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HANDBELLS
Clarinette, Alto Et Piano
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Trombone Et Orgue (33)
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Choeur SSATTB, (6 Instruments,… (31)
Flûte à Bec Alto ou Flûte T… (31)
Cello, Organ (31)
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English horn, Piano (31)
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Choeur SS (B) ou SA (B), 2 Vio… (31)
Guitar and Bass Tablatures, Ch… (30)
Duos (30)
Batterie Fanfare En Mib (30)
Autoharp (30)
Trompette et Piano ou Orgue (30)
Bugle et Piano (30)
Trompette Et Orchestre (30)
Organ and Brass Band (30)
Soprano Saxophone (30)
Diverses Formations (30)
Solistes SATB, Choeur SATB, 2 … (29)
Ensemble Divers (29)
Choeur A Cappella (29)
2 Oboes (duet) (29)
Piano, Bass, Drums (trio) (29)
Baritone Ukulele (29)
Euphonium et Brass Band (29)
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Oeuvres Théâtrales/Oratorios… (29)
Flûte à Bec F1, C1, 2 Violon… (28)
Harpe, Violon et Violoncelle A… (28)
2 Clarinettes, 2 Violons, Orgu… (28)
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Cor, Euphonium et Piano ou Org… (28)
2 Violons, 2 Altos ou 3 Violon… (28)
2 Hautbois, 2 Clarinettes, 2 B… (28)
Flûte 1 Hautbois 1 Clarinette… (28)
Recorder, Bass Continuo (28)
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Book (28)
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Musique de chambre (27)
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String trio (27)
Quatuor Variable (27)
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2 Cornets (27)
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Ocarina (27)
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Night Window
Clarinette, Alto Et Piano
Bote and Bock
Le trio de fenêtre de nuit a été commandé par Dean-Emmerson-Dean et pour la ...
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Le trio de fenêtre de nuit a été commandé par Dean-Emmerson-Dean et pour la première fois dans une série de concerts à Brisbane, Sidney et centres régionaux immédiatement avant d'enregistrement. Comme le titre l'indique, ce travail traite des Etats d'esprit après que la tombée de la nuit, cette proportion de nos vies si souvent associée à la vulnérabilité, craint et insécurités. Le trio s'ouvre avec une paire feutrée de cadences pour clarinette basse et alto, introduisant le principal motivique et matériel harmonique. Le mouvement de la variation central agit comme un ensemble de séquences de rêve, ou plus correctement différentes versions d'un même rêve, tous étant liée à la chorale avec laquelle cette section s'ouvre. Elles progressent de sérénité, à travers des passages de l'augmentation de la nervosité et tension, à une élégie qui pousse plus loin dans l'énergie et de passion. Formant un cadre un côté ou de l'autre de ces variations est deux sections rapides thématiquement connexes, vigoureusement rythmiques. En contraste frappant avec les variations de ces sont remplis d'un extraverti, presque jazz-li... / Clarinette, Alto Et Piano
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Da Roma (MANTOVANI BRUNO)
Français
Clarinette, Alto et Piano
Lemoine, Henry
Par MANTOVANI BRUNO. Da Roma témoigne des recherches que je menais en 2004 sur ...
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Par MANTOVANI BRUNO. Da Roma témoigne des recherches que je menais en 2004 sur la notion de processus. Ecrite à la Villa Médicis, cette pièce fait suite au Cycle des gris pour orchestre sur instruments anciens ou encore aux Fées pour quatuor à cordes, oeuvres dans lesquelles j'ai tenté de construire un discours plus continu, moins fondé sur la rupture qu'auparavant. Si j'ai privilégié dans mon travail la confrontation entre des idées musicales antagonistes, je tente depuis peu d'introduire dans mon langage, toujours fondé sur l'énergie, l'idée de la transformation progressive d'éléments musicaux. C'est de la déformation progressive de la matière que naît le discours. Le premier élément de l'oeuvre est un ostinato très lent du piano, un accord consonant répété et varié, sonnant comme un glas sur lequel les autres instruments agissent comme des ornementateurs. Les échappées mélodiques de la clarinette ou de l'alto occupent alors le premier plan, jusqu'à donner naissance à une idée plus instable qui supplante l'ostinato initial. Cette idée oppose un accord dans le registre grave et des arpèges descendants qui, bien que de plus en plus fréquents, laisseront la place à la répétition de l'accord qui leur est opposé, dans des transpositions progressives dans l'aigu. Pour rompre la périodicité de cet accord, une vague descendante fait son apparition, et à son tour, vient voler la vedette à l'idée précédente. Cette vague répétée est raréfiée progressivement, jusqu'à donner naissance à une pulsation régulière, contrariée par une pulsation plus rapide qui s'impose, elle-même contrariée par une pulsation plus rapide... Afin de sortir de cette logique de jeu de cache-cache entre les idées musicales, la section suivante s'impose par la rupture, et réintroduit l'harmonie du glas initial. La clarinette, dans un solo déchiré et disjoint, puis l'alto seul, réintroduisant un ostinato, prennent la parole pour conclure la pièce dans le recueillement. Da Roma, commande des éditions EMC, est avant tout un hommage à trois musiciens, tous membres de l'Ensemble intercontemporain, qui m'accompagnent régulièrement depuis quelques années, et qui ont fondé le trio Modulations : Odile Auboin, Hidéki Nagano, et Alain Billard. Bruno Mantovani / contemporain / Répertoire / Clarinette, Alto et Piano
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Nachtpoema (VAN EECHAUTE PROSPER)
Clarinette Alto et Piano
Alry Publications
Arrangeur: Matt Johnston. Par VAN EECHAUTE PROSPER. Prosper Van Eechaute (1904-1...
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Arrangeur: Matt Johnston. Par VAN EECHAUTE PROSPER. Prosper Van Eechaute (1904-1964), born in Ghent, was a Belgian composer, conductor and teacher. While a student at the Ghent Royal Conservatory, he was awarded first prize for cello, harmony, chamber music, counterpoint and fugue, in addition to the Emile Mathieu prize for composition in 1930. His Nachtpoema for Horn and Orchestra (or Piano), was written in 1938, however the premiere took place towards the end of his life in 1962, with Maurice Van Bocxstaele as the horn soloist. Here, it has been arranged here for either Alto Clarinet (in E-flat) or Basset Horn (in F) and piano. This work can be played with either an Alto Clarinet or a Basset Horn.Prosper Van Eechaute (1904-1964), born in Ghent, was a Belgian composer, conductor and teacher. While a student at the Ghent Royal Conservatory, he was awarded first prize for cello, harmony, chamber music, counterpoint and fugue, in addition to the Emile Mathieu prize for composition in 1930. His Nachtpoema for Horn and Orchestra (or Piano), was written in 1938, however the premiere took place towards the end of his life in 1962, with Maurice Van Bocxstaele as the horn soloist. Here, it has been arranged here for either Alto Clarinet (in E-flat) or Basset Horn (in F) and piano. This work can be played with either an Alto Clarinet or a Basset Horn./ Répertoire / Clarinette Alto et Piano
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Fairy Tales op. 132 (SCHUMANN ROBERT)
Clarinette, Alto et Piano
[Score and Parts]
-
Intermediate/advanced
Schott
Based on Robert Schumann. Neue Ausgabe sämtlicher Werke, Band II/3. Par SCHUMAN...
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Based on Robert Schumann. Neue Ausgabe sämtlicher Werke, Band II/3. Par SCHUMANN ROBERT. The Fairy-Tale Narratives (Märchenerzählungen) for B-flat Clarinet (ad libitum Violin), Viola and Piano, Op. 132, belong to the few Schumann works that were composed, revised and published in a short time: composed in Düsseldorf, at beginning of October 1853, the new composition was already offered for publication to the Breitkopf & Härtel publishing house on 3 November and printed in February 1854. Composition and publication of the Märchenerzählungen were accompanied, though, by difficult times, the final days before the composer was admitted to the psychiatric clinic in Endenich. The work’s reception lies in the shadow of the last creative period: The pieces were associated with his life’s darker phases and were very little played. The Märchenerzählungen transmit Schumann’s single work for this unusual piano trio with viola and clarinet. The only well-known earlier example in this setting at that time is Mozart’s “Kegelstatt” Trio K 498 (composed in 1786). Schumann was certainly already acquainted with the work from his Leipzig years – it was played in one of the “quartet sessions” in 1829. / Niveau : Intermédiaire à Avancé / Répertoire / Clarinette, Alto et Piano
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Adagio And Allegro, Op. 70 (SCHUMANN ROBERT)
Clarinette Alto et Piano
Alry Publications
Arrangeur: Matt Johnston. Par SCHUMANN ROBERT. Robert Schumann (1810-1856), comp...
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Arrangeur: Matt Johnston. Par SCHUMANN ROBERT. Robert Schumann (1810-1856), composed this Adagio and Allegro, Op. 70, for horn and piano in 1859. Along with the Fantasy Pieces for clarinet and piano, and the Three Romances for oboe and piano, it rounds out his small yet important output of solo repertoire for wind instruments. Here, it has been arranged here for either Alto Clarinet (in E-flat) or Basset Horn (in F) and piano. This work can be played with either an Alto Clarinet or a Basset Horn. Robert Schumann (1810-1856), composed this Adagio and Allegro, Op. 70, for horn and piano in 1859. Along with the Fantasy Pieces for clarinet and piano, and the Three Romances for oboe and piano, it rounds out his small yet important output of solo repertoire for wind instruments. Here, it has been arranged here for either Alto Clarinet (in E-flat) or Basset Horn (in F) and piano. This work can be played with either an Alto Clarinet or a Basset Horn./ Répertoire / Clarinette Alto et Piano
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Sonata In F Minor (TELEMANN GEORG PHILIPP)
Clarinette Alto et Piano
Alry Publications
Arrangeur: Matt Johnston. Par TELEMANN GEORG PHILIPP. Georg Philipp Telemann (16...
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Arrangeur: Matt Johnston. Par TELEMANN GEORG PHILIPP. Georg Philipp Telemann (1681-1767), is one of the most prolific composers of all time. He wrote a great amount of music for wind instruments, including many concerti and sonatas for flute, oboe and bassoon. The Sonata in F Major for bassoon and basso continuo, composed in four movements (Triste, Allegro, Andante, Vivace), was originally included in the collection Der getreue Musikmeister, dating back to 1728. Here, it has been arranged here for either Alto Clarinet (in E-flat) or Basset Horn (in F) and piano. This work can be played with either an Alto Clarinet or a Basset Horn.Georg Philipp Telemann (1681-1767), is one of the most prolific composers of all time. He wrote a great amount of music for wind instruments, including many concerti and sonatas for flute, oboe and bassoon. The Sonata in F Major for bassoon and basso continuo, composed in four movements (Triste, Allegro, Andante, Vivace), was originally included in the collection Der getreue Musikmeister, dating back to 1728. Here, it has been arranged here for either Alto Clarinet (in E-flat) or Basset Horn (in F) and piano. This work can be played with either an Alto Clarinet or a Basset Horn./ Répertoire / Clarinette Alto et Piano
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Aufschwung Con Tenuto
Clarinette, Alto Et Piano
Bote and Bock
York Höllers Beitrag zur klassischen und auch für Neue Musik bedeutsamen Gattu...
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York Höllers Beitrag zur klassischen und auch für Neue Musik bedeutsamen Gattung des Trios für Klarinette, Bratsche und Klavier kam 2014 beim ?Fokus Perspektive Schumann' in der Alten Oper Frankfurt zur Uraufführung mit Mitgliedern des Ensemble Modern. Höller spürt in der schwungvoll mit Fanfarenmotiven und Halbtontrillern anhebenden Komposition einem spezifischen Gestus Robert Schumanns nach. Mit seinen Märchenerzählungen op. 132 hat der rheinische Meister ja selbst einen Markstein für dieselbe Besetzung geschaffen, und auf Schumanns ?Aufschwung' aus den Fantasiestücken op. 12 weist Höller nicht nur im Titel seines Stücks, sondern auch mit einem Zitat an zentraler Stelle hin. Leidenschaftliche, den Hörer unmittelbar ansprechende und für alle drei Spieler dankbare 11 Minuten Kammermusik. / Clarinette, Alto Et Piano
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Meditation (FOX DAN)
Clarinette Alto et Piano
Alry Publications
Par FOX DAN. An original work for Alto Clarinet (in E-flat) or Basset Horn (in F...
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Par FOX DAN. An original work for Alto Clarinet (in E-flat) or Basset Horn (in F) and Piano based on 'The Little Prelude in C minor' by J.S. Bach. Much like Charles Gounod based his 'Ave Maria' on the first prelude of the Well-Tempered Clavier, Dan Fox has created a beautiful melody which floats over the accompaniment. This work can be played with either an Alto Clarinet or a Basset Horn. An original work for Alto Clarinet (in E-flat) or Basset Horn (in F) and Piano based on 'The Little Prelude in C minor' by J.S. Bach. Much like Charles Gounod based his 'Ave Maria' on the first prelude of the Well-Tempered Clavier, Dan Fox has created a beautiful melody which floats over the accompaniment. This work can be played with either an Alto Clarinet or a Basset Horn./ Répertoire / Clarinette Alto et Piano
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Lyrische Pastorale (MORTELMANS LODEWIJK)
Clarinette Alto et Piano
Alry Publications
Arrangeur: Matt Johnston. Par MORTELMANS LODEWIJK. Lodewijk Mortelmans was born ...
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Arrangeur: Matt Johnston. Par MORTELMANS LODEWIJK. Lodewijk Mortelmans was born in Antwerp on February 5, 1868, as second son of printer Karel Mortelmans. He died on June 24, 1952. He was an outstanding, universal Belgian musician and composer. His unique and poetic classical songs, his intimate and delicate piano music and his imaginative orchestral pieces rank among the European masterworks of the end of the 19th and the early 20th century. His Lyrische Pastorale, originally for horn and orchestra, has been arranged here for either Alto Clarinet (in E-flat) or Basset Horn (in F) and piano. This work can be played with either an Alto Clarinet or a Basset Horn.Lodewijk Mortelmans was born in Antwerp on February 5, 1868, as second son of printer Karel Mortelmans. He died on June 24, 1952. He was an outstanding, universal Belgian musician and composer. His unique and poetic classical songs, his intimate and delicate piano music and his imaginative orchestral pieces rank among the European masterworks of the end of the 19th and the early 20th century. His Lyrische Pastorale, originally for horn and orchestra, has been arranged here for either Alto Clarinet (in E-flat) or Basset Horn (in F) and piano. This work can be played with either an Alto Clarinet or a Basset Horn./ Répertoire / Clarinette Alto et Piano
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Apres Un Rêve (FAURE GABRIEL)
Clarinette Alto et Piano
Alry Publications
Arrangeur: Matt Johnston. Par FAURE GABRIEL. Although mostly known for his orche...
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Arrangeur: Matt Johnston. Par FAURE GABRIEL. Although mostly known for his orchestral music and Requiem, Gabriel Faure (1845 - 1924) composed more than 70 works for voice and piano, and was once commended by Maurice Ravel for saving French vocal music from the dominance of the German lied. One of the most famous of these art songs, Apres un reve (Op. 7, No. 1) is arranged here for either Alto Clarinet (in E-flat) or Basset Horn (in F) and piano. This work can be played with either an Alto Clarinet or a Basset Horn.Although mostly known for his orchestral music and Requiem, Gabriel Faure (1845 - 1924) composed more than 70 works for voice and piano, and was once commended by Maurice Ravel for saving French vocal music from the dominance of the German lied. One of the most famous of these art songs, Apres un reve (Op. 7, No. 1) is arranged here for either Alto Clarinet (in E-flat) or Basset Horn (in F) and piano. This work can be played with either an Alto Clarinet or a Basset Horn./ Répertoire / Clarinette Alto et Piano
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Klarinettenkonzert A-Dur KV 622 (MOZART WOLFGANG AMADEUS)
Clarinette Alto et Piano
[Sheet music]
Breitkopf & Härtel
Par MOZART WOLFGANG AMADEUS. Editeur(s) d'origine: Kling, H -Trio di Clarone/ R...
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Par MOZART WOLFGANG AMADEUS. Editeur(s) d'origine: Kling, H -Trio di Clarone/ Répertoire / Clarinette Alto et Piano
20.60 EUR - Sold by LMI-partitions
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Trio In A Major Op. 264 (REINECKE CARL HEINRICH CARSTEN)
Clarinette, Alto et Piano
Simrock
Par REINECKE CARL HEINRICH CARSTEN. Format: New Edition portrait/ Répertoire / ...
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Par REINECKE CARL HEINRICH CARSTEN. Format: New Edition portrait/ Répertoire / Clarinette, Alto et Piano
36.07 EUR - Sold by LMI-partitions
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Sonata (SCHROEDER HERMANN)
Clarinette Alto et Piano
[Sheet music]
Schott
Par SCHROEDER HERMANN. Format: New Edition portrait/ Répertoire / Clarinette Al...
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Par SCHROEDER HERMANN. Format: New Edition portrait/ Répertoire / Clarinette Alto et Piano
21.65 EUR - Sold by LMI-partitions
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3 Interludes (Clarinet/Viola/Piano) (MATTHEWS COLIN)
Clarinette, Alto et Piano
[Sheet music]
Faber Music Limited
Par MATTHEWS COLIN. / Répertoire / Clarinette, Alto et Piano
9.85 EUR - Sold by LMI-partitions
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