Music through the Ages in Two Volumes-Time Pieces is an exciting series of repertoire which explores the wealth of music written from the sixteenth century to the present day. The pieces are presented chronologically within each volume and all include the year in which they were written too. This series allows the pupil to get a real feel for the different styles of music through time providing performance confidence and experience at the earliest stages. The book will prove an invaluable varied source of further study and recital repertoire.

Part of the Anglo Music Play-Along Series, Philip Sparke?s 15 Intermediate Christmas Carols is aimed at the young instrumentalist who can play about an octave and a half and follows on from Sparke?s 15 Easy Christmas Carols. Specifically tailored to suit the individual instrument, this book introduces the developing player to the world?s most popular Christmas tunes by selecting simple yet attractive melodies that fit their limited range. The book will provide invaluable additional material to complement any teaching method and includes both piano accompaniment and a demo/play-along CD.

Edward Elgar's Romance for Bassoon and Orchestra arranged for Bassoon and Piano. / Basson

Grade 3-This collection of pieces was written for the Trinity Guildhall Examination Board syllabus. It is aimed principally at students of grades 1 to 5 and intended to combine technical challenges with that most vital musical ingredient: fun.Four pieces for bassoon and piano by Graham Sheen.Drunken Sailor - the sequelThis needs a plaintive tone especially in the upper register where the dynamics are particularly important. To capture the mood of the piece those slurs in bars 35 and 36 for example might even be close to a glissando. Use your imagination to recreate the sailor's state of health!The Vulgar BoatmanNot only more 'hidden' melodies but moreappalling puns! (Volga Boatman for those not versed in Russian folksongs). This is like a waltz: it is written in 3/4 time but played so as to give the impression of one beat in bar. The melodies need to be well sustained so that we hear four eight or even more bars as a single phrase. Clues for the musical detective:- in addition to the Volga Boatman you might spot just a hint of 'Sailing down the River on a Sunday Afternoon' 'We Sail the Ocean Blue' (H.M.S. Pinafore) The Eton Boat Song and even Wagner's Flying Dutchman.Last Tango in HarrisEveryone must surely know these thinly disguised Scottish tunes but can you make them sound like a tango? Bear in mind that tangos are not jazz: the rhythm is quite strict but the tango character is in the tone and the phrasing. Notice how expressive the occasional shorter note value can be as in bars 4 and 5 in the bassoon part.Rheumanian StretchesOr was that Rumanian Sketches? This is a chance to play the main melody in two registers of the bassoon. Try to make a good even sound in both octaves. This piece requires careful counting since the phrases in the bassoon part don't always begin where you might expect. Think of this piece as a song.

Basson et Piano. Par PLAYS JEAN-BERNARD / GRAS CHRISTOPHE. Grâce au compositeur Jean-Claude Soldano, les éditions du même nom ont pu voir le jour dans les années 2000 et ainsi publier des oeuvres de petits compositeurs essentiellement français. C'est le cas du recueil dénommé Tendresse (basson et piano) de Plays J.B. / Gras Christophe qui a été composé pour Basson / Niveau : 1er Cycle, 2ème Année / Répertoire / Basson

Un nombre quelconque des artistes suivants : pf - 1 en solo (FLA, a-fl).0.1.1(bar-sax) - 0.1.1.1 - str (3 vl, 2 vla, vc, db) 63 pages pour être joué, en tout ou en partie, dans n'importe quelle séquence - 84 ' types ' de composition sont impliqués. Etre effectuées, en tout ou en partie, dans toute durée, avec un nombre quelconque des interprètes ci-dessus comme solo, ensemble de chambre, orchestre symphonique, concert pour piano et orchestre, aria, etc. (voir aussi ARIA, SOLO pour voix 1,2, FONTANA MIX, WBAI). Des pièces disponibles séparément (EP 6705a-m) / Basson

One of the most widely used series of methods for individual or like-instrument class instruction. Using a very well-rounded approach including scales arpeggios technical studies studies for musicianship articulation studies solos duets and studies devoted to the special needs of each instrument this series provides a fantastic wealth of material for all student musicians.

Par HERPAY AGNES. Comprising four printed books and rich digital material, the Bassoon ABC is a modern and innovative instrumental method by Ágnes Herpay, a successful Hungarian bassoonist and teacher. The method itself comprises two volumes (Z. 20092, Z. 20093), while piano accompaniments have been published in two further volumes (Z. 20092P, Z. 20093P). Sound recordings of all pieces in the Bassoon ABC are available online at Digikotta free of charge using the individual code in the printed book. In the case of pieces with piano accompaniment and those for two or three bassoons, the voices can also be played individually, which can be very helpful in music education if no chamber-music partner or accompanist is available. The Bassoon ABC is also suitable for students learning tenoroon (in F or G) or fagonello (bassoonello) because transposed versions of the recordings and the sheet music are also available at Digikotta. (Transposed sheet music of the piano accompaniments can be downloaded at Digikotta free of charge using the individual code in the printed piano accompaniment.) / Date parution : 2022-07-20/ Méthode / Basson

A comprehensive Bassoon tutor that is designed to help children gain the greatest pleasure possible from the development of their musical potential. Blow The Bassoon! comes in two volumes for the Bassoon student with two further volumes of piano accompaniments for the teacher. 2004Grade: 0-5

from Tone and Performance Studies-Julius Weissenborn is best remembered today for the teaching material written for use at the Leipzig Conservatorium where he taught bassoon from 1882. His two famous tutor books are still the most popular bassoon etudes in use today well over 120 years after they were written. This anthology represents the first-ever publication that contains all 11 of the extant full recital pieces for bassoon and piano that Weissenborn envisioned as the third part to this tutor in a single volume. Southern Music is proud to present this fine collection of Tone and Performance Studies to players of all levels edited by veteran Principal Bassoonist for the Detroit Symphony Robert Williams.

J. B. Senaillé's Introduction And Allegro Spiritoso For Bassoon And Piano arranged by Howard Parker for Bassoon and Piano accompaniment. Originally scored for 4 solo parts for low brass instruments. Duration - 3 Minutes.

The Bassoon part for Vaughan Williams' Six Studies in English Folk Song adapted for Bassoon by Alan Hawkins. The piano accompaniment (Ref. H47) can be purchased separately.

Book/CD Pack-Book/CD Pack. This collections for Bassoon was personally selected and performed by world-famous performing artist and educator Leonard Sharrow. On the accompanying CDs the first track features the solo performance with piano accompaniment and the second track is the piano accompaniment only. Edited by Linda Rutherford. Contents: Two Sketches (Siennicki) · Chanson Triste (Tchaikovsky) · Arioso and Humoreske (Weissenborn) · Three Baroque Dances (Boismartier) · Sonata No. V (Galliard) · Romanze (Siennicki) · Menuetto (Beethoven) · Two Impromptus (Siennicki).

Twelve Solos for the Bassoon player mainly adapted from Orchestral excerpts in order to give the performer practice at playing these solos in context with proper harmonic backing (Piano accompaniment). Selected and edited by Sol Schoenbach these pieces range from J.S. Bach's Cello Suite to Leonard Bernstein's West Side Story. The bulk of this music falls under the 'intermediate' (Grade 4-6) category however the Tchaikovsky and Berstain pieces are somewhat harder.