Chanson triste (Saxophone-Alto & Piano)-French composer Robert Planel (1908-1994) was the son of composer and founder of the Music School of Montelimar Alphonse Planel. Planel junior was an exceptionally accomplished musician reflected in his composition  Suite Romantique for Alto Saxophone and Piano. The sixth movement of Suite Romantique Sad Song is a sublime legato piece for intermediate level saxophonists. With a typical performance lasting about three minutes Planel's Sad Song addresses a wide range chromaticism dotted rhythms dynamics tempo changes key changes and variety inperformance directions. Planel's Suite Romantique is an exciting addition to the modern repertoire of the Saxophone and cannot be missed by aspiring saxophonists.

To the Russian Woman for Alto Saxophone and Piano-French composer Pierre Max Dubois (1930-1995) significantly contributed to the woodwind repertoire particularly for Saxophone. Characteristic Pieces in the Form of a Suite for Alto Saxophone and Piano was published in 1962 and remains popular in the advanced saxophonist's repertoire. Dubois' music is characteristically light-hearted with unusual harmonic and melodic textures. The second movement of Characteristic Pieces in the Form of a Suite for Alto Saxophone and Piano To the Russian Woman reflects Dubois' compositional characteristics as well as elements of Russiancharacteristics with a typical performance lasts about two and a half minutes. Characteristic Pieces in the Form of a Suite is essential to the advanced saxophonist's repertoire. Dubois' most famous work makes for an exciting and enjoyable performance for players and audiences alike.

To the Hungarian Woman for Alto Saxophone and Piano-French composer Pierre Max Dubois (1930-1995) significantly contributed to the woodwind repertoire particularly for Saxophone. Pieces Caracteristiques En Forme De Suite for Alto Saxophone and Piano was published in 1962 and remains popular in the advanced saxophonist's repertoire. Dubois' music is characteristically light-hearted with unusual harmonic and melodic textures. The fourth movement of Pieces Caracteristiques En Forme De Suite for Alto Saxophone and Piano To the Hungarian Woman reflects Dubois' compositional characteristics as well as elements of Hungariancharacteristics and a typical performance lasts about two and a half minutes. Pieces Caracteristiques En Forme De Suite is essential to the advanced saxophonist's repertoire. Dubois' most famous work makes for an exciting and enjoyable performance for players and audiences alike.

Composed by Jeanine Rueff Chanson Et Passepied for Saxophone is a piece for advanced players written in two parts. The first part “Chanson” (Song) is a lyrical part written in Andantino Tempo starting with a very simple yet beautiful melody and organised in the format of a Question/Answer. It is then followed by a second melody with the same organisation and by the first melody that is played by the piano. The second part “Passepied” which refers to a Baroque dance is composed in Allegretto and has an A/B/A structure. A is quite melodic while B is more like a Valse. Wonderfully composed verytechnical yet also lyrical this piece is really enjoyable and can be used for recital or contests. Jeanine Rueff composed numerous pieces for Saxophones often used in contests as well as many pieces for Saxhorn Clarinet Horn and Cornet.

Andy Hampton's Saxophone Basics - Pupil's Book for Alto Saxophone. Includes CD featuring a recorded Piano accompaniment that can be played along to.

Par SCHWARTZ JAY . From the composer: “I composed Music for Saxophone and Piano for Harry Kinrose White in 1992. It is an early attempt in my work at magnifying the barriers between sound and silence, exploring the extreme ranges of pianissimo sounds in the saxophone that seem to appear without recognizable transition out of nothing. Glissandi, sliding tones, have always fascinated me, and in this piece I applied for the first time my ideas about pitch slides in a composition. These two qualities - the absence of a recognizable boundary between soft and inaudible sound, and the absence of a stationary pitch by employing glissandi - were soon to become something of a basis of my compositional aesthetic for many years. It was in Music for Saxophone and Piano that these ideas seem to have first germinated. The architecture of this piece employs a simple binary form, but the halves are stylistically diametrically opposed, creating a dialectical pair, the serene and elegiac character of the second half being born out of the high point and cathartic event of the first half. In this architectural formula new and unexpected material is catalyzed by the long arch of the opening material reaching a breaking point.” For advanced players./ Recueil / Saxophone Alto et Piano

Inspirational works by black composers. This inspiring collection celebrating black composers has been selected and edited by the renowned saxophonist, YolanDa Brown. Suitable for intermediate-level alto saxophone with piano accompaniment, plus commentary from YolanDa and downloadable backing tracks.

New Edition 2012-18 pieces for Alto Saxophone and piano selected and edited by Peter Wastall now refreshed and repackaged to fulfil the needs of the next generation of musicians.Providing the perfect 'next step' for students reaching the end of Peter Wastall's award-winning Learn As You Play method books these collections of repertoire are ideally suited for students of Grade 3-5 standard.Each piece is now complemented by useful practice and performance tips. A newly-recorded CD of backing tracks is also included alongside the piano accompaniment.Content- A. Ilyinsky: Berceuse- R. Maltby: Heather on the Hill- F. Schubert: Serenade- J.S. Bach: Musette- W. Benson: Cantilena- A. Rubinstein: Melody- P. Harris: Foxtrot- H. Ferguson: Petit jeu- C. Evans: Sweet Corn- K.R. Cole: Hooligan Strain- A. Krori: Blue Funk- A. Ridout: Scherzo- C. Batton: A Lady in Blue- J. Gurewich: Czardas- P. Bouillon- A. Ktori: Soul-Track- C. Cowles: Myopic Mice- E. Wolf-Ferrari: Strimpellata

An easy step-by-step method of learning to improvise. Simple transposition exercises and short, structured solos lead to controlled, confident improvisations. Improvise Microjazz can be dipped into or worked through in sequence. Chord symbols are used throughout, and each unit ends with a new Microjazz piece, providing the player with an opportunity to relax by playing some written out music with no decisions to make. Microjazz is the world famous series of pieces based on classical technique yet using popular contemporary styles such as jazz, blues, rock'n'roll and funk. Microjazz helps you develop musicianship and technique through the familiar sounds and styles of popular music. It is this unique combination of modern genres with traditional technique that has made Microjazz an international success with teachers and players, and one of the most widely used educational series ever published. New technology brings Microjazz alive and adds an exciting interactive dimension to practice and performance. Based on classical technique Microjazz is a great way to introduce rhythm and develop co-ordination skills whilst being fun for all ages and standards. A great motivator for the reluctant student and the pieces are equally effective on acoustic or electronic instruments. Content : Thoughtful Melody for Two Duet Train Blues Set Piece Picnic Piece Moving Along Young at Heart Misty Day Into the Night

14 Most Beautiful Jazz Songs. Bars enfumés et mélancolie ? le feeling du jazz se retrouve dans les grands standards comme Lullaby of Birdland, Chattanooga Choo Choo ou encore What a Wonderful World, arrangés ici par le célèbre auteur Dirko Juchem pour le Schott Saxophone Lounge, à côté d'autres standards populaires. On y trouve 14 pièces en arrangements faciles pour saxophones alto et ténor./ Recueil / Saxophone Alto et Piano

Stylish arrangements of selected highlights from the leading 20th century composer. Par BARTOK BELA. The Boosey and Hawkes Bartók Edition showcases brand new stylish arrangements of highlights from the leading twentieth century composer for developing musicians to learn and enjoy. The Romanian Folk Dances were originally written in 1915 as a suite of six short piano pieces, which Bartók subsequently orchestrated for small ensemble. In this edition, Hywel Davies has arranged the suite for alto saxophone with piano accompaniment. / Niveau : Intermédiaire / Répertoire / Saxophone Alto et Piano

Par LOPEZ ALAIN. Musique Cubaine de structure A-B-A'. Chaque phrase commence toujours par 3 blanches conjointes suivies d'intervalles inversés (en croches) et se terminant par une liaison rythmique. Il est possible d'aborder cette pièce en la mémorisant afin de se rapprocher de la tradition orale. Les phrases ne sont pas difficiles à apprendre et le support du MP3 sera une aide non négligeable dans ce domaine. - Alain LOPEZ - Une Pièce originale adaptée pour une audition ou un examen de 1er Cycle B - Formation : Musique de Chambre, Duo, Solo and Accompagnement Piano - Instrumentation : 1 Saxophone Alto 1 Piano - Niveau de Difficulté : 2/6 - Facile - Durée : 2 mn 10 s - Style Musical : Classique, Pédagogique - Catégorie : Composition Originale - Compositeur : Alain LOPEZ - / Niveau : Facile / Classique, Pédagogique / Répertoire / Saxophone Alto et Piano

Chers saxophonistes, Je ne saurais trop vous conseiller d'écouter et de voir les opéras dont sont extraits ces paraphrases. A cet effet, je vous ai indiqué le titre et l'emplacement de chaque air pour que vous puissiez les retrouver aisément en écoutant l'oeuvre. Vous pourrez ainsi vous imprégner des grands maîtres de l'opéra. En musique, tout n'est pas dans les notes et le rythme, l'essentiel est même autour. C'est encore plus vrai dans l'opéra. Fabien Chouraki Charles Jean-Baptiste Soualle (dit Ali Ben Sou Alle), mystérieux saxophoniste du XIXe siècle, a élaboré des paraphrases d'opéras pour saxophone, qu'il a jouées avec grand succès durant sa carrière lors de ses tournées mondiales. Fabien Chouraki les a retrouvées à la bibliothèque Nationale de France et les sort de l'oubli pour notre plus grand plaisir. Contenu Fantaisie sur La Favorite - Fantaisie sur Lucrèce Borgia - Grande fantaisie variée sur Lucie de Lamermoor

La référence AL20337 de l'éditeur Leduc dont l'auteur célèbre est Challan Henri, qui a pour titre Concerto, a été écrite et composée pour Saxophone et plus particulièrement pour Saxophone En Mib Et Piano. Cette partition musicale appartient à la catégorie Classique. / Saxophone En Mib Et Piano / Partition

Edition no.: BA 8732-90 ISMN: 9790006533510 Editor: Back, Regina / Woodfull-Harris, Douglas Arranger: Schelhaas, Martin Language(s) of text: English, German Product format: Piano reduction, Part(s), Urtext edition Includes the following individual parts: Alto saxophone, Piano Binding: Stapled Pages / Format: XV, 22/11/11 S. - 31,0 x 24,3 cm