted Violin in its travels through space and time. Corigliano composed this 36-minute concerto in memory of his father the former concertmaster of the New York Philharmonic. For Violin andPiano reduction.

Schubert, Franz Sonata for Violin and Piano A major op. post.162 D 574 Violin Sonata Edition no.: BA 5605 ISMN: 9790006472710 Editor: Wirth, Helmut Product format: Performance score(s), Part(s), Urtext edition Includes the following individual parts: Violin, Piano Binding: Paperback Pages / Format: 22/10 S. - 31,0 x 24,3 cm

for Violin and Piano-Following the publication of the Valse-Scherzo we continue Henle's edition of Tchaikovsky?s complete works for violin and piano with the enchanting Sérénade mélancolique op. 26. This was Tchaikovsky?s first concertante work forviolin the beginning of a path that was to lead to his Violin Concerto three years later. He composed the Sérénade mélancolique in 1875 for violinist Leopold Auer originally for violin and orchestra but later also in a versionfor violin and piano. Since the autograph sources are lost this Henle edition is based on the Russian first editions which even in Tchaikovsky?s lifetime were issued in a number of revised versions. The editor RussianTchaikovsky scholar Alexander Komarov brings exemplary clarity to the confused state of the sources while Ingolf Turban unlocks the notation of the violin part with his accomplished fingerings and bowings.

6 Sonatas for Piano and Violin op. 10 (b)-Weber composed an incredible array of compositions in his rather short but at the same time tireless life. Many of them have still to be discovered. The Six Violin Sonatas op. 10 (b) composed inDarmstadt in 1810 are most certainly amongst them. The individual movements are rather short and also not particularly difficult technically. The music is on the other hand all the more compelling which is partly due to thevarious integrated dance forms: ?Carattere Espagnuolo? and ?Air Polonais? in Sonata No. 2 ?Air Russe? in No. 3 ?Siciliano? in No. 5 and a ?Polacca? in No. 6.

Arrangeur: Watson Forbes. Par SCHUBERT FRANZ. Strings/ Répertoire / Violon et Piano

Reconstructed from BWV 1056. Par BACH JOHANN SEBASTIAN. This violin concerto in G minor has not come down to us in the form presented here. It has been reconstructed from a lost violin concerto that survives solely in Bach's arrangement for harpsichord, namely, as the Harpsichord Concerto in F minor (BWV 1056). The reconstruction is based on a meticulous evaluation of those autograph harpsichord concertos that also survive in an original version for violin. In particular, the autograph harpsichord parts contain changes that Bach made when preparing his arrangements, thereby revealing the manner in which he transcribed his solo violin works for the harpsichord. The keyboard realization is presented in a transparent way allowing players the possibility to embellish and fill in the harmonies at their discretion./ Répertoire / Violon et Piano

Bärenreiter's Easy Concertos is a new series of the most popular short concertos for violinists who want to begin performing in public. The series begins with works by the composers Rieding Seitz and Vivaldi which are clear favourites amongst the first solo concertos played.The editions include a solo Violin part and a Piano reduction for the accompanist. The series is edited by Kurt Sassmannshaus the internationally renowned Violin teacher and co-author of the Sassmannshaus Violin school tradition. His forewords introduce these little gems and include tips to ensure successful first concerts.These volumes form an ideal continuation of theSassmannshaus school editions and can be used in parallel from volume three onwards: They can also be used to supplement any Violin method. This series will be continued and will introduce students to more demanding repertoire with an increasing level of difficulty.

Bärenreiter's Easy Concertos is a new series of the most popular short concertos for violinists who want to begin performing in public. The series begins with works by the composers Rieding Seitz and Vivaldi which are clear favourites amongst the first solo concertos played.The editions include a solo Violin part and a Piano reduction for the accompanist. The series is edited by Kurt Sassmannshaus the internationally renowned Violin teacher and co-author of the Sassmannshaus Violin school tradition. His forewords introduce these little gems and include tips to ensure successful first concerts.These volumes form an ideal continuation of theSassmannshaus school editions and can be used in parallel from volume three onwards: They can also be used to supplement any Violin method. This series will be continued and will introduce students to more demanding repertoire with an increasing level of difficulty.

Composed for Joo Yeon Sir winner of The Arts Club Karl Jenkins Music Award 2014 in association with Classic fM and first performed the following year at London’s Royal Albert with the Royal Philharmonic Orchestra conducted by the composer. Constructed like a passacaglia the plaintive opening statement gradually rises to a passionate virtuoso display featuring double stops and advanced bowing and pizzicato techniques before subsiding to a calm close. The composer later incorporated the work into Cantata Memoria a commemoration of the 1966 Aberfan tragedy.

7 Sonatas for Violine and Basso Continuo-An authoritative Urtext edition of seven of Sonatas for Violin and Basso Continuo written by Handel. Some of the finest baroque Violin Sonatas once more demonstrating Handel’s exquisite brilliance. This HenleVerlag Urtext edition is derived from Handel's original manuscripts with full editorial details and a comprehensive discussion of the differing editions as they have existed over the years thus it is the definitive referencesource for study and performance preparation. Separate performance parts are included for the solo Violin additional Violin and the realisation of the figured Bass for Cello alongside the full Piano/ Keyboard score.Edited by Stanley Sadie.

A pioneering set of Urtext editions.String editions include an Urtext solo part and a second part with fingering as well as performance markings.Each edition offers a preface on performance practice aspects pertaining to the respective works.A separate text booklet includes pioneering texts on general issues of performance practice in the 19th century as well as on specific issues with regard to Johannes Brahms? chamber music.Bärenreiter?s pioneering new scholarly-critical editions of Brahms? works for one instrument and Piano are edited by a team of musicologists who are also performers. They offertoday?s musicians not just a reliable musical text based on all known sources but also a comprehensive approach to the works which aims to place them in their historical context and to elucidate the complex of meanings that the composer wished his notation to convey to performers.The Violin and Viola sonata editions come not only with an Urtext part freed from all editorial emendations but also with an additional part including fingering and bowing based on the practices of Joseph Joachim and his colleagues. These markings especially draw on publications of the sonatas edited by Joachim?s pupils Leopold Auer and Ossip Schnirlin as well as those by Brahms? associate Franz Kneisel. A similar approach has been used for the Violoncello sonatas drawing on performance markings by Robert Hausmann (for whom Brahms wrote the Sonata in F major) Hugo Becker with whom Brahms performed it and Julius Klengel who was also close to his circle.