‘Panem et Circenses’ Bread and Games were essential for keeping the citizens of ancient Rome in check. While the bread was meant for the poorest among the Romans the Games were Popular Pastime Number One for everybody.There were different kinds of games such as chariot races (especially popular with female spectators) or wild-beast fights where lions tigers bulls or bears were set on one another or even on human beings. Most popular however were the Gladiator fights. In ‘Bread and Games’ William Vean depicts one of the many fights in the antique Colosseum. 1. Entrance of the Gladiators: By powerful bugle-calls the attention of the peoplewas asked for after which the Gladiators entered the Arena at the sound of heroic marching-music.2.Swordfight: We can hear that the fights were not mere child’s play in this part.On the contrary they were a matter of life and death and were fought accordingly.3.Mercy of the Emperor: Sometimes a wounded gladiator could be fortunate depending on the mercy of the audience. Waving one’s handkerchief meant mercy a turned-down thumb meant no pardon. The Emperor had the right to take the final decision but he usually complied with the wish of the majority of the public. 4.Lap of Honour: Gladiators were mainly selected among slaves convicted criminals or prisoners of war. Consequently winning was very important as it would mean fame honour and sometimes even wealth. A lap of honour therefore was the winner’s due reward.

Par ESENVALDS ERIKS. O Salutaris Hostia is one of Eriks E?envalds? most popular pieces. Originally written for female voices, the composer later created a version for full choir on which this arrangement is based. It has a gentle meditation with the two soloists drifting across the soft band accompaniment, alternately echoing and imitating each other or joining together in thirds. The effect is quietly ecstatic, a brief moment of adoration and wonderment. This arrangement can be played with either two cornets or two euphoniums as soloists as the accompaniment works just as effectively with either. Brings contemporary choral repertoire by a leading international composer to the band world. Arrangement of Eriks E?envalds' highly successful choral piece 'O Salutaris Hostia'. Arranged by brass band specialist Phillip Littlemore. Part of EP Brass Band SeriesMeditative, beautiful piece, highly attractive for audiences, and proven success as a choral work. Suitable for intermediate band at 2nd Section and above. / Date parution : 2022-05-17/ Répertoire / Brass Band

Score-Four works from a popular series of brass & percussion pieces that celebrate the achievements of extraordinary American women. Includes Fanfare for the Uncommon Woman Nos. 1 2 and 3 and Celebration Fanfare arranged by DanielForlano. Instrumental parts available on rental. Total duration ca. 16 minutes.

The composition Kefas was written for the brass band 'Apollo' from Grou (The Netherlands) by order of the Unisono Foundation the organisation for wind music in The Netherlands.The assignment was given on account of earning the Champions Title during the Dutch Brass Band Championships in the year 2001 (4th division). The theme of the composition links the tradition of the village Grou not to celebrate Sint Nicolaas but Sint Pieter.By this typical Dutch festivity (in December) the holy Nicolaas gives presents to the children. It is a popular custom where young and old participate. Grou is the only place where this is not done by Sint Nicolaas but by Sint Pieter.Apart from that on the 22th of Februari a lot of festivities that take place resemble those of the Sinterklaas celebration. In the composition two Sint Pieter songs are processed set through bible scenes wherein in among others the visit of Christ to the house of Peter's Mother-in-law and the calling of Peter are depicted. The title refers to the pronouncement of Christ where he named Peter the rock on which he shall build his church. The Hebrew word for rock is Kephas. Kefas was premiered in 2003.

Ireland is a multi-faceted country that has developed a popular and distinctive musical culture. The first movement of Dublin Pictures reflects Irish festivals where there is dancing and traditional beer flowing.More tranquil in its feel the second movement illustrates the landscape that can be seen from the Ha’penny Bridge a bridge that crosses the River Liffey in Dublin. This movement highlights the wide range of the orchestra’s sound colours as the musicians’ voices combine with the wind and percussion to accompany the soloist. The lively and joyful rhythms of the last movement take the listener to Temple Bar the famoustourist quarter of the city well known for its vibrant nightlife.The music’s energy and virtuosic motifs are in contrast to the previous movement and provide a spirited and festive finale.Marc Jeanbourquin wrote this piece in three movements for Azimuts Brass in 2011. He then arranged it for Concert Fanfare or Brass Band.

Ireland is a multi-faceted country that has developed a popular and distinctive musical culture. The first movement of Dublin Pictures reflects Irish festivals where there is dancing and traditional beer flowing. More tranquil in its feel the second movement illustrates the landscape that can be seen from the Ha’penny Bridge a bridge that crosses the River Liffey in Dublin. This movement highlights the wide range of the orchestra’s sound colours as the musicians’ voices combine with the wind and percussion to accompany the soloist. The lively and joyful rhythms of the last movement take the listener to Temple Bar the famous tourist quarter of the city well knownfor its vibrant nightlife. The music’s energy and virtuosic motifs are in contrast to the previous movement and provide a spirited and festive finale.Marc Jeanbourquin wrote this piece in three movements for Azimuts Brass in 2011. He then arranged it for Concert Fanfare or Brass Band

A lively upbeat concert march from the pen of the ever-popular Philip Sparke. The Centurion follows the conventional British march format. It is not technically demanding yet a successful performance will need skill and commitment from every player in the band. The Centurion will make an ideal opening piece for any indoor or outdoor concert and will be a popular item with both players and audiences alike.

Autumn’s Elegy is a consortium commission in celebration of the 75th birthday of the distinguished wind band conductor Timothy Reynish. The music derives from a youthful symphony written when Hesketh was 16 the same source as his popular Masque. Full of big tunes and bitter-sweet harmonies Autumn’s Elegy is a heartfelt thank you to a conductor who has done more than most to widen the vision of the wind orchestra movement. Brass Band Grade 5: 1st Section Duration: 7 minutes. Autumn's Elegy has been recorded by the Leyland Band conducted by Jason Katsikaris and is available on the CDPenlee.

One of the most popular theme songs of all time. Love of a Princess is taken from Mel Gibson’s epic film Braveheart. Brass Band Grade 3/4: Youth and 4th Section/Advanced Youth and 3rd Section Duration: 4 minutes

Arctic Funk might just as well have been a flashing sequel to a scene from Leonard Bernstein's West Side Story. Popular music but with a difference as indicated by the title. The work's quiet section temporarily soothes down the heated passion of its two corner movements but everywhere else action is required throughout. The work was commissioned in 1991 by Troms? Brass. Situated just above the Polar Circle Troms? is one of Norway's northernmost towns. Topographically the town probably comes across as freezing cold but Troms? is famous for its 'warm' night-life. The Composer: In Arctic Funk you might get a feeling of a party that takes place betweenice-rocks and snow-capped mountains.

Out of all Disney productions ?Pinocchio? may be the most famous. The beautiful song When you wish upon a Star is not only popular from the animation film itself but also as a separate song. It has been covered by many big artists throughout the years. It is perfect for brass band. Will your nose grow whilst playing?

Solo trombone and brass band. This piece was originally written as the final 'prank' movement of a concerto for trombone and orchestra. Duration: 4 - 5 mins. Manuscript form. 'Michael Skitt was the excellent trombone soloist in 'Boneshaker' certainly the most popular item of the evening.' British Bandsman.