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Two
HANDBELLS
Clarinet and Piano
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Clarinet Quintet: Clarinet, St… (12)
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Flute ensemble (12)
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2 Flûtes à Bec Alto ou Flût… (10)
Clarinet Ensemble (10)
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String quintet (9)
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Tuba or Euphonium or Saxhorn (8)
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Solistes SATB, Choeur SATB, 4 … (8)
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Violin, Guitar (duet) (8)
2 Pianos, 8 hands (8)
Biography (8)
Déchant et Flûte à Bec Alto… (8)
Solistes SATB, Choeur SATB, 2 … (8)
Electric bass, Drums (8)
Soli and Orchestra (8)
4 Parties Mixtes, 2 Violons, 2… (8)
Flûte Traversière, Clarinett… (8)
Solistes SATB, Choeur SATB/SAT… (8)
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2 Violins and Basso (8)
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CD (8)
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Flute, Violin, Piano (7)
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Violoncello, Basso continuo (7)
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Quintette à Cordes (2 Violons… (7)
2 Trompettes (duo) (7)
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2 Clarinets, Piano (7)
2 Choeurs Mixtes Et Orchestre … (7)
2 Oboes and English horn (7)
Baritone Saxophone (7)
2 Flûtes à Bec Alto, Violonc… (7)
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Mezzo-Soprano voice (7)
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Snare drums (6)
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SCORE::Score (5)
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Voix, Flûte à Bec et Percuss… (5)
Vocal duet, Piano and Guitar c… (5)
Djembe (5)
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Violon II (5)
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Violes de Gambe (4)
Lyrics only (4)
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Baritone voice (4)
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2 Violons Ou Plus (4)
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Cajon (4)
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Oboe, Violin, Viola and Violon… (4)
Guitar, String Quartet (4)
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Soli (T (Evangelist), B (Jesus… (4)
2 Oboes, 2 Horns and 2 Bassoon… (4)
Clarinette, Violoncelle et Pia… (4)
Basson, Violoncelle et Piano o… (4)
Clarinette en A, Flûte Traver… (4)
Tuba, Piccolo et Piano (4)
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Fiddle (3)
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5TET/STR ENS::Quintet, String … (3)
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Nursery rhyme (2)
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Zither (2)
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Cor en Mib (2)
voix soprano, voix alto (2)
Choral Tenor solo, SATB, Keybo… (2)
Choral SSATBB (2)
Trumpet and Guitar (2)
6 Instruments (2)
Balalaika (2)
Guitare Electrique (2)
Choeur SATB, 2 Litui (2 Cors),… (2)
Harmonie (2)
3 Ou 4 Violons Et Violoncelle … (2)
Violon 1 (2)
Flûte à Bec Soprano ou Flût… (2)
Cor en Fa (2)
Ensemble Flexible (2)
Violon Et Harpe (Ou Piano) (2)
Vibraphone, Piano (2)
Voice Mezzo-Soprano, Orchestra… (2)
Soprano voice, Orchestra (2)
Lap Steel Guitar (2)
Concert Band ou Harmonie et Fl… (2)
2 Sopranos, Choeur Mixte et Or… (2)
Soli (SATB), Chor (SATB), 2 K… (2)
Chorale (2)
Guitar, Harp (2)
WIND 5TET::Quintette · Vent (2)
Concert Band / Harmonie (2)
Chant et Basse Continue (2)
2 Orgues (2)
Bugle et Piano (2)
Hautbois, Clarinette, Violon E… (2)
Guitare Tablatures Electrique (2)
3 Trombones (trio) (2)
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Accessoire (2)
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Two Antipodean Sketches (RAE JAMES)
Clarinet and Piano
Universal Edition
Par RAE JAMES. This work was written for and dedicated to the clarinettist Mark ...
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Par RAE JAMES. This work was written for and dedicated to the clarinettist Mark Walton OAM by way of a thank you for all his fine recordings and performances of my music. It was premiered in London by Mark and his accompanist David Miller OAM, on June 29th 2014 in the Princess Alexandra Hall at Royal Over-Seas League, Mayfair in a concert entitled ‘Clarinet Hidden Treasures from England’ which was organised to launch Mark’s CD of the same name. The two-disc album, as its title suggests, contains works for clarinet and piano in a variety of styles by English composers including Mike Cornick, Jonathan FeBland, Paul Harris, Paul Harvey, Joseph Horovitz, Gordon Jacob, Christopher Norton and Sid Phillips. This sheet music album includes two pieces: Cloudy Bay is in the north east of New Zealand’s South Island, brought to world fame by the fine Sauvignon Blanc wine sharing the same name. This movement is very dreamy and reflective in nature and was inspired by Mark’s exquisite, silky sound. Beatin’ about the Bush! is a celebration of Mark’s highly successful pioneering outreach programme of workshops bringing music to young musicians in the Outback of Australia and beyond. This is a lively movement in 3/8 time designed to display both performers’ dexterity, humour and musicianship./ Répertoire / Clarinette et Piano
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Wolfgang Amadeus Mozart: Two Arias: Clarinet: Instrumental Album
Clarinet and Piano
Oxford University Press
Two favourite and popular Arias by W.A. Mozart arranged by A.W. Benoy and A. Br...
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Two favourite and popular Arias by W.A. Mozart arranged by A.W. Benoy and A. Bryce for B flat Clarinet and Piano accompaniment. The Arias are Voi Che Sapete from The Marriage Of Figaro and Ah Perdona from Titus.
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Donald Banks: Prologue Night Piece and Blues for Two: Clarinet
Clarinet and Piano
Schott
Publisher: Schott Composer: Don Banks Name: Prologue Night Piece and Blues...
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Publisher: Schott Composer: Don Banks Name: Prologue Night Piece and Blues for Two (1968) - Clarinet and Piano Pages : 16 UPC : 073999844467
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Brian Chapple: Three For Two: Clarinet: Instrumental Album
Clarinet and Piano
[Sheet music]
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Intermediate
Chester
Two dances and a lullaby for Clarinet and Piano by distinguished Royal Academy c...
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Two dances and a lullaby for Clarinet and Piano by distinguished Royal Academy composer Brian Chapple. Suitable for players of Grade 2-3 level.
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Claude Debussy: Two Pieces For Clarinet And Piano: Clarinet: Instrumental Album
Clarinet and Piano
[Sheet music]
Chester
Claude Debussy (1862-1918) was a French composer who is often associated with th...
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Claude Debussy (1862-1918) was a French composer who is often associated with the early Impressionist movement. He is best known for his evocative Piano compositions from which these Two Pieces For ClarinetAnd Piano have been transcribed. The Golliwog’s Cakewalk is taken from a suite of works inspired by Debussy’s daughter and her toys. The cakewalk was a popular dance in the 1890’s and 1900’s andis reflected in the syncopated ragtime style.The Girl With Flaxen Hair is taken from Debussy’s first book of preludes. Its title character is inspired by a poem about a Scottish maiden who is supposed tosymbolise tranquillity and simplicity aspects which are reflected in both the melody and harmony.
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Colin Cowles: A Tail or Two - Clarinet: Clarinet: Instrumental Work
Clarinet and Piano
[Sheet music + CD]
Fentone Music
A Tail or Two is a set of imaginative pieces about our ?furry friends? - the cat...
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A Tail or Two is a set of imaginative pieces about our ?furry friends? - the cats. These short descriptive pieces for flute and piano (or CD) are modestly challenging both technically and musically, and as such make ideal teaching and performing material for players of moderate grade. Play them with a sense of humour and bring the individual cats to life!
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David Schiff: Two Prayers: Clarinet and Accomp.: Score and Parts
Clarinet and Piano
Lauren Keiser Music Publishing
Two Prayers
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Michael Talbot: Two Nostalgic Pieces: Clarinet: Instrumental Work
Clarinet and Piano
Ricordi London
Two Nostalgic Pieces
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Carl Maria von Weber: Clarinet Concerto No.2 In E Flat Op.74: Clarinet:
Clarinet and Piano
Boosey and Hawkes
piano reduction with solo part-Carl Maria von Weber (1786-1826) the great Germa...
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piano reduction with solo part-Carl Maria von Weber (1786-1826) the great German romantic composer was after Mozart the first master to write distinguished works for the solo clarinet. They include two compositions with piano accompaniment: the Grand Duo Concertant and Theme and Variations; two compositions for clarinet and string quartet: the Clarinet Quintet and a set of Variations; three works for clarinet and orchestra: the Concertino and two Concertos.The Clarinet Concerto No.2 In E Flat Op.74 is a lively and majestic piece which truly explores the sonorities and technical capabilities of the instrument? the opening two notes of the solo Clarinet part span an interval of three octaves showing off the range and compass of the instrument! This is a tremendous work for solo Clarinet and Orchestra arranged here for B flat Clarinet with Piano accompaniment and edited by Eric Simon.The solo Clarinet in B flat part is also included on a separate insert.
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Sonatas for Clarinet and Piano op. 120: Clarinet: Instrumental Work
Clarinet and Piano
Barenreiter
Barenreiter Urtext Edition of Brahms' Sonatas In F Minor And E-Flat Op.120 for C...
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Barenreiter Urtext Edition of Brahms' Sonatas In F Minor And E-Flat Op.120 for Clarinet and Piano.Features:A pioneering Urtext edition with an extensive Performance Practice CommentaryFor further information on Romantic performance practice we recommend the text booklet: ?Performance Practices in Johannes Brahms? Chamber Music? BA 9600Brahms had already announced his 'retirement' from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter renewed Brahms' enthusiasm for Mühlfeld?s muchadmired playing and inspired him to write two new Clarinet sonatas in the summer of the same year. Brahms and Mühlfeld premiered the works and played them in several performances until the Sonatas Op.120 were first published in June 1895. These two works remain pivotal in the Clarinet?s recital repertoire establishing the Clarinet sonata as a distinct and viable chamber music genre.This edition features an extensive preface that informs about the sonatas? origins their compositional process pre-publication performances and their publication history as well as their early reception. Another truly remarkable aspect of this publication is the unique Performance Practice Commentary. Here the editors start from the premise that only a few decades after Brahms' death a widening gulf was already developing between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners treatises and essays early instructive editions and historical recordings the editors deal with key issues in understanding Brahms' notation. The editors provide an indispensable assistance for a historically informed interpretation of the work through a section-by-section analysis of rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation Clarinet vibrato and portamento. At the same time the edition offers an exciting and often surprising
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Wolfgang Amadeus Mozart: Clarinet Concerto In A K.622: Clarinet: Instrumental
Clarinet and Piano
[Reduction]
Boosey and Hawkes
arrangiert für Klarinette und Klavier-The Concerto for Clarinet and Orchestra w...
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arrangiert für Klarinette und Klavier-The Concerto for Clarinet and Orchestra was written in October 1791 about two months before Mozart's death and destined for Anton Stadler the famous clarinettist. The first movement exists in a sketch in G major for Basset Horn and Orchestra composed towards the end of 1789.This edition has been published in two versions: in the original in A for Clarinet in A and in a transposed version in B-Flat for Clarinet in B-Flat in order to comply with the popular request for that instrument. Available here is the version for Clarinet in A with Piano reduction by Ernest Roth and Clarinet arrangement by Frederick J. Thurston.
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Johannes Brahms: Clarinet Sonatas Op. 120 (Clarinet in B Flat): Clarinet:
Clarinet and Piano
G. Henle
Sonatas op.120 for Clarinet and Piano-In 1894 Johannes Brahms asked the clarinet...
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Sonatas op.120 for Clarinet and Piano-In 1894 Johannes Brahms asked the clarinettist Richard Mühlfeld to visit him during his beloved summer sojourn in Ischl adding “It would be really wonderful if you brought your B flat Clarinet with you andif you were in no great hurry” – for the two Sonatas Op. 120 were waiting to be rehearsed. The first performances were given privately directly afterwards and the press enthusiastically reported: “Thesonatas [...] are wonderful and will cause a great sensation”. These were the last chamber pieces Brahms wrote before his death and are considered two of the great masterpieces in the Clarinet repertoire.
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Tune Book 2 op. 63 Band 2 (BAERMANN CARL)
Clarinet and Piano
Schott
Concert Pieces from the Clarinet Method. Par BAERMANN CARL. The clarinet method ...
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Concert Pieces from the Clarinet Method. Par BAERMANN CARL. The clarinet method op. 63 by Carl Baermann from 1867 is still a standard work in classical clarinet education today. The thoroughly revised new edition aims at reviewing the educational concept, which is still valid today, for modern lessons, adjusting the music and texts, and sensibly complementing the teaching contents. The editor who draws on many years of experience as a clarinettist in an orchestra and university lecturer of clarinet has succeeded in adapting the valuable teaching material to the requirements of today while maintaining the basic methodology. The result is a total of 7 volumes: Clarinet Method Vol. 1 and Vol. 2 (ED 21761, ED 21762) Clarinet Method Vol. 1 and Vol. 2, with 2 CDs each (ED 21761-50, ED 21762-50): The CDs contain the piano accompaniment for the performance pieces, with and without clarinet Tune Book 1 and 2 (ED 21763, ED 21764): piano score of the method\'s performance pieces, with additional inserted clarinet part Daily Exercises (ED 21765): systematic scale, interval and chord exercises in all keys, complemented and published separately from the original method Due to trilingual nature of all editions (German, English, French), they can be used universally. About the revision: The musical text is based on the first edition of the method. Only a few differences concerning the articulation as well as some misprints and typographical errors were revised. By deleting the historical fingering instructions for the German fingering system, the clarinet method not only has a clean and, compared to the original, more clearly structured layout, but can also be used universally. The content of the text and the performance directions of the original were linguistically modernized and occasionally extended by further ideas from the teaching practice, such as concepts for warming up, breathing exercises, literature suggestions or tips for daily practising. Further additions of scale and triad studies in all major and minor keys make this method a comprehensive and thorough work of study which not only serves as teaching material for young and adult beginners, but is also a valuable compendium of scale exercises and studies for advanced musicians and is ideal for training velocity and dexterity. The tune books contain all performance pieces from the Clarinet Method Op. 63 by Carl Baermann for clarinet and piano. Thanks to the revised editions, they are now available as scores with inserted solo part for the first time. Thus, the popular performance pieces and studies can also be used separately from the textbook ? as an addition to the repertoire of music lessons or simply as a collection of attractive performance pieces for pupils and advanced clarinettists. As with the two volumes of the Clarinet Method, the musical text of the tune books is based on the first edition of the method, and only few differences concerning articulation as well as several misprints and typographical errors were revised. By deleting the historical fingering instructions for the German fingering system, the clarinet method not only has a clean and, compared to the original, more clearly structured layout, but can also be used universally. / Éducatif / Recueil / Clarinette en Bb et Piano
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Tune Book 1 op. 63 Band 1 (BAERMANN CARL)
Clarinet and Piano
Schott
Concert Pieces from the Clarinet Method. Par BAERMANN CARL. The clarinet method ...
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Concert Pieces from the Clarinet Method. Par BAERMANN CARL. The clarinet method op. 63 by Carl Baermann from 1867 is still a standard work in classical clarinet education today. The thoroughly revised new edition aims at reviewing the educational concept, which is still valid today, for modern lessons, adjusting the music and texts, and sensibly complementing the teaching contents. The editor who draws on many years of experience as a clarinettist in an orchestra and university lecturer of clarinet has succeeded in adapting the valuable teaching material to the requirements of today while maintaining the basic methodology. The result is a total of 7 volumes: Clarinet Method Vol. 1 and Vol. 2 (ED 21761, ED 21762) Clarinet Method Vol. 1 and Vol. 2, with 2 CDs each (ED 21761-50, ED 21762-50): The CDs contain the piano accompaniment for the performance pieces, with and without clarinet Tune Book 1 and 2 (ED 21763, ED 21764): piano score of the method\'s performance pieces, with additional inserted clarinet part Daily Exercises (ED 21765): systematic scale, interval and chord exercises in all keys, complemented and published separately from the original method Due to trilingual nature of all editions (German, English, French), they can be used universally. About the revision: The musical text is based on the first edition of the method. Only a few differences concerning the articulation as well as some misprints and typographical errors were revised. By deleting the historical fingering instructions for the German fingering system, the clarinet method not only has a clean and, compared to the original, more clearly structured layout, but can also be used universally. The content of the text and the performance directions of the original were linguistically modernized and occasionally extended by further ideas from the teaching practice, such as concepts for warming up, breathing exercises, literature suggestions or tips for daily practising. Further additions of scale and triad studies in all major and minor keys make this method a comprehensive and thorough work of study which not only serves as teaching material for young and adult beginners, but is also a valuable compendium of scale exercises and studies for advanced musicians and is ideal for training velocity and dexterity. The tune books contain all performance pieces from the Clarinet Method Op. 63 by Carl Baermann for clarinet and piano. Thanks to the revised editions, they are now available as scores with inserted solo part for the first time. Thus, the popular performance pieces and studies can also be used separately from the textbook ? as an addition to the repertoire of music lessons or simply as a collection of attractive performance pieces for pupils and advanced clarinettists. As with the two volumes of the Clarinet Method, the musical text of the tune books is based on the first edition of the method, and only few differences concerning articulation as well as several misprints and typographical errors were revised. By deleting the historical fingering instructions for the German fingering system, the clarinet method not only has a clean and, compared to the original, more clearly structured layout, but can also be used universally. / Éducatif / Recueil / Clarinette en Bb et Piano
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Wolfgang Amadeus Mozart: Clarinet Concerto K.622: Clarinet: Instrumental Work
Clarinet and Piano
Boosey and Hawkes
The Concerto for Clarinet and Orchestra was written in October 1791 about two m...
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The Concerto for Clarinet and Orchestra was written in October 1791 about two months before Mozart's death and destined for Anton Stadler the famous clarinettist. The first movement exists in a sketch in G major for Basset Horn and Orchestra composed towards the end of 1789.This edition has been published in two versions: in the original in A for Clarinet in A and in a transposed version in B-Flat for Clarinet in B-Flat in order to comply with the popular request for that instrument. Available here is the version for Clarinet in B-Flat as arranged by Ernest Roth and revised by Frederick J. Thurston.
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Aaron Copland: Clarinet Concerto: Clarinet: Instrumental Work
Clarinet and Piano
Boosey and Hawkes
Piano reduction with solo part-In 1947 Aaron Copland accepted a commission from ...
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Piano reduction with solo part-In 1947 Aaron Copland accepted a commission from Benny Goodman ‘The King Of Swing’ for a piece for solo Clarinet and Orchestra. Copland always wary of repeating himself welcomed the challenge of composing a Clarinet concerto – ‘it might stimulate some fresh ideas’. He knew from the start that a bow to jazz was called for and he hoped also to demonstrate the lyrical qualities of the Clarinet. Dedicated to Goodman the Concerto for Clarinet was finished by the end of 1948. Clarinettists were soon welcoming this new virtuoso piece and it has since become a standard in the Orchestral repertoire.The concerto consists of two movements played back-to-back connected by a Clarinet cadenza. The dreamy and melodic first movement is followed by a free rondo dominated by melodic Latin American jazz themes and is resolved in the end with an elaborate coda in C major that finishes off with a Clarinet glissando – or 'smear' in jazz lingo. Originally written for Clarinet and String Orchestra with Harp and Piano in this edition Concerto for Clarinet is arranged for Clarinet with Piano accompaniment by the composer. Along the published version with the changes requested by Benny Goodman ossias from the original 1948 manuscript are included as well. Comes with a separate insert of the Clarinet score.
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Max Reger: Sonaten und Stücke für Klarinette und Klavier: Clarinet: Instrumental
Clarinet and Piano
[Sheet music]
G. Henle
Urtextausgabe-Eight years after he had composed his first two Clarinet Sonatas o...
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Urtextausgabe-Eight years after he had composed his first two Clarinet Sonatas op. 49 Reger confessed in a letter to a friend that he was once again committing 'a new crime against harmony and counterpoint'. He was referring to the Sonata forClarinet and Pianoforte op. 107. Reger made a point of not destroying the chamber music character of the work by having too much virtuosic padding. 'Brahms developed classic examples of what the style was meant to be like'.Alongside the sonatas Henle's Urtext edition also contains two charming 'encores': a Tarantella in g minor and an Album Leaf in E flat major. The Sonata op. 49 2 is for clarinet in A. The other pieces are for clarinet in B flat.
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Concertstuck pour Clarinette en Sib et Piano
Clarinet and Piano
Leduc, Alphonse
Raymond Gallois Montbrun (1918-1994) composed his Concertstück for Clarinet and...
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Raymond Gallois Montbrun (1918-1994) composed his Concertstück for Clarinet and Piano in 1946 two years after he won the Grand Prix de Rome. His Violin Concerto 'Japan' Symphony and Concertstück for Clarinet and Piano remain popular to this day. Concertstück for Clarinet and Piano begins with a virtuosic Clarinet cadenza covering a wide range on the instrument. The piece remains virtuosic throughout with many changes of tempo articulation dynamics rhythms key signatures and time signatures throughout. As a suitable and varied piece for the repertoire of advancedclarinetists Gallois Montbrun's Concertstück for Clarinet and Piano cannot be missed.
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Fantasy Pieces For Clarinet And Piano Op. 73
Clarinet and Piano
Wiener Urtext
Robert Schumann wrote his Fantasy Pieces for clarinet and piano in the course of...
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Robert Schumann wrote his Fantasy Pieces for clarinet and piano in the course of two days in February 1849. Only a few days later they were premiered by Clara Schumann and the Dresden clarinetist Johann Gottlieb Kotte. Initially choosing the title Soirée Pieces for his works, Schumann finally decided to have them published as Fantasy Pieces, thereby emphasizing their poetical aspects. These connotations are also at the centre of clarinetist Elisabeth Eichenberg's notes on interpretation with special reference to the contemporary aesthetics of the clarinet sound. The edition is based on the first edition published in 1849 and also incorporates subsequent corrections in Schumann's personal copy. The compositional manuscript that has survived served as an important corrective. Besides the original clarinet part in A the edition also includes a transposed part for the B clarinet in order to make these standard works of the Romantic clarinet repertoire available to a wider circle of the clarinet community. / Clarinette Et Piano
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Gabaye: Sonatine: Clarinet: Instrumental Work
Clarinet and Piano
[Sheet music]
Leduc, Alphonse
Composed by Pierre Gabaye Sonatina is a piece for Bb Clarinet and Piano lasting...
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Composed by Pierre Gabaye Sonatina is a piece for Bb Clarinet and Piano lasting 12 minutes. Divided into three distinctive parts this piece is rated as difficult and can be played by advanced players and above levels. The first part Allegro (4/4 tempo: 120-126) is really energetic as a start evolved shortly after between slower and faster sections. The second part slower (Largo) starts with the Piano on its own for two measures. This part is strongly influenced by Jazz and features long Clarinet lines supported by a rich Piano accompaniment. Finally the third part is really fast (Prestissimo) and displays a Piano more present slightly taking over the Clarinet. This really melodious piece is perfect to be played in contests or for a recital.
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Giuseppe Tartini: Clarinet Concertino: Clarinet: Instrumental Work
Clarinet and Piano
Boosey and Hawkes
The clarinet compared with the flute oboe and bassoon is a modern instrument ...
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The clarinet compared with the flute oboe and bassoon is a modern instrument and therefore little or no music written before the time of Mozart exists for it. This is a misfortune for it means that a golden age of music which included Handel and Bach and a host of lesser but admirable composers has hitherto been a closed book to clarinetists.This delightful little work is a free arrangement of movements taken from two of Tartini?s sonatas for Violin arranged for Clarinet and String Orchestra by Gordon Jacob. This is the version for Clarinet with Piano Accompaniment. The solo clarinet part is also included on a separate insert.
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Maurice Ravel: Pièce En Forme De Habanera: Clarinet: Instrumental Work
Clarinet and Piano
[Sheet music]
Leduc, Alphonse
Initially composed in 1907 for Bass Voice and Piano Habanera by Maurice Ravel w...
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Initially composed in 1907 for Bass Voice and Piano Habanera by Maurice Ravel was transcribed for Bb Clarinet and Piano for this edition. Based on a Cuban Contradanza it features a special habanera rhythm and is generally performed with sung lyrics. In this edition the Clarinet is a substitute for the Voice. While composing this piece Maurice Ravel was also working on two pieces with Spanish influence: 'The Spanish Rhapsody' and 'The Spanish Hour'. This edition which can be used for recitals and exams will enlighten Clarinet players. Maurice Ravel (1875-1937) isa French composer is famous for his Impressionist contributions. He wrote numerous pieces including 'Daphnis and Chloé' and the famous 'Bollero'.
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Arthur Bliss: Pastoral for Clarinet and Piano: Clarinet: Instrumental Work
Clarinet and Piano
[Sheet music]
Novello & Co Ltd.
Arthur Bliss Pastoral for Clarinet and Piano was composed around 1916. It is o...
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Arthur Bliss Pastoral for Clarinet and Piano was composed around 1916. It is one of two pieces for clarinet and piano the other is unpublished.'Pastoral'is composed for either clarinet in A or Bflat. The duration of the work is 3'30''.
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Classical Music for Children: Clarinet: Instrumental Album
Clarinet and Piano
Schott
25 Easy Pieces for Clarinet and Piano-'Klassik für Kinder' wants to introduce C...
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25 Easy Pieces for Clarinet and Piano-'Klassik für Kinder' wants to introduce Clarinet pupils to the beauty of Baroque Classical and Romantic concert literature. Cautiously not only original Clarinet literature was taken up but catchy tunes and themes from the opera (e.g. The Magic Flute) and the concert hall (Four Seasons Capriccio italien and others) were used as well. The edition starts with a piece from the Renaissance period followed by the great composers of the Baroque European Classical and Romantic eras and completed by several discoveries off the common concert programmes (Reinagel Sullivan). Four centuries of music history which willmake the pupils enjoy classical music! The pieces are presented in easy arrangements and can be mastered after about two years of tuition with the three-line octave being left out.
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Classical Music for Children: Clarinet: Instrumental Album
Clarinet and Piano
Schott
25 Easy Pieces for Clarinet and Piano-'Klassik für Kinder' wants to introduce C...
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25 Easy Pieces for Clarinet and Piano-'Klassik für Kinder' wants to introduce Clarinet pupils to the beauty of Baroque Classical and Romantic concert literature. Cautiously not only original Clarinet literature was taken up but catchy tunes and themes from the opera (e.g. The Magic Flute) and the concert hall (Four Seasons Capriccio italien and others) were used as well. The edition starts with a piece from the Renaissance period followed by the great composers of the Baroque European Classical and Romantic eras and completed by several discoveries off the common concert programmes (Reinagel Sullivan). Four centuries of music history which willmake the pupils enjoy classical music! The pieces are presented in easy arrangements and can be mastered after about two years of tuition with the three-line octave being left out.
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Peter Maxwell Davies: Strathclyde Concerto No. 4 (Clarinet Part): Clarinet: Part
Clarinet and Piano
[Sheet music]
Chester
Davies's feeling for the potency and bravura of the clarinet goes back to works ...
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Davies's feeling for the potency and bravura of the clarinet goes back to works of the 1960s; his concerto for the instrument is predictably a big ranging piece in two linked movements. The first fast with a brief slowintroduction has the soloist in propulsive melodic flights slipping over into florid runs but it is a virtuoso piece for the orchestra especially for the marimba and pair of horns. The Adagio that follows is in the spare cold birdcall-riven style of other recent Davies slow movements exploiting first the clarinet's low register and then at its climax the instrument's high extremes. A cadenza leads to the coda where Davies introduces a Scots tune previously hinted at with which he brings the work to an end in F sharp major.Clarinet part with piano reduction of the orchestral score.
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Wolfgang Amadeus Mozart: Clarinet Concerto A major K. 622: Clarinet:
Clarinet and Piano
[Reduction]
G. Henle
The most beautiful and significant Clarinet Concerto in the history of music is ...
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The most beautiful and significant Clarinet Concerto in the history of music is now appearing in a Henle urtext edition. The Piano reduction is accompanied by two separate parts: an urtext edition of theoriginal Clarinet part as found in the early prints and a reconstruction for Basset Clarinet the instrument for which the work was originally written. The editor Henrik Wiese provides a preface and commentary with an in-depthdiscussion of the work’s unusual source materials. Mozart’s concerto has become the indispensable audition piece. As a special bonus this edition also includes the text of the autograph fragment for Basset Horn in G.
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Jalousie: Gypsy Tango for Clarinet and Piano (GADE JACOB)
Clarinet and Piano
[Sheet music]
Hal Leonard
Par GADE JACOB. Jalousie is a tango written by Danish composer Jacob Gade in 192...
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Par GADE JACOB. Jalousie is a tango written by Danish composer Jacob Gade in 1925, originally scored for full orchestra. It soon became popular around the world and is today a classic in the modern repertoire, including many arrangements for various instruments and ensembles. This publication is the first for clarinet and piano, arranged by Paula Corley, former Pedagogy Chair for the International Clarinet Association, with piano accompaniment edited by Stephanie Bruning. The work consists of two themes the first a temperamental theme in D minor, followed by a lyrical section in D major, both with a typical tango rhythm. It became Gade\'s most popular and successful work, enjoying numerous radio broadcasts and recordings. The work was premiered as accompaniment for the Danish screening of the silent film, Don Q, Son of Zorro on September 14, 1925 under the baton of the composer. / Date parution : 2022-09-20/ Répertoire / Clarinette et Piano
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Max Reger: Tarantella and Album Leaf: Clarinet: Score
Clarinet and Piano
G. Henle
for Clarinet and Piano-It is little known that alongside his three great sonatas...
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for Clarinet and Piano-It is little known that alongside his three great sonatas for Clarinet and Piano Reger also wrote two charming miniatures for the same instrumentation. At the same time it was the composer’s express desire to reach awider public with smaller works such as these that were to be published in music journals. This Henle single edition (taken from the volume of all of Reger’s sonatas and pieces HN 909 also edited by MichaelKube) meets this wish today: its effervescent Tarantella and the Albumblatt that is full of nuances provide clarinettists and pianists with an easy introduction to Max Reger’s magical world of sound.
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Henri Tomasi: Complainte Du Jeune Indien: Clarinet: Instrumental Work
Clarinet and Piano
Leduc, Alphonse
Composed in 1949 by Henri Tomasi Complainte Du Jeune Indien is a piece for Cl...
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Composed in 1949 by Henri Tomasi Complainte Du Jeune Indien is a piece for Clarinet and Piano accompaniment. This piece voices the lament of a young Indian expressing nostalgia. It is quite sad with an Andante tempo and the harmonic motion is quite slow. Two cadenzas feature in this work with the possibility to cut them out to make rehearsals easier. The piece finishes sadly on the main theme which is played on last time. Written for intermediate Complainte Du Jeune Indien player can be used as a contest piece or for a recital. Henri Tomasi also composed'Corsica Songs' and 'Five Profaning and Holy Songs' for Clarinet and Piano.
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