This energetic setting of a tuneful Israeli folk song “A Joyful Israeli Canon” is wonderful for teaching syncopated rhythms independent/unison singing as well as part singing intonation and rhythmic precision. Theaccessible keyboard part outlines the melodic and rhythmic changes. You may consider adding hand drum and finger cymbals to enhance the folk-like sound of this exuberant dance.

Classic Hassidic and Israeli Melodies-A wonderful stand-alone collection of 100 Hassidic and Israeli favorites arranged for voice/2-part singing.

Who Will Give Me Wings-This beautiful Israeli song is presented here in a masterful setting by Audrey Snyder unfolding in a rich and sonorous choral tapestry. Optional violin oboe or other melody instrument. Available: SATB SAB 2-Part. Performance Time: Approx. 3:00.

CME Concert Collection provides a complete repertoire for your next concert selected from the Choral Music Experience library.- Schubert/Rao: To Music (An die Musik)- Hugh: The Raggle Taggle Gypsies- Rowley: Sleep My Baby (Suo-Gan)- Collins: Chatter with the Angels- Elliott: The Boston Trot- Rao: Dodi Li (Israeli Song)

Cantata for string orchestra and chorus. Triptych represents the concatenation and re-orchestration of two extant works. Movement I was commissioned with funds from The RVW Trust for the inaugural concert of the Choir of London conducted by Jeremy Summerly in Christ Church, Spitalfields on 18th December, 2004 - the work, premièred as Threnody, was subsequently toured by the Choir to Jerusalem and the West Bank from 19th-26th December, 2004. Movements II and III, commissioned by Portsmouth Grammar School with financial support from the PRS Foundation, were premièred as And There Was a Great Calm in a contiguous version for lower strings and upper voices by the Portsmouth Grammar School Chamber Choir and the London Mozart Players in a concert at Portsmouth Anglican Cathedral on 13th November, 2005 conducted by Nicolae Moldoveanu. The title of this latter section is taken from Thomas Hardy's poem of the same name, written at the signing of the Armistice on 11th November, 1918 - a couplet from which is set, in a moment of tranquillity, in the final movement. Relatively new to living in New York, I am much more aware of the independent, vibrant cultural plurality that exists today - it's probably the single most dazzling facet of the City and is largely responsible for the infamous 'edginess' that pervades daily life there. With this in mind, I set to work on Threnody (movement I here) in 2004 - I wanted to write something that was relevant to the Israeli/Palestinian issue without losing that City 'edge'. The texts, in English, are excerpted from a variety of sources: William Penn, William Blake, the Psalms of David and Muhammad Rajab Al-Bayoumi, an Egyptian poet of the early twentieth-century. Fast and rhythmically influenced by the music of North Africa in its syncopations, this movement was the first composition that evolved entirely from my New York perspective. From the moment that the commission for And There Was a Great Calm (movements II and amp - III here) was offered, I knew the piece I was about to embark upon would end up being linked with Threnody in some way. I realized that what I had been aiming for in Threnody served as a template for this new piece, originally composed for a Remembrance Sunday concert. Musical works connected with commemoration or memorials are often suitably pensive and slow - I wanted to start with that concept, but to bring in some of the relentless urban rhythms that had been such a large influence on my life in the preceding two years. The result is that that the second movement is quiet and gentle (a moment of recollection), while the final movement is much faster and vibrant, returning to a more openly elated rendering of the start of Triptych (the texts here dealing with transmigration and the future). and nbsp - I gratefully acknowledge the assistance of Bruce Ruben and Judith Clurman, as well as that of my parents, with the collation of the texts. Tarik O'Regan New York, February 2006 / Soprano, SATB Et Orchestre De Cordes

Who Will Give Me Wings-This beautiful Israeli song is presented here in a masterful setting by Audrey Snyder unfolding in a rich and sonorous choral tapestry. Optional violin oboe or other melody instrument. Available: SATB SAB 2-Part. Performance Time: Approx. 3:00.

Come let us sing sing praise to the Lord. This Israeli folksong is perfect for teaching phrasing tone and harmony to younger ensembles. The optional clarinet and percussion parts can be played by students and the canonicharmonies are easily mastered. Duration: 2:50. Available separately: VoiceTrax CD

Sheldon Levin no stranger to arrangements of popular Jewish music brings to the choral scene an adaptation of the wildly popular Jewish pride anthem (and YouTube video) penned by Lenny Solomon of Shlock Rock fame and performedby a veritable Who's Who of Israeli music stars.

38 popular Israeli Hasidic Sephardic and liturgical selections beautifully arranged for voice and piano by outstanding Jewish arrangers. Includes full piano chords texts transliterations and translations for the songs: Jerusalem of Gold - Hatikvah - Haleluya - Light One Candle - L'chi Lach - Ocho Kandelikas - Ma'oz Tsur - Yiddishe Momme - Shalom Alechem - Tsena Tsena - Shalom Rav - and more.

Carmina Mundi. 10 original compositions for female choir. Unlike many countries in which music was passed on by word of mouth over generations, Israel possesses no such tradition. Nevertheless the various ethnic groups which have emigrated to Israel have taken their musical traditions there with them. 'Open the Gates' offers - along with two pieces from Morocco and the Yemen - arrangements of classical Israeli songs for female choir./ Répertoire / SSA

This tuneful Israeli melody is arranged as a canon with keyboard and optional flute hand drum and finger cymbals or triangle (parts included in the choral). “Shalom Chaverim” is a universal message of peace andgoodwill making it an excellent choice as a closer for a choral concert or as a benediction. The original Hebrew words and English words provided by Patrick Liebergen may be used interchangeably. This familiar folk tune hasendless possibilities.

The Definitive Collection of Jewish Songs-The Definitive Collection of Jewish Songs. 350 of the most popular songs from all of Jewish tradition. If it's a piece of Jewish music you're looking for you're sure to find it in this resource. In convenient lead sheet form it includes Hebrew texts English translations and transliterated lyrics; full musical notation with chords for keyboardists or guitarists plus a separate line for guitarists using capos; and more. It includes contemporary Jewish folk and rock popular tunes from Jewish camps Israeli Chassidic Sephardic songs and more.

The Pulitzer Prize winning Israeli-American composer Shulamit Ran composed these four settings for the Bar Mitzvah occasions of her two sons. From the story of creation to passages such as 'How fair are your tents' and 'To walkhumbly with thy God' these vibrant short works offer wisdom and inspiration. Movements include: Shiru L'Adonai Yom ha-Shishi Ma Tovu Hazneia Lechet. Duration: ca. 8:30.

How beautiful-This energetic Israeli folksong features the Isaiah text How beautiful are upon the mountains the feet of the messenger of good tidings: of salvation and peace. Available: SATB 2-Part 3-Part Mixed. Performance Time: Approx. 1:45.