You Are My Sunshine-Von Peermusic gibt es Arrangements berühmter Klassiker diverser Genres für Salonorchester in Doppelnummern (Bänden mit 2 Musiktiteln) - ähnlich wie die Doppelnummern für Combo. Unterschieden wird dabei in Besetzungen bis 3 Saxophone/Blechbläser (Standard) bis 5 Sax./6 Blechbläser (Standard + Ergänzer) und den Ergänzer-Stimmensatz. Hier die Ergänzerstimmen. Die Besetzung - Ergänzer: 3. Stimme Violine; 4. Stimme Tenorsax; 3. Stimme Trompete; 2. Stimme Posaune; Bariton-Saxophon; Cello. Hier der Doppelband mit Georgia on my mind (Carmichael/Gorrel) und You are mysunshine (Davis/Mitchell).

You Are My Sunshine-Von Peermusic gibt es Arrangements berühmter Klassiker diverser Genres für Salonorchester in Doppelnummern (Bänden mit 2 Musiktiteln) - ähnlich wie die Doppelnummern für Combo. Unterschieden wird dabei in Besetzungen bis 3 Saxophone/Blechbläser (Standard) bis 5 Sax./6 Blechbläser (Standard + Ergänzer) und den Ergänzer-Stimmensatz. Hier der Standardsatz. Die Besetzung - Standard: C-Stimme (Akkordbezifferung und Text); Gitarre/Melodie (Akkordbezifferung und Text); Drums/Melodie (mit Text); 1./2. Violine; 1./3. Stimme Altsax; 2. Stimme Tenorsax; 1./2. Stimme Trompete; 1. Stimme Posaune; Bass; Klavier(Akkordbezifferung und Text). Hier der Doppelband mit Georgia on my mind (Carmichael/Gorrel) und You are my sunshine (Davis/Mitchell).

The Orchestra Parts for George Frideric Handel's 'Chandos Anthem' (No.2) In The Lord Put I My Trust expertly edited by Damien Cranmer. Arranged for Cello Bassoon Double Bass Oboe Violin I Violin II and Basso Continuo.  You can purchase the  Full Score separately here.

Sous Les Ponts De Paris-My Way and Sous Les Ponts De Paris arranged by Werner Lang for Salon Orchestra. This extension pack includes parts for the following instruments:3rd Violin; 4. Tenor Saxophone; 3. Trumpet; 2. Trombone; Baritone Sax; Cello.

Babalu-Good Bye Jimmy Good Bye by Jack Vaughn and Babalu by Margarita Lecuona for Orchestra. German lyrics included.

G. Schirmer Autograph Edition-Composer John Harbison writes: 'Rubies is a version of Thelonious Monk's 'Ruby My Dear' which he composed while still in his teens. When I was invited by the Seattle Symphony to make a short piecereflecting my first musical passions my thoughts were of Bach and Monk. Since I had recently made some Bach-like chorale preludes I chose to make a version of Monk's tune first in a chamber-musical contrapuntal manner then inthe grand orchestral style I had always heard lurking there.' Dur: 5:30 (Recorded live by the Rutgers Symphony Band - Peter Stanley Martin guest conductor).

Matthew Roddie's The Eden Myth arranged for orchestra was composed in 1998 written at the invitation of the University of York Music Department.

Søren Nils Eichberg's Morpheus - Concerto for Orchestra (2013). Commissioned by The Danish National Symphony Orchestra / DR. Parts are available on hire: hire@ewh.dk Programme note Morpheus in the Greek mythology is the most powerful of the Oneroi the gods of dreams. He is the one who sends us our dreams and he may appear to us within the dreams in disguise. Analogous to the logic of dreams in Morpheus everything is interwoven as chains of associations appear to logically lead us from one line of thought to another. Everything seems strangelyfamiliar. But the logic is treacherous and we already feel it may only be valid within the dream. Nothing that appears similar is actually ever really the same. Half awakening we struggle to hold on to a vanishing world we felt we were on the verge of understanding but which we already know will eventually escape us when we fully awake. Everything remains a mystery until the end.   The seven movements/dreamscapes are:   Vortex Trees and Walls Escher (Toccata) Crystal Into the Cloud Non-Euclid Arctica

Per Nørgård's Symphony No. 4 (1981) - Indischer Roosengaarten und Chineesischer Hexensee (Indian Rose Garden and Chinese Witch See). Programme Note: This symphony in two movements entitles “Indischer Roosen-Gaarten und Chineesischer Hexensee” was inspired by Adolf Wölfli’s works - consisting of 20.000 pages of prose poetry and pictures -. An English translation of the title would read: “Symphony no. 4 - Indian Rose Garden and Chinese Witch See; after an idea by Adolf Wölfli (1864-1930) and dedicated to him.”  Wölfli was from 1895 (31 yearsold) until his death in 1930 confined to the mental hospital at Waldau near Bern Switzerland. Although he had no technical knowledge of music he considered himself to be a great composer and his paintings were almost always covered with long festoons of six-lined (!) music staffs. In 1912 Wölfli ordered paints and paper for a planned ´Musikbüchlein´ which was to be published in 1920 under the title “Indischer Roosen-Gaarten und Chineesischer Hexensee”. (Wölfi uses his characteristic illustrative phonetic spellings with double vowels). The work was never completed and I took it upon myself to realize Wölfli’s idea according to his vision but of course within my own preconditions.  The double and suggestive title is typical of Wölfli´s polarized conception of the world which shifts between idyll and catastrophe. This polarization is of almost Chinese nature in that no idyll exists without catastrophic disturbances just as there is a black “spot” in the white “fish” and vice versa in the famous Yin/Yang symbol.  One might explain this idea with a quote by the Norwegian author Knut Hamsun: “A prisoner on his tumbrel is wheeled to the scaffold. A nail chafes at his behind; he moves over and feels more

'I responded to this exciting but rather daunting commission by writing a very lively and I hope very accessible piece which I decided before I started composing should be full of tunes. I wrote it in memory of my dear friend Sheila MacCrindle who died in 1993... although this Partita is in her memory it never occurred to me to make it gloomy or dirge-like; that is not how I remember her.' Richard Rodney Bennett.Partita for Orchestra by Richard Rodney Bennett was commissioned by British Telecommunications plc in co-operation with the Association of British Orchestras to be performed byseventeen different orchestras between October 1995 and July 1996.Duration: c.17 mins.