Par FLINT TOMMY. Méthode de cette débutant pour guitare à 12 cordes par le vétéran guitariste Tommy Flint couvre tous les éléments de base pour commencer. Les sujets comprennent l'accordage et chaînes - lecture de tablature, de notation et de diagrammes d'accords - blues - triplets - mélodie - diapositives - jouant sur les chaînes de 1er et 2e - deux et trois partie harmony - chords mobiles - des insultes et rouleaux. Solos de nombreux donnent à l'étudiant une chance de pratiquer les compétences enseignés. Le CD est un outil audio utile pour atteindre le son approprié. / Niveau : Débutant à Intermédiaire / Méthode / Guitare Country

Solos-This DVD lesson is for the intermediate and advanced fingerstyle guitar player. It is for the student who feels comfortable with an alternating bass technique and wants to expand and explore ideas in blues and ragtime using moreadvanced right and left hand techniques. The four instrumentals featured in this lesosn are all extended compositions offering a variety of musical ideas. Piano sounding blues in the key of A are presented in 'Mississippi Blues'and 'Blues For The Mann'. A Blind Blake approach in the key of C is used for the 'Glory Of Love'. 'Struttin' Rag' in the key of E Brings together thress distinct sections. It opens with a blues piano sounding motif and then stepsinto a more country atmosphere. It finishes with a series of bass licks reminiscent of Merle Travis's 'Walkin' The Strings'.

With Online Audio-These favorite Irish tunes have been arranged in sections of varying difficulty to provide material for beginning to advanced students. The first section of each arrangement is the easiest to play with one or two more advancedsections following.Beginning students should be able to play the first section of these arrangements to produce a satisfying fingerstyle solo while advanced players should be capable of playing the complete arrangement.This collection offers something to satisfy guitarists at all levels and yet challenge them at the same time.Written in notation and tablature with two tunes in dropped-D tuning one with the A and E strings dropped to Gand D respectively and all other selections in standard tuning. Includes access to online audio.

With this 87-track CD and Book pack you can learn to play and improvise like a real pro. You start at the beginning, going through the blues scale and the traditional blues chord sequence, then you move on to some essential techniques: fretboard chord shapes, arpeggios, slides, double-stops, string bends, hammer-ons, pull-offs and more. All exercises are demonstrated on the CD at both full speed and a slower practice speed, so in no time at all you will be creating your own solos in the style of such great blues legends as Eric Clapton and Stevie Ray Vaughan. Five complete solos are included in the easy-to-follow tab. / Guitare

This quick guide to flatpicking Irish traditional music was written by Doc Rossi a well-known citternist and guitarist in both traditional and early music. He's created this book for intermediate to advanced players who want to improve their technique develop ideas and learn new repertoire.Starting with the basics of technique and ornamentation in traditional music Doc then goes directly into the tunes in standard notation and tab. Focusing on traditional music from Ireland Doc has also chosen tunes from England France Flanders North America and Corsica to reflect the guitar's broad range. Right- and left-hand techniques ornamentation arranging and othertopics are taught through the tunes themselves. Doc has developed his own tuning for playing traditional music and this book shows you how to use it. His tuning makes it easy to play tunes in all the important traditional keys without moving a capo around or having to negotiate difficult position shifts while at the same time providing a number of open strings and other possibilities for playing your own accompaniment. An audio CD with all of the tunes played at medium tempo is included.

'The material is a mix of traditional and original the playing superb. Grossman and Renbourn combine their talents and mix of styles here to produce appealing instrumental music of rare beauty and taste.' AllMusic.comOn their duet records John Renbourn and Stefan Grossman meet on the common turf of American blues and Celtic fiddle tunes and airs. Under The Volcano is a collection of seven duets. Including an extended four-part work for which the album is named and one solo by each of the players the album has what has come to be the characteristic sound of the duo. Reflecting what Stefan quite accurately describes as 'aninterweaving of styles ' it is quite difficult and somewhat pointless to tell which of the two is playing the lead in most parts of the album. The original compositions are at once down-home and high-flown brimming with contrapuntal funkiness and the music manages to sound both loose and precise. Grossman and Renbourn contribute equally to the composition and arrangement of the traditional material. They aren't uptight about overdubbing or using the occasional electric guitar texture. But the lingering impression is one of crisp snapping strings and air being moved by wooden-boxed guitars.Track Listing:1. Idaho Potato2. Medley: Sheebeg An Sheemore & Drunken Wagoner3. Under The Volcanoa) Resurrection of Blind Joe Deathb) Four for the Rosesc) Montagu's Pactd) Rights of Man4. Medley: Bonaparte's Retreat & Billy In The Lowgrounds5. Swedish Jig6. Water Gypsy7. All Things Parallel Must Converge8. The Blarney Pilgrim9. Mississippi Blues No. 3(All tunes except for 'Bonaparte's Retreat' have been transcribed and included in a pdf tab/music booklet on the CD)

Find any scale quickly and with ease! This book presents over 70 scales from bebop scales to synthetic scales to exotic scales from around the globe. Each scale is displayed on every possible string from lowest to highest with numerous fingering options. This is the ideal book for beginners seeking a well-organized easy-to-follow guide to last a lifetime and consummate professionals who need a reference of scales for every possible musical situation. No music reading is required as each scale is shown in diagram form.

Fiddle Tunes in DADGAD shows how fingerstyle guitarists can use DADGAD tuning to play traditional tunes including twenty-four complete arrangements of common American Irish and Scottish ballads airs jigs and reels. The bookexplores techniques and patterns for playing melodies across the strings producing a harp-like effect that adds a distinctive and beautiful character to traditional melodies. In addition to building repertoire the materialdemonstrates ways to arrange your own melodies or even write your own tunes based on the techniques provided. This is a perfect follow-up for guitarists who have studied Understanding DADGAD for Fingerstyle Guitar and arelooking for tunes to learn or for those who want to go deeper into harp-style playing. It is also an excellent introduction for those who prefer to just dive head-first into DADGAD by learning some classic tunes.

Avec une nouvelle introduction par Matt ScharfglassMusic editor pour guitare mondiale, monde de guitare acoustique et magazines de la guitare basse, Matt Scharfglass est également chef du groupe de rock Mme Grundy. Un bassiste et multi-instrumentiste, il a écrit plus d'une douzaine de livres musique.Six grandes leçons des maîtres de la guitare rock : leçon 1: Arlen Roth-donne une bonne base en shuffle-guitare du rock à la Chuck BerryLesson 2 vous : Mick Taylor-les ex-Rolling Stones et John Mayall joueur de blues/rock vous montre ' Catfish Blues ' et stringbendingLesson 3: Nils Lofgren, un exercice de Keith Richards styleLesson 4: Robin Trower-l'ex-Procul Harum joueur illustre le style whammy-bar plus son vibrato familier et flexion techniquesLesson 5: Plomb Bruce Kulick, la guitare force derrière les oeuvres de baiser sur la flexion, triplet isolation et scalesLesson 6: Eric Johnson-donne vous insightt une maîtrise en Clapton, Beck

The ten-hymn selection (including among others Come, Thou Fount of Every Blessing and How Firm a Foundation) largely avoids chordal style harmonization, but rather employs the open strings of the instrument in a creative way to make the melody and accompaniment sound rich, vibrant and easier to play. Most arrangements are in standard tuning (with occasional dropped D tuning) and include extensive fingerings.

All 11 songs from LaMontagne's excellent second CD filled with strings horns and emotion. Arranged for guitar tab.