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Nursery rhyme (60)
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Tenor Saxophone and Piano (59)
A Cappella (59)
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Pennywhistle (53)
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Big Note Piano (51)
Low voice (50)
Euphonium (49)
Tenor voice (48)
Symphonic Band (48)
Guitare Electrique (47)
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Educatif (45)
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Clavecin Et Instruments A Cord… (44)
Vocal duet, Piano (43)
DVD concert (43)
Baritone voice (43)
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Marimba (41)
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CD (39)
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Voice and Orchestra (36)
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Clavecin (35)
Fanfare Band (35)
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Trio avec Piano (34)
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Organ, Trumpet (duet) (34)
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2 Trombones (duet) (33)
Soprano voice, Orchestra (33)
Oboe and Orchestra (32)
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Accessoire (32)
Xylophone or Marimba or Vibrap… (31)
Djembe (31)
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Voix Mixtes (30)
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Flûte A Bec, Guitare Et Musiq… (29)
Livret (29)
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Bass Clarinet (29)
Flûte Traversière ou Hautboi… (28)
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Autoharp (28)
Solistes SATB, Choeur SATB, 2 … (27)
Flute, Cello, Piano (trio) (27)
Ensemble A 4 Parties (27)
Cajon (27)
Violon, Cordes et Basse Contin… (26)
Quatuor (26)
String quintet (26)
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Lap Steel Guitar (26)
Choeur A Cappella (26)
Pocket, Study conductor (26)
Orgue, 2 Hautbois, Basson Et C… (25)
Stationery (25)
Musical dictation (25)
String Trio: 3 violins (25)
Flûte à Bec, 2 Violons, Alto… (24)
Quatuor de Cordes (24)
Musique de chambre (24)
Choeur Mixte (SATTB/SATTB), So… (24)
Trompette, Instruments à Cord… (24)
Quintette à vent (24)
Guitar Tab, Voice, Bass, Drum (24)
Clarinette et Quatuor à Corde… (24)
Conga (24)
String Quintet: 2 violins, vio… (24)
Solo A, Choeur SATB/SATB, 2 Or… (23)
Hautbois, 2 Flûtes Traversiè… (23)
Brass Quartet: 2 trumpets, hor… (23)
Euphonium or Saxhorn and Piano… (23)
Lute (23)
Livres (23)
4 Guitars (Quartet) (23)
Chamber Music (23)
Solistes SATB, Choeur SATB, 2 … (22)
Quatuor Variable (22)
Ocarina (22)
3 Clarinets (trio) (22)
Violon, Instruments A Cordes E… (22)
Trumpet, Orchestra (22)
Trio (2 Soli Avec Réduction D… (22)
3 Saxophones (trio) (22)
Piano, Guitar (duet) (21)
Flute Quartet: Flute, Violin, … (21)
Violon, Ensembles de Cordes et… (21)
3 Guitars (trio) (21)
Sextuor (21)
Chanson (21)
Clarinet Quartet: Clarinet, Vi… (20)
Flûte à Bec F1 (Hautbois), 1… (20)
2 Violas (duet) (20)
2 Choeurs Mixtes (SATB Et SATB… (20)
Violon, Violoncelle Et Orchest… (20)
Clarinet, Violin, Cello, Piano… (20)
Voice, String Quartet (20)
Quatuor à Cordes ou Orchestre… (20)
Handbells (20)
Quintette de Cuivres (20)
String Quartet : 4 violas (20)
Guitare Tablatures Flatpick et… (20)
Batterie et Percussions (20)
Solistes SATBB, Choeur SATB, 2… (19)
Etudes (19)
Quintette Variable (19)
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5 Recorders (19)
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Flute, Clarinet, Piano (trio) (19)
Travaux Pour Choeurs (19)
Harpsichord and Strings (19)
Choeur Mixte a Cappella (19)
Orgue Et Orchestre (19)
Timpani (19)
Violoncello, Basso continuo (19)
Ensemble (19)
Children choir, Instruments (18)
Violin, Clarinet, Piano (trio)… (18)
Solistes SATB, Choeur SATB, 2 … (18)
Solistes (SATB), Choeur Mixte … (18)
Lyrics only (18)
Saxophone Baryton (18)
Saxophone and Orchestra (18)
2 Flutes, Piano (18)
Saxophone Ténor et Piano (18)
Piccolo, Piano (18)
Viola da Gamba (18)
Quintette avec Piano (17)
Clavier Electronique et Ligne … (17)
Medium Voice (17)
Brass Quartet: 4 trumpets (17)
Ensemble Instrumental (17)
Ensemble Mixte (17)
Quatuor à vent (16)
2 Hautbois, 2 Violons, Alto, V… (16)
Soli (SATB), Choeur Mixte (SAT… (16)
Cor en Fa (16)
Flûte à Bec F1, Hautbois et … (16)
Baritone Saxophone (16)
Ensemble Divers (16)
Instruments A Vent (16)
2 Violins and Basso (16)
Percussion, Piano (duet) (16)
Recorder, Guitar (duet) (16)
Solo SATB, Choeur SATB, Hautbo… (15)
Violoncelle (Partie Séparée)… (15)
Piano, Bass, Drums (trio) (15)
Brass Quartet: 2 trumpets, 2 t… (15)
Bassoon, Orchestra (15)
Flute, Oboe, Clarinet, Bassoon… (15)
Electric bass, Drums (15)
Flute, Viola and harp (15)
Piano, Violin, Bandoneon, Guit… (15)
Trumpet, Trombone (duet) (15)
Concert Band ou Harmonie et Ba… (15)
Xylophone (15)
Cornet and Piano (15)
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Cornet (15)
Hautbois Et Orchestre A Cordes… (15)
Recorder, Bass Continuo (15)
Descant (Soprano) Recorder, Ba… (15)
Gemischter Chor (SSATB/SSATB/S… (15)
Solistes ATB, Choeur SATB, Fl… (14)
Choeur D'Enfants (MezMezMez) A… (14)
3 Violons, Instruments à Cord… (14)
Solistes ATB, Choeur SATB, (Ct… (14)
Flûte A Bec, Chant Et Percuss… (14)
Flûte Traversière, Violon, I… (14)
Choeur SSATB et Basse Continue… (14)
Solistes et Choeur SATB/SATB, … (14)
Soli (SATB), Choeur Mixte (SAT… (14)
Accordion - Piano, Voice, Guit… (14)
Flûte Traversière Hautbois, … (14)
Voix Et Instruments Divers (14)
Soprano, Piano (14)
Organ, Piano (duet) (14)
Soli and Orchestra (14)
SATB, 4 Parties Mixtes, 2 Viol… (14)
Solistes SATB, Choeur SATB, 2 … (14)
Brass Quartet: 4 trombones (14)
String Quintet: 2 violins, vio… (14)
Horn and Orchestra (14)
Violin, Horn and Piano (14)
2 Violins, Piano (14)
Viola and orchestra (14)
English horn, Piano (14)
Clavier ou Orgue Electronique (13)
Solo A, Choeur SATB, 2 Hautboi… (13)
Livre Musical (13)
Soli (STB), Choeur Mixte (SATB… (13)
Solistes SATB, Choeur SATB, 2 … (13)
Trompette et Concert Band ou H… (13)
Bagpipe (13)
Libretto (13)
Contrebasse (Partie séparée)… (13)
Quatuor (2 Trompettes, Trombon… (13)
Baritone Ukulele (13)
Harp and Piano (13)
Ensemble D'Altos (13)
Flûtes A Bec (SSATB), Cordes,… (12)
Flûte à Bec F1, Violon et Ba… (12)
Violin, Organ (12)
Cello, Organ (12)
Flûte Traversière, Hautbois,… (12)
2 Flûtes A Bec Alto, 2 Hautbo… (12)
Chorale (12)
2 Flûtes A Bec (SA) Et Piano (12)
3 Hautbois, 2 Violons, Alto et… (12)
Solistes SATB, Choeur SATB, (C… (12)
Cello Ensemble (12)
3 Parties Voix Aigues (SSA) A … (12)
3 Violons et Basse Continue ou… (12)
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Partition D'Orchestre (12)
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Flûte Traversière, Violon et… (12)
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Violon 2 (12)
Ensemble A 4 Parties (Clavier,… (12)
Guitar, String Quartet (12)
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Choral SSAB, Piano (12)
Solistes ATB, Choeur SATB, Fl… (11)
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Solistes SBar, Choeur SATB, 2 … (11)
Solistes SATB, Choeur SATB, Ha… (11)
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Voix Mixtes SAB et Piano (11)
Solo B, Choeur SATB, 2 Flûtes… (11)
Quatuor A Vent (11)
Vocal duet (11)
Solistes SATB, Choeur SATB, 3 … (11)
Sextuor A Cordes (11)
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2 Pianos, 8 hands (11)
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Soprano Saxophone and Piano (11)
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SATBasse (2 Grands Choeurs Mix… (11)
Saxophone (band part) (11)
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Harp, Violin, Violoncello (11)
Violon II (11)
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String trio (11)
Flûte Traversière, Violon et… (11)
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2 Trumpets, Keyboard (piano or… (11)
Harmonie (11)
Flûte A Bec Soprano (Flûte T… (11)
Matériel D'Orchestre (11)
Ukulele Ensemble (11)
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Septuor De Cuivres (11)
Choeur De Femmes (SSA) A Cappe… (11)
Guitare Fingerpicking (11)
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Violon 1 (11)
Harpe Et Instruments Divers (11)
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Flûte A Bec Soprano, Cordes E… (10)
Bass Trombone and Piano (10)
Solistes (STB), Choeur Mixte (… (10)
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Petit Choeur SMsB, 2 Violons, … (10)
Quatuor D'Anches (10)
Gemischter Chor (SATB) und Orc… (10)
4 Clavecins Et Cordes (10)
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Solistes SAB, Choeur SATB, 4 F… (10)
Clavecin, 2 Flûtes A Bec Et I… (10)
Solistes et Choeur SSATTB, 2 V… (10)
Solistes SATB, Choeur SATB, Fl… (10)
2 French horns (duet) (10)
Paroisse, Choeur SATB, 2 Tromp… (10)
Solistes STBarB, Choeur SATB, … (10)
Orgue, 2 Violons, 2 Altos, 2 V… (10)
Trio De Cuivres (10)
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Choeur De Femmes A 1 A 5 Voix,… (10)
Voix Et Orchestre (10)
Choeur SSAATTBB, 2 Cornetti, 3… (10)
Melody line, Piano (10)
Soprano Saxophone (10)
Guitar, Orchestra (10)
3 Flûtes A Bec Alto (10)
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Clavier (10)
Guitare Tablatures Classique e… (10)
Voix et Piano Réduction (10)
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Choral SAATTBB A Cappella (10)
Septuor (10)
2 Flûtes A Bec Soprano Et Pia… (10)
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Choeur De Femmes (SA) Et Piano… (10)
Flûte à Bec et Piano (10)
2 Harps (duet) (10)
Tout Instrument (10)
Choral SSATBB (10)
Flute and String Quartet (9)
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Choeur De Jeunes (Mez/SMezA) A… (9)
Piano, Guitar, Bass (9)
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Baryton ou Tuba Basse Continue… (9)
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2 Oboes and English horn (9)
Soprano voice, Organ (9)
2 Violons Solo, 2 Violons, Alt… (9)
2 Violons, Violoncelle Et Orch… (9)
Trompette, Cordes Et Basse Con… (9)
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Solistes SATB, Choeur SATB, Fl… (9)
Orchestre: Solistes SATB, Choe… (9)
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Clavecin, Flûte Traversière,… (9)
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Choeur Mixte (SATB) Avec Solo … (9)
Solistes, Choeur SATB, 2 Flût… (9)
Voice and Big Band (9)
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2 Flûtes A Bec Alto, 2 Hautbo… (9)
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Soli (SAB), Choeur Mixte (SATB… (9)
Concert Band ou Harmonie et Tr… (9)
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Tuba en Do et Piano (9)
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Choeur d'Enfants à 2 Parties … (9)
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Choeur De Chapelle, Choeur Mix… (9)
2 Trompettes, Cordes Et Basse … (9)
Violon, Ensembles de Cordes et… (9)
5 Solistes, Choeur(s) Et Orche… (9)
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Choeur D'Enfants (SSA) Et Pian… (9)
Tenor Banjo (9)
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5 A 9 Instruments A Vent (9)
Cornet et Brass Band (9)
Saxhorn and Piano (9)
Euphonium Ensemble (9)
Orchestre De Chambre (9)
Hautbois et Cordes (9)
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Fake Book (9)
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Bodhran (9)
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Bass Trombone (8)
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Flûte à Bec, Guitare et Musi… (8)
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Faust (GOUNOD CHARLES)
Opera
[Sheet music]
Barenreiter
Opera with a Prologue and four Acts (First version) / Opera in five Acts (Second...
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Opera with a Prologue and four Acts (First version) / Opera in five Acts (Second version) Dialogue versions. Par GOUNOD CHARLES. Charles Gounod’s “Faust” secured its international recognition in the version as an entirely sung opera, which from thenceforth has largely obscured the fact that the work was originally composed with spoken dialogues. The early versions staged prior to the 1869 performance at the Paris Opéra containing substantial unknown material and with dialogues and melodramas are the subject of this new edition. (The third version “version opera” was published in a separate edition BA 8713 in 2016.) Even as the rehearsals were taking place at the Théâtre-Lyrique in 1858, during the first series of performances at the theatre in 1859, furthermore as the 1862 revival was approaching and during the performances on the smaller stage at the Place du Châtelet, there were constant changes and revisions. It is, thus, impossible to identify manifestly definitive versions. Nevertheless, by drawing on the entire source material now at hand (including fascinating material only recently discovered) and on the whole gamut of aspects communicated by the reception, Paul Prévost systematically presents us with a score laid out in two main versions in whose chronology constancy and change become transparent. With all the musical changes having been documented, the result is a practicable score for performances which reveals a still far too unknown “Faust” – a “Faust” that is rooted in the tradition of the opéra comique. Quite a few musical numbers are published as a score for the first time in this edition: the trio for Faust, Wagner and Siebel “À l’étude ô mon maître”, the duet of Valentin and Marguerite “Adieu, mon bon frère!”, Méphistophélès’ air “Maître Scarabée”, Siebel’s romance “Versez vos chagrins dans mon âme!”, Valentin’s air with chorus “Chaque jour, nouvelle affaire”, the chorus of witches “Un deux et trois”, and also seven melodramas whose missing or incomplete orchestration has been written for our edition. It was only recently that the long-lost second part of Faust’s original cavatina “Salut! demeure chaste et pure” was unearthed. Only in details of orchestration do other numbers differ from the well-known pieces./ Répertoire / Opéra
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Søren Nils Eichberg Hannah Dübgen: Glare - A Chamber Opera: Opera: Score
Opera
-
Intermediate/advanced
Wilhelm Hansen
Glare - Chamber Opera by Søren Nils Eichberg was premiered with great success...
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Glare - Chamber Opera by Søren Nils Eichberg was premiered with great success at the Royal Opera House in London on November 14 2014.
152.99 GBP - Sold by Musicroom UK
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Søren Nils Eichberg Hannah Dübgen: Glare - A Chamber Opera: Opera: Vocal Score
Opera
-
Intermediate/advanced
Wilhelm Hansen
Glare - Chamber Opera by Søren Nils Eichberg was premiered with great success...
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Glare - Chamber Opera by Søren Nils Eichberg was premiered with great success at the Royal Opera House in London on November 14 2014.
57.50 GBP - Sold by Musicroom UK
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Giacomo Puccini: Puccini's La Bohème: Mixed Choir a Cappella: Libretto
Opera
[Libretti]
Amadeus Press
The Complete Libretto-The enticing music of Puccini's La Bohème perfectly con...
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The Complete Libretto-The enticing music of Puccini's La Bohème perfectly conveys the enchantment of new young love and the anguish that comes with loss and death. This gorgeous souvenir libretto includes extensive background notes and photos from productions staged through the years by the Metropolitan Opera.There's a reason La Bohème has been staged at the Met more often than any other Opera. The passionate and timeless story of love among impoverished young artists in Paris has a marvelous ability to make a powerful first impression (even on those new to Opera) and to reveal unexpected treasures after dozens of hearings.At firstglance La Bohème is the definitive depiction of the joys and sorrows of love and loss; on closer inspection it reveals the deep emotional significance hidden in the trivial things (a bonnet an old overcoat a chance meeting with a neighbor) that make up our everyday lives. This touching story of tenderness and tragedy never fails to move audiences and melt hearts.
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Poul Ruders: The Thirteenth Child: Opera: Score
Opera
[Sheet music]
Wilhelm Hansen
A Fairytale Opera In Two Acts-The Thirteenth Child - A Fairytale Opera In Two Ac...
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A Fairytale Opera In Two Acts-The Thirteenth Child - A Fairytale Opera In Two Acts by Poul Ruders (2014-15). Libretto by Becky Starobin and David Starobin. Scenario by Becky Starobin. Suggested by 'The Twelve Brothers' by the Brothers Grimm. SYNOPSIS Act 1 Scene 1 The neighboring Kingdoms of Frohagord and Hauven are in crisis. Following a warning by his embittered cousin Drokan Regent of Hauven King Hjarne of Frohagord is convinced that his twelve sons are plotting to overthrow him. The twelve princes oblivious to their father's paranoia play in the courtyard. The enraged King threatensthe safety of his sons telling his pregnant wife Queen Gertrude that she must provide him with a female heir as 'only she shall wear the crown'. Gertrude calms Hjarne and they sing of the Lilies of Frohagord magical flowers that protect the kingdom. When Benjamin the youngest prince innocently plucks a lily from the garden Hjarne flies into a mad rage and strikes Gertrude. Drokan observing the encounter admits his love for Gertrude and feels 'the trembling of the earth'. Act 1 Scene 2 Eighteen years have passed and King Hjarne has just died. At Hjarne's funeral Frederic Drokan and the mourners tell of the mysterious disappearance of the King's thirteen children and the shadows that haunt the kingdom. Queen Gertrude now mortally ill and her daughter Princess Lyra enter the Royal Chapel. Gertrude is repelled by the sight of Drokan while Frederic is drawn to Lyra. Drokan plots to usurp the Kingdom of Frohagord and Frederic dreams of the day when Lyra will be his. Act 1 Scene 3 Queen Gertrude is on her deathbed attended by Princess Lyra. Lyra asks her mother why she was sent away. Gertrude has Lyra open a secret drawer where Lyra finds twelve shirts
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Louise Boserup Alenius: Silent Zone - A Chamber Opera: Opera: Vocal Score
Opera
[Sheet music]
Wilhelm Hansen
Vocal score for Silent Zone - A Chamber Opera (2016-17) by Louise Alenius. Comm...
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Vocal score for Silent Zone - A Chamber Opera (2016-17) by Louise Alenius. Commissioned by Copenhagen Opera Festival. Text by the composer. Instr.: S Ct.B; boys choir; perc.pf(cel).vn.va.vc.db Score: WH32955 Parts are avilable on hire: hire@ewh.dk
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Michael Nyman: The Man Who Mistook His Wife For A Hat: Chamber Ensemble: Score
Opera
[Sheet music]
Chester
The Man Who Mistook His Wife For A Hat investigates the world of a person with v...
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The Man Who Mistook His Wife For A Hat investigates the world of a person with visual agnosia such people ?see but do not see?. This Chamber Opera by Michael Nyman with libretto by Oliver Sacks ChristopherRawlence and Michael Morris was based on the book of the same title by Oliver Sacks and first performed in London on 27 October 1986.This full score edition contains introductions in English French German and Italian.Scored for Soprano Tenor Baritone Harp Piano 2 Violins Viola and 2 Cellos it has duration 70 minutes. Performance material is available to hire from the publishers.
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Berenice, Regina d'Egitto HWV 38 (HAENDEL GEORG FRIEDRICH)
Opera
[Sheet music]
Barenreiter
Operas in three acts Version of the premiere, London 1737. Par HAENDEL GEORG FRI...
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Operas in three acts Version of the premiere, London 1737. Par HAENDEL GEORG FRIEDRICH. “Charming Berenice” – the Earl of Shaftesbury attended a rehearsal of the opera on 12 May 1737 and went into raptures about this “inexpressible delight”. “Berenice” was premiered at Covent Garden Theatre in London just a few days later on 18 May 1737. “Berenice” is one of the “light” operas and offers a wealth of musical gems, the second movement of the overture having become famous as “The Minuet from Berenice”, for instance, as has Berenice’s extended aria in the third act, in which she reflects on the inconstancy of the god Amor in duet with the solo oboist. The musical imagery which Handel worked into the opera is likewise enchanting, such as the imitation of bees humming in Fabio’s “Vedi l’ape” and the sorrowful cooing of a dove in Selene’s “Tortorella che rimira”. The scholarly-critical new edition contains the musical text of the first performance together with pieces in the appendix which Handel excised or shortened in preparation for the premiere. As is customary with our editions, a preface provides a detailed introduction to the genesis of the work, the story’s historical context, the source material and reception. Furthermore, the edition includes a translation of the libretto and an exhaustive Critical Report./ Répertoire / Opéra
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Richard Wagner: Lohengrin Wwv75: Opera
Opera
Eulenburg
Lohengrin is regarded as Wagner's most fairy-story-like opera its plot interwea...
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Lohengrin is regarded as Wagner's most fairy-story-like opera its plot interweaving motives from the world of legends and medieval history. The opera was premiered at the Weimar Court Theatre on 28 August 1850 under the direction of Franz Liszt in the composer's absence.This new Eulenburg study score edition follows the Wagner Complete Edition which is based on the autograph score representing the first critical edition of Lohengrin. Previous editions were based on the 1914 edition of the score which differed from the autograph in many details and was published by Michael Balling as part of the first complete edition which has remained unfinished.The original musical text isnow available in a handy format for the first time - and is perfectly suited for study purposes.With German/English preface and Critical Report!
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Scipione Affricano (CAVALLI FRANCESCO)
Opera
Barenreiter
Par CAVALLI FRANCESCO. In 1662, Cavalli’s career was at its zenith. The two do...
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Par CAVALLI FRANCESCO. In 1662, Cavalli’s career was at its zenith. The two dozen operas he had written for Venice had helped establish Venice as the world’s first operatic superpower. “Scipione Affricano” (Venice 1664), Cavalli’s first opera after returning from France, was one of his most successful compositions. In a period that valued new works over familiar ones, “Scipione” was one of a handful of operas to live on after its premiere season: it was revived eight times and chosen to inaugurate Rome’s Teatro Tordinona in 1671. Cavalli’s librettist, Nicolò Minato, was inspired by historical accounts of the life of the Roman general Scipio, whose defeat of Carthage in 202 BCE earned him the honorary agnomen “Africanus.” In setting Minato’s libretto, Cavalli drew upon the lyrical gifts that have made operas like “La Calisto” and “Giasone” so popular today. But at the same time “Scipione Affricano” also shows the composer embracing aspects of his two years in France, and responding to musical changes that, in the 1660s, were rapidly altering the face of Italian opera: the growing dominance of arias, a clearer sense of aria organization, and increased interplay between voice and instruments. The first goal of this edition is a practical one: to develop a version of the opera suited to the needs of both professional and student performers. A second goal is to reconstruct the opera’s complete performance history. An amply documented appendix reconstructs earlier versions of 21 arias. Other appendices print the surviving additional music from revivals in Rome and Venice. The edition is framed by a substantial Introduction, covering the drama, the musical style, the composition, premiere, and revivals, and a guide for performance today, plus a detailed “decoding” of the sources. - series Francesco Cavalli – Opere / Date parution : 2022-11-08/ Répertoire / Opéra
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Richard Danielpour: Margaret Garner: Opera: Vocal Score
Opera
[Sheet music]
Associated
Opera Vocal Score-'More than anything else Margaret Garner is an opera that rem...
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Opera Vocal Score-'More than anything else Margaret Garner is an opera that reminds us that we all belong to the same human family and it demonstrates what can happen when we forget this fundamental truth... - RichardDanielpour This Opera by Grammy-winning composer Richard Danielpour tells the story of Margaret Garner an enslaved African-American woman in pre-Civil War America who gained notoriety for killing her owndaughter to prevent her from suffering the degradation of a life of slavery. In this adaptation of the famous tale Edward Gaines acquires his deceased brother’s Kentucky estate and pledges to let all of the slave familieson the Maplewood Plantation stay together. However when he takes a special interest in one of the slaves Margaret Garner it is not long before her husband Robert is sent away alone to another plantation. One night Robertsneaks back to Maplewood and attempts to escape with Margaret and their children to the ‘Free State’ of Ohio. They are caught and Margaret murders her children in a crime of passion sparing them from a life of slavery. Margaretis condemned to death and although she is granted clemency at the last minute she chooses the freedom of the gallows over life as a slave. The tragic work features a libretto by Toni Morrison and gained highcritical praise at its first performance in Philadelphia in 2006. Watch a clip from the performance here:
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Peter Maxwell Davies: The Lighthouse: Chamber Ensemble: Score
Opera
[Sheet music]
Chester
Chamber opera in a prologue and one act. A ghost story telling of the mysteriou...
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Chamber opera in a prologue and one act. A ghost story telling of the mysterious disappearance of three lighthouse keepers in the Hebrides. This is a mystery story in the form of a chamber opera. The prologue is set as acourt of enquiry into the unexplained disappearance of the three keepers from a lighthouse. Questions are posed by a solo horn which may sound from among the audience and three officers give answer. Gradually they move fromstraight testimony into fantastical imaginings of evil during a 'flashback' to the lighthouse; but then we snap back to the courtroom. In the main act the three singers become the vanished keepers. They have been together formonths long enough to be fully aware of each other's weaknesses; petty bickerings suggest a relationship which is stable but liable to become highly unstable at any moment. They sing songs to reduce the tension Blazes beginningwith a rough ballad of street violence accompanied by violin and banjo. Sandy's song with cello and out-of-tune upright piano is a thinly disguised description of sexual bliss and Arthur's with brass and clarinet is atub-thumping hymn. But the songs serve only to resurrect in their minds ghosts from the past and as the fog descends each of the keepers becomes convinced that he is being claimed by the Beast. They prepare to meet its dazzlingeyes which become the lights of the relief vessel and the three men reappear as officers met at the lighthouse only by an infestation of rats. They leave and at the end the last hours of Blazes Sandy and Arthur begin to playover again.Study Score. Duration c. 1h 25mins.
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Georg Friedrich Händel: Agrippina HWV 6: Chamber Ensemble: Score
Opera
Barenreiter
Opera in three acts-Handel???s Agrippina HWV 6 was performed with great success ...
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Opera in three acts-Handel???s Agrippina HWV 6 was performed with great success at the 2015 International Handel Festival in G?ttingen (Germany) using the new B?renreiter edition including the performance material and this vocal score.Agrippina is the last opera that Handel completed and premiered in Italy. The excellent libretto is one of the few original opera libretti that he set to music. The plot is tightly constructed the characters sharply etched and equipped with a wide range of human emotions. Agrippina is married to her third husband the Roman emperor Claudius. After he is presumed dead she attempts with deception andintrigue to place her son Nero on the throne.The vocal score includes all the numbers from the appendix of the full score. These were used either during the successful Venetian series of performances in 1709/10 or were deleted or replaced by other numbers versions and variants.Urtext edition based on the Halle Handel EditionPerformance material available for hireHardback full score (BA4092-01) and paperback vocal score (BA4092-90) available for saleVocal scores includes:- A singing translation in German- Extensive bilingual Foreword (Ger/Eng)- Idiomatic uncluttered Piano reduction
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Geoffrey Burgon: Orpheus: Voice: Vocal Score
Opera
[Sheet music]
Chester
A chamber opera in one act for soprano tenor baritone and bass soli TTBB chor...
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A chamber opera in one act for soprano tenor baritone and bass soli TTBB chorus and orchestra commissioned for the Wells 800 Celebration in 1982. Libretto by Peter Porter. Vocal score with piano reduction. Duration: c. 55minutes.Orpheus is a Chamber Opera or perhaps more properly might be described as an ‘Opera-Cantata’. It is designed to be performed as a short opera fully staged and costumed or as a concert piece. Either way itsstructure is dramatic rather than reflective. It tells the story of Orpheus probably the most familiar story in music and en emblem of their art for composers of all periods as a direct narrative. Since the legend is set inthe world of pagan mythology it has been lightly Christianised for its Church setting. The Aeneid has often been seen as speaking of Christ avant la lettre and Renaissance Humanists were always willing to identify forerunnersof Christian types in Classical personages: in this manner Orpheus pursues without undue emphasis musical parallels with St Francis St Cecilia and even Adam and Eve.The work is framed briefly by a prologue and epilogue. ThePrologue introduces the four solo singers Hades (bass) Orpheus (tenor) Eurydice (soprano) and Charon (baritone). It also introduces the chorus who do not only portray at various stages Orpheus’s wedding companions thedenizens of Hell and Blessed Spirits in the Elysian Fields but also comments on the action as it proceeds.
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Christoph Willibald Gluck: LIle de Merlin ou Le Monde renversé: Chamber
Opera
[Sheet music]
-
Advanced
Barenreiter
Opéra comique en un acte-Hardback full score; also available vocal score for sa...
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Opéra comique en un acte-Hardback full score; also available vocal score for sale (BA2293-90) & performance material for hire (BA2293). The fact that “op?ra comique” rooted in the folk art of the French vaudeville was brought to its high-point by Gluck a German composer working in Italian clearly demonstrates the close relationships and interconnections made in European musical life in the mid-18th century. With “L’Ile De Merlin Ou Le Monde Renvers?” Gluck created an enchanting buffo work which draws its charm not only from its colourful music with appealing details of instrumentation andcharacterisation but also from the juxtaposition of real mythological and fairy-tale figures as well as from the critical social undertones in the libretto. The new edition is based on the Gluck Complete Edition Series IV volume 1 edited by G?nter Hau?wald. Based on the Urtext of “Gluck Complete Works”. Original French text with singing German translation. Detailed foreword in the vocal score (Ger/Eng/Fr).
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Andy Pape Kit Eichler: Till Death Us Do - A Love Triangle In 7 Scenes: Opera:
Opera
[Sheet music]
-
Intermediate/advanced
Wilhelm Hansen
Till Death Us Do - A Love Triangle In 7 Scenes Chamber Opera by Andy Pape (2002-...
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Till Death Us Do - A Love Triangle In 7 Scenes Chamber Opera by Andy Pape (2002-2003) with libretto by Kit Eichler. Commissioned by Den Fynske Opera Denmark.
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Andy Pape Rasmus Zwicki: Andre Bygninger - En Opera i 2 Akter: Opera: Score
Opera
[Sheet music]
-
Intermediate
Wilhelm Hansen
Andre Bygninger - a Chamber Opera in 2 acts by Andy Pape (2011-2014). Libretto b...
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Andre Bygninger - a Chamber Opera in 2 acts by Andy Pape (2011-2014). Libretto by Rasmus Zwicki. Commissioned and premiered by Den Fynske Opera in April 2015.
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Andy Pape Rasmus Zwicki: Andre Bygninger - En Opera i 2 Akter: Opera: Vocal
Opera
[Sheet music]
-
Intermediate
Wilhelm Hansen
Vocal score for Andre Bygninger - a Chamber Opera in 2 acts by Andy Pape (2011-2...
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Vocal score for Andre Bygninger - a Chamber Opera in 2 acts by Andy Pape (2011-2014). Libretto by Rasmus Zwicki. Commissioned and premiered by Den Fynske Opera in April 2015.
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John Frandsen Tzara Tristana: Et Dukkehjem: Opera: Vocal Work
Opera
[Sheet music]
-
Intermediate/advanced
Wilhelm Hansen
Et Dukkehjem (2014) is a Chamber Opera in 2 acts by John Frandsen based on the p...
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Et Dukkehjem (2014) is a Chamber Opera in 2 acts by John Frandsen based on the play A Doll's House by Henrik Ibsen. Libretto by Tzara Tristana and the composer.
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La Bellezza ravveduta nel trionfo del Tempo e del Disinganno HWV 46a (HAENDEL GEORG FRIEDRICH)
Opera
[Sheet music]
Barenreiter
Oratorio in two parts Rome 1707. Par HAENDEL GEORG FRIEDRICH. With his “La Bel...
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Oratorio in two parts Rome 1707. Par HAENDEL GEORG FRIEDRICH. With his “La Bellezza ravveduta nel trionfo del Tempo e del Disinganno” (“Beauty Reformed in the Triumph of Time and Enlightenment”), HWV 46a, the 22-year-old Handel notched up one of his greatest successes in this genre right at the very beginning of his oratorio oeuvre. Composed in Rome in 1707, the work was for a long time known as “Il trionfo del Tempo e del Disinganno” (“The Triumph of Time and Enlightenment”). In keeping with the Halle Handel Edition, however, the title is that of the name given in the primary source. In many cases inspired by the melodically rich ideas of Reinhard Keiser (1674–1739), the work is unsurpassed by any other oratorio by Handel. At the end of an impressive sequence of truly captivating arias, duets and quartets, Bellezza’s reformation in favour of living a life pleasing to God is accompanied in incisive E major by her overwhelmingly beautiful, impossibly sad closing aria “Tu del ciel ministro eletto”, the consummate pinnacle of dramatic irony in Handel’s output. By virtue of its flawless dramatic structure as well – unlike many other oratorios and all operas of the Baroque period, the story never goes off at a tangent and all arias revolve around the dispute of the four dramatic personae – the oratorio has enjoyed long runs of widely acclaimed, mostly staged performances in the last few years./ Répertoire / Opéra
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Vagn Holmboe: The Knife: Opera: Vocal Score
Opera
[Sheet music]
Wilhelm Hansen
The Knife (Kniven) - A Chamber Opera in 1 Act (1959) by Vagn Holmobe. Libretto b...
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The Knife (Kniven) - A Chamber Opera in 1 Act (1959) by Vagn Holmobe. Libretto by the composer. Piano Reduction - Danish version : KP01154 Full Score: WH30944
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Poul Ruders: Tycho: Opera: Score
Opera
[Sheet music]
Wilhelm Hansen
Poul Ruders' opera Tycho in 3 Acts was premiered May 15 1987 by Aarhus Symphony...
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Poul Ruders' opera Tycho in 3 Acts was premiered May 15 1987 by Aarhus Symphony Orchestra and Kaare Hansen (conductor) at Helsingør Theater in Aarhus Denmark. Libretto in Danish by Henrik Bjelke. Vocal score: WH31457C Synopsis: In 1597 the famous Danish astronomer and astrologist the nobleman Tycho Brahe flees his castle cum observatory Uraniburg on one of the small islands off the Danish coast. The newly coronated King Christian the Fourth has a grudge against Tycho who in 1572 discovered a new star Stella Nova by using his naked eye only; the telescopewasn’t invented yet. This discovery gained Tycho tremendous fame among his contemporaries within the European scientific circles. The now weakened and embittered old man moves together with his wife Christina whom he raped when she was an adolescent and Jeppe the Dwarf his fool-servant whose life Tycho once saved to the plague-infested city of Prague. There at the Benatky Castle Tycho encounters the main reason for his departure from Denmark: the young German mathematician Johannes Kepler the only scientist among his contemporaries Tycho acknowledges - Tycho is in severe need of intelligent challenge. Which he gets and with a disastrous result for himself. The encouraging encounter with Kepler turns into Tycho's scientific and earthly death verdict. Slowly Tycho realizes that his own conception of the Earth as the indisputable axes of the Universe is shattered by Kepler s theory about Earth encircling the stationary Sun. The ancient picture of the Universe collapses Tycho feels deceived by Kepler who leaves the castle shaken by Tycho's wrath. But they meet again and reunite in a Romanza a Due at Tycho’s death bed. The opera hovers above immense sadness and extreme ridicule - the cast is most peculiar indeed - so in many ways 'TYCHO' may be described at the best as a'Tragic Operetta'
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Iain Bell: A Harlot's Progress - Full Score: Opera: Score
Opera
Chester
Iain Bell's A Harlot's Progress is an Opera in six scenes featuring a libretto ...
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Iain Bell's A Harlot's Progress is an Opera in six scenes featuring a libretto by Peter Ackroyd based upon William Hogarth’s 1730 etchings of the same name.This is a full score for Soprano Mezzo-Soprano (x2) Baritone Tenor and Bass soloists with SATB chorus and Orchestra.
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Richard Wagner: Tannh?user: Mixed Choir: Vocal Score
Opera
[Sheet music]
Schirmer
Wagner completed the first version of the opera in 1845 during his tenure as Kap...
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Wagner completed the first version of the opera in 1845 during his tenure as Kapellmeister at the royal court of Dresden but he continued to redraft and revise it for the rest of his life. The setting is medieval Germany: the minstrel Tannhauser has fallen into sin with the goddess Venus but after a year in a moment of realisation he demands to leave. He finds himself near his home and is reunited with Elisabeth a girl he once loved. Elisabeth's uncle the landgrave organises a singing competition between Tannhauser and Wolfram who also loves her. Wolfram's song is simple and moving while Tannhauser confused by Venus outrages the audience by singing of profane love.He is banished to Rome on a pilgrimage to seek redemption and Elisabeth follows him with Wolfram. After much searching she gives up and dies just missing Tannhauser who Wolfram discovers creeping back to Venus the Pope having said that it was as impossible for him to be forgiven as for his staff to sprout flowers. Tannhauser sees Elisabeth and casts himself to die by her coffin and the Pope's staff bursts into bloom. This is the Schirmer edition of the Vocal Score edited and translated into English by Natalia MacFarren.
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Handel G.f. - Acis And Galatea Hwv 49b (2nd Version) - Vocal Score
Opera
[Vocal Score]
Barenreiter
Edition no.: BA 10700-90 ISMN: 9790006542161 Editor: Heinrich, Artie Arranger: K...
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Edition no.: BA 10700-90 ISMN: 9790006542161 Editor: Heinrich, Artie Arranger: Köhs, Andreas Language(s) of work: English, Italian, German Language(s) of text: German, English Product format: Piano reduction, Urtext edition Handel set the myth about the love of the shepherd Acis for the sea nymph Galatea from Ovid?s ?Metamorphoses? a total of three times: in the cantata ?Aci, Galatea e Polifemo? HWV 72 (1708), the masque ?Acis and Galatea? HWV 49a (1718) and finally the pasticcio-like serenata ?Acis and Galatea? HWV 49b (1732) of which the original version is now made available in its complete form for the first time. A particular charm is provided by the use of two languages in the serenata. The work was originally conceived in English, as was required for the first performance. However, Handel?s Italian singers were criticised for their poor command of English, ? so in the end, many numbers were sung in Italian. The extensive appendix to the vocal score includes the additional arias and newly composed movements for the versions used in the 1734 and 1736 performances. - Urtext edition based on the ?Halle Handel Edition? - English and Italian original text with singable German translation - Extensive foreword in two languages (Ger/Eng) - Clear, straightforward piano reduction
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Georg Friedrich Händel: Tamerlano HWV 40: Mixed Choir: Score
Opera
[Sheet music]
Barenreiter
Dramma per musica in thre acts-Tamerlano HWV 18; Dramma per musica in 3 acts Han...
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Dramma per musica in thre acts-Tamerlano HWV 18; Dramma per musica in 3 acts Handel began the composition of Tamerlano one of the supreme masterpieces of Baroque opera seria on 3rd July 1724. The libretto was an adaptation by Nicola Haym of Agostino Piovene's Tamerlano Tragedia per musica which had been set to music by Francesco Gasparini and performed in Venice in 1711. When Handel dated the last page of the autograph on 4rd July the work appeared to be complete; but during the three months which passed before the premiere at the King's Theatre in the Haymarket on 31 October so many alterations and revisions were made that a fresh performing-score had to be writtern very late inthe proceedings to replace an earlier one which is now 1ost.There were twelve performances between 31 October 1724 and 8 May 1725. Handel revived the opera only once in 1731 for three performances. For this revival he marked in the performing score a number of cuts in the recitatives which are reproduced in the present edition; there is more recitative in Tamerlano than in any other Handel opera.Urtext of the Halle Handel Edition.Full score (BA4052) and vocal score (BA4052-90) available for sale Performance material (BA4052-72) available for hire
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Hans Werner Henze: L'Upupa Und Der Triumphe Der Sohnesliebe: Opera: Score
Opera
[Sheet music]
Chester
The fifteenth full Opera from the prolific Hans Werner Henze and the first to f...
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The fifteenth full Opera from the prolific Hans Werner Henze and the first to feature a self-penned libretto. After the poems he wrote for his Songs from the Arabian Henze has produced this unusal tale through adaptingboth Arab and Persian legends and invoking the same half-real half-imaginary Arabia as the song cycle. The story itself is a fairy tale comedy with much in common with The Magic Flute. The orchestral arrangement is huge featuring quadruple wind five percussionists and a part for tape.
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