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Piano and Orchestra
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Biography (69)
Dulcimer (69)
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Musical Awakening (64)
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Violon Solo, Violoncelle Solo,… (36)
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Voice and Orchestra (36)
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2 Flûtes Traversières ou 2 F… (32)
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Flute ensemble (32)
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Choral CD (31)
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Solistes SATB, Choeur SATB, 2 … (30)
Travaux Pour Choeurs (30)
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A Cappella (28)
Ensemble (28)
Flute, Cello, Piano (trio) (27)
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4 Guitars (Quartet) (26)
Trio (26)
Solistes STBar, Choeur SATB, 2… (26)
Guitare ou Luth (26)
Marimba (26)
4 Parties Mixtes (26)
Flute Quartet: 4 flutes (26)
Choeur d'Enfants, Solistes, In… (26)
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2 Trombones (duet) (25)
Livret (25)
Piano, Guitar (duet) (25)
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DVD concert (25)
Quartette Pour Flûtes à Bec … (24)
Oboe and Orchestra (24)
Parties Orchestrales (24)
Baritone voice (24)
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Guitar Ensemble (24)
Clarinette et Quatuor à Corde… (24)
Choeur de Femmes (24)
Flute, Basso continuo (24)
Solistes (SATB), Choeur Mixte … (23)
Harp, Flute (duet) (23)
Violin, Basso continuo (23)
String Quintet: 2 violins, 2 v… (23)
Autoharp (22)
Dobro (22)
String Trio: 3 violins (22)
Horn Ensemble (22)
Percussion Ensemble (22)
Tenor Saxophone and Piano (22)
Voix Mixtes (22)
2 Violons, Alto, Violoncelle e… (21)
Solistes SATB, Choeur SATB, 2 … (21)
Solistes SAT, Choeur SATB, 2 F… (21)
Violon, Ensembles de Cordes et… (21)
Piccolo, Piano (21)
2 Violas (duet) (21)
Voix et Orchestre (21)
Concert band, Choral (21)
Clavecin Et Instruments A Cord… (21)
3 Guitars (trio) (21)
Flûte Traversière ou Violon)… (20)
2 Violons, Alto et Violoncelle… (20)
Oboe, Organ (20)
String Quartet : 4 violas (20)
Flûte Traversière, Clarinett… (20)
2 Choeurs Mixtes (SATB Et SATB… (20)
Soli and Orchestra (20)
Double bass, Orchestra (20)
Violin, Guitar (duet) (20)
Accessoire (20)
Choeur SATB, 2 Flûtes Travers… (19)
Solistes SB, Choeur SATB, 2 Ha… (19)
Solistes SATBB, Choeur SATB, 2… (19)
3 Clarinets (trio) (19)
Trumpet, Trombone (duet) (19)
Clarinet Ensemble (19)
Cornet and Piano (19)
Soli (ATB), Choeur Mixte (SATB… (19)
Ensemble Mixte (19)
Organ, Trumpet (duet) (19)
Petit Choeur AT, 2 Flûtes Tra… (18)
Gemischter Chor (SATB) und Orc… (18)
Choeur SATB, 2 Trompettes, 2 T… (18)
String quintet (18)
Trio à Cordes (18)
Quatuor (18)
Euphonium, Piano (duet) (18)
Cor en Fa (18)
2 Flutes, Piano (18)
Choral SSATTB (18)
Alto (Partie séparée) (18)
Trio de Pianos, Salon Ensemble… (18)
Chamber Music (18)
Solistes STBB, Choeur SATTBB, … (17)
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Quintette à vent (17)
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1 Piano, 6 hands (17)
Clavier Electronique et Ligne … (17)
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Saxophone ensemble (17)
Violin, Organ (17)
Saxophone Baryton (17)
Lute (17)
Instruments Cuivre (17)
Choeur Mixte et Ensemble de Ch… (16)
Electric bass, Drums (16)
Soli (SB), Choeur Mixte (SATB)… (16)
Solistes SAB, Choeur SATB, Cto… (16)
Flûte à Bec Soprano (Flûte … (16)
Saxophone Ténor et Piano (16)
Choeur Mixte (SSATB) avec Soli… (16)
Bass Clarinet (16)
Violon 3 (Partie Séparée) (16)
5 A 9 Instruments A Vent (16)
Flûte à Bec, Guitare et Musi… (16)
Percussions (16)
Solo instrument and Organ (16)
Lap Steel Guitar (16)
3 Saxophones (trio) (16)
Trombone or Euphonium (16)
Solo SATB, Choeur SATB, Hautbo… (15)
Solistes SATB, Choeur SATB, 2 … (15)
Solistes SA, Choeur SATB, 3 Tr… (15)
Solistes SATB, Choeur SATB, 2 … (15)
Solistes TB, Choeur SATB, 2 Co… (15)
Solistes SATB, Choeur SATB, 2 … (15)
Choeur SATTB et Basse Continue… (15)
Trompette ou Bugle ou Cornet o… (15)
Flute, Oboe, Clarinet, Bassoon… (15)
Voice, Organ (15)
Gemischter Chor (SSATB/SSATB/S… (15)
Petit Ensemble Contemporain (15)
Clarinette, Saxophone, Trompet… (15)
Clarinet, Violin, Cello, Piano… (15)
Choeur Mixte, Soprano et Orche… (15)
Saxhorn and Piano (15)
Flûte Traversière, Hautbois … (15)
3 Violons, Instruments à Cord… (14)
Choeur D'Enfants (Ou De Jeunes… (14)
Flûte Traversière, Violon, I… (14)
Petit Choeur SATTB, 5 Instrume… (14)
Solistes ST, Choeur SSATB/SSAT… (14)
Solistes SSA (TTB), Choeur SAT… (14)
Soli (SATB), Choeur Mixte (SAT… (14)
Flûte, Hautbois et Clarinette… (14)
Soli (SATB), Choeur Mixte (SAT… (14)
Solistes ATB, Choeur SATB, Tro… (14)
Solistes SB, Choeur SSATB, 2 T… (14)
Choeur SATB/SATB, ou Basse Con… (14)
Chant et Guitare (14)
SATB, 4 Parties Mixtes, 2 Viol… (14)
2 Violins and Basso (14)
Woodwind Quintet (14)
Solistes SATB, Choeur SATB, 2 … (14)
Voix Et Orff-Instruments (14)
Xylophone (14)
Chorale (14)
Choeur SSATB et Basse Continue… (14)
Solistes SATTBB, Choeur SATB/S… (13)
Solistes SATB, Choeur SATB, Tr… (13)
Solistes SSTB, Choeur SATB, 2 … (13)
Violoncelle (Partie Séparée)… (13)
Solistes SSATB, Choeur SATB, 3… (13)
Solistes AT, Choeur SATB, Trom… (13)
Choeur SATB/SATB, (8 Instrumen… (13)
Solistes ST, Choeur SSATB, 3 T… (13)
Solistes SATB, Choeur SATB, (C… (13)
Soli (SATB), Choeur Mixte (SAT… (13)
Solistes, Choeur d'Enfants, 3 … (13)
Choeur d'Enfants et Ensemble (13)
Solistes SATB, Choeur SATB, 2 … (13)
Solistes SB, Choeur SATB, 2 Tr… (13)
Cello, String Bass (duet) (13)
Cornet (13)
4 Cellos (13)
Choeur d'Enfants (13)
Viola and orchestra (13)
Solistes SBar, Choeur SSATB, 2… (12)
Flute, Clarinet, Piano (trio) (12)
Solistes SMSATB, Choeur SATB, … (12)
Solistes, Div. Instruments à … (12)
Solistes SATB, Choeur SATB, Fl… (12)
Catalogue des Oeuvres (12)
2 Oboes, 2 Horns and 2 Bassoon… (12)
Choeur SSATB, Basson, 2 Trompe… (12)
Violoncelle et Quatuor à Cord… (12)
Choeur SATTB, (5 Instruments, … (12)
Madrigaux (12)
Solistes AT, Choeur SATB/SATB/… (12)
Trompette ou Cornet, Trombone … (12)
Solistes, Choeur d'Enfants, Fl… (12)
Piano et Orchestre (12)
Flûte Traversière, Clarinett… (12)
Solistes SB, Choeur SATB, 2 Ha… (12)
Scores (12)
Choeur SATB/SATB, (Contrebasse… (12)
Saxhorn en Sib (12)
Hautbois, Basson et Piano ou O… (12)
Choeur d'Enfants, Flûte Trave… (12)
Fanfare Band (12)
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6 Parties Mixtes (12)
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Libretto (12)
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Contrebasse (Partie séparée)… (12)
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Solo A, Choeur SATB/SATB, 2 Or… (11)
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Vibraphone (11)
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Solo SA, Flûte Traversière, … (11)
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Clarinette, Violon et Piano (11)
Bagpipe (11)
Choeur Mixte et Orchestre (11)
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4 Euphoniums (11)
Choeur SSATB, 2 Hautbois, 3 Vi… (11)
Bass Clarinet, Piano (11)
Gemischter Chor (SSAATBB) und … (11)
Organ, Piano (duet) (11)
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Medium Voice (11)
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2 French horns (duet) (11)
Djembe (11)
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Stationery (11)
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Baritone Saxophone (11)
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Orgue et Musique de Chambre (10)
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Cello Ensemble (10)
Trompette en Sib (10)
Orgue, 2 Violons, 2 Altos, 2 V… (10)
Solistes SATB, Choeur SATB, 2 … (10)
Solistes SATB, Choeur SATB, Or… (10)
Choeur SATB, 3 Flûtes Travers… (10)
Orchestre Scolaire (2 Flûtes … (10)
Horn and Orchestra (10)
4 Instruments Cuivre (Trompett… (10)
Nursery rhyme (10)
String Trio: 2 violins, viola (10)
Organ, Voice (10)
Flûte Traversière, Clarinett… (10)
Choeur SATB, Paroisse, 2 Hautb… (10)
Ensemble Instrumental et Petit… (10)
Lyrics only (10)
Viola da Gamba (10)
Diverses Formations (10)
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Cello, Guitar (duet) (10)
Solistes SATB, Choeur SATB, Ha… (9)
Choeur Mixte (Unisson) Avec Or… (9)
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Ensemble de Cordes (9)
Solistes SATB, Choeur SSATTB, … (9)
Violoncelle solo, Basse Flûte… (9)
Solo S, Flûte Traversière, H… (9)
2 Violons Solo, 2 Violons, Alt… (9)
Solistes SSATTB, 2 Trompettes,… (9)
Solo SATB, Choeur SATB, 2 Flû… (9)
Solistes SATB, Choeur SATB, 3 … (9)
Choeur SATB, 2 Trompettes, 2 T… (9)
Choeur D'Enfants (SMezA) Avec … (9)
8 Instruments (9)
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Children choir, Instruments (9)
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Violoncelle ou Contrebasse (Pa… (9)
Harmonie (9)
Solistes SATB, SATB et Orchest… (9)
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Solistes SATB, Choeur SATB, Ba… (9)
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Quintette à Cordes (9)
Vocal duet (9)
Solistes SATB, Choeur SATB, 2 … (9)
Choeur SATB, (4 Instruments, C… (9)
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Quintette (9)
Cordes, Basse Continue, Partie… (9)
Saxhorn en Sib Basse Continue (9)
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Xylophone or Marimba or Vibrap… (9)
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Choeur SATB et Basse Continue (9)
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Piccolo (9)
2 Violins, Piano (9)
Violoncello, Basso continuo (9)
Choeur SSATB, 2 Violons, Alto,… (8)
Flute and String Quartet (8)
Conga (8)
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Saxophone Alto, 2 Trombones, T… (8)
Solistes ou AuswahlChoeur SATB… (8)
Quintette avec Piano (8)
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2 Violons et Cordes (8)
Voix et Orchestre à vent (8)
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Clarinette, Basson, Violon, Vi… (8)
Choeur SSAM, Flûte Traversiè… (8)
Violon, Alto, Violoncelle et C… (8)
Carte Postale (8)
Solistes SB, Choeur SATB, Haut… (8)
Choeur d'Enfants 1 à 4 Partie… (8)
Hautbois, 2 Flûtes Traversiè… (8)
2 Flûtes Traversières, 2 Hau… (8)
Choeur SATB, 2 Tubes en plasti… (8)
SATB, (4 InstrumentS Basse et … (8)
Solo Baryton, Choeur SATB, 2 H… (8)
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Konzertante Werke Op. 32 Wev N.15
Piano and Orchestra
Schott
Carl Maria von Weber's fame rests mainly on ?Der Freischütz'. The unprecedented...
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Carl Maria von Weber's fame rests mainly on ?Der Freischütz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as ?Preciosa', ?Oberon', and ?Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music - cantatas, odes and other occasional works - stage works - lieder and vocal works - orchestral works - chamber music - music for piano - piano reductions - miscellanea, arrangements and orchestrations - works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references. / Piano Et Orchestre
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Piano Concerto No. 1 (HAWES PATRICK)
Piano and Orchestra
[Sheet music]
Hawes Music
(Solo Piano Part). Par HAWES PATRICK. ?It?s very direct, it?s very honest, it?s ...
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(Solo Piano Part). Par HAWES PATRICK. ?It?s very direct, it?s very honest, it?s very melodic and it?s very beautiful.? Peter Jablonski, pianist. A three-movement work for piano and orchestra written for Peter Jablonski the concerto is a journey of excitement and ? above all ? majesty, through the pain of loss and bereavement, through to victory and the fulfilment of hope. / Date parution : 2022-10-12/ Répertoire / Piano
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Herbert Howells: Piano Concerto No.2 In C Major Op.39: Piano: Score
Piano and Orchestra
[Sheet music]
Novello & Co Ltd.
Howells's second Piano Concerto was commissioned by the Royal Philharmonic Socie...
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Howells's second Piano Concerto was commissioned by the Royal Philharmonic Society and premiered at the Queen's Hall London on 27 April 1925. The second Piano Concerto highlights how far Howells has travelled stylistically since his first Piano Concerto of 1914 marking his mature style his courage in innovation and his sense of drama and colour in his use of orchestration.
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Herbert Howells: Piano Concerto No.1 In C Minor (Full Score): Piano: Score
Piano and Orchestra
[Sheet music]
Novello & Co Ltd.
Herbert Howells wrote his First Piano Concerto in 1913 while studying compositio...
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Herbert Howells wrote his First Piano Concerto in 1913 while studying composition at the Royal College Of Music. This was his first orchestral work and was later renumbered as Op.4. Edited and completed by John Rutter. Duration: 39 minutes.
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2. Konzert (HENZE HANS WERNER)
Piano and Orchestra
[Study Score / Miniature]
Schott
In one movement. Par HENZE HANS WERNER. / Répertoire / Piano et Orchestre
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Lamentate (PART ARVO)
Piano and Orchestra
[Study Score / Miniature]
Universal Edition
Homage to Anish Kapoor and his sculpture 'Marsyas'. Par PART ARVO. Arvo Pärt ab...
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Homage to Anish Kapoor and his sculpture 'Marsyas'. Par PART ARVO. Arvo Pärt about Lamentate: 'Lamentate is music for piano solo and orchestra. With respect to its form, however, the composition cannot really be described as a typical piano concerto. I chose the piano to be the solo instrument because it fixes our attention on something that is 'one'. This 'one' could be a person, or perhaps a first-person narrative. Just as the sculpture leaves the viewer with a light and floating impression in spite of its overwhelming size, the piano, as a large instrument, allowed me to create a sphere of intimacy and warmth that no longer seems anonymous or abstract. Overall, it could be said that my work is marked by two diametrically opposed moods. By way of slight exaggeration, I would characterize these two poles as being 'brutal-overwhelming' and 'intimate-fragile'. The two characters are not simply placed opposite one another, much rather being left to develop themselves in a conflict that runs throughout the entire work.'/ Répertoire / Piano et Orchestre
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Poul Ruders: Piano Concerto No.2: Piano: Score
Piano and Orchestra
[Score]
Wilhelm Hansen
Piano Concerto No. 2 for Piano and Orchestra (2009) by Poul Ruders.Commissioned ...
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Piano Concerto No. 2 for Piano and Orchestra (2009) by Poul Ruders.Commissioned by The Norwegian Radio Orchestra and Jerome Lowenthal. Solo Piano part: WH31129CProgramme Note In this day and age when faced with the challenge of writing a 'Piano Concerto' e.g. a piece for symphony orchestra and an all-dominating and virtuosic solo Piano part one has two options: either: DO or do NOT go for it wholesale exploiting and enjoying the conrnucopia of sonorous treasures offered by the combination of the orchestra and the 'Grand Piano'. I have opted to go for it. When writing forone of our great young international Piano stars it would be absurd and a waste to do anything less and only 'nibble at the goodies'.However the piece is not a big clunky 'machine'. Rather it is a transparently orchestrated neo-classic (for the lack of a better work) composition in three movements lastign approximately 25 minutes.The piece begins with a moderately paced opening in which the Piano gradually gathers momentum and strength beginning with the most gentle of motifs. In this movement the soloist and orchestra fo not always agree and the vigilant listener will observe the disparity between the two. Following a swift up-beat coda the movement stops almost in mid-breath on one of the gentle Piano chords taken from the very opening.The extreme simplicity of the second movement 'Semplice' (the opening Piano solo bears the marking: 'slightly hesitant - like a child practicing') is after having been joined by the Vibraphone Harp and solo Violin suddenly violated with unprecedented brutality by the rest of the orchestra which virtually 'lies in wait - panting to pounce'. But eventually calm and order is restored.The finale is a crazy rondo of sorts. The marking 'Avanti Risoluto' (Forward with Resolve) is a bit of an understatement. It is a full throttle no hold barred ride -
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Nikolai Medtner: Zweites Klavierkonzert c-Moll op. 50: Piano Duet: Instrumental
Deutsch
Piano and Orchestra
[Sheet music]
Zimmermann
Zweites Klavierkonzert c-Moll op. 50
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Sergei Prokofiev: Piano Concerto No.2 In G Minor Op.16: Piano: Study Score
Piano and Orchestra
Boosey and Hawkes
Interestingly there are two different versions of Prokofiev’s second pian...
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Interestingly there are two different versions of Prokofiev’s second piano concerto the first written between 1912 and 1913 the second written in 1923. However during the Russian Civil War the original manuscript of the Concerto was destroyed in a fire in Prokofiev’s apartment in St. Petersburg. In 1923 he recreated the score from memory effectively composing the second edition of the work which was very different. Prokofiev wrote to a friend: I have so completely rewritten the second concerto that it might be considered the fourth (his third piano concerto having been written in the meantime).At the time of composition the concerto's wild temperamentleft some exalted whereas others were horrified by the jarring and at the time futuristic sound. Today however it is generally recognised as a masterpiece and is one of the most virtuosic works in the piano concerto repertoire.Available here is the Hawkes Pocket Score edition (No.877) of Prokoviev’s virtuosic Piano Concerto No.2 in G minor Op.16 and is ideal for study and perusal usage.
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Maurice Ravel: Concerto: Piano: Score
Piano and Orchestra
Barenreiter
for the Left Hand for Piano and Orchestra-In 1929 Paul Wittgenstein a pianist a...
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for the Left Hand for Piano and Orchestra-In 1929 Paul Wittgenstein a pianist and war veteran who lost his right arm in the Great War commissioned Maurice Ravel to write a concerto for him to perform. The result was one of Ravel’s most thrilling compositions and for Wittgenstein the most important of the many works he commissioned over the course of his career. This scholarly-critical edition of Ravel’s Piano Concerto For The Left Hand is based on previously inaccessible and unknown sources. The editor Douglas Woodfull-Harris was able to consult manuscripts in the private library of the Paul Wittgenstein Estate which allowed him to retrace thework’s evolution from Ravel’s autograph working copy to the first printed edition. A source of key importance to our new edition is a handwritten French copy of Ravel’s own Piano reduction (the autograph is inaccessible) that he gave to Wittgenstein to facilitate rehearsing the work. This copy is the sole source reflecting Wittgenstein’s own interpretation and containing his changes to the final cadenza. It also helps us to understand omissions in the first edition of the score as well as the Piano reduction and enabled the editor amongst other things to correct a great many notes which could be found in previous editions including the solo Piano part. The Piano reduction in our edition contains both Ravel’s and Wittgenstein’s fingering. Also included is a solo part without fingering thereby giving pianists the opportunity to enter their own fingering after having studied those of Ravel and Wittgenstein. Score and orchestral parts in large format (25.5 x 32.5 cm) Includes source descriptions and a Critical Commentary with alternative readings (Eng) Informative Introduction on the work’s history and genesis (Ger/Eng/Fr) With facsimile pages Piano reduction with separate Urtext solo part enclosed Full score & parts (BA7881) and two-Piano reduction (BA7881-90) available for sale.
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Hans Abrahamsen: Left Alone: Piano: Score
Piano and Orchestra
[Sheet music]
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Intermediate/advanced
Wilhelm Hansen
Left Alone for Piano (left hand) and Orchestra was composed by Hans Abrahamsen ...
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Left Alone for Piano (left hand) and Orchestra was composed by Hans Abrahamsen in 2014-15. Commissioned by Westdeutscher Rundfunk and co-commissioned by City of Birmingham Symphony Orchestra Danish National Symphony Orchestra and Rotterdam Philharmonic Orchestra. Premiered by the WDR Sinfonieorchester and Alexandre Tharaud (piano) concducted by Ilan Volkov on January 29 2016 Cologne. Programme Note: I was born with a right hand that is not fully functional and though it never prevented me from loving playing the piano as well as I could with this physical limitation it hasobviously given me an alternative focus on the whole piano literature and has given me a close relationship with the works written for the left hand by Ravel and others. This repertoire has been with me since my youth. My very first public performance of one of my own works was in autumn 1969. The piece was called October and I played the piano with my left hand and the horn my principal instrument (the only instrument that can be played with only the left hand). Part of the piece requires the performer to play natural harmonics of the horn directly into the open strings of the grand piano to create resonance. The pedal was kept down by an assistant lying on the floor. Through decades the idea of writing a larger work for piano left hand has been in my mind. This new work is not written for a pianist with only one hand but rather by a composer who can only play with the left hand. The title Left alone contains all kinds of references not only to the obvious fact that the left hand is playing alone. Left alone is divided into two large parts each consisting of three smaller movements – in effect six in total. The work was commissioned by Westdeutscher Rundfunk and co-commissioned by City of Birmingham Symphony Orchestra Danish National Symphony Orchestra and Rotterdam Philharmonic and written for Alexandre Tharaud. Hans
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Sergei Rachmaninov: Piano Concertos Nos. 1 And 2: Piano: Score
Piano and Orchestra
[Score]
Boosey and Hawkes
The Boosey Masterworks Library is a truly fantastic collection of popular works ...
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The Boosey Masterworks Library is a truly fantastic collection of popular works from the orchestral repertoire presented in clearly notated and meticulously documented scores.This volume presents the full orchestral score of Rachmainov’s first two piano concertos which remain ever popular in the concert pianist’s repertoire the second piano concerto even more so. The first two piano concertos frame a prolonged period of self-examination and doubt in Rachmaninov’s life his earlier works were not received with great acclaim. However his resurgence as a composer on the international concert platform was brought about by his composition of thePiano Concerto No.2 in C Minor Op.18 which since its first performance remains one of the most important and popular works in the repertoire. This full orchestral score is a wonderful resource for study and perusal purposes and is clearly presented making it easy to read and follow.Note that the revised version (written in 1917) of the first piano concerto is that which is presented in this score.
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Piano Concerto HPS 1646 (TURNAGE MARK-ANTHONY)
Piano and Orchestra
Boosey and Hawkes
Par TURNAGE MARK-ANTHONY. This work was commissioned by the Rotterdam Philharmon...
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Par TURNAGE MARK-ANTHONY. This work was commissioned by the Rotterdam Philharmonic Orchestra in honour of Silvia Tóth and dedicated to Hans Werner Henze. It was composed in 2012?13 and first performed on 10 October 2013 at De Doelen, Rotterdam, Netherlands, by Marc-André Hamelin (piano) with the Rotterdam Philharmonic Orchestra, conducted by Yannick Nézet-Séguin. This 20 minute work is formed of three movements and explores a wide range of moods and textures. Suitable for advanced standard performers. / Date parution : 2022-10-12/ Répertoire / Orchestre et Piano
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Hans Abrahamsen: Concerto For Piano And Orchestra: Piano: Score
Piano and Orchestra
Wilhelm Hansen
Hans Abrahamsen's Concerto For Piano And Orchestra was composed in 1999 by comm...
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Hans Abrahamsen's Concerto For Piano And Orchestra was composed in 1999 by commission for the BIT-20 Ensemble. A complex and multi-layered work opening with highly minimal material and very slowly building to an ecstatic frenzy across the four movements. As the piece progresses Abrahamsen has also included some significant nods towards composers Gyorgy Ligeti (a former teacher of the composer) and Gustav Mahler.The work was premiered at the Ultima Festival in Oslo in 2000 with Anne Marie Abildskov as soloist. I Allegro Volante e nervoso II Adagio innocente e semplice III Tempo de grandegioia IV Fluente ma tranquillo Programmenote: ???The piano concerto starts entirely as I usually start with this filigree in the piano and many simultaneous layers ??? Hans Abrahamsen has explained ???The beginning is music that could continue almost minimalistically ad infinitum. But it doesn???t. Instead it has a seizure after just thirty seconds. It literally comes to a halt!???There is no programmatic structure behind the four-movement course of the concerto but a romantically minded listener may be tempted to interpret the development from a quick stalling of the familiar through the introduction (by the lyrical second movement) of something much more ???innocent and simple??? as it says - something feminine one feels like adding - to the third movement???s flashing firework display of a scherzo which draws the curtain aside for a liberating rush of joy as life after the advent of love. However the undersigned assumes full responsibility for this interpretation.The piano soloist is the undisputed main character in the concerto and plays almost constantly in the first three movements. It is only in the fourth movement that she takes a break and listens. ???The piano stirs up an anthill??? is Hans Abrahamsen???s own description ???and it becomes almost operatic! It is as if the music is about to fall right out over the edge of the abyss at the drastic general
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Robert Schumann: Great Works For Piano And Orchestra: Piano: Score
Piano and Orchestra
Dover Publications
Clara Wieck’s sincerest wish was that her future husband Robert Schumann ...
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Clara Wieck’s sincerest wish was that her future husband Robert Schumann turn his extraordinary genius toward the larger and more challenging task of composing orchestral music. Confiding in her diary in 1839 just one year before her marriage she explained that “it would be best if he composed for Orchestra: his imagination cannot find sufficient scope in the Piano…” In the years that followed their marriage Robert Schumann continued to devote much of his attention to Piano music but he also found the time to comply with his beloved Clara’s wish by creating a number of musical pieces composed specifically for Piano andOrchestra. Although Schumann’s genius is most in evidence in his masterful solo Piano compositions and superb lieder his lively and provocative imagination manifests itself with equal aplomb in the works composed for Piano and Orchestra. The same compelling romantic and lyrical qualities that captivate lovers of Schumann’s Piano music are evident in these compositions. Three of his finest are presented here in full score including the A Minor Piano Concerto one of the most popular and frequently performed concertos ever written. All demonstrate his remarkably innovative approach to music diverting substantially from the classic models of the day and display his immense creativity as well as his warmth and sensitivity. Included in this collection of Schumann’s compositions for Piano and Orchestra are: Piano Concerto In A minor Op. 54 (published 1846) Concertstück Op.92 (Introduction and Allegro appassionato; published 1852) Introduction and Allegro Op. 134 (published 1855) These three works by one of the greatest masters of romanticism will delight musicians music lovers and students as well as devotees of Schumann. Pianists will be especially pleased to have these appealing Schumann works in one convenient edition available at
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Boom of the Tingling Strings (LORD JON)
Piano and Orchestra
[Study Score / Miniature]
Schott
for piano and orchestra. Par LORD JON. Inspiriert vom gleichnamigen Gedicht des ...
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for piano and orchestra. Par LORD JON. Inspiriert vom gleichnamigen Gedicht des Schriftstellers D. H. Lawrence schrieb Ex-Deep-Purple-Mitglied Jon Lord dieses viersätzige Werk für Klavier und Orchester. Eine melancholisch-nostalgische Reise in die Kindheit mit einem furiosen Finalsatz./ Répertoire / Piano et Orchestre
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Ludwig van Beethoven: Concerto No. 3 in C minor: Piano: Score
Piano and Orchestra
Barenreiter
for Pianoforte and Orchestra op. 37-Beethoven’s Piano Concerto No.3 is t...
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for Pianoforte and Orchestra op. 37-Beethoven’s Piano Concerto No.3 is the only concerto where no authentic manuscript exists for the solo part. The autograph of the score is available whereby the articulation dynamics and pedal markings are for the most part absent. However Beethoven oversaw the first printed edition of the solo part (1804) with great diligence. Plate corrections bear witness to the care with which Beethoven placed slurs and pedal markings in order to be consistent and unambiguous. By means of a thorough examination of the sources this new Urtext edition presents many corrections in terms of articulation dynamics and notes. Inparticular the orchestral parts have been corrected for the first time since Beethoven’s lifetime.Piano reduction with a separate solo Piano part.A must for pianists orchestras and Beethoven scholars.
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