Ed. critica di Charles S. Brauner - Riduzione per canto e pianoforte-Mosè in Egitto (1818) is the fourth of the nine opere serie that Rossini composed for Naples between 1815 and 1822. As his letters to his mother show Rossini was very proud of this opera considering it an especially fine achievement that might appeal more to posterity than to the audiences of his day. In fact it proved to be one of his most frequently performed opere serie. The present reduction for voice and piano in two volumes derives from the critical edition of the score published by Fondazione Rossini Pesaro in collaboration with Casa Ricordi by Charles S. Brauner: the edition is based mainly on the autograph score now housed in theBibliothèque nationale de France in Paris. This autograph score is complete but it is not completely autograph and many sections have offered some problems for the reconstruction of the text: the recitative in Act I and the Aria Mosè in Act II are not by Rossini the first five recitatives in Act II are not in Rossini’s hand and may or may not be by Rossini also not in Rossini’s hand is the Aria Amaltea although undoubtedly by Rossini because borrowed from his earlier opera Ciro in Babilonia. The Preface and the Critical Commentary offer for the first time some valid tools to reconstruct the entire history of the opera since the first performance in Naples (1818 1819) to the Parisian ones (1822 – 1840). In particular in the appendices are included the original Aria Faraone which composed by Michele Carafa for the first two productions of the opera in Naples in 1818 and 1819 was later replaced by the Aria Faraone Rossini himself composed in 1820 and in Appendix II the new ending of the recitative following Duetto N. 3 which Rossini composed for one of the Parisian performances after 1822. 

Full Score-The premiere of La Bohème took place at the Teatro Regio in Turin on 1 February 1896. Giuseppe Giacosa and Luigi Illica based their libretto for this opera on Scènes de la vie de Bohème by Henry Murger. It took Puccini only a fewmonths to complete a score brimming with wonderful melodic invention and orchestrational genius. The music is a surprisingly supple and sensitive medium for depicting a variety of emotions that animate the young: reckless living full of stop-gapexpedients erratic feelings and sudden explosions of noble sentiment the driving ambitions of one?s art. Puccini?s musical imagery illuminates the different moments and moods of the story with a delicate yet intense lyrical quality; just as therapid decline and death of Mimì subtle yet invincible remind us of the universal reality that all things must inevitably come to an end.On the cover: ?Al Quartiere Latino? sketch by Riccardo Salvadori as a variation on the sketch by Adolf Hohenstein for the world premiere in Turin of Bohème 1896 © Archivio Storico Ricordi

Crit. Ed. Fabrizio Della Seta. Par BELLINI VINCENZO. I PURITANI is the last work of Vincenzo Bellini: composed in nine months, from April 1834 to January 1835 (a gestation unusually long for that time), was performed for the first time in Paris, Théâtre Italien, 24 January 1835. The new Critical Edition is based on the autograph, on the libretto of the first performance and on four manuscript copies produced in the context of the Théâtre Italien in the first months of life of the work, three of which contain autographinterventions (these sources are now kept at the Biblioteca Comunale in Palermo, at the Museo Civico Belliniano in Catania, at the Archivio Storico Ricordi in Milano and at the Staatsbibliothek zur Preussischer Kulturbesitz in Berlin). This edition presents for the first time all the music composed by Bellini, it restores the sections deleted before or after the first performance in Paris and returns the modified sections of the Naples version. It consists of three-score volumes -introduced by a detailed reconstruction of the historical context - and of a 'Apparati' volume with a description of the Sources and the Critical Commentary to the musical text. / Opéra-opérette / Répertoire / Opéra

Opera Musicale In Un Atto Per Soli, Piccola Orchestra E Coro Di Bambini/Ragazzi.. Par SARGENTI R.. Opera Musicale In Un Atto Per Soli, Piccola Orchestra E Coro Di Bambini/Ragazzi. / Musique contemporaine / Date parution : 1905-07-02/ Répertoire / Opéra

Opera Buffa In Un Atto. Par CHAILLY LUCIANO. Opera Buffa In Un Atto / Musique contemporaine / Date parution : 1905-06-30/ Répertoire / Opéra

Opera Per Musica E Film. Par BETTA MARCO. Opera Per Musica E Film / Musique contemporaine / Date parution : 1905-06-30/ Répertoire / Opéra

Opera In Un Atto (1980). Par CASTIGLIONI NICCOLO. Opera In Un Atto (1980) / Musique contemporaine / Date parution : 1905-06-30/ Répertoire / Opéra

Opera In Un Preludio E 10 Scene. Par BOESMANS / CASSOL. Opera In Un Preludio E 10 Scene / Musique contemporaine / Date parution : 1905-06-28/ Répertoire / Opéra

Opera Di Musica Immaginistica. Par BATTISTELLI GIORGIO. Opera Di Musica Immaginistica / Musique contemporaine / Date parution : 1905-06-28/ Répertoire / Opéra

Opera In Due Atti. Par SINOPOLI GIUSEPPE. Opera In Due Atti / Musique contemporaine / Date parution : 1905-06-30/ Répertoire / Opéra

Opera Da Camera In Un Atto - Partitura. Par FERRERO LORENZO. Italian / Musique contemporaine / Date parution : 1905-07-01/ Répertoire / Opéra