transcribed for Viola and Piano-Three Pieces Op. 40 by Amy Beach transcribed for Viola and Piano.

Six works for viola and piano edited by William Primrose. Includes 'Caprice' (Myronoff) 'Caprice' (Wieniawski) 'Italian Serenade' (Wolf) and 'Nocturne' (Chopin).

Par NORMAN ANDREW. Sonnets is a collection of miniatures for cello and piano. To me, these micro-pieces are sonnets not in the rigorously formalized Elizabethan or Petrarchan senses of the word. Rather, they grow from the term's older, freer roots in the Italian word sonetto, meaning 'little song' or 'little sound.' Each of my five little songs takes as its title and point of inspiration a fragment from a Shakespeare sonnet. - Andrew Norman / Niveau : Avancé / Répertoire / Alto et Piano

For Viola and Piano this is the composer's first opused work. Premiered at the Wigmore Hall in July 1959 by Cecil Aronowitz and Margaret Kitchen.Wood: In 1957 I knew I had newly discovered the music of Schoenberg and hispupils and I knew at once that they were to show me the way forward for my music; as indeed they have ever since. The revelation was primarily an emotional experience for me and however imperfectly their influence wasreceived it was obviously reflected in the all-out chromaticism (new for me then) in the many chains of twelve notes or lesser chromatic formations (which do not here amount to serial working and have only rarely done sosince) in the characteristic harmonic and rhythmic formations the wide and sometimes angular intervals of the melodies and in general the introverted romanticism. Anyway I knew then that this was the sort of music that Ihenceforth would want to write and so I called these Variations my Opus One.The declamatory Introduction leads into the Theme heard on the viola. Six Variations follow of which No.3 is the most violent and No.4 the mostsustainedly lyrical. The recitative-like sixth variation leads into the Finale a more extended movement. The Theme returning on the piano leads to a climax at which there is a citation from Beethoven’s C minor Variations forpiano. Then their characteristics sequence of chords is heard on the piano as an accompaniment to the final statement of my own theme on the viola in the closing bars of the work.

Finzi's well-loved and long-established clarinet repertoire piece idiomatically transcribed by Veronica Leigh Jacobs. Leigh Jacobs trained at London's Royal Academy of Music and has enjoyed a substantial career as both orchestral and chamber musician in the USA. An addition to the viola repertoire which will be welcomed by intermediate to advanced standard players alike.

Philipp Maintz was born in Aachen Germany in 1977. He received his first composition lessons from Michael Reudenbach. He studied composition with Robert HP Platz in Maastricht from 1997-2003 graduating with distinction followed by a further degree in composition and electronic music with Karlheinz Essl at the Bruckner Conservatory in Linz. He has received scholarships and invitations from institutions including the Electronic Studio at the University of Liège the International Summer Courses for New Music in Darmstadt IRCAM Paris and the North Rhine-Westphalia Ministry of Culture an Artist?s Scholarship from Lower Saxony for the Künstlerhof Schreyahn and otherhonours: the Supportive Prize from the Ernst von Siemens Music Foundation in 2005 a scholarship from the Wilfried Steinbrenner Foundation in 2006 and a German Government Scholarship to study at the Cité Internationale des Arts Paris in 2007 Scholarship awarded by the German Minister of Culture for a one-year stay at the German Academy Rome Villa Massimo (2010). His compositions have been performed at festivals including the International Gaudeamus Music Week Amsterdam agora-festival Paris ars nova (SWR) International Summer Courses for New Music in Darmstadt Wittener Tage für Neue Kammermusik musica (Strasbourg) Wien Modern Hear&Now London and the Salzburg Festival.

titles selected by Valérie Bime-Apparailly. Par . Following the tremendous success achieved over the past two decades by her method 'Je débute l?alto' (HA 09740 and HA 09758), Valérie Bime-Apparailly presents an anthology of easy pieces for viola and piano, the interpretation of which requires only knowledge of the first position. Completed by a CD which includes the piano accompaniment of each piece as well as its complete version, this carefully designed selection displays a joyful diversity. / Date parution : 2022-02-03/ Recueil / Violon et Piano

Par . The full range of traditional fiddle repertoire is now at your fingertips! Using these generous collections, you can create your own ceilidh, barn dance, jazz club or Sarajevo street-café. Some of this music is familiar, some more exotic, but all of it is absolutely authentic, faithfully arranged and, above all, hugely enjoyable. / Date parution : 2022-02-26/ Recueil / Alto

12 solos arrangés pour alto. Ce songbook rassemble les partitions des bandes originales de Shrek et Shrek 2 un CD audio pour vous accompagnez. / Here's a very special chance to add the wonderful / Recueil / Alto et Piano

Par COLLEDGE HUGH / COLLEDGE KATHERINE. La collection Easy String Music de Boosey