SKU: BT.EMBZ14473
Hungarian-English-German-French.
Editio Musica Budapest is launching a new series entitled 'Musica da camera'. As its very general title indicates, the publishers' intention is that the volumes in this series, which is designed specifically for music school students, will include works composed for chamber ensembles of every kind, from the trio to the sextet. The first two volumes contain mostly transcriptions for three and four flutes respectively, selected from every period of music history from the late Renaissance to the present day.Unter dem Titel ‚Musica da camera' bringt Editio Musica Budapest eine neue Serie auf den Weg. Bereits dieser sehr allgemeine Titel zeigt an, dass in die Bände dieser neuen Serie den Wünschen des Verlags entsprechend Werke für Kammerensembles der unterschiedlichsten Besetzung - vom Trio bis zum Sextett - aufgenommen werden. Die ersten beiden Bände enthalten grösstenteils Bearbeitungen für drei oder vier Flöten aus allen musikgeschichtlichen Epochen von der Spätrenaissance bis zur Gegenwart.
SKU: P2.10022
The third part of the Chthonic Flute Suite commissioned by Areon Flutes in 2012. This suite has two main inspirations: ideologically it draws guidance from the book The Dream and the Underworld (1979)by James Hillman (1926-2011) and musically it explores the textural possibilities of a flute ensemble within the context of the heavy chamber music style I have developed with Edmund Welles: the bass clarinet quartet since 1996. This style draws virtuosic precision from the classical realm; innovation and texture from jazz; and power, rhythm and overall perspective from rock and metal. The term chthonic [thon-ik] generally means underworld. However, Hillman thoroughly elaborates that its true meaning extends below the earth and beyond it into invisible, non-physical and far distant psychic realms: the deeper mysteries of the invisible. The trio is divided into three sections: The Way We Descend--Reflection of Narcissus--Below Nature. Taking a break from Greek myth-nerd terms, this movement introduces chthonic-flavored phrases that elaborate on our descent into the underworld, specifically through dreams. The realm of the underworld can be such a shock to our dayworld, limited, egoic consciousness that it can seem like a violation as Hillman points out, referencing the Greeks: This style of the underworld experience is overwhelming, it comes as violation, dragging one out of life and into the Kingdom that the Orphic Hymn to Pluto describes as 'void of day.' So it often says on Greek epitaphs that entering Hades is 'leaving the sweet sunlight.' (p.49) He elaborates on the differences between dayworld and underworld perspectives: The dream is not compensation but initiation. It does not complete ego-consciousness, but voids it. So it matters very much the way we descend. (p.112) He goes on to describe the various modes in which mythical figures have descended: Ulysses and Aenas to learn; Hercules to take and to test, for example. To act like Hercules, like the hero, in the underworld is to miss the point and cause more problems, the villain in the underworld is the heroic ego, not Hades. (p.113).
SKU: BT.EMBZ14972
English-German-Hungarian.
The volume contains selected transcriptions from well-known sets that Bartók wrote for children and young people: For Children, Children s and Female Choruses, 44 Duos and Mikrokosmos. Some are based on folk melodies and some on original themes. The volume consists of 15 pieces. The collections serve to draw music students into the realm of a great genius of 20th-century music, while concurrently introducing them to the basic techniques of playing chamber music.
SKU: LM.26115
ISBN 9790230961158.
Sur un tapis de tierces - Petite valse - Pour danser avec une jambe de bois - Berceuse pour Helene - Comme a regret.
SKU: ST.C529
ISBN 9790570815296.
A brand new edition of these effective arrangements of Puccini, Sullivan, Johann Strauss I and Josef Strauss. This edition by kind permission of Pan Educational Music, originally PEM19 (1982), now includes a score and three separate flute parts.Contentsfrom Act 1 from La Boheme (Puccini)Village Swallows Waltz (Strauss)Annen Polka (Strauss I)Faint Heart from Iolanthe (Sullivan)Former Spartan Press Cat. No.: EMA133.
SKU: LM.25457
ISBN 9790230954570.
Prelude - Berceuse - Scherzando - No. 4 - Final.
SKU: AY.FRD58
ISBN 9790302115434.
Prior to 2018, the Trio Sonata of John La Montaine might as well have not existed. When ALRY Publications became the sole representative for Fredonia Press, this work was not mentioned in the catalogs, nor was any score or manuscript included in the Fredonia archives. Suddenly it resurfaced, a paper copy, bearing a handwritten inscription to Doriot Anthony Dwyer, with the subtitle for 3 Flutes or 30 Flutes or 300 Flutes. The new and freshly re-engraved edition, featuring a full score and parts, consists of three movements: Questioning (a trio version of the opening movement of his Sonata for Solo Flute), Song and Scherzo.
SKU: FG.55011-091-5
ISBN 979-0-55011-091-5.
Chamber music for young flutists based on original versions for violin duos by Laszlo Rossa and Geza Szilvay. All the Flute Chamber books are suitable for flute ensembles both large and small. Flute Chamber III is a selection of trios with lots of different characters and exercises in rhythm and intonation. The pieces are an entertaining way of exploring the world of music and capturing the moods of different stories.
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