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Jeanine Rueff: Sonate: Saxophone: Instrumental Work
Saxophone
Leduc, Alphonse
pour Alto Saxophone seul-Composed by Jeanine Rueff Sonata for Alto Saxophone so...
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pour Alto Saxophone seul-Composed by Jeanine Rueff Sonata for Alto Saxophone solo is a piece for advanced players lasting 12 and a half minutes. Written in 9 pages this piece quite challenging (tempo key ranges) would be perfect for musicians of advanced level and above while requiring some serious work to obtain the correct result. Wonderfully composed very technical yet very lyrical this piece is really enjoyable and can be used for recital or contests. Jeanine Rueff composed numerous pieces for Saxophones that were often used in contests as well as many pieces for Saxhorn Clarinet Horn and Cornet.
11.99 GBP - Sold by Musicroom UK
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Marcel Mule: Exercices journaliers d'après Terschack: Saxophone: Study
Saxophone
[Sheet music]
Leduc, Alphonse
Daily Exercises - Tägliche Übungen-Daily Exercises after Terschack for all Sa...
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Daily Exercises - Tägliche Übungen-Daily Exercises after Terschack for all Saxophones by Marcel Mule (1901-2001) is a set of twenty six exercises each one lasting a page and a half. Initially composed by the flautist Adolph Terschak these Daily Exercises after Terschack would fit the skills of advanced-intermediate and advanced players with keys from 5 flats to 7 sharps. Marcel Mule (1901-2001) is one of the greatest French Saxophonists renowned worldwide for his work on the classical Saxophone repertoire. He was teaching his students how to obtain a good quality of sound and believed it was dependent on the embouchure the emission themastery of vibrato and thus of breathing. He wrote different methods that focus on technique articulation and tone productions such as '18 Exercises or Studies' 'Varied Studies in all keys' or '30 Great Exercises or Studies after Soussmann' (in two books) among others.
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Sax Pax 1 - Calypsos: Saxophone Ensemble: Score and Parts
Saxophone
[Sheet music]
-
Easy
Spartan Press
This an essential pack for school Saxophone groups since any combination - from...
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This an essential pack for school Saxophone groups since any combination - from three Saxophones (2 altos and a tenor) to a full Saxophone choir can use these iteresting and challenging pieces. Includes optional Soprano or Clarinet part; Baritone sax; easy Alto Sax; easy Tenor Sax; and Keyboard. Grade: 2 - 4
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Sax Pax 2 - English Folksongs: Saxophone Ensemble: Score and Parts
Saxophone
[Sheet music]
-
Easy
Spartan Press
This an essential pack for school Saxophone groups since any combination - from...
(+)
This an essential pack for school Saxophone groups since any combination - from three Saxophones (2 altos and a tenor) to a full Saxophone choir can use these iteresting and challenging pieces. Includes optional Soprano or Clarinet part; Baritone sax; easy Alto Sax; easy Tenor Sax; and Keyboard. Grade: 2 - 4
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Ponzol Peter - Saxophone Workshop - Pocket Guide
Saxophone
Jamey Aebersold Jazz
Imagine someone who has worked as an international saxophonist, an educator, a t...
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Imagine someone who has worked as an international saxophonist, an educator, a technician, a consultant, and as a designer, and you can imagine Peter Ponzol. For the first time, Peter offers details from his famous Saxophone Workshops. Learn about: ? Maintenance ? Reeds ? Mouthpieces ? Ligatures ? Sound ? Flexibility This exciting and informational pocket book will be a much needed addition to your musical library! Convenient pocket-sized book - 3.5 x 5.5 - perfect to toss in your gig bag! 64 pages. Peter has been around saxophones for decades, doing it all from manufacturing horns to reeds to mouthpieces. As well, he is a seasoned player. What he discusses in this book is coming from one of the sources-read carefully! - David Liebman, Sax artist/ author/ clinician. Read this review from Sax On The Web: The information in this book is right up SOTW?s alley, with answers regarding reeds, necks, mouthpieces, saxes, maintenance, and the like. I would assume that the number of redundant threads started could be reduced almost in half simply with a reading of this book and those owning it could refer back to it at their leisure, as needed. And there is enough info in this book which contradicts some of our SOTW urban legends to make an episode of MythBusters. If you catch the right posts at the right time, much of the info in this book is already posted here on SOTW. But you have to see it and if hunting for it, you have to find it. OTOH it?s all conveniently gathered and organized here in this primer - plus more. There are suggestions such as replacing the neck cork once or twice a year, which I would, if posting a response, say is not necessary. But here?s the difference. Many of us on the forum are experienced musicians but few have the experience and depth that Ponzol has. We can write with credibility - Ponzol writes with authority. And this is based on decades not only as a top-echelon player, but as a successful and innovative sax, neck and mpc designer. The book is a 61 page pocket reference booklet which, in addition to topics mentioned above, include thoughts on ligatures, sound and flexibility. It is based on items of interest asked by attendees at workshops he has given over the years, hence the title. He begins by pointing out that at these workshops one of the first things he does is look at the condition of attendees' equipment with the observation that at least 90% of them need some kind of work and adjustments. What follows in the book?s 61 pages are recommendations generated by this observation. Included are interesting comments such as: aging store-bought reeds by letting them sit for several years is fairly useless since the aging process stops once the bark has been cut away from the reed; not earth-shattering but interesting and certainly myth debunking. Again something that fits right in with many of the conversations on this forum. Interesting thoughts follow regarding the future of natural cane reeds, or how to select and get the most from your reeds - things I wouldn?t think of like sanding the heel of your reed. SOTWers might also get a kick out of, and relate to, the title of his section on mouthpieces, ?Now the Fun Begins?. There are also interesting side comments we don?t often hear like: in the 70s so many young players like Ponzol were trying to get Trane?s recorded sound by working on metal Links because that?s what they saw in photos and yet, Trane often recorded with hard rubber mpcs because, in Trane's opinion, it didn?t have as much spit in the sound for him. It?s interesting how some things come around back to you. There are two exercises I recommend to my students and have recommended on the forum regarding volume and embouchure control and flexibility. I?ve never heard anyone else recommend these exercises and yet here they are in Peter?s book. Then it hit me. The only other one I know who uses them is a former teacher of mine and I remembered that years ago he said he had had some lessons with Ponzol. So ?the circle is unbroken? LOL. I would highly recommend it for beginners and intermediates, as well as for more advanced players to recommend to their students. It has made me re-think even some of my most basic assumptions regarding equipment and maintenance, which has made the read well worth it. I wish every SOTW newbie would start out their Forum time with this booklet at their disposal.
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Hugo Pinksterboer: Tipbook: Saxophone: Instrumental Reference
Saxophone
[Textbook]
Amsco Wise Publications
A handy accessible thorough and convenient guide for saxophonists who want to ...
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A handy accessible thorough and convenient guide for saxophonists who want to get the most of out of their instrument. This Tipbook offers you a load of information delivered at the right pace including topics such asselecting and play-testing saxophones buying mouthpieces necks and reeds maintenance and tuning as well as the history and the family of the instrument and a sax player’s glossary. Written in collaboration with andproof read by musicians teachers technicians and other experts for beginners students and advanced players.
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Philip Sparke: Skilful Studies: Saxophone: Study
Saxophone
Anglo Music
40 Progressive Studies-Longer pieces suitable for the developing young musician....
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40 Progressive Studies-Longer pieces suitable for the developing young musician. Skilful Studies introduces the concept of phrasing by suggesting suitable breathing points and takes the player into new keys with extended instrumental ranges. new notes are introduced in a gradual and logical manner. Woodwind players are taken into their second octave learning to cross the break as smoothly as possible and brass players have their range extended both upwards and downwards.
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