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Jean-Philippe Rameau: Dardanus: Opera: Score
Opera
Barenreiter
Trag?die en un prologue et cinq actes-The first version of ???Dardanus??? which...
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Trag?die en un prologue et cinq actes-The first version of ???Dardanus??? which was performed at the end of 1739 was composed apparently in only six months and marks a particularly productive phase in Rameau???s career. In a period of only six years five of his major works were performed at the Acad?mie Royale de Musique in Paris.The theme is taken from Greek mythology: the opera describes the war between Teucer (the future founder of Troy) his Phrygian people and the army of Dardanus.A milestone of French Baroque opera in a performance practice orientated vocal scoreWith a brief foreword (Fr/Eng) containing salient information on the genesis of the work the synopsis and the editionFull score (BA8854) and vocal score (BA8854-90) available for salePerformance material (BA8854-72) available for hire
505.50 GBP - Sold by Musicroom UK
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Io RCT 45 (RAMEAU JEAN-PHILIPPE)
Opera
Barenreiter
Acte de Ballet. Par RAMEAU JEAN-PHILIPPE. Rameau Io RCT 45 (Vocal Score) In Rame...
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Acte de Ballet. Par RAMEAU JEAN-PHILIPPE. Rameau Io RCT 45 (Vocal Score) In Rameau's operatic oeuvre, 'Io' is certainly the work shrouded in the most mystery: the acte de ballet has survived only in the form of a copy of the score and parts which was made by a collector from the generation after Rameau from the autograph that now is lost. Although the copy seems to have been used, presumably for a trial read-through, the work was apparently never regularly performed during Rameau's lifetime. And for good reason: the work breaks off abruptly at the beginning of the divertissement; neither the librettist nor a plan for a theatre location are known. Because of its incompleteness, 'Io' was long regarded as Rameau's last work, but there is much to suggest that the composition must have been written between 1740 and 1745. The introduction to this edition examines the references regarding the dating as well as various hypotheses about performance possibilities and librettists. The plot revolves around one of those typical mythological flirtations that are inevitably to be expected when Jupiter and a nymph, here Io, are involved. With the appearance of madness, La Folia, the work reaches a dramaturgical climax. However after this, the opera breaks off. In order to make the piece performable, the editors of ?Opera Omnia Rameau? propose an addition to the divertissement as well as an ending borrowed from the ballet bouffon 'Platée' in its 1745 version, which shows numerous parallels to 'Io'. Thus, these additions come as close as possible to Rameau's style of the 1740s while bringing the plot to a conclusion. - Fragmentary work completed with original music by Rameau - Based on the score of ?Opera Omnia Rameau?, Volume V/1 - Particularly suitable for academies and conservatories as few soloists are required and the few choral movements can be sung by soloists / Date parution : 2023-06-01/ Répertoire / Opéra
21.99 EUR - Sold by LMI-partitions
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Judith Weir: Blond Eckbert - Pocket Version: Opera: Vocal Score
Opera
[Sheet music]
Chester
With a libretto written by Weir herself based on the cryptic supernatural short...
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With a libretto written by Weir herself based on the cryptic supernatural short story Der Blonde Eckbert by Ludwig Tieck. This one act pocket version of the opera makes use of a Chamber group rather thana full Orchestra and omits the chorus.'Eckbert and his wife Berthe live in seclusion in the Harz Moutains. One stormy night Eckbert's friend Walther arrives and to while away the time Berthe tells him her lifestory.Walther mysteriously knows a great deal about Berthe' s early life and Eckbert's suspicions grow eventually leading him to murder Walther during a hunting expediton.Consumed by terror and suspicion Eckbert retreats into seclusion and revisits the fairy-tale scenes of Berthe's childhood accompanied by a magical singing bird. He encounters the old woman who raised Berthe and at last learns the terrible truth about Walther Berthe and himself.' - Judith Weir
17.99 GBP - Sold by Musicroom UK
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Judith Weir: Blond Eckbert - Pocket Version (Full Score): Opera: Score
Opera
[Sheet music]
Chester
With a libretto written by Judith herself based on the cryptic supernatural sho...
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With a libretto written by Judith herself based on the cryptic supernatural short story Der blonde Eckbert by Ludwig Tieck. This one act pocket version of the opera makes use of a Chamber group rather than a fullorchestra and omits the chorus.'Eckbert and his wife Berthe live in seclusion in the Harz Moutains. One stormy night Eckbert's friend Walther arrives and to while away the time Berthe tells him her lifestory.Walther mysteriously knows a great deal about Berthe' s early life and Eckbert's suspicions grow eventually leading him to murder Walther during a hunting expediton.Consumed by terror and suspicion Eckbertretreats into seclusion and revisits the fairy-tale scenes of Berthe's childhood accompanied by a magical singing bird. He encounters the old woman who raised Berthe and at last learns the terrible truth about Walther Berthe and himself.' - Judith Weir
54.99 GBP - Sold by Musicroom UK
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Peter Maxwell Davies: Kommilitonen! (Young Blood!) - Full Score: Opera: Score
Opera
[Sheet music]
Chester
Lyric opera in two acts. Libretto by David Pountney.Commissioned?jointly by the ...
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Lyric opera in two acts. Libretto by David Pountney.Commissioned?jointly by the Royal Academy of Music London UK and The Juilliard School New York USA.UK premiere: 18th March 2011 - Royal Academy of MusicOpera and Sinfonia at the Royal Academy of Music London conducted by Jane Glover.US premiere: 16th November 2011 - Students of The Julliard School at Peter Jay Sharp Theatre New York conducted by AnneManson.Overview.The piece consists of three interlocking stories of students involved in political action in three different situations.?Die Weiße Rose? was the name taken by a group of students atthe University of Munich led by Sophie and Hans Scholl. They produced leaflets protesting against the National Socialist government of Germany in 1942-3 until they were arrested and guillotined.?Soar to Heaven? follows twocharacters Wu and Zhou involved on opposite sides of the Cultural Revolution in China.?The Oxford Revolution? tells the story of James Meredith who fought a lonely battle against segregation and racial prejudice to becomethe first black student to enrol at ?Ole Miss? the University of Mississippi in the USA.Librettist's Note.There are inevitably and properly some differences between the original libretto and whatMax ultimately set to music. Most of these are insignificant but all the Latin texts in the opera were added by Max and texts for the alternating black / white choruses (Scene 19) and final chorus (Scene 28) were written by him.
79.99 GBP - Sold by Musicroom UK
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Georg Friedrich Händel: Arminio HWV 36: Opera: Score
Opera
[Sheet music]
Barenreiter
Opera in tre atti-Antonio Salvi’s “Arminio” is one of the best...
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Opera in tre atti-Antonio Salvi’s “Arminio” is one of the best-loved operatic librettos of the Baroque period.Against the historical background of the so-called “Battle of the Teutoburg Forest” in 9 AD in which the Cherusci leader Arminius as “Liberator of Germany” (Tacitus) inflicted a devastating defeat on the Romans Handel’s opera first performed in 1737 is about the disputes between the Chatti and the Cherusci. Arminius has married the daughter of his arch-enemy Segestes. When he is imprisoned Segestes who has conspired with the Romans sees his opportunity for revenge.- Urtextedition based on the “Halle Handel Edition”- Libretto in Italian with singable German translation- Comprehensive foreword (Ger/Eng) with important information on the history of the libretto as well as on the genesis and the performance history of the work. A detailed resume of the plot is also contained.- Extensive appendix with richly ornamented versions of two arias- Idiomatic piano reduction in the vocal score- Full score (BA4100) and vocal score (BA4100-90) available for sale- Performance material (BA4100-72) for hire
271.00 GBP - Sold by Musicroom UK
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Richard Wagner: Die Walkure - Vocal Score: Opera: Vocal Score
Opera
[Vocal Score]
-
Intermediate/advanced
Dover Publications
The second opera in Richard Wagnerâ??s mighty The Ring cycle Die Walkure remai...
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The second opera in Richard Wagnerâ??s mighty The Ring cycle Die Walkure remains among the most popular and frequently performed of his works. It is a masterful epic with themes and motifs that combine and interplay to create some of the finest woven musical threads ever. From its gripping opening in which the hero finds himself weaponless in the house of his enemy; to its heartrending finale when a father bids farewell to his favourite daughter generations of listeners have swooned to this story and its majestic fantastical music. This Vocal Score of this Opera with lyrics in German and English features a piano reduction of the orchestral part and isideal for study rehearsal and concert performances.
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Johann Strauss Ii Die Fledermaus Opera - Opera
Opera
Schirmer
Description Johann Strauss II: Die Fledermaus (Vocal Score) The Bat. English ...
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Description Johann Strauss II: Die Fledermaus (Vocal Score) The Bat. English version by Ruth and Thomas Martin. Songlist Ah, My Lady Says (Strauss) Champagne's Delicious Bubbles (Strauss) Come Along To The Ball (Strauss) Drinking Song (Strauss) Ever Since I Was A Baby (Strauss) From Time To Time (Strauss) Good Sir, Are You Accusing Me (Strauss) How Engaging (Strauss) My Friends, Your Kind Attention (Strauss) No, You Set My Doubts (Strauss) Oh, Eisenstein, You Mastermind (Strauss) To Judge His Expression (Strauss) To Part Is Such Sweet Sorrow (Strauss) Turtledove Who Flew Aloft (Strauss) Voice Of My Homeland (Strauss) What A Joy To Be Here (Strauss) When These Lawyers Don't (Strauss)
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Richard Danielpour: Margaret Garner: Opera: Vocal Score
Opera
[Sheet music]
Associated
Opera Vocal Score-'More than anything else Margaret Garner is an opera that rem...
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Opera Vocal Score-'More than anything else Margaret Garner is an opera that reminds us that we all belong to the same human family and it demonstrates what can happen when we forget this fundamental truth... - RichardDanielpour This Opera by Grammy-winning composer Richard Danielpour tells the story of Margaret Garner an enslaved African-American woman in pre-Civil War America who gained notoriety for killing her owndaughter to prevent her from suffering the degradation of a life of slavery. In this adaptation of the famous tale Edward Gaines acquires his deceased brother’s Kentucky estate and pledges to let all of the slave familieson the Maplewood Plantation stay together. However when he takes a special interest in one of the slaves Margaret Garner it is not long before her husband Robert is sent away alone to another plantation. One night Robertsneaks back to Maplewood and attempts to escape with Margaret and their children to the ‘Free State’ of Ohio. They are caught and Margaret murders her children in a crime of passion sparing them from a life of slavery. Margaretis condemned to death and although she is granted clemency at the last minute she chooses the freedom of the gallows over life as a slave. The tragic work features a libretto by Toni Morrison and gained highcritical praise at its first performance in Philadelphia in 2006. Watch a clip from the performance here:
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Luís Tinoco: Paint Me: Opera: Score
Opera
[Score]
University Of York Music Press
Luis Tinoco (Composer) and Stephen Plaice (Libretto) wrote 'Paint Me' and Opera...
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Luis Tinoco (Composer) and Stephen Plaice (Libretto) wrote 'Paint Me' and Opera for six singers and Chamber Orchestra.Rui Horta and Joana Carneiro are responsible for the stage direction and the musicaldirection.'My idea in writing Paint Me was to bring together six characters all of whom have a prolific imaginative interior life and to explore what they would make of each other in the confines of a railwaycompartment. The model for my libretto is Geoffrey Chaucer’s The Canterbury Tales. The travellers in Paint Me are also on their way to Canterbury but they are strangers thrown together by the randomness of modern travel. Theirtales are not told publicly but in their own imaginations. Most journeys in the modern age are anonymous and conducted in silence. We have only a visual or perhaps manneristic impression of the people sitting opposite us. Thisintrospection in public opens up a private fantasy space in which our fellow travellers can become the characters in instant psychological dramatisations.I wanted to formalize each character’s fantasy into a full narrative. Theresult is a kind of anthology of operatic short stories surrounded by the framework of an ordinary journey.' - Stephen Plaice
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Peter Maxwell Davies: The Lighthouse: Chamber Ensemble: Score
Opera
[Sheet music]
Chester
Chamber opera in a prologue and one act. A ghost story telling of the mysteriou...
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Chamber opera in a prologue and one act. A ghost story telling of the mysterious disappearance of three lighthouse keepers in the Hebrides. This is a mystery story in the form of a chamber opera. The prologue is set as acourt of enquiry into the unexplained disappearance of the three keepers from a lighthouse. Questions are posed by a solo horn which may sound from among the audience and three officers give answer. Gradually they move fromstraight testimony into fantastical imaginings of evil during a 'flashback' to the lighthouse; but then we snap back to the courtroom. In the main act the three singers become the vanished keepers. They have been together formonths long enough to be fully aware of each other's weaknesses; petty bickerings suggest a relationship which is stable but liable to become highly unstable at any moment. They sing songs to reduce the tension Blazes beginningwith a rough ballad of street violence accompanied by violin and banjo. Sandy's song with cello and out-of-tune upright piano is a thinly disguised description of sexual bliss and Arthur's with brass and clarinet is atub-thumping hymn. But the songs serve only to resurrect in their minds ghosts from the past and as the fog descends each of the keepers becomes convinced that he is being claimed by the Beast. They prepare to meet its dazzlingeyes which become the lights of the relief vessel and the three men reappear as officers met at the lighthouse only by an infestation of rats. They leave and at the end the last hours of Blazes Sandy and Arthur begin to playover again.Study Score. Duration c. 1h 25mins.
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Geoffrey Burgon: Orpheus: Voice: Vocal Score
Opera
[Sheet music]
Chester
A chamber opera in one act for soprano tenor baritone and bass soli TTBB chor...
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A chamber opera in one act for soprano tenor baritone and bass soli TTBB chorus and orchestra commissioned for the Wells 800 Celebration in 1982. Libretto by Peter Porter. Vocal score with piano reduction. Duration: c. 55minutes.Orpheus is a Chamber Opera or perhaps more properly might be described as an ‘Opera-Cantata’. It is designed to be performed as a short opera fully staged and costumed or as a concert piece. Either way itsstructure is dramatic rather than reflective. It tells the story of Orpheus probably the most familiar story in music and en emblem of their art for composers of all periods as a direct narrative. Since the legend is set inthe world of pagan mythology it has been lightly Christianised for its Church setting. The Aeneid has often been seen as speaking of Christ avant la lettre and Renaissance Humanists were always willing to identify forerunnersof Christian types in Classical personages: in this manner Orpheus pursues without undue emphasis musical parallels with St Francis St Cecilia and even Adam and Eve.The work is framed briefly by a prologue and epilogue. ThePrologue introduces the four solo singers Hades (bass) Orpheus (tenor) Eurydice (soprano) and Charon (baritone). It also introduces the chorus who do not only portray at various stages Orpheus’s wedding companions thedenizens of Hell and Blessed Spirits in the Elysian Fields but also comments on the action as it proceeds.
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Christoph Willibald Gluck: Orphee et Euridice: Opera: Score
Opera
[Score]
Barenreiter
Tragédie-opéra Drame héroïque en trois actes-Christoph Willibald Gluck?s mos...
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Tragédie-opéra Drame héroïque en trois actes-Christoph Willibald Gluck?s most popular opera ?Orphée et Euridice? was performed in 1774 in Paris to sensational success. This new adaption followed the original Viennese version with Italian text that was first performed in 1762 under the direction of the composer in the Burgtheater. For the Paris version Gluck changed the leading part Orpheus from an alto to a tenor role and composed new recitatives.Both versions of Gluck?s reform drama are based on a libretto by Ranieri de? Calzabigi and revolutionised metastasian opera of the 18th century. Solo and choral music instrumental music pantomime and dance are all closely connected; the myth replaces a historical plotsurrounded by intrigue; where there would have been a da-capo aria there are now simple song forms and coloratura is largely abandoned. These meticulously revised vocal scores of both versions are also newly set.Urtext editions based on ?Gluck The Complete Works?Revised and newly setThe revised editions are compatible with the old editionsT48Full score (BA2282-01) and vocal score (BA2282-90) available for salePerformance material (BA2282-72) available for hire
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Christoph Willibald Gluck Orpheus And Euridice Vocal Score Opera Bo - Choral
Opera
[Vocal Score]
Schirmer
Description Christoph Willibald Gluck: Orpheus And Euridice (Vocal Score) Glu...
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Description Christoph Willibald Gluck: Orpheus And Euridice (Vocal Score) Gluck's 'Orfeo et Euridice' is a noble and grand opera based on the Greek myth. This is the Schirmer edition of the Vocal Score, with English words by Walter Ducloux. Songlist Orphee Et Euridice Orpheus And Euridice
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Parsifal (WAGNER RICHARD)
Opera
Barenreiter
Facsimile of the autograph score from the National Archive of the Richard Wagner...
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Facsimile of the autograph score from the National Archive of the Richard Wagner Foundation Bayreuth. Par WAGNER RICHARD. Knowledge, pity, redemption: Richard Wagner took up these major themes in “Parsifal”, the music drama that he completed 13 months before his death and referred to as his “most conciliatory work”. Already celebrated for its compositional technique and mystical sonorities at the premiere, its world of ideas has stimulated new debates and interpretations over and over again to the present day. Wagner wrote the autograph score almost entirely in violet ink, a colour he preferred to use in the final years of his life. He meticulously planned the layout of the pages and finally gave the autograph to his wife Cosima - it always remained in the family's possession as a guarded treasure. The facsimile edition in high-quality four-colour printing reproduces the extensive score in its original size. Act and bar numbers on every page facilitate its use without diminishing the overall bibliophile appearance. In an accompanying essay (Ger/Eng), Ulrich Konrad elucidates the special features of the work and the manuscript./ Répertoire / Opéra
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Handel G.f. - Acis And Galatea Hwv 49b (2nd Version) - Vocal Score
Opera
[Vocal Score]
Barenreiter
Edition no.: BA 10700-90 ISMN: 9790006542161 Editor: Heinrich, Artie Arranger: K...
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Edition no.: BA 10700-90 ISMN: 9790006542161 Editor: Heinrich, Artie Arranger: Köhs, Andreas Language(s) of work: English, Italian, German Language(s) of text: German, English Product format: Piano reduction, Urtext edition Handel set the myth about the love of the shepherd Acis for the sea nymph Galatea from Ovid?s ?Metamorphoses? a total of three times: in the cantata ?Aci, Galatea e Polifemo? HWV 72 (1708), the masque ?Acis and Galatea? HWV 49a (1718) and finally the pasticcio-like serenata ?Acis and Galatea? HWV 49b (1732) of which the original version is now made available in its complete form for the first time. A particular charm is provided by the use of two languages in the serenata. The work was originally conceived in English, as was required for the first performance. However, Handel?s Italian singers were criticised for their poor command of English, ? so in the end, many numbers were sung in Italian. The extensive appendix to the vocal score includes the additional arias and newly composed movements for the versions used in the 1734 and 1736 performances. - Urtext edition based on the ?Halle Handel Edition? - English and Italian original text with singable German translation - Extensive foreword in two languages (Ger/Eng) - Clear, straightforward piano reduction
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Georg Friedrich Händel: Parnasso In Festa HWV 73: Mixed Choir: Vocal Score
Opera
[Sheet music]
Barenreiter
Per Gli Sponsali Di Teti e Peleo - HWV 73-The main text of this edition of Hande...
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Per Gli Sponsali Di Teti e Peleo - HWV 73-The main text of this edition of Handel?s wedding serenata ?Parnasso in festa per gli sponsali di Teti e Peleo? (HWV 73) is based on the version used for the work?s first performances in March of 1734. Three appendices retrace the complex history of the work significantly different versions of which were used for revival performances in 1737 1740 and 1741. Included are abandoned and modified parts of the score as well as a documentation of changes made to the characters.Handel composed ?Parnasso in festa? for the wedding of Anne Princess Royal and Prince William of Orange which took place on March 14 1734 in London. As Handel?s contribution to the publicfestivities the serenata was performed the evening before the nuptials at King?s Theatre in the Haymarket. The bridal couple attended the performance.While the Italian text of the serenata was newly set most likely by Giacomo Rossi most of the music was drawn from pieces of Handel?s earlier works among them ?Athalia? from ?Radamisto? (HWV 12a) ?Il trionfo del Tempo e del Disinganno? (HWV 46a) and ?Delirio amoroso? (HWV 99). Newly composed parts are limited to eight vocal pieces the sinfonia at the beginning of part 3 and the beginning of the overture. The available source material reflects the history of the work: There is no autograph composition score while the conducting score reflects a collaboration between Handel and his main copyist John Christopher Smith senior. However composition scores of individual newly composed pieces have been preserved.New edition based on the latest research after thorough examination of all relevant primary and secondary sourcesExtensive editorial Foreword about the work?s conception mythological background transmission reception and a survey of sources (Ger/Eng) with extensive critical report (Eng)Selected musical facsimiles as well as complete facsimile of the printed libretto of 1734Urtext of the Halle Handel EditionFull score (BA10718-01) and vocal score (BA10718-90) available for salePerformance material (BA10718-72) available for hire
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Giuseppe Verdi: La Traviata: Mixed Choir: Vocal Score
Opera
[Vocal Score]
Schirmer
The literal translation of the title 'The Fallen Women' or 'The Wayward Woman'. ...
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The literal translation of the title 'The Fallen Women' or 'The Wayward Woman'. This work is based on the play La dame aux camelias. A revolutionary work in its time which holds an important place in today's international repertoire. Libretto by Francesco Maria Piave. Quality paperback edition with smythe-sewn binding quality cover and interior papers.
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Christoph Willibald Gluck: LIle de Merlin ou Le Monde renversé: Chamber
Opera
[Sheet music]
-
Advanced
Barenreiter
Opéra comique en un acte-Hardback full score; also available vocal score for sa...
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Opéra comique en un acte-Hardback full score; also available vocal score for sale (BA2293-90) & performance material for hire (BA2293). The fact that “op?ra comique” rooted in the folk art of the French vaudeville was brought to its high-point by Gluck a German composer working in Italian clearly demonstrates the close relationships and interconnections made in European musical life in the mid-18th century. With “L’Ile De Merlin Ou Le Monde Renvers?” Gluck created an enchanting buffo work which draws its charm not only from its colourful music with appealing details of instrumentation andcharacterisation but also from the juxtaposition of real mythological and fairy-tale figures as well as from the critical social undertones in the libretto. The new edition is based on the Gluck Complete Edition Series IV volume 1 edited by G?nter Hau?wald. Based on the Urtext of “Gluck Complete Works”. Original French text with singing German translation. Detailed foreword in the vocal score (Ger/Eng/Fr).
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The Stone Guest. Opera In Three Acts. Text By A. Pushkin. Vocal Score
Opera
[Vocal Score]
Kompozitor
/ Chant/Vocal/Choeur / 200 pages / Partition
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Le Tour D'Ecrou + Owen Wingrave
Opera
Avant Scène Opéra
/ Opéra / Chanson En Séparée
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Neoklassizismus. Dialog Mit Der Geschichte (SCHERLIESS VOLKER)
Opera
[Sheet music]
Barenreiter
Par SCHERLIESS VOLKER. / Méthode / Livre
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La Grande-Duchesse De Gérolstein (OFFENBACH JACQUES)
Opera
Avant Scène Opéra
Par OFFENBACH JACQUES. / Accessoire / Livret d'Opéra
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