Being a fascinatingly unique composer Olivier Messiaen pushed the conventions of composing to its very limits. The composer's music remains ever-popular and The Technique of my Musical Language provides the key and necessary knowledge into the study of his delightful music. Olivier Messiaen (1908-1992) was admitted to the Paris Conservatoire at the mere age of 11 where he won many prizes. As a passionate ornithologist as well as organist and composer many of Messiaen's works depict bird song. His music is rhythmically complex and harmonically and melodically distinct often using modes of limitedtransposition. It is for these reasons that the composer compiled The Technique of my Musical Language. The book contains text with musical examples describing unique elements of his music such as ametrical music his rhythmic notations and his modes of limited transposition among many others. For all fans of Messiaen The Technique of my Musical Language is essential to the understanding of the composer's much loved music.

Media Type : Book Level : Beginning Musical Genre : Miscellaneous Series : Anthony Glise Urtext Number of pages : 114 When a student begins lessons the parents are also entering a new world of learning and support that they've often never experienced. Help! My Kid is Taking Music Lessons guides the parent in supporting the learning process and helps familiarize them with the critical role of parenting a young musician. This book is a god-send for both the teacher and parent. Also included is a Glossary for the Musically-Challenged Parent.

This exercise book contains large staves which will be essential to any instrumentalists wishing to progress in their music theory education. With two clear staves on each page My Manuscript Paper exercise book is suitable for children and adults alike.

ADLER Samuel Etude de l'orchestration Discipline / Instrument : tous instruments Genre : Méthode - études Média : Livre Nombre de pages : 1136 (17,8 x 25,4 cm) Editeur : Lemoine Date de parution : 15/06/2011 ISBN / ISMN : 9790230982122 plus de 150 ans après Hector BERLIOZ, plus de 50 ans après Charles KOECHLIN ou Nikolaï RIMSKI-KORSAKOV, et quelques années après... un long travail, Les éditions Henry Lemoine ont le plaisir de vous présenter, enfin en langue française, de Samuel ADLER : Etude de l'orchestration TRAITE PRATIQUE Titre original : The Study of Orchestration, traité d'orchestration de réputation internationale Véritable défi éditorial, l'ouvrage est proposé ici sous la forme d'une édition française, augmentée de 280 pages (+33%) par rapport à la version traduite. En effet, le texte original, déjà riche, est complété : - par Gilbert Amy, d'un chapitre nous offrant son regard sur l'orchestre en musique contemporaine aujourd'hui, - par Bruno Gillet, de trois chapitres concernant la voix humaine, - de 60 pages de commentaires et annotations, à vocation pédagogique, du traducteur de l'ouvrage Philippe Vernier - enfin, d'un index complet et performant (accru de 150%) sans lequel une telle ampleur de contenu se révélerait assez rapidement vaine. Samuel Adler Compositeur et chef d'orchestre américain d'origine allemande parti très jeune aux états-unis, Samuel Adler a composé plus de quatre cents oeuvres publiées, dont cinq opéras, six symphonies, douze concerti, huit quatuors à cordes, quatre oratorios et bien d'autres pièces orchestrales, chorales, vocales ou pour band. Elève notamment de Paul Hindemith, Aaron Copland et Sergei Koussevitski, il enseigna à son tour à l'University of North Texas (1957-1966) puis à l'Eastman School of Music de l'university of Rochester (1966-1995), et depuis 1997 reste membre intervenant à la Juilliard School of Music au sein du département composition. Auteur d'autres ouvrages que celui-ci (Choral Conducting et Sight Singing), Samuel Adler a reçu plusieurs prix et distinctions pour sa contribution exceptionnelle au monde musical comme compositeur, chef d'orchestre et auteur - en 2001, il entre à l'American Academy of Arts and letters. En tant que chef, il s'est produit avec de nombreux orchestres prestigieux, aux états-unis ou ailleurs - plus d'une cinquantaine de ses oeuvres furent enregistrées et sont distribuées par des labels américains ou européens de premier plan. Gilbert Amy Elève de Milhaud et Messiaen au Conservatoire de Paris, Gilbert Amy est un compositeur dont le talent a été salué par de multiples prix et dont les oeuvres sont jouées dans les plus hauts lieux mondiaux de la création musicale. Succédant à Pierre Boulez à la direction des concerts du Domaine musical, Gilbert Amy a ensuite poursuivi une carrière de chef d'orchestre. Fondateur du Nouvel Orchestre Philharmonique de Radio-France, il en sera le premier chef et directeur artistique jusque dans les années 1980. Pédagogue reconnu, il a enseigné la composition et l'analyse musicale à l'Université de Yale puis occupé le poste de directeur du C.N.S.M. de Lyon de 1984 à 2000. Bruno Gillet Compositeur, Bruno Gillet a beaucoup écrit pour la voix, en formations de chambre, en duos avec divers instruments, en ensemble vocal, et avec orchestre. Au théâtre, il a collaboré, entre autres auteurs, avec Italo Calvino et Georges Perec. Au C.N.S.M. de Paris, il a inauguré la classe d'analyse et culture musicale spécialement destinée aux chanteurs, et assuré au C.N.A.D. la formation musicale des acteurs. Philippe Vernier Philippe Vernier se passionne très tôt pour les musiques orales dont il approfondit la connaissance d'abord en autodidacte (chanson, folk music...) puis sous l'impulsion du guitariste Alain Berkès (manouche, blues, jazz...). Après une expérience pop-rock, il étudie la théorie classique, suit l'enseignement des compositeurs Alain Roizenblat, Michel Decoust et Philippe Leroux - il reçoit alors plusieurs Premiers Prix (Orchestration, Composition...) et un D.E.M. en électro-acoustique. Compositeur de pièces pour bande, ensemble, chansons, musiques de film ou de scène, il a remporté le Prix de la Création Musicale au festival Paris-Tout-Court (2002).

Being a fascinatingly unique composer Olivier Messiaen pushes the conventions of composition to its very limits. The composer's music remains ever-popular and The Technique of my Musical Language provides the key and necessary knowledge in to the study of his delightful music. Olivier Messiaen (1908-1992) was admitted to the Paris Conservatoire at the mere age of 11 where he won many prizes. As a passionate ornithologist as well as organist and composer many of Messiaen's works depict bird song. His music is rhythmically complex and harmonically and melodically distinct often using modes of limitedtransposition. It is for these reasons that the composer compiled The Technique of my Musical Language. The book contains text with musical examples describing unique elements of his music such as ametrical music his rhythmic notations and his modes of limited transposition among many others. For all fans of Messiaen The Technique of my Musical Language is essential to the understanding of the composer's much loved music.

Par DRUMM SIEGFRIED / ALEXANDRE JEAN FRANCOIS. Musical Training in the Orchestra The authors have devised - with help from instrumental teachers - a method that is a tool both lively and amusing for children, and as precise as possible for teachers, while letting them teach according to their personal musical style. Some of the advantages of musical training in the orchestra: - a much clearer and less abstract relationship between solfège and playing an instrument (all solfège training is directly related to the instrument that the student has chosen) - an oral before a written presentation - more thorough ear training, due to scores played by different instrumentalists - improved comprehension/analysis of the works proposed as a result of playing an instrument - develops the student's autonomy - playing an instrument collectively as part of this course will encourage the student (once the necessary level is reached) to participate in a conservatory or music school ensemble Each volume of Symphonic FM comes in a book for the student (adapted to the instrument played) and a book for the teacher./ Méthode / Formation Musicale

Born in Serbia in 1929 Ivan Markovitch pursued his musical education at the Serbian National Academy of Music. His career has seen him compose for a variety of instruments as well as produce significant teaching materials Music Theory (IM2) being no exception. Markovitch's study book for beginner vocalists addresses canons duets trios intonation exercises theory rhythm and contains a helpful glossary of terms and performance directions amongst other aspects. For all beginner vocalists seeking to improve their technique and understanding of music theory Markovitch's Music Theory (IM2) doesjust that.

Jazz primé éducateur Caleb Chapman et multi-Grammy saxophoniste Jeff Coffin ont créé une approche très efficace à l'articulation jazz. Etape par étape, l'approche éprouvée ce livre les détails de Caleb pour maîtriser les bases de l'articulation du jazz, du phrasé et de l'interprétation. L'intérieur de chaque livre sont passionnants avec 17 unités, compositions originales de Coffin Jeff, soigneusement conçues pour renforcer ces concepts. Le CD inclus est à la fois démo et play-along pistes mettant en vedette un quatuor de classe mondiale de Jeff Coffin (saxophone ténor), Victor Wooten (basse), Roy 'FutureMan' Wooten (batterie) et Chris Walters (piano). Cette méthode permet l'approche d'articulation jazz facile et amusant. Suivez les explications, ne sort de l'écoute, de jouer, de pratiquer ce que vous avez entendu, et avant longtemps, vous aussi, sera un musicien de jazz articulé! / Instrument En Ut

Patterns For Jazz for all Treble Clef Instruments. By Jerry Coker Jimmy Casale Gary Campbell Jerry Greene.

Once upon a time, a hardworking music teacher was determined to slay the dragons of student doldrums. She looked far and wide for meaningful yet entertaining lessons that would engage her students while addressing the Common Core music standards. One day, she happened upon a set of enchanting books filled with folk tales, fairy tales, nursery rhymes, myths, legends, and more. As they dove into the grade-appropriate literature and music activities, her students became active musicians and lived happily ever after! Each volume of Once Upon a Music Class includes 20 lessons, complete with objectives, procedures, reproducible student pages, and all necessary recordings. Recommended for grades Pre-K through two. / Formation Musicale

My Music Box is a complete book for a second year of music education. He approaches all notions by learning traditional or original songs and discovering a varied repertoire. In order to allow the child to immerse himself in a living musical context and to assimilate durably the notions, all the proposed texts have an audio support. The accompaniments of the songs are available on the educational space of Editions Billaudot's website and the musics of the repertoire on the Deezer platform. The book, in 20 lessons, has the following sections: I sing / I dance, I listen, I read and some at home for personal work. The close link between songs, prescriptions, recognition and deciphering allows the child to make melodic relationships lastingly aware. The reading is approached in a relative way in the first lessons. The proposed rhythms are played with a sound support. This approach makes it possible to make rhythm alive, in connection with a musical reality (phrasing, articulation, perception of sound movement).

Seasonal Movement and Activity Songs for Kids-From the Hop 'Til You Drop Series comes this collection of 12 seasonal 'get up and go' songs to get your whole body ready to make music all year long! Originally developed for John Jacobson's MUSIC EXPRESS magazine thisall-in-one collection comes complete with piano/vocal arrangements choreography reproducible lyric sheets and helpful lesson plans and performance tips. Use this collection as a warmup routine and your students will be with youfrom the very first note! Available: Song Collection (with reproducible lyric sheets) and Performance/Accompaniment CD. For Gr. K-3.