Trumpet Concerto was composed by Bent Sørensen in 2012-13 for Trumpet solo and Orchestra. Written for Tine Thing Helsth and commissioned jointly by Bergen Philharmonic Orchestra Borletti-Buitoni Trust Copenhagen Philhamonic Orchestra and Göteborg Symphony Orchestra. Bent Sørensen's music is not recycled; in no way does it rely on the yellowing pages of history for its musical nourishment. His musical language is undeniably of the present day both aesthetically and technically. The music does however appear to be pervaded with memories wisdom of experience and old dreams of theinevitability of transitoriness and parting.

Mvt 3. Par ARCENS GILLES. Diplômé du conservatoire de Toulouse de 1982 à 1985 (1er prix de saxophone, 1er prix de musique de chambre, prix de perfectionnement de saxophone, 1er prix d'harmonie, 1er prix de contrepoint, 2ème prix de solfège), il poursuit des études de composition de musique de films à l'Ecole Normale de Musique de Paris, avec Antoine Duhamel et Laurent Petitgirard, entre 1987 et 1988. De 1986 à 1992, il exerce en temps que professeur de saxophone, de musique de chambre, d'harmonie et de contrepoint au conservatoire d'Andorre la Vieille (Principauté d'Andorre). Il joue en parallèle dans le quatuor de saxophones Tetrasax de 1981 à 1990, puis de 1989 à 1993, avec le Jazz Time Big-Band, dirigé par Richard Calléja. Il rejoint le grand orchestre de René Coll en 1992, en temps que saxophoniste arrangeur, et compositeur. Il réalise des orchestrations pour de nombreuses émissions de télévision (Sacrée Soirée, les Années Tubes, FaSiLa Chanter, Vivement Dimanche, les 25 ans du Loto, Prima Dona, Le Plus Grand Cabaret du Monde, Music-hall et Compagnie, les émissions pour l'élection de Miss-France de 1996 à 2003), sur des compositions originales de Vladimir Cosma, Gérard Presgurvic, Richard Sanderson, Gilles Arcens, etc. Il travaille en étroite collaboration avec Patrick Sébastien depuis 1998 : co-compositions et arrangements de ses chansons, réalisation de tous ses albums, composition de ses génériques de ses émissions télévisées, mise en forme et orchestration de ses spectacles et tours de chants, accompagnement sur scène en tournée dans toute la France et dans les grandes salles parisiennes (Olympia, Palais des Congrès, etc.). Durant sa carrière, il a accompagné de nombreux artistes dont J. Hallyday, F. Pagny, Barry White, N. Croisille, S. Distel, H. Salvador, Maurane, V. Samson, S. Lama, C. Aznavour, G. Lenorman, D. Briand, Adamo, Dave, H. Léonard, L. Fabian, E. Macias, M. Delpech, J. Montagné, Garou, Nadya. Ses compositions regroupent de nombreuses musiques pour big-band, ballet, film, ensemble de clarinettes, orchestre d'harmonie, piano, clarinette et cordes, clarinette et orchestre d'harmonie, contes musicaux pour enfants, choeur mixte et orchestre d'harmonie, et pour ensemble de cuivres. / Niveau : Avancé / Répertoire / Trompette Solo et Orchestre d'Harmonie

Arrangeur: Dokshitser. Par RIMSKI-KORSAKOV NICOLAI. / Niveau : Confirmé / Répertoire / Trompette et Orchestre

Par JOLIVET ANDRE. Andre Jolivet (1905-1974) established his love for composition from a young age. This remained throughout his life, and he held the post of Professor of Composition from 1966-1970 at Paris Conservatoire. Concerto No. 2 for Trumpet was composed in 1955, and remains highly regarded. Jolivet, himself a cellist, wished to explore composition for all instruments and therefore has a considerable number of works in all fields. The composer's style is also known for its spirituality, and the desire to associate the everyday with the magical, and the human with the universal. Jolivet draws on acoustics andatonality, as heard in Concerto No. 2 for Trumpet. The piece requires high, virtuosic skills due to its expansive use of extended techniques. For all advanced trumpeters, Jolivet provides an exciting, different piece for the instrument's repertoire./ Répertoire / Trompette et Orchestre

Female composer Alexandra Pakhmutova who is one of the best known figures in Soviet and later Russian popular music since she first achieved fame in her homeland in the 1960s has composed this piece for Trumpet and Orchestra.Rarely performed Concerto For Trumpet and Orchestra is not technically difficult and therefore gives a lot of room for expression. It is an exciting piece for the audience to listen to.

Infused with latin rhythms and improvisatory jazzlike passages for the trumpet soloist the mood of this single-movement concerto islight and effervescent. This work was awarded First Prize in the Doc Severinsen International Composition Contest andpremiered by the University of Tennessee Symphony Allen Vizzutti trumpet soloist. Length ca. 9. This large orchestra version includes two additional trumpet parts and one additional percussion. (Smaller orchestration available separately.)

Trumpet with Piano Reduction-Commissioned by the Cleveland Orchestra. Includes solo parts for trumpets in Bb and C.