The Guest Spot Playalong series lets you step into the spotlight and play along with superb specially recorded backing tracks as if you were in the band! This edition contains ten gospel standards arranged for Clarinet. The CD also includes full performance versions of each track. / Clarinette

Guest Spot-Ten hit songs in melody line arrangements by Simon Lesley with specially recorded backing tracks. Includes hits by Avril Lavigne Shakira and Sugababes.

World traveling fingerstyle guitarist Pat Kirtley presents 17 solo guitar arrangements of traditional Irish tunes including a few original compositions in the same vein by himself Pierre Bensusan and Duck Baker. As all of thetunes in this 1997 recording were arranged in altered tunings (DADGAD EADEAE or DADEAD) each appears in both standard notation and tablature with insightful performance notes. In general these transcriptions from Pat Kirtley’s1997 album of the same title are extremely accurate; The Red-Haired Boy however played as a duet with Steve Rector on the album - appears as a solo arrangement in this book. Recommended for the intermediate to advanced player the author provides insightful performance notes for each tune.

Guitar Play-Along DVD Volume 23-The Guitar Play-Along DVD series lets you hear and see how to play songs like never before. Just watch listen and learn! Each song starts with a lesson from a professional Guitar teacher. Then the teacher performs the complete song along with professionally recorded backing tracks. You can choose to turn the Guitar off if you want to play along or leave the Guitar in the mix to hear how it should sound. You can also choose from three viewing options: fret hand with tab wide view with tab pick & fret hands close-up. Each DVD includes great songs that all guitarists will want toknow!

Revised edition and Organ accompaniment.The fair copy was completed on 31 May 1933. The first edition included a piano part for rehearsal only. OUP sought an estimate for printing offprints of all theindividual movements in 1933 though only the theme and variations 3-5 were issued separately (see below). However in 1938 230 copies of variation 1 were produced especially for the Cambridge University Music Society. [OUP file251] The work was revised in October 1955 for the performance by the Purcell Singers; [see notes to original Decca recording and BB to OUP 16.07.1957 and date on 1958 edition] the optional organ part (edited by Ralph Downes) wasadded in 1957-58 and replaced the piano part in the score. [It was probably completed in late 1958: see IH to OUP: 13.02.1958 (OUP Archive)]

Comprehensive band method-Eb Alto Clarinet. Now the best-selling band method is even better! The same great method that directors have come to trust now includes a CD AND a DVD. Features include: · BOOK: Same great Essential Elements 2000 method! · CD/CD-ROM FEATURES: Play-Along Tracks 1-58 (with a professional player for every instrument) · DVD FEATURES: Startup Video (learn the basics - 15 min.); ALL 185 Play-Along Tracks; More Duets and Trios; Music Listening Library · CD AND DVD EACH FEATURE: SmartMusic® Software (practice record and e-mail a performance plus on-screen assessment - includes Ex. 1-99 with special offer to continue); Finale® NotePad® Software; Tempo Adjustment Software (forPlay-Along Tracks)

O come let us sing HWV 253 Chandos Anthem No.8Handel’s three anthems (My song shall be alway HWV 252 O come let us sing HWV 253 O praise the Lord HWV 254) were composed in 1717 and 1718 for Cannons a country estate near to London. They take their nickname the “Chandos Anthems” from the owner of the estate the First Duke of Chandos.The three pieces are noteworthy for their festive character and their varied orchestral accompaniment. Handel borrows older material from his Italian period and his earlier works for the Chapel Royal in London – a standard procedure for this composer who reusedparticularly successful pieces as starting points for his later works. The scoring for solo voices chorus oboe strings and continuo was tailored to the musical resources of the small country estate. Two additional recorders are needed for “O come let us sing unto the Lord”.The anthems present the Urtext from the “Halle Handel Edition” and include uncomplicated and easy-to-play Piano reductions. In addition to the original English words the full scores and vocal scores also include a singing translation in German.- Full score & parts (BA4293) and vocal score (BA4293-90) available for sale

Raymond Scott was an American composer bandleader pianist sound engineer recording studio boffin and inventor of electronic musical instruments. The Raymond Scott Quintette had various hits in the late 1930s including Powerhouse. This piece which often appears in film soundtracks is comprised of a fast A-section and a slower B-section played in the form A-B-A.

One of the biggest contemporary hits on the pop charts is this engaging and distinctive song recorded by Fergie. Effectively arranged and easy to learn this is an excellent choice for lighter programming.

Learn the nuances of music notation, and create professional looking scores. This reference presents a comprehensive look at contemporary music notation. You will learn the meaning and stylistic practices for many types of notation that are currently in common use, from traditional staffs to lead sheets to guitar tablature. It discusses hundreds of notation symbols, as well as general guidelines for writing music. Berklee College of Music brings together teachers and students from all over the world, and we use notation in a great variety of ways. This book presents our perspectives on notation: what we have found to be the most commonly used practices in today's musicindustry, and what seems to be serving our community best. It includes a foreword by Matthew Nicholl, who was a long-time chair of Berklee's Contemporary Writing and Production Department. Whether you find yourself in a Nashville recording studio, Hollywood sound stage, grand concert hall, worship choir loft, or elementary school auditorium, this book will help you to create readable, professional, publication-quality notation. Beyond understanding the standard rules and definitions, you will learn to make appropriate choices for your own work, and generally how to achieve clarity and consistency in your notation so that it best serves your music. / Partitions jazz&blues / Tous instruments par tonalité / Tous instruments / BERKLEE

The GCSE Performance Pieces series provides exciting contemporary repertoire levelled specifically for GCSE performance examinations accompanied by expert commentary to help your students prepare and achieve their potential with material they really want to play. This book contains pieces for Voice.  Each book in the GCSE Performance Pieces series has been compiled by an experienced instrumental teacher/examiner and overseen by our Series Editor Andrew Coxon who is a senior GCSE examiner and an experienced classroom teacher. The songs have been carefully chosen to provide students with the bestopportunity to show off their instrument and skills with a broad range of artists and styles to choose from. This Voice book features: Material suitable for all exam boards Ten songs with a range of difficulty appropriate for around Grades 3 to 6 A CD accompaniment of professionally recorded backing tracks so that you can hear exactly how each song is meant to sound allowing you to master every song The book includes a range of songs from 1968's Son Of A Preacher Man to two of Adele's biggest hits Someone Like You and Rolling In The Deep. Every song should be immediately familiar but if not you can enjoy discovering and then singing a great new song. With other songs by Bruno Mars Pixie Lott and Ed Sheeran included this book is perfect for nailing a contemporary song that you enjoy listening to and so will enjoy singing. Every song includes a page of information about it detailing the key range and some really useful performance tips. Helpfully a  YouTube playlist has been created containing all the songs in the book along with additional suggested listening such as interesting cover versions or other

This Christmas standard is one of the most recorded holiday songs of our time. This arrangement awakens the beloved song to new possibilities dressing it in a sophisticated suit of traditional choral elements and light jazz. The creative crescendo of the original song unfolds verse by verse as the news of the Christ Child's birth goes from the shepherd boy to the people everywhere. The call and response format is maintained but refreshed by shimmering chords and creative counterpoint. A study in choral color don't miss the opportunity of sharing this wonderful Christmas classic with your audience.

Comprehensive Band Method-The enhanced version of the world's leading instrumental method book Standard Of Excellence. This is a comprehensive band method in 3 parts which combines a strong performance-centred approach with music theory musichistory ear training listening composition improvisation and interdisciplinary and multicultural studies. With full colour drawings and colour-coding of important text the series helps to motivate and inform across the fullrange of band instruments. Enhanced CD features include 2 CDs of audio accompaniment recordings for all band exercises Interactive iPAS software for Windows or Mac takes students through the entire book andprovides numeric performance scores. Tuner and Metronome included with iPAS.

Now available for treble voices! Adapted from the gospel-style interpretation of the hymn His Eye Is on the Sparrow originally performed and recorded by the Georgia Mass Choir this setting is an inspirational choice for gospel church and concert choirs.

Classical Crossover For Singers features 36 songs recorded by well-known artists including Andrea Bocelli Josh Groban Jackie Evancho Sarah Brightman Il Divo Charlotte Church Il Volo and others.