Gary Bonner Choral Series-We happily present this new anthem by composers Daniel and Christy Semsen in the Gary Bonner Choral Series. This work is full of energy and excitement. Available separately: SATB div. ChoirTrax CD. Score and parts (fl 1 fl2/picc ob cl 1-2 bn tpt 1-3 hn 1-3 tbn 1-2 tbn 3/tba perc 1-3 timp hp vn 1-2 va vc db) available as a CD-ROM and as a digital download. Duration: ca. 5:00.

TVWV 4:17-Georg Philippp Telemann's Du Aber Daniel Gehe Hin for SATB and Piano.With the final verse of the Book of Daniel from the Old Testament and a related cantata text Telemann mourns the death of a prominent but until now unknown dignitary in a cantata marked by great intimacy and with exquisite instrumentation. Jakob Ditmar the Kantor of the Nikolaikirche in Berlin to whom we owe the survival of this work contributed two beautiful chorale settings for a performance in 1757. First critical edition of this cantata.

Daniel Roth est Chevalier de la Légion d'Honneur, Officier des Arts et Lettres et 'Honorary Fellow of the Royal College of Organists' de Londres. Il a reçu le Prix de la Musique Sacrée Européenne 2006 du Festival de Schwäbisch Gmünd (Allemagne). Cette oeuvre composée en 2004 a été nommée ainsi à cause du Sanctus. En effet, contrairement aux accents triomphants généralement attribués à ce moment de la messe, Daniel Roth a voulu évoquer une vision céleste. / Choeur Satb À 4-8 Voix Mixtes Et Orgue

SATB-The practice of singing 'The Reproaches' probably had its origin in Constantinople in the second century and was subsequently instroduced to the western church at Rome. Since 1560 'The Reproaches' have been sung on Good Friday in the Sistene Chapel. Their eastern origin explains the three Greek phrases which were retained when the text was translated into Latin. The text is based on passages from Micah and other prophets and the Greek refrain (number 5) is the Trisagion. The English version is by Jean Lunn. This setting by Daniel Pinkham was first performed on March 16 1960 in Jordan Hall Boston by Lorna Cooke deVaron and the Chamber Singers of the New England Conservatory of Music.

Daniel Francois Esprit Auber's Hear Holy Power from his Opera Masaniello for SATTB Choir with Piano accompaniment. Words by James Kenney.

Sara Teasdale (1884-1933)-Daniel Elder's Fresh and Fearless is a special and unusual take on the idea of spring. The driving Piano part captures the energy and wonder of the new beginnings of the season. Excellent Vocal writing that is simple in its construction but complex in its sound.

You Will Always Be in My Heart-Farvel is a great new way to end a program. The farewell poem by Halvor Langslet has been given musical wings that soars right into the heart. Daniel Pederson is a talented composer with an emerging library of new pieces.Performed at the ACDA Northwest Regional convention it is bound to be a festival staple.

Collection Dirigée Par Yannick Merlin. Par ROTH DANIEL. Daniel Roth est Chevalier de la Légion d'Honneur, Officier des Arts et Lettres et 'Honorary Fellow of the Royal College of Organists' de Londres. Il a reçu le Prix de la Musique Sacrée Européenne 2006 du Festival de Schwäbisch Gmünd (Allemagne). Cette oeuvre composée en 2004 a été nommée ainsi à cause du Sanctus. En effet, contrairement aux accents triomphants généralement attribués à ce moment de la messe, Daniel Roth a voulu évoquer une vision céleste. / Niveau : Moyen à Avancé / Contemporain / Répertoire / Choeur SATB à 4-8 Voix Mixtes et Orgue

Tarik O’Regan's The Night's Untruth for SATB chorus Brass ensemble and Organ is a co-commission celebrating the 10th anniversary of JAM (The John Armitage Memorial Trust) and the 40th anniversary of VocalEssence. 'The Night’s Untruth explores the use of sleep as metaphor by dint of excerpts from poems written in the 17th to 20th centuries. Death love fear ecstasy isolation dreaming and rest are all textual “variations” on the “theme” of sleep and can be found in the chosen texts. The work’s title is taken from a line in a poem by Samuel Daniel (1562-1619) and speaks tothe composition’s focus on sleep as a parallel possibly dystopian existence to the one experienced in our waking hours.' - Tarik O’Regan March 2010 Scored for brass quintet organ and SATB choir with (minor) divisi and occasional moderately demanding solos for tenor and soprano this evocative 16-minute work probes the mystery of sleep with texts from poems by Keats Samuel Daniel Shakespeare and Hart Crane: 'death love fear ecstasy isolation dreaming and rest' are the themes O'Regan explores through these texts in a work as episodic as a disturbed night with the title creating a 'focus in sleep as a parallel possibly dystopian existence'. - Organists' Review