Violin Theory for Beginners is the result of many years of effort to teach music theory effectively in relation to the violin. Each lesson has been thoroughly tested with students of all levels of ability in an effort todetermine the correct approach and the essential amount of repetition. The use of a blackboard cannot be too strongly stressed to insure complete understanding and to prevent mistakes in the written exercises at the end of eachlesson. The teacher will need to determine how many exercises each child needs; however the author uses all of them. This book is not intended to be an exclusive discourse; rather it is meant to serve as a basis for theindividuality and the ingenuity of the teacher.

Prenez un voyage groovine retour à la musique pop des années 60, des années 70 et 80 ans avec ce nouveau jeu-le long livre funky. Cet ouvrage couvre plusieurs types de musique pop, y compris folk-rock, jazz-rock, RandB et disco, donc vous êtes lié à trouver un style pop d'intérêt. / Violon / 24 pages / Partition

Young Austin begs his parents to play violin. But Austin doesn't make time to practice until one night he is visited by the violin fairy who warns him that if he doesn't practice his violin it will shrink. Austin's classmates are amazed at what happens next! Austin discovers that if he wants to sound good he must practice. This heartwarming story teaches the benefits of hard work and attaining one's goals. Austin's dream of becoming a big violin star is starting to come true. The book's whimsical illustrations by acclaimed illustrator Susan Oliver add to the charm and merriment of the story. The book includes a CD of 10 easy original songs for violin or voice (with lyrics sung bya children's choir) and narrations of the story. (Recommended for ages 4-8)

Douze Cahiers D'Etudes Revues, Annotées et Doigtées Par Mathieu Crickboom. Par CRICKBOOM MATHIEU. The masters of the violin have left us an inheritance of numerous books of remarkable studies and caprices. But the very abundance of this precious inheritance makes that an important part of it remains without profit, because it is impossible for the pupils to acquire or study these few thousands studies scattered in fifty big volumes. Very frequently, however, these studies are not classified in a progressive manner. Result of an inspiration which the pedagogical spirit could not always dominate or guide as it liked to, the first studies address themselves sometimes to the pupils who conjugate yet their first shifts with the most easy bow strokes, while the last are always of transcendent difficulty. Whatever be the chosen studies, once the first step is sourmounted, the pupils must do great efforts to realize imperfectly and in divided movements, difficulties which are beyond them. The result of this is: a considerable loss of time and sometimes even much discouragement. It follows at all events, that instead of practising fifty or sixty caprice studies in one year's time, the pupils can hardly study thirty. It is the desire to remedy these multiple inconveniences, that has incited us to realize the present work and in order to accomplish it to search in the greatest works of the masters, the elements the most apt to insure rapidly to the young violinists, the most complete mecanism of the left hand and bow. These exceedingly numerous and diverse elements chosen in the old editions, have been re-examined, fingered and sometimes the nuances (shades) set by us, with the most care and then classified by degrees from the second to the eight year of study in a progressive manner. These books of studies will not bear their fruits however, unless the work is regulated from the second to the fifth year of teaching, by a good method and appropriated exercises. The studies cannot in reality during this period, replace neither a method nor the exercises, they have to be considered rather as an amplified rehearsal of elements learned elsewhere but still badly assimilated./ Méthode / Violon

Par HART LAURIE. Danse ce soir! Fiddle and Accordion Music of Quebec is a collection of 122 traditional and composed tunes by a wide variety of quebecois players and composers, the broadest and most informative collection of quebecois repertoire available to date. The text, in both French and English, gives extensive background information about the repertoire and history of instrumental dance music in Quebec, an analysis of the fiddle, accordion, guitar and piano style, and biographies of the musicians. Historical, stylistic and discographic information is offered for all of the tunes, which have been carefully transcribed complete with ornaments and guitar/piano chords. The book includes maps, photos, a bibliography, indexes, lists of organizations festivals and music camps, and an extensive discussion of piano accompaniment, including three full piano transcriptions. Appropriate for the beginner or accomplished player on any instrument, for the folklorist and musicologist, and for the listener or dancer who wants to learn more about the beautiful and varied traditional music of Quebec. The companion CD offers ensemble renditions of 32 tunes from the book, for a total of 60 minutes. / Niveau : Débutant à Intermédiaire / Canadian - Songbooks / Recueil / Violon

Solo Arrangements of 15 Chart Breakers with Audio Accompaniment. Par . La célèbre collection De Haske Instrumental Play-Along s?enrichit d?un nouveau recueil intitulé Super Hits composé d?une sélection de 15 des plus grands succès internationaux des années 2010. La liste des interprètes se lit comme un Who?s Who des plus grands artistes de ces dernières années : de Taylor Swift à Billie Eilish en passant par Camila Cabello, et de Justin Timberlake à Lewis Capaldi ou encore Ed Sheeran, il y en a pour tous les goûts. Les fichiers audio sont disponibles en ligne sous deux formes différentes : une version comportant uniquement l?accompagnement et l?autre avec préenregistrement de la ligne mélodique pour s?entraîner. / Date parution : 2022-02-10/ Recueil / Violon

The Bluegrass Violin-El Violin en el Bluegrass. The endlessly energetic duo of Oriol Saña and Lluís Gómez have created a charming and informative account of the musical phenomenon we call bluegrass. Originally a quirky supercharged folk music played by about ten people, bluegrass music, with its Mozart-like formality and ferocious rhythmic zest, now describes an extended international family of related string band styles. Master fiddler Oriol and bluegrass banjoist Lluís, both acclaimed educators, present both the wide view and crucial details about this music in a clear, personable manner. Bravo! Includes access to online audio. El dúo formado por Oriol Saña y Lluís Gómez, siempre tan activos, se ha puesto manos a la obra una vez más para producir esta brillante obra, amena a la vez que informativa, sobre el fenómeno musical que llamamos bluegrass. En sus inicios, era un estilo folk muy rebuscado y minoritario, pero esa formalidad digna de Mozart y ese ritmo frenético tan característico han conseguido que actualmente abarque una gran familia de estilos musicales en distintos países. El maestro violinista Oriol y el banjista de bluegrass Lluís, ambos reconocidos profesores, presentan una visión amplia y a la vez detallada sobre esta música, aportando tanto claridad como su punto de vista personal. ¡Bravo! Incluye acceso a audio en línea.