Over the Rainbow is a standard that has become forever associated with its most famous interpreter, Judy Garland. Her troubled adult years only added poignancy to her guileless interpretation of the song, preserved on celluloid in The Wizard of Oz when she was seventeen. The song would also do something similar for Eva Cassidy whose 1992 version brought her posthumous fame almost a decade later. Arranged beautifully by Christopher Hussey for TTBB choir with Piano accompaniment, this anthem of hope has not lost its bitter-sweet yearning. / Choeur TTBB Et Piano

This set of three motets for unaccompanied male choir sets the Latin words for the De Profundis Ave Maria and Laudate and manifests Lewkovitch's fascination both with chant and with modality.Contemporary Danish composer conductor and Organist Bernhard Lewkovitch has followed a rare path among modern composers. From 1947 he was Organist at St Ansgars Kirches and later remained connected with the Catholic Church by working as an Organist. Clearly he is inspired by the Catholic liturgy and sees his great output of ecclesiastical music as a vocation and a great responsibility. For many years his work by inspired by Gregorian chant and was composed in church modes then inthe mid 1950’s he began to expand into modern bitonality and polytonality culminating in Il cantico delle creature in 1962/3 in which there was no conventional notation and no fixed pitch. After that Lewkovitch had somewhat of a hiatus later returning again to the inspirations of the mid1950’s.

Lodovico Grossi da Viadana (c.1560 1627) was an Italian composer teacher and Franciscan Friar. He is known for the important contribution he made to the development of Baroque music being one of the first people touse figured bass as a means of notating a basso continuo line. From 1594 onwards he was choirmaster at various Italian cathedrals when his O Sacrum Convivium was most probably written. It is an arrangement of theancient Christian prayer for TTBB Male Voice Chorus and is a perfect anthem for any Eucharist service.

He's Got The Whole World In His Hands has been here arranged for TTBB and Piano or Orchestra by Mack Wilberg.Written for the Mormon Tabernacle Choir this new arrangement of the well-known spiritual is presented in two versions: one for mixed chorus and the other for men's voices. Each version opens gently with an effective unaccompanied unison section and the accompaniment and further choral parts are gradually added. In classic Wilberg style the piece builds up verse by verse with expanding textures via two upward modulations towards a grand and triumphant climax leaving no doubt about the joy expressed in thetext.The male-voice version of He's Got The Whole World In His Hands features on the CD 'Men of the Mormon Tabernacle Choir' with the Orchestra at Temple Square conducted by Mack Wilberg.

The vocal score of Henze's 2010 setting of Franz Werfel's surrealist verse drama Opfergang ('Sacrifice')

Par JOHNER-BORGHESIO THEODOR. Gattungen: Kirchenlieder, Sätze - Reihen bei Carus: Chorsammlungen für Männerchor - Verwendung / Anlässe: Psalmvertonungen - Verwendung / Kirchenjahr: Ostern und nachösterliche Freudenzeit -/ Répertoire / Choeur d'Hommes

Par KURIG HANS HERMANN. Reihen bei Carus: Chorsammlungen für Männerchor, Musik zu Kasualien - Verwendung / Anlässe: Trauer, Tod -/ Répertoire / Choeur d'Hommes

Lieder und Chansons In Bearbeitungen Für Männerchor und Klavier. Par KREISLER GEORG. Georg Kreisler equals scathing, dark black humour on the piano! The Singphoniker have arranged Georg Kreisler's best known songs for all-male ensemble and recorded them on CD. Schott now publishes the corresponding music edition for men's choir TTBB with piano accompaniment. The topics range from the poisoning of pigeons to the love of a wonderful woman to her long awaited moving out. These pleasant arrangements for men's choir TTBB and piano with Kreisler's humorous texts most certainly create an exuberant atmosphere in the concert. All pieces contained in this volume are also available in separate editions. / Niveau : Intermédiaire / Répertoire / Ch?ur d'Hommes [TTBB] et Piano

Wilhelm Peterson-Berger's I Furuskogen for TTBB Choir. This piece incorporates words by Helena Nyblom.

from Pitch Perfect-Relive this fantastic piece from the modern classic Pitch Perfect. Arranged by Deke Sharon for TTBB (4-parts plus solo vocal percussion optional) Don't Stop The Music is the perfect opener or closer for your male a capella group.Released in 2012 this American musical comedy grossed $115 million worldwide becoming the second highest-grossing musical comedy film of all time just behind School of Rock. Featuring an ensemble cast including Anna Kendrick Skylar Astin Rebel Wilson amongst many others. The plot follows Barden University's all-girl a cappella group The Barden Bellas as they compete against other a capella groups in order towin Nationals.

(with Give Me Jesus)-Uses:General Invitation Stewardship Scripture: Psalm 9:10 Song of Solomon 2:1 Matthew 19:16-30 Luke 10:20 Philippians 3:8 Here is a thoughtful arrangement of one of the most enduring sacred songs of all time. Choirs of every size and ability will sound their very best with this one. The refrain Give Me Jesus adds a lovely ambiance to the work making it the perfect offering for services of commitment or stewardship. Already a bestseller for SATB voices the new TTBB voicing is a must sing for your men's ensembles. Score and Parts (fl 1-2 ob cl 1-2 bn hn 1-2 tpt 1-3 tbn 1-2 btbn tba timp perc 1-2 hp pno vn 1-2 va vc db) available as a digital download.

Victor Hely-Hutchinson (1901 - 1947) was a British composer who was born in South Africa. He was recognised at an early age as a musical prodigy and could sing notes by ear before he could talk. His setting of Old Mother Hubbard was written c.1912 while he was still a pupil at Heatherdown Prep School. It is well-known for being a parody of Handel’s operatic style. Old Mother Hubbard was arranged for TTBB male Voice chorus by J. Michael Diack and first published in 1932. A timeless and amusing classic it is sure to go down well with any audience!