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HANDBELLS
Piano Quintet: piano, 2 violins, viola, cello
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Dvorak, Antonin : Piano Quintet A major op. 81
Piano Quintet: piano, 2 violins, viola, cello
[Sheet music]
-
Intermediate
Barenreiter
Opus 81 has long been one of the pieces of chamber music most frequently played ...
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Opus 81 has long been one of the pieces of chamber music most frequently played internationally.
The present edition is based on the ?Complete Edition of the Works of Antonín Dvorák?, the new detailed foreword is by David Beveridge.
? One of the most frequently played chamber music works
? New detailed foreword by David Beveridge (Cz/Eng/Ger) / [Quintet pour Piano La Majeur Opus 81] / Classique / Partition / Agrafé /
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Wolfgang Amadeus Mozart: Piano Concerto No. 13 in C major K. 415: Piano &
Piano Quintet: piano, 2 violins, viola, cello
Barenreiter
Edition for piano two violins viola and violoncello-Edition for piano two vio...
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Edition for piano two violins viola and violoncello-Edition for piano two violins viola and violoncello (2-piano reduction with 1 each of the string parts) 'Mr. Mozart Kapellmeister wishes to announce to the most worthy public the appearance in print of three of his recently contrived piano concertos. These three concertos may be performed not only with a large orchestra including wind instruments but also a quattro that is with two violins one viola and violoncello. They will be issued early in April of this year (1783).' As this advertisement shows it was Mozart's intention to keep the accompaniment part flexible in his piano concertos K.413-5 and as we know from a letter Mozart wrote to his father inK.449 as well. In addition to orchestral forces it is also possible to use a chamber setting with string instruments one to a part. This chamber music edition accommodates this option thereby enriching Mozart's charming chamber music with piano. These editions of Mozart's Piano Concertos are based on the Urtext editions published in the New Mozart Edition. In the present arrangement for two pianos the solo Part - as well as the strings - are unchanged and thus identical with the version in the NMA. The piano arrangement adheres to the original orchestral score. Chamber music editions available for: Piano Concerto No.11 in F major K.413 BA4875Piano Concerto No.12 in A major K.414 BA4877Piano Concerto No.13 in C major K.415 BA4879Piano Concerto No.14 in E-flat major K.449 BA4871
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Wolfgang Amadeus Mozart: Piano Concerto No. 12 in A Major K.414: Piano &
Piano Quintet: piano, 2 violins, viola, cello
Barenreiter
'Mr. Mozart Kapellmeister wishes to announce to the most worthy public the app...
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'Mr. Mozart Kapellmeister wishes to announce to the most worthy public the appearance in print of three of his recently contrived Piano concertos. These three concertos may be performed not only with a large Orchestra including wind instruments but also a quattro that is with two Violins one Viola and Violoncello. They will be issued early in April of this year (1783).'As this advertisement shows it was Mozart's intention to keep the accompaniment part flexible in his Piano concertos K.413-5 and as we know from a letter Mozart wrote to his father in K.449 as well. In addition to orchestral forces it is also possible to use achamber setting with string instruments one to a part. This chamber music edition accommodates this option thereby enriching Mozart's charming chamber music with Piano.These editions of Mozart's Piano Concertos are based on the Urtext editions published in the New Mozart Edition. In the present arrangement for two Pianos the solo part - as well as the strings - are unchanged and thus identical with the version in the NMA. The Piano arrangement adheres to the original orchestral score.Chamber music editions available for:Piano Concerto No.11 in F major K.413 BA4875Piano Concerto No.12 in A major K.414 BA4877Piano Concerto No.13 in C major K.415 BA4879Piano Concerto No.14 in E-flat major K.449 BA4871
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Antonín Dvo?ák: Piano Quintet In A major Op.5 (Score & Parts): Piano Quartet:
Piano Quintet: piano, 2 violins, viola, cello
Barenreiter
Early piano quintet for Piano 2 Violins Viola VioloncelloIn 1887 Anton n Dvor...
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Early piano quintet for Piano 2 Violins Viola VioloncelloIn 1887 Anton n Dvorák revised several of the works he had composed in the 1860s and 1870s most of which he then published for the first time.In this context he asked the music critic Ludev t Procházka to return a manuscript copy of the Piano Quintet in A major Op.5 (B 28) composed 15 years earlier. But after thoroughly revising the work he declined to publish it; instead he wrote a new piano quintet in the same key the famous Op.81. And so the manuscript copy he requested from Procházka remains the sole source for this early piece of chamber music.Dvorák?s first Piano Quintet in A majorwas never published during his lifetime. This edition presents the musical text from the ?Complete Edition of the Works of Anton n Dvorák? Volume IV/11.Now with a new detailed Foreword (Eng/Cz/Ger) by David R. Beveridge
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Antonín Dvo?ák: Klavierquintett A-dur Opus 81: Chamber Ensemble: Instrumental
Piano Quintet: piano, 2 violins, viola, cello
Piano Quintet in A major op. 81. Very few really important works have been writt...
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Piano Quintet in A major op. 81. Very few really important works have been written for piano quintet ? alongside the famous works by Schubert, Schumann und Brahms, the quintet that Antonín Dvorák composed in 1887 certainly numbers amongst them. It shows the mature master at work, who knew how to combine formal unity with melodic ingenuity and sweeping rhythms. With its ethnic-inspired themes the piano quintet has become one of Dvorák?s best-loved chamber music works, indeed even of Romantic literature in music. So it was high time for a Henle Urtext edition ? 60 years after the Czech Complete Edition was published, it was time for a fresh look at the sources, including the autograph in the National Museum in Prague.
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Johannes Brahms: Piano Quintet in F minor op. 34: Chamber Ensemble: Instrumental
Piano Quintet: piano, 2 violins, viola, cello
Barenreiter
Op. 34-Bärenreiter?s scholarly-critical edition of Brahms? popular Quintet in F...
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Op. 34-Bärenreiter?s scholarly-critical edition of Brahms? popular Quintet in F minor for piano and strings contains everything a cutting edge Urtext edition is meant to offer. It presents a solid and well researched musical text based on Brahms? autograph as well as the first edition and draws on the autograph of the two-piano version (composed six years later) for purposes of comparison. The edition also contains a discussion of the work?s historical context and performance practice as well as a comprehensive Critical Commentary with an evaluation of the sources and alternative readings.The editor Daniel Boomhower deals with the conflicting readings between the stringparts in the autograph engraver?s copy and those found in small print in the first published score as well as in the separate parts for that edition. Relevant readings from the two-piano version appear in the appendix of the Critical Commentary.New Bärenreiter Urtext editionExhaustive study of conflicting readingsNotes on performance practice (Eng/Ger)Informative Foreword (Eng/Ger) and Critical Commentary (Eng)
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Franz Schubert: Quintet in A Major Op.114: Piano Quintet: Score and Parts
Piano Quintet: piano, 2 violins, viola, cello
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Intermediate
Peters
Written for a Quintet with Violin Viola Cello and Bassoon and Piano the Quint...
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Written for a Quintet with Violin Viola Cello and Bassoon and Piano the Quintet in A Major (Trout)Op.114 is a wonderful early composition by these great Austrian master. It was Franz Schubert's first turly significant chamber work and this 1819 piece is indicative of his romantic genius and melodic warmth.
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John McCabe: Nocturnal Op.42: Chamber Ensemble: Score and Parts
Piano Quintet: piano, 2 violins, viola, cello
[Sheet music]
Novello & Co Ltd.
John McCabe's Nocturnal For Piano Quintet was composed in 1966 commissioned by ...
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John McCabe's Nocturnal For Piano Quintet was composed in 1966 commissioned by the Park Lane Group London and first performed by the Lancaster University Ensemble. Duration: Approximately 13 minutes. Composers Note: The title of this work is a reference to John Donne's poem A Nocturnal upon St Lucie's Day the mood of which is reflected in the quintet. It falls into several movements played without a break: Introduction (Andante) setting forth the main thematic ideas of the music; Nocturne 1 (Allegro vivo) an agitated virtuoso scherzo-like section; a tripartite central part of the work consisting of two Cadenzasframing a brief Interlude the first Cadenza being largely for strings the second mainly for piano and the Interlude harking back to the feeling of the Introduction; Nocturne 2 (Andante molto) a slow piece gradually building to a unison theme on strings accompanied by a tolling piano background. This dies down to lead to an Epilogue ending with a final reference to the work's opening bars.
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