- SATB Soli, SATB Choir, Orchestra- Piano-Vocal Score (Latin)- Revised Edition (2005)- Full Score and Instrumental Parts are also available for purchase / Chant Et Piano

An oratorio for SATTB soli, SATB chorus and orchestra, edited, and the piano accompaniment arranged by, Vincent Novello. / Chant Et Piano

Dvorak's Stabat Mater is his first setting of a religious text, which was begun in 1876. The work received its first performance in 1880 in Prague. This new edition edited by Michael Pilkington follows the layout of the previous Novello edition for ease of compatibility. Vocal score with piano accompaniment. Text in Latin. Scored for Soprano, Alto, Tenor, and Bass Soloists, SATB and Orchestra. Orchestral material available on hire from publisher. / Chant Et Piano

Passio secundum Johannem. Urtext of the New Bach Edition (Vocal Score and Chorus Parts English/German) Edition : Piano Reduction/Vocal Score Editor : Mendel, Arthur Binding : paperbound Instrumentation : Soprano solo, Alto solo, 2 Tenor solo, 2 Bass solo, Mixed Choir-SATB, Orchestra

For solo voices, SATB chorus and Orchestra. Score and parts are available on hire from the publisher, which are newly engraved and correspond exactly with this vocal score. Edited with a new English translation by Neil Jenkins. / Chant Et Piano

The Italian oratorio 'La Resurrezione' (The Resurrection) was written during Handel’s time in Rome. It was performed on Easter Sunday 1708 with great splendour and extravagance by a large orchestra conducted by Arcangelo Corelli in the Palazzo Bonelli the Roman palazzo of Handel’s patron the Marchese Francesco Maria Ruspoli. In its dramatic structure and characterisation of the protagonists the work displays a striking affinity with Italian opera. Lucifer’s raging sixty fourth notes call to mind the demon characters in Venetian opera and Maddalena’s arias are so full of expressive power and virtuosity that Handel later incorporated one of them into his opera'Agrippina'. The unusual musical richness of this work and the virtuosic and masterly shaping of the arias make it a welcome addition to any concert programme. The edition is based on the complete edition volume of the 'Halle Handel Edition' (BA 4096) making the complete music text of the oratorio available for the first time. Scholarly-critical edition based on the Urtext of the 'Halle Handel Edition'Straight forward clear piano reductionForeword (Ger/Eng)

Vocal Solo with Online Audio-Sing along with a full orchestra! Alan Menken & Howard Ashman's title track originally penned for the Disney animated movie in the 1990s has now been updated in a new setting performed by Ariana Grande and John Legend for the 2017 live action film presented in print as a vocal solo arrangement with Piano accompaniment. It also includes access to an online fully orchestrated accompaniment for download or streaming so you can sing along and sound like a pro! The audio is accessed online using the unique code inside each book and can be streamed or downloaded. The audio files include PLAYBACK+ a multi-functional audio player that allowsyou to slow down audio without changing pitch set loop points change keys and pan left or right.

Samson , an oratorio for soloists, mixed chorus and orchestra by George Frideric Handel, libretto by Newburgh Hamilton after Milton's Samson Agonistes . Edited by Donald Burrows. This latest addition to the Novello Handel Edition is the first complete, modern edition of the composer's longest oratorio, prepared after examination of all known contemporary sources, both music and word-books. The publication embodies the complete text known to have been performed at the Covent Garden premiere in 1743, as well as identifying the later shorter versions and additions performed regularly by Handel, and an Appendix of all further variants created by him and performed during his lifetime. It is thus a comprehensive and flexible edition for between four and eight soloists, with an abundance of choral writing and some of Handel's most sublime writing for voices. Includes an historical preface, extensive notes on the performance of the different versions and useful practical notes on the interpretation of Handel. / Chant Et Piano

Sacred Oratorio in two Parts-During Telemann’s lifetime 'Die Donnerode' was one of his most popular sacred works. It was written following the devastating earthquake in Lisbon in 1755. The great success of the first performance in St. Jacobi in Hamburg in 1756 encouraged Telemann to write a second part to the work in 1760 expanding 'Die Donnerode' to make a complete oratorio. The work continues to be performed in this form today. The basic structure of 'Die Donnerode' is a psalm cantata for soloists chorus and orchestra. The texts and choice of instrumentation make reference to the threatening natural phenomenon of the earthquake. Telemann exploits all the musical possibilities offered by the text creating a powerful oratorio in which trumpets and timpani play an important role. This edition includes a vocal score on sale for the first time based on the Telemann Musical Works. The existing performance material has been thoroughly revised and newly engraved. Urtext edition based on the 'Telemann Musical Works' reflecting the current state of researchIdiomatic piano reduction foreword (Ger/Eng)Performance material thoroughly revised and newly engraved