The glamorous world of the musical has a unique and irresistable appeal. These 10 great hits from the best of Broadway and London's West End include hits from 'Me and My Girl', 'Half a sixpence', 'Oklahoma!', 'Fiddler on the Roof', 'Evita' and 'A little Night Music'. These famous songs by the world's finest show writers are arranged here for trumpet with piano accompaniment.

Trumpet parts in both B flat and E flat simplified piano part and a free CD including piano backing tracks and orchestral performance extracts.Johann Nepomuk Hummel (1778-1837) composed this concerto in 1803 for the keyed trumpet which had been developed by Anton Weidinger (1767-1852). Weidinger gave its first performance on New Year's Day 1804. Originally composed in the key of E it is more commonly played in Eb. The keyed trumpet was the first type of trumpet which could play chromatically but the invention was not a huge success: it suffered from a poor quality of sound. In the early 19th century the invention of the valve rendered the keyed trumpetobsolete.This edition is intended to be more user-friendly than the others currently available: there is a much easier (and dare I say more stylistic) piano accompaniment - any doubling of the solo part has been removed voicing simplified and my premise has been to imagine what it might have been before it was orchestrated rather than trying to cram in every last piece of orchestral detail.Suggested cuts in the piano part have been indicated giving a short introduction to each movement perfect for auditions recitals or exams. However the bar numbers still tally with the longer original versions which are included should they be required. The dynamics and articulation which I have added incorporate the weight of opinion in current editions and recordings offering more guidance than 'scholarly' editions without being overprescriptive.There is an appendix with suggested interpretation of trills and ornaments. Listening to as many different recordings as possible is the best way to assimilate good trills.The accompanying CD provides piano accompaniments and observes the suggested cuts. See page 38 for full track listing. There is free software available online (eg. speedshifter on the ABRSM website) which enables you to change the speed of a CD should you wish to practise slower or indeed faster.The Hummel

Instrumental Solos-Since its opening in 1957 the musical West Side Story has been a hit on Broadway. Made into a successful film starring Rita Moreno Natalie Wood and Richard Beymer in 1961 this tale of star-crossed lovers caught between feuding New York gangs has been gripping audiences for decades.The arrangements in the West Side Story: Instrumental Solos series remain faithful to Bernstein's original score. In this edition the pieces have been idiomatically adapted for the solo Trumpet.This book features 10 of the best-known songs from the musical including Maria Tonight America I Feel Pretty and more.West Side Story:Instrumental Solos Trumpet comes with an enhanced CD featuring Piano accompaniments for all tracks. Playable on both CD player and computer tempo adjustment software is also included for CD-Rom computer use only.

This edition is more user-friendly than the others currently available. The accompanying CD provides piano accompaniments as well as samples from recordings of the Neruda Haydn and Hummell concerti with kind permission of Hyperion Records and Crispian Steele-Perkins.J.G.B. Neruda (1711-1780) was typical of 18th century musicians travelling and studying in various parts of Eastern Europe and finally settling in Dresden (1750-1780) in the Electoral (chapel) orchestra where he was salaried as a violinist and occasional composer. This concerto was originally composed for a Corno da Caccia (hunting horn) presumed to be something of a hybrid between the natural hornand natural trumpet but has been borrowed by modern trumpet players and is now firmly fixed in the Classical trumpet repertoire.This edition is intended to be more user-friendly than the others currently available: there is a much easier (and dare I say more stylistic) piano accompaniment - any doubling of the solo part has been removed voicing simplified and my premise has been to imagine what it might have been before it was orchestrated rather than trying to cram in every last piece of orchestral detail. Suggested cuts have been indicated which give a short introduction to each movement perfect for auditions recitals or exams. However the bar numbers still tally with the longer original versions which are included should they be required.The dynamics and articulation which I have added incorporate the weight of opinion in current editions and recordings offering more guidance than 'scholarly' editions without being over-prescriptive. There is an appendix with suggested interpretation of trills. Listening to as many different recordings as possible is the best way to assimilate good trills. The accompanying CD provides piano accompaniments and observes the suggested cuts. See page 23 for full track listing. There is free software available online (eg. speedshifter on the ABRSM

Five sonatas for brass instruments and Piano.For Trumpet in Bb (optional doubling on Flugelhorn) or Trumpet in C.This work was commissioned by Professor James Watson for the brass faculty of the Royal Academy of Music. It was composed between August and September 2008. It is the fifth in a series of six works for brass composed between 2006 and 2009: sonatas for Bass Tuba and Piano (2006) Bass Trombone and Piano (2006) Tenor Trombone and Piano (2007) Horn in F and Piano (2008) and Sinfonia Concertante for Bass Tuba Bass Trombone Tenor Trombone Horn Trumpet Brass and Percussion (2009). The first performance of the Sonata was given on 21 October 2009 at theRoyal Academy of Music by James Woods Davison (to whom the work is dedicated) and Timothy End.

The Easy Concert Pieces series presents easy to intermediate pieces for trumpet with piano accompaniment. Pieces typical of their era and suitable for auditions, public performance, competitions or examinations are ordered according to level of difficulty in three volumes. These Easy Concert Pieces also provide appealing additional material for use in trumpet lessons. All the pieces are recorded on the CD included with each book, both in full and playback versions (piano accompaniment). In addition to the enclosed part for trumpet in Bb, separate parts for trumpet in C accompanying each book are available for download at www.schott-music.com. Volume 1 (ED 22555) contains very easy to easy pieces with a range up to written c?, with d? appearing as a short top note in just a few pieces. Simple and memorable rhythms, readily playable note sequences and patterns of articulation that can be mastered quickly and easily make this book ideal for beginners. Volume 2 contains easy to intermediate pieces with a range no higher than f?. Besides extending rhythmic scope and requiring a little more in terms of phrasing and articulation, these pieces will encourage further exploration of musical contrasts. Volume 3 is of medium difficulty and intended for players with a well-developed embouchure who can play notes up to written g?, though this note only appears as a short top note. Flexible articulation and legato playing with a well-developed dynamic range are required for pieces that are longer than those in the preceding volumes. / Niveau : Facile / Recueil / Trompette et Piano

Joby Talbot's Trumpet Concerto Desolation Wilderness was commissioned by the Turku Philharmonic Orchestra and the Royal Liverpool Philharmonic Orchestra. First performed on 28th October 2006 by the Royal LiverpoolPhilharmonic Orchestra at The Philharmonic Hall Liverpool with Alison Balsom (to whom the work is dedicated) as soloist and JoAnn Falletta conductor. The Turku Philharmonic Orchestra gave the Finnish premiére performances on23rd and 24th November 2006.The Piano reduction of Desolation Wilderness includes Trumpet parts in B flat and C. (Suitable for advanced players).'In Early November 2005 my family and some friends visited thehigh Sierra Nevada in Northern California. As on former trips to the area I was struck by the strange and disarming contrast between the bright sunshine perfect blue sky and warm mountain air of the Sierran autumn; and theoccasional icy chill - sudden drops of temperature when the sun vanished behind the mountains momentary glimpses through the trees of distant snow clouds over the highest peaks. Nowhere was this dichotomy more apparent than inthe vast area of forests lakes and mountains known as Desolation Wilderness. Here the twisted shapes of the aspens are testament to the destructive power of winter. Sure enough that night the first snows fell and the highmountain passes we'd just crossed were closed till spring.

La référence GB2116 de l'éditeur Billaudot dont l'auteur célèbre est Weiner Stanley, qui a pour titre CONCERTO, a été écrite et composée pour Trompette et Cornet et plus particulièrement pour Trompette Et Piano. Cette partition musicale appartient à la catégorie Classique. / Trompette Et Piano / Partition

French composer and conductor Henri Tomasi (1901-1971) published Variations Grégoriennes Sur Un Salve Regina 1964. As with his other wind compositions Gregorian Variations for Trumpet and String Orchestra and Organ reduction was well-received by audiences. Tomasi was born in Marseille but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured in to musical studies by his parents Tomasi dreamed of becoming a sailor and during the summer he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However in1921 he began his studies at the Paris Conservatoire and went on to become a high profile composer and conductor. Tomasi did not forget his Corsican routes often incorporating themes of the songs he had learnt during the summers with his Grandmother into his compositions. Variations Grégoriennes Sur Un Salve Regina is a highly unusual and modern work based on an old Marian Hymn (a song for the Virgin Mary). The variations exploit tonality rhythm and structure amongst other aspects. This Tomasi piece is suitable for advanced trumpeters providing an exciting alternative addition to the instrument's repertoire.

Johann Stamitz is considered the founding father of the Mannheim school of musical innovation. His two sons Carl and Anton were important members of the group as well. He was instrumental in setting the four-movement symphonic structure and the sonata form.Concertmaster of the Orchestra in Mannheim Stamitz wrote more than fifty symphonies and many other works. This work has been credited to Stamitz though he wrote little for the Trumpet and the title page of the work bears no signature. Some scholars believe the work to be that of Johann Georg Holzbogen. It has been recorded however as Concerto in D for Trumpet and the missing parts have been reconstructed bycomposer and arranger Alan Boustead.The style of the work falls in the time between our later delineations of the Baroque and Classical eras and the writing is typical energetic with quite an exciting solo part for the Trumpet.

Hummel who early in his career became well-known in Vienna as a brilliant pianist studied with Mozart Albrechtsberger Salieri and Haydn and soon earned a high reputation as a composer. His style of composition derived from the classical precepts of his teachers: Mozart's influence is clearly discernible even in his later years. However as time progressed Hummel adopted elements from the emerging romanticism of the day and increasingly turned to a highly figurative style with a level of virtuosity which though appealing in its brilliance often served as an end in itself. Historically his piano music bridges the gap between that of Mozart and Chopin forming a transitionbetween the classical tradition and the fashionable style of the musical salon.The Concerto For Trumpet And Orchestra dates from quite an early period in Hummel's career and was composed in 1803. In its three-movement design its formal layout and its melodic and harmonic workmanship the work still lies fully within the bounds of the classical tradition. This edition for Trumpet and Piano has been arranged by Martin Focke and the Solo Trumpet part which is also included on a separate insert has been edited by Joachim Pliquett.Note that the original key is in E major and that this version has been transposed down a half-tone as to make the piece performable on a B-flat trumpet.

La référence GB1497 de l'éditeur Billaudot dont l'auteur célèbre est Werner Fritz, qui a pour titre SUITE CONCERTANTE, a été écrite et composée pour Trompette et Cornet et plus particulièrement pour Trompette Et Piano. Cette partition musicale appartient à la catégorie Classique. / Trompette Et Piano / Partition

La référence GB1497 1 de l'éditeur Billaudot dont l'auteur célèbre est Werner Fritz, qui a pour titre SUITE CONCERTANTE PARTITION, a été écrite et composée pour Trompette et Cornet et plus particulièrement pour Trompette Et Piano. Cette partition musicale appartient à la catégorie Classique. / Trompette Et Piano / Partition

Pop Performance Pieces includes 10 carefully selected contemporary and classic pop songs in special arrangements for Trumpet with aPiano accompaniment suitable for Grade 2-5 students as well as teachers. With a Piano score separate Trumpet part and performance hints and tips these fun pieces will hone yourskills and develop ensemble playing.These pieces present a fun alternative to graded exam material and many are suitable for GCSE performance exams. The tunes will be familiar to most players with classicslike Simon