SKU: AY.CC3168PM
ISBN 9790543577480.
This Canzon was originally included as part of the collection Canzoni per sonare con ogni sorte di stromenti, a volume of 36 canzoni by 13 different composers, first published in 1608. The publisher, Alessandro Raverii, was based in Venice, and though he only printed music between 1606 and 1609, more than 50 of his volumes have survived until today. This Canzon à 16 for four SATB choirs, has been arranged here for clarinet choir by Matt Johnston. It can be performed as a clarinet choir or as a quadruple clarinet quartet.
SKU: AY.CC3680PM
ISBN 9790543577442.
Thomas Tallis composed Spem in alium nunquam habui around the year 1570 based on the Latin text from a response (at Matins for the 3rd lesson, during the 5th week of September) in the Sarum Rite, adapted from the Book of Judith. The first line translates as I have never put my hope in any other but in Thee, God of Israel. Originally scored for eight 5-part choirs, has been arranged here for clarinet choir by Matt Johnston. The 40 core parts for soprano and bass clarinets are provided in the set. Additional parts for E-flat Clarinet, Alto Clarinet, Basset Horn, Contralto Clarinet and String Bass are available upon request.
SKU: AY.CC3681PM
ISBN 9790543578050.
Giovanni Gabrieli - Canzon Septimi et Octave Toni a 12 from 'Sacrae Symphoniae', Book 1, for Clarinet Choir, arranged by Andrew Seigel. Giovanni Gabrieli was an Italian composer and organist of the late Renaissance and early Baroque periods. He was born in Venice, where he trained as a musician and composer, initially studying with his uncle, Andrea Gabrieli, who was a prominent musician and composer in the city. Gabrieli eventually succeeded his uncle as the organist and composer at St. Mark's Basilica in Venice, where he worked for most of his career. Gabrieli's Sacrae Symphoniae is a collection of sacred instrumental music that was published in Venice in 1597 which includes canzonas, sonatas, and motets, all of which were composed for the unique acoustics of St. Mark's Basilica in Venice. The Sacrae Symphoniae is an important work in the development of instrumental music, as it represents a shift away from vocal music and towards the use of instruments in sacred music. The collection features a range of different instrumental combinations, including brass, strings, and organ, and often employs multiple choirs or groups of instruments to create a rich, complex sound.
SKU: AY.CC3674PM
ISBN 9790543574212.
Giovanni Gabrieli - Maria Virgo from 'Sacrae Symphoniae', Book 1, for Clarinet Choir, arranged by Matt Johnston. Giovanni Gabrieli was an Italian composer and organist of the late Renaissance and early Baroque periods. He was born in Venice, where he trained as a musician and composer, initially studying with his uncle, Andrea Gabrieli, who was a prominent musician and composer in the city. Gabrieli eventually succeeded his uncle as the organist and composer at St. Mark's Basilica in Venice, where he worked for most of his career. Gabrieli's Sacrae Symphoniae is a collection of sacred instrumental music that was published in Venice in 1597 which includes canzonas, sonatas, and motets, all of which were composed for the unique acoustics of St. Mark's Basilica in Venice. The Sacrae Symphoniae is an important work in the development of instrumental music, as it represents a shift away from vocal music and towards the use of instruments in sacred music. The collection features a range of different instrumental combinations, including brass, strings, and organ, and often employs multiple choirs or groups of instruments to create a rich, complex sound.
SKU: IS.CC6458EM
ISBN 9790365064588.
L'Histoire de la Clarinette (The History of the Clarinet) offers an overview of the highlights from the clarinet repertoire, compiled in a wonderful score for clarinet choir. Written by prof. Matthias Müller, this piece for clarinet choir is a must-have for every clarinet ensemble.
SKU: IS.CC6295EM
ISBN 9790365062959.
Patrick Hiketick is a Belgian pianist and composer. As a composer he worked for nearly all theatre companies in Flanders and he wrote over a 100 different theatre plays, amongst which the complete oeuvre of Molière and Shakespeare. He was also the musical director for all Brecht plays for KNS theatre in Antwerp, where he worked as the home composer for 10 years. He than became the musical coordinator for the Royal Ballet of Flanders and he wrote several ballet compositions for symphony orchestra. He has his own close-harmony and jazz trio, and he works freelance as a composer and as artistic director in several musical productions. He composed many clarinet works for the Flanders Clarinet Quartet, and was honoured in Japan with concerts completely dedicated to his works. 'Find your way Home' is a clarinet octet (or choir), dedicated to the Kansai Clarinet Ensemble conducted by prof. Hideaki Iwai.
SKU: IS.CC6296EM
ISBN 9790365062966.
Patrick Hiketick is a Belgian pianist and composer. As a composer he worked for nearly all theatre companies in Flanders and he wrote over a 100 different theatre plays, amongst which the complete oeuvre of Molière and Shakespeare. He was also the musical director for all Brecht plays for KNS theatre in Antwerp, where he worked as the home composer for 10 years. He than became the musical coordinator for the Royal Ballet of Flanders and he wrote several ballet compositions for symphony orchestra. He has his own close-harmony and jazz trio, and he works freelance as a composer and as artistic director in several musical productions. He composed many clarinet works for the Flanders Clarinet Quartet, and was honoured in Japan with concerts completely dedicated to his works. 'Turning Point' is a clarinet octet (or choir), dedicated to the Kansai Clarinet Ensemble conducted by prof. Hideaki Iwai.
SKU: IS.CC6326EM
ISBN 9790365063260.
Patrick Hiketick is a Belgian pianist and composer. As a composer he worked for nearly all theatre companies in Flanders and he wrote over a 100 different theatre plays, amongst which the complete oeuvre of Molière and Shakespeare. He was also the musical director for all Brecht plays for KNS theatre in Antwerp, where he worked as the home composer for 10 years. He than became the musical coordinator for the Royal Ballet of Flanders and he wrote several ballet compositions for symphony orchestra. He has his own close-harmony and jazz trio, and he works freelance as a composer and as artistic director in several musical productions. He composed many clarinet works for the Flanders Clarinet Quartet, and was honoured in Japan with concerts completely dedicated to his works. 'Three in Five' is a playful clarinet octet (or choir) in alternating time-signatures 3/4 and 2/4, dedicated to the Kansai Clarinet Ensemble conducted by prof. Hideaki Iwai.
SKU: HL.44004738
ISBN 9789043125727. UPC: 073999047387. International (more than one language).
The Russian Dance from Tchaikovsky?s ballet The Nutcracker has been expertly arranged for Eb clarinet, 4 Bb clarinets, Eb alto clarinet, Bb bass clarinet and Bb contra-bass clarinet. Der Russische Tanz aus der Nussknacker-Suite von Tschaikowski in einer Bearbeitung von R. Upten Holder. Besetzung: Es- Klarinette, 4 B Klarinetten, Es-Altklarinette, B-Bassklarinette, B-Kontrabassklarinette.
SKU: AY.CC3662PM
ISBN 9790543573277.
Juan Gutiérrez de Padilla (c. 1590-1664) was a Spanish-born Mexican composer of the Renaissance period. Although born in Málaga, Spain, he moved to Puebla, Mexico in 1620, and was later appointed maestro de capilla of the Puebla Cathedral in 1628. His most well-known work, this Salve Regina for double choir (SSAATTBB), has been arranged here for clarinet choir by Matt Johnston. It can be performed as a clarinet choir or as a double clarinet quartet.
SKU: AY.CC3672PM
ISBN 9790543576155.
Juan Gutiérrez de Padilla (c. 1590-1664) was a Spanish-born Mexican composer of the Renaissance period. Although born in Málaga, Spain, he moved to Puebla, Mexico in 1620, and was later appointed maestro de capilla of the Puebla Cathedral in 1628. This Ave Regina for double choir (SSAATTBB), has been arranged here for clarinet choir by Matt Johnston. It can be performed as a clarinet choir or as a double clarinet quartet.
SKU: IS.CC6294EM
ISBN 9790365062942.
A 'hayashi' is a group of performers who provide musical accompaniment for Japanese Noh or kabuki theatre. In Noh, they are purely instrumentalists; the type of instruments featured and the order in which they sit on stage follow established practices. The leftmost performer plays a small taiko, set on a stand before him, with two drumsticks. To his right is the Åtsuzumi hip drum, followed by the kotsuzumi shoulder drum, and the Noh flute. In kabuki, a number of shamisen players are added, along with, depending on the play, taiko drums of various sizes, various types of flutes, and other instruments, including a myriad of devices for sound effects. This composition for clarinet choir includes Eb clarinet, 3 Bb clarinets, alto clarinet, bass clarinet, contra alto and contrabass clarinets and optional percussion.
SKU: IS.CC6340EM
ISBN 9790365063406.
Jesu, Joy of Man's Desiring is the most common English title of the 10th and last movement of the cantata 'Herz und Mund und Tat und Leben', BWV 147 (Heart and Mouth and Deed and Life), composed by Johann Sebastian Bach in 1716 and 1723. Today, it is often performed at wedding ceremonies as well as during Christian festive seasons like Christmas and Easter, slowly and reverently. This is, however, in contrast to the effect suggested by Bach in his original scoring for voices with trumpet, oboes, strings, and continuo. The music's wide popularity has led to numerous arrangements and transcriptions such as the present one for clarinet octet or choir by Prof. Hideaki Iwai.
SKU: AY.CC3673PM
ISBN 9790543576148.
Antonio Caldara - Crucifixus for Clarinet Choir, arranged by Matt Johnston. Can be performed by 12 B-flat Clarinets and 4 Bass Clarinets, with the possibility of substituting auxiliary clarinets as indicated in the list of instrumentation. Additionally, an optional organ part is provided. Antonio Caldara was an Italian composer of the Baroque era. He was born in Venice and spent most of his life working in various musical positions throughout Italy, including as a composer and musician in the courts of Mantua, Rome, and Vienna. Caldara is perhaps best known for his vocal music, particularly his operas and oratorios. He also composed instrumental music, including sonatas and chamber music. He was particularly known for his use of counterpoint, a technique in which multiple melodic lines are played or sung simultaneously, and for his expressive use of harmony.
SKU: IS.CC6321EM
ISBN 9790365063215.
Patrick Hiketick is a Belgian pianist and composer. As a composer he worked for nearly all theatre companies in Flanders and he wrote over a 100 different theatre plays, amongst which the complete oeuvre of Molière and Shakespeare. He was also the musical director for all Brecht plays for KNS theatre in Antwerp, where he worked as the home composer for 10 years. He than became the musical coordinator for the Royal Ballet of Flanders and he wrote several ballet compositions for symphony orchestra. He has his own close-harmony and jazz trio, and he works freelance as a composer and as artistic director in several musical productions. He composed many clarinet works for the Flanders Clarinet Quartet, and was honoured in Japan with concerts completely dedicated to his works. The 'Celtic Dance' was commissioned by and dedicated to the 'Siena Cl'z' Clarinet Octet from Tokyo - Japan.
SKU: IS.CC6317EM
ISBN 9790365063178.
Hans Aerts (°1958) studied at the conservatory of Antwerp (clarinet), the conservatory of Brussels (counterpoint and fugue) and the Lemmens Institute in Leuven (composition). His oeuvre consists of over 100 pieces for just about any instrumental line up. Many of these pieces are specifically written to be used in music education. In his work Hans Aerts seeks to create a clear form and an alluring melodical and harmonical style. Hans Aerts lives and works in Turnhout (Belgium), where he is associated with the city’s musical academy.
SKU: AY.CC237
ISBN 9790302116165.
The Piano Concerto No. 24 in C Minor of Wolfgang Amadeus Mozart was composed in Vienna during the winter of 1785-86. It was premiered at the Vienna Burgtheatre in April 1786 only one month before the premiere of his opera The Marriage of Figaro in the same theatre. This piano concerto is one of his few works composed in a minor key, and is also the only one of the solo piano concerti he wrote to include clarinet parts. It is in three movements, (Allegro, Larghetto, Allegretto) and approximately 30 minutes in length.
SKU: IS.CC7003EM
ISBN 9790365070039.
In 1941, I was invited by Viktor Vaszy to take on a choice double role, as a teacher of composition at the Cluj Conservatory as well as chorus master at the Cluj National Theatre. For me, this meant both an official state appointment and a substantial increase in my income. At the time I was over 35 years old and still without a permanent post. I took up my new duties at the end of the summer. My wife and I felt very much at home in Cluj but the most important for me was that along with my artistic obligations I found time to compose. Unfortunately we do not know why Farkas wrote in 1992 a new version of the Three Burlesques for clarinet quintet and for whom it was intended. The first movement Allegro, arc shaped, is more a succession of rhythmic patterns than melodies, with hectic ostinatos and staccato chords. In the middle of the movement, a short figure, like a second theme, brings a bit of calm and gentleness. The second movement, an expressive Moderato comodo and the final Allegro are shorter and also contrast with staccato chords.
SKU: RU.60311
SKU: RU.60245
SKU: RU.60268
SKU: RU.60303
SKU: RU.60274
SKU: IS.CC7002EM
ISBN 9790365070022.
Ferenc Farkas wrote about the origin of the Passacaglia: In 1931, while I was still a student by Ottorino Respighi in Rome, I began to compose a Partita in 4 movements for orchestra, whose third movement should be a Passacaglia. From this work, I only finished the Passacaglia and the Scherzo. In 1968, I took over the Passacaglia and transcribed it for organ without any modification, except the last 6 bars, I partially changed. In the shape of an arch, the work is based on a theme that is repeated thirteen times. Piano initially it evolves in crescendo to a climax in the 33rd bar, then falls gradually to a gently end. We do not know when and for whom Ferenc Farkas wrote this version for 6 clarinets of the Passacaglia.
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