SKU: KJ.ZB378
UPC: 8402701951.
A sweet, melodic, light bossa nova - with a bite! Melbourne Walk-Up was inspired by the composer's visit to Melbourne, Australia, where, in the absence of an elevator in his hotel, he had to trek up the stairs with all of his luggage. Sorenson says: I composed this melody the following day, as I rested my sore back. Flexible orchestration allows it to be played by as few as 9 players. Additionally, everyone in the ensemble has an opportunity to improvise in the open solo section, and the set includes two suggested solos and a CD with a solo practice track, to facilitate successful improvisation.
About Standard of Excellence Jazz Ensemble Method
The Standard of Excellence Jazz Ensemble Method is designed to help both you and your jazz ensemble students explore the world of jazz through easy-to-use Rhythm Studies, Improvisation Studies, Instrument Specific Exercises, and full ensemble jazz charts. The approach is non-theoretical and aurally based. Each part book comes with an accompaniment CD, so like every great jazz player throughout history, students learn to play jazz by listening!
SKU: KN.52655
As recorded by the great Thad Jones-Mel Lewis Orchestra on the album Suite For Pops, this ballad showcases the breathy sound of flutes, the mellow sound of short flugelhorn solos (written lines provided), and the warmth of an improvised solo chorus for trombone. The chart calls for an expressive approach from everyone, and ends with a flugel fill over a sustained ensemble chord. Duration 6:22.
SKU: CL.SCM-1093-00
This chart was written when Thad lived in Denmark and was named after jazz organist Rhoda Scott. This writing is typical Thad that was a favorite of the Mel Lewis Orchestra and it is still played by the Village Vanguard Orchestra. This medium tempo AABA composition displays the classic Thad Jones harmonic and melodic approach to writing for a big band. Not as well known as Don’t Get Sassy or Tip Toe as it was first recorded in Denmark and then again with the Mel Lewis Orch on the The Definitive Thad Jones CD’s recorded in the US in 1988, but it is a great one. Written solos. Written ranges: Trp. 1 (A), Trb. (G) , Alto (D).
SKU: CL.SCM-1093-01
SKU: AP.1-ADV31007
UPC: 805095310078. English.
St. Louis Blues is a true big band classic that features solos for alto sax (reed 1), trombone, trumpet, and piano. Recorded by the legendary Thad Jones-Mel Lewis Jazz Orchestra and arranged for big band by Bob Brookmeyer.
SKU: KN.64044
UPC: 822795640441.
This classic chart is taken directly from the original ink parts that were on the stands at the Thad Jones-Mel Lewis Jazz Orchestra (now the Vanguard Jazz Orchestra) debut performance in February 1966 and continue to be played by the group Monday nights at the Village Vanguard in New York City. Originally commissioned by Count Basie for an entire album of Thad Jones' music, but Basie never made the record, and suggested that Thad start his own band instead. From that advice, Thad formed the Thad Jones-Mel Lewis Orchestra. Based on the chord changes to I Got Rhythm, this uptempo advanced level chart maintains the swinging Basie mindset and is in a 32-measure AABA form. Duration 8:50.
SKU: CL.SCM-1073-00
This never-before-published Thad Jones composition is a interesting medium tempo swing chart with just a touch of a blues march feel. First recorded live by the Thad Jones-Mel Lewis Big Band at the Village Vanguard in 1967, this very playable chart features a great double shout chorus separated by a 4 bar drum fill. With 16 bar blues changes to work with, Thad’s simple muted trumpet melody turns into a roaring masterpiece of full ensemble excitement before returning to the simple muted trumpet theme. Written solos are provided and this unique chart features two 1st Trumpet parts (High / Low) and includes an optional flute part.
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