Three jazz hymns. These jazz arrangements of well-known hymns were written for Andrew Earis and choirs of St Martin-in-the-Fields, London for various services and BBC broadcasts from that church. The setting of Come down, O Love divine supplies some new harmonic moves to Vaughan Williams? lovely tune Down Ampney, gradually adding vocal harmony through the verses, with a short descant section in the final verse. The compound-time arrangement of God is Love, which can also be sung to the supplied words of Charles Wesley?s hymn Love Divine, again adds more of Todd?s iconic jazz harmonies and textures in the vocal parts with each successive verse. The setting of Let all mortal flesh keep silence is structured to gradually build layers over the moody piano chords and the pedal harmony. At the end the music builds to a large climax for ?Lord most high?. The hymns can be performed using the supplied piano part or using the chord symbols above. Double bass may also be used in addition to piano, again following the supplied chord symbols, and parts for optional jazz ensemble are available. Performers of these hymns should feel free to include the congregation or audience in imaginative ways.

Following Three jazz carols and Three more jazz carols is a pair of further innovative jazz arrangements of carols originally created in 2012 for a service of Jazz Carols at St Martin in the Fields London by Will Todd. Todd’s iconic rich harmonies and toe-tapping rhythm serve to bring new expression to familiar Christmas material which is written for SATB voices and piano with scope for optional congregational singing. They can be performed using the supplied piano part or embellished using the supplied chord symbols. Double bass may also be used in addition to piano again following the supplied chord symbols and parts for optional jazz ensemble (brass quintet and jazztrio) accompaniment are available for download.