Editée au cours de l'exercice 2011-2012 par les éditions Fertile Plaine, la partition qui a pour titre Touit en haut de la prairie ( violoncelle et paino ) du compositeur Telman André a été cataloguée sous la référence FP 1305 par l'éditeur. Cette oeuvre est écrite pour Violoncelle . En 3 clics et quelques jours elle peut être chez vous. / Violoncelle Et Piano / Partition

Soon after its composition in 1886, Camille Saint-Saëns asked Auguste Durand that Le Carnaval des animaux, which he thought of as a parodic fantasia, should only appear in print posthumously. He probably believed that this entertainment would tarnish the seriousness of the rest of his oeuvre. The Carnaval was therefore published in February 1922, two months after the composer's death. Nevertheless the composer contravened the restrictions he had imposed: in 1886 Charles-Joseph Lebouc obtained the authorization to make and publish a transcription for piano and cello of the penultimate piece in this musical bestiary: no.13, Le Cygne . This arrangement, which became a bravura piece for cello, was an immense success each listener compelled to imagine a majestic swan gliding across a lake , a success which Saint-Saëns was obliged to accept. / Violoncelle / Durand

for Violoncello and Piano-Camille Saint-Saëns' Sonata For Violoncello And Piano No. 2 In F Op. 123. Henle urtext edition with marked and unmarked string part. After Camille Saint-Saëns' firstCello sonata of 1872 (HN1057) gained fast popularity the publisher requested a second sonata for this scoring. It was only in March 1905 in the mild climate of Algeria that Saint-Saëns finally relented andcomposed a large sonata with four movements.  Saint-Saëns personally believed his Sonata For Violoncello And Piano No. 2 In F Op. 123 to be superior to his first and even thought itsthird movement the “Romanza” was an equivalent to the famous “Swan” in the “Carnival of the Animals” (HN943). Despite this the work is still overshadowed by the first sonata not leastbecause the second places greater technical and artistic demands on cellists. This Henle Urtext edition is the first ever text-critical edition of the work and offers cellists a chance to rediscover this composition.

Edition no.: BA9695 ISMN: 9790006536580 Volume / Series: Bärenreiters Cello Collection Editor: Sassmannshaus, Christoph Instrumentation of the work: Violoncello, Piano Product format: Piano reduction, Part(s), Teaching material Includes the following individual parts: Violoncello, Piano Binding: Stapled Pages / Format: 32/64 S. - 30,0 x 23,0 cm In the line with the series Bärenreiter's Concert Pieces which comprises editions geared towards young violinists, we are now publishing a separate collection for young cellists playing their first concerts. This edition contains 18 easy-to-learn concert pieces from the Baroque, Classical and Romantic periods including Dvorák’s Humoresque, Mendelssohn Bartholdy’s Song without Words, Fauré’s Berceuse and The Swan by Camille Saint-Saëns. The editor is Christoph Sassmannshaus, the grandson of the founder of The Sassmannshaus tradition, Egon Sassmannshaus. - Pieces for solo cello with piano accompaniment - Easy to medium difficulty - Ideal repertoire for cellists who have completed Early Start on the Cello, volumes 3 and 4 (BA 8998, BA 8999) A selection: Simonetti, Madrigal / Beethoven, Minuet / Dvorák, Humoresque / Wolf, Wiegenlied / Goltermann, Notturno / Klengel, Sarabande / Mendelssohn Bartholdy, Song without Words / Fauré, Sicilienne / Saint-Saëns, The Swan

Cello and Piano. Par SQUIRE WILLIAM HENRY. William Henry Squire's Gondoliera for cello and piano evokes the dreamy magic of Venice and the barcarolles of Chopin, Fauré, Liszt and Mendelssohn. Performers and audiences who enjoy the three 'Venetian gondola songs' in Mendelssohn's Lieder ohne Worte will certainly derive pleasure from Squire's illustration of the watery half-light of the lagoon at dusk or daybreak and the chiarascuoro of a contrasting, brighter middle section in G major. Though not challenged technically beyond an intermediate level of difficulty of around Grade 6, cellists ideally must project the melody with truly vocal poise and bel canto spirit in this short work that is a real treasure for amateur and professional players alike./ Répertoire / Violoncelle et Piano

Par DYSON GEORGE. The Cello Sonata by Sir George Dyson (1883?1964) is the most substantial of the composer?s earliest surviving works and is a welcome addition to the repertoire of romantic British cello music. Within Dyson?s small yet distinguished output, it merits recognition both as a significant instrumental score in its own right, and as a precursor of a corpus of scores expertly written for solo or ensemble strings. Evident throughout this work is Dyson?s appealing and characteristic strain of melody and harmony, both recognisably English and distinctly personal. / Date parution : 2021-11-03/ Répertoire / Violoncelle et Piano

Par HUGON ROMAIN. / Musique Instrumentale / Date parution : 2023-03-21/ Recueil / Violoncelle et Piano

Par HUGON ROMAIN. / Niveau : Cycle 1 / Musique Instrumentale / Répertoire / Violoncelle et Piano

La référence FP 018 de l'éditeur Fertile Plaine dont l'auteur célèbre est Franck P., qui a pour titre Celli-Cello ( violoncelle et piano ), a été écrite et composée pour Violoncelle et plus particulièrement pour Violoncelle Et Piano. Cette partition musicale appartient à la catégorie Classique. / Violoncelle Et Piano / Partition

Qui aurait pensé que ragtime jouirait d'un autre renaissance ! Mais plus de 50 ans après la mort de son principal représentant, Scott Joplin, le film 'The Sting' a rendu ce style une fois populaire bien connus et à la mode à nouveau. Cette petite sélection des chiffons Joplin n'est évidemment pas complete sans ' The Entertainer '. En comparaison, ' Faciles vainqueurs ' et ' Rag-temps danse ' ne sont aucun moins amusant à jouer, surtout que dans ce dernier cas, l'interprète a non seulement à jouer, mais aussi stomp son pied. Excellente musique divertissement pour les nombreuses occasions ! / Violoncelle Et Piano

Cello and Piano. Par SAINT-LEGER PASCAL. Les jeunes musiciens se régaleront avec cette pièce qui trouvera toute sa place dans un programme d'audition ou de concert. - Pascal SAINT-LEGER - Une pièce adaptée pour un examen de Cycle I 2e année - Formation : Musique de Chambre, Duo, Solo and Accompagnement Piano - Instrumentation : 1 Violoncelle 1 Piano - Niveau de Difficulté : 2/6 - Facile - Durée : 2 mn 15 s - Style Musical : Classique, Pédagogique - Catégorie : Composition Originale - Compositeur : Pascal SAINT-LEGER - / Niveau : Facile / Classique, Pédagogique / Répertoire / Violoncelle et Piano

Since its premiere in 1873 this work has held an important place in the Violoncello repertoire. It is on the one hand a short charming composition; on the other hand equally important is its use in instruction during the first few years of playing. Central here are the articulation of the opening theme and its various repetitions juxtaposed with lyrical passages calling for legato playing.Christine Baur's new scholarly-critical edition is based on a thorough examination of all the sources including Saint-Saëns' later orchestral version. The edition incorporates many articulation alternatives for the soloist which are marked 'ossia' above the solo Cello line in thisversion for Cello and Piano. This important new publication offers cellists not only an Urtext part but also one with bowing and fingering; both parts have a fold-out page so that no page turns are necessary.The first Urtext edition of this important workFold-out page in the solo cello part so no page turns are neededIncludes articulation alternatives as 'ossias'

Réduction pour violoncelle & piano-Authoritative Urtext edition of Camille Saint-Saens' Premier Concerto Op.33 based on the original score. This version for Cello has a Piano reduction of the orchestral material by the composer.