After Pentangle split in 1973 Bert Jansch returned to his prolific solo career but missed playing in a group context. The Bert Jansch Conundrum came into existence as the 1970s waned. Jansch recorded a solo album called A Rare Conundrum in 1977 with mandolinist Rod Clements and fiddler Mike Piggott as supporting players. When Piggott was unable to go out on a Scandinavian tour Martin Jerkins hired on to play violin on the dates. They hit it off and Nigel Portman-Smith came aboard to play bass. They toured Europe and America. Bert recalled: ?I got to know Martin in that period between the original Pentangle splitting up and the beginning of the eighties. I knew him prettywell and we did a lot of gigs together. At one point we were playing with Rod Clements who used to be in Lindisfarne and Pick Withers on drums - I seem to remember Mike Piggott was involved as well; I?ve been in so many different line-ups I just can?t honestly remember!?The first part of this DVD collection presents Bert Jansch Conundrum in concert recorded in Athens Ohio. This is followed by three tunes by Bert and Martin recorded in 1978 in Stockholm Sweden. The DVD concludes with a documentary that Bert recorded in 1985 that combines interviews solo concert performances and rehearsals.

Ultimate Rock Drumming by Jim McCall is the ultimate guide for learning the beats and fills used in today's music. There are over 16, 000 possible rhythmic possibilities that will be explored when studying this book. Ultimate Rock Drumming addresses all the different elements of rock 'n' roll including R& B, shuffles, 12/8 blues, pop, country, Latin and rock. Students will become quite the experts and develop a high level of skill after completing Ultimate Rock Drumming./ Recueil / Guitare

House of Blues Learn to Play Series-House of Blues and The Rock House Method® join together to bring you this unique and comprehensive beginner acoustic program. Jam-packed with a complete spectrum of techniques and components that will have you playing today.The one-on-one lessons with world renowned instructor and guitarist Kevin McCreery start with the basics of holding and tuning your guitar then guide you step-by-step through chords strum patterns scales song rhythms fingerpicking and more. Play along with the included full bass and drum backing tracks. Also have fun while learning about the history and famous pioneers of acoustic guitar.Each Rock House product includes free lifetimemembership to Rock House's online lesson support system. Enhance your learning experience links with instructors download backing tracks access message boards and much more. You'll connect with a community of musicians aroundthe world learning to play music using The Rock House Method.

Par OKAZAKI MILES. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins with the properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetrical scales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadic syntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a method based on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse against pulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds of illustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described in this passage (page 154): 'Even in this small area there is a lot of material, potentially a lifetime of study. The amount of information can feel overwhelming to students at any level. For this reason, the book is designed for self-directed practice, with an emphasis on what the player 'could' do, rather than what the player 'should' do. The principle is to develop your own learning process, rather than following someone else's. The ability to make choices is essential in finding a personal approach to the instrument. Pick and choose the studies that seem interesting - there should be enough variety to accommodate a wide range of personalities. If any particular concept or exercise has been useful as the starting point for a new creative direction, then the book has done its job. Its purpose is not to push any dogma, method, or style, but to open the door to options for guitarists of any background that are looking for new perspectives. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins withthe properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetricalscales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadicsyntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a methodbased on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse againstpulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds ofillustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described/ Méthode / Guitare

This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument intermediate players can use it for training and theoretical work and advanced players can explore the sections on advanced theory extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm.Part 1 (pitch) begins withthe properties of string harmonics and tuning systems. It then moves methodically through pitch information beginning with locating all versions of a single pitch building pentatonic heptatonic and all possible symmetricalscales. This is followed by a study of intervals with all possible locations of every two pitches and a long study that moves through every possible fingering of three pitches with a series of exercises to master triadicsyntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation.Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking ' a methodbased on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation with a focus on efficiency accuracy speed dynamics and groove. It is followed by a study of legato playing working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse againstpulse playing two simultaneous tempos.The book concludes with a study of polyrhythm playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts and hundreds ofillustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described

Worship Band Playalong Volume 1-The Worship Band Play-Along series is a flexible tool for worship leaders and bands. Each volume offers five separate correlated book/CD packs: Guitar Keyboard Bass Drumset and Vocal.Bands can use the printed music and chord charts to play live together and members can rehearse at home with the CD tracks. Worship Leaders without a band can play/sing along with the CD for a fuller sound. The eight songs in each volume follow a similar theme for easy set selection and the straightforward arrangements are perfect for bands of any level.

10 Christmas Songs For Electric Guitar-These original arrangements of favourite Christmas tunes have a real authentic jazz flavour and are sure to be a hit around the Christmas tree. With 10 songs including Last Christmas Little Drummer Boy and Santa Claus is Coming to Town as well as more traditional carols such as Silent Night the collection has something for everyone. Now Electric Guitar too can join in the fun of playing Christmas music!

This new method makes learning strumming patterns a much easier and fulfilling experience. Featuring easy-to-read lead sheets that include melody line words fingerings and strumming patterns each song also includes an additional one-page version of each song consisting of words and chord changes.In additional the included CD is jam packed with features to help you along the way to playing the songs including short Mpeg film clips demonstrating the songs in detail and professional backing tracks in MP3 format in 3 versions:Full version (Guitar Bass Drums Vocals)Play-along version (Bass Drums Vocals)Learning version(Guitar click)With text in German and English.

Filmed at the New York jazz club Smoke Rodney Jones enlightens us with his flavorful originals like 'Groove Bone' and 'One Turnip Green ' while he indulges us with the classics such as 'Stella by Starlight ' and'Morning of the Carnival.'For Live At Smoke his first DVD as a leader Rodney Jones selected material from every stage of his career including tunes he had not previously recorded. The result isan exquisite juxtaposition of traditional and progressive works including sultry ballads floor-pounding grooves and everything in between.A gifted solo artist and an A-list sideman for Dizzy Gillespie James Brown LenaHorne and other top performers Rodney is also a dedicated educator serving on the faculty of the Manhattan School of Music since 1988.Featuring: Brian Charette on Organ Lonnie Plaxico on Bass and Ray Marchica onDrums.

Jimmy Bruno is one of the finest jazz guitarists of our time. From the first note of every performance he captures audiences with his electricity and presence.This Volume 2 DVD of the most recent performance filmed live at Chris' Café in Philadelphia PA presents the unique opportunity to witness Jimmy in an intimate jazz setting while playing to a home town crowd.Volume 2 features seven jazz standards performed live byJimmy Bruno with a Tenor Sax/Drums/Organ quartet and includes an up-close and personal interview with the master himself.Featuring: Jimmy Bruno Guitar; Chris Farr Tenor sax; Daniel Monaghan Drums; Lucas Brown Organ and Keyboard Bass.

Taking its title from Herb Ellis’ most famous composition Detour Ahead chronicles the life and music of the famed jazz guitarist. From his birth in Farmersville Texas and his early days playing rhythm in the big bands of Jimmy Dorsey and Glen Gray to his innovative work with groups like the Soft Winds Detour Ahead covers every major step of the guitarist’s life. Much attention is given to his groundbreaking work with the Oscar Peterson Trio of the 1950s his days with Ella Fitzgerald his work with the Great Guitars and his many friends in jazz. On-camera interviews include Ray Brown Charlie Byrd Benny Golson Benny Green Al Grey Lionel Hampton Gene Harris Jon Hendricks and Hank Jones. Along with modern interviews Detour Ahead features never-before-seen home movies from jazz’s golden age of Herb on tour with Dizzy Gillespie Ella Fitzgerald and others. Complete musical tunes from various live and studio venues include The Days of Wine and Roses Sweet Georgia Brown Body and Soul Georgia On My Mind Danny Boy John Brown’s Body and Wave. Sidemen include guitarists Charlie Byrd Tal Farlow Terry Holmes; bassmen Norm Cochran and Jack Hannah drummers Tommy Perkins and Ernie Durawa and pianist Sonny Gray.

Jimmy Bruno (Performed). Par JIMMY BRUNO. Featuring: Jimmy Bruno, guitar - Chris Farr, tenor sax - Daniel Monaghan, drums - Lucas Brown, organ and keyboard bass Jimmy Bruno is one of the finest jazz guitarists of our time. From the first note of every performance he captures audiences with his electricity and presence. This most recent performance, filmed live at Chris' Café in Philadelphia, PA, presents the unique opportunity to witness Jimmy in an intimate jazz setting, while playing to a home town crowd. This new DVD features eight jazz standards performed live by Jimmy Bruno with a tenor sax/drums/organ quartet and includes an up-close and personal interview with the master himself. / Jazz - Concert/Documentary / Accessoire / Guitare

The guitar?s entrance into American culture began in the early 1800s introduced primarily by visiting and immigrant Spanish guitarists. Many of these newly arrived Spaniards exerted great influence on the guitar?s development in19th century America. The works in this book contain the compositions and arrangements of eight noted 19th century Hispanic American guitarist/composers with an emphasis on their works that reflect Latin themes or rhythms.Rounding out this anthology are dance forms such as the Habanera Jota Cachucha Sevillaño Spanish Mazurka and other Spanish dance related works along with extended concert pieces such as Theme and Variations Serenades Polonaises and a delightful arrangement of The Celebrated Spanish Retreat a programmatic work with an unusual ?C? tuning and novel harmonic effects crafted to imitate the bugles horns and drums as heard on the battlefield. Thebook features twenty-one solos and two duets which range in difficulty from easy to advanced. An extensive and well researched text along with photos and a companion recording by acclaimed guitarist/scholar Douglas Back help tomake this a landmark book.

Fast Track DVD is an exciting new way to quickly learn how to play that Guitar you just bought.Each of the Fast Track DVDs are filmed in hi-definition and features on-screen music with tons of full-band examples. It's like having a private lesson that you can pause fast-forward or rewind any time you want. What's better is that across the series (Drums Guitar Bass Keyboard) the last three full-band songs are the same so you can play along with your fellow new instrumentalists as a band!