Ed. Otto Deri. 17 pieces appropriate for recital or contest use. Contents: Allegro Maestoso (Handel) - Allegro Spiritoso (Senaille) - Andante (Beethoven) - Andante (Gluck) - Aria (Lotti) - Bourrée I (Bach) - Country Dance - La Cinquantine (The Golden Wedding) - Larghetto (Handel) - Lento (Schumann) - Lullaby - Menuet (Mozart) - Nina (Pergolesi) - Romance - Sicilienne (Debussy) - The Swan (Saint-Saëns) - Village Song (Popper)./ Recueil / Violoncelle et Piano

For Countess Josephine of Clary-Aldringen Beethoven wrote several works for mandolin and piano four of which are still extant. These new arrangements adhere as closely to the original as possible and are written in the original key. The elegant works are shining little gems. Sonatina in C major radiates a virtuoso ease and cheerfulness while the variations of the Andante are full of humour with deep emotions in the minor variation.

Pour comtesse Joséphine de Clary-Aldringen, Beethoven a écrit plusieurs oeuvres pour mandoline et piano dont quatre existent encore. Ces nouvelles dispositions se conformer le plus fidèlement à l'original que possible et sont écrits dans la tonalité originale. Les oeuvres élégantes brillent petits bijoux. Sonatine en do majeur dégage une facilité virtuose et de gaieté, tandis que les variations de l'Andante sont pleines d'humour, d'émotions profondes dans la variation mineure. / Violoncelle Et Piano

For Violoncello And Piano-This brief utterly charming and tuneful piece was probably committed to paper in 1894 though Fauré based it on an older version for cello and organ. The subsequent tempo change to ?Andante quasi Allegretto? made the work?soriginal title of ?Andante? obsolete. The change of name to ?Romance? was also better suited to its songlike nature. After its first performance in November 1894 the piece rapidly became popular and is a well-loved encore piece atconcerts today. This ?Romance? continues the Henle Urtext series of short pieces for cello by Fauré for which we have been able to engage David Geringas to add the performance markings.

Arrangeur: Florence Eller. Par STRAUSS RICHARD. The Cello Sonata Op. 6 was composed over an apparently frequently interrupted period of three years, an extraordinarily long time for Strauss's early creative phase. The compositional process spawned two independent versions of the work, the first of which is published for the first time on the basis of the text in the Critical Edition of the Works of Richard Strauss in the current edition as a practical musical text. The genesis of the two versions and the reasons for revision can only be reconstructed in part: only one of the surviving autographs bears a date and the second version only survives in printed form. What is more, Strauss did not communicate in greater detail on this composition in correspondence with his family and friends. There are enormous differences between the two versions of the Sonata: Strauss deleted the entire second and third movements Larghetto and Allegro vivace, replacing them with a newly composed Andante and Finale. In the first movement, Allegro con brio, Strauss retained the thematic-motivic material and compositionally complex passages such as the three-voice fugue in the development section (from bar 241 in the first version and bar 275 in the second version) almost intact in the new version of the sonata, but also undertook extensive alterations, particularly in the structure of the piano part, the motivic-thematic development of the movement and its harmony which became far more ambitious.12 Particular attention should be drawn to the repetitive accompaniment of the con espressione theme beginning in bar 32 and the significantly shorter development in the first version. The current printed edition of the first version of Richard Strauss's Cello Sonata now makes it possible to follow Strauss's compositional development during this period. The significance of the differences between the versions also mean that two sonata compositions for violoncello and piano by Richard Strauss with fundamental disparities in their underlying character are now available for performance. (from the foreword by the editors)/ Répertoire / Violoncelle et Piano

Arranged from the original version for Mandolin and Piano-For Countess Josephine of Clary-Aldringen Beethoven wrote several works for mandolin and piano four of which are still extant. These new arrangements adhere as closely to the original as possible and are written in the original key. The elegant works are shining little gems. Sonatina in C major radiates a virtuoso ease and cheerfulness while the variations of the Andante are full of humour with deep emotions in the minor variation.

Première édition mondiale sous la direction d'Olivier Laville et Camille Seghers On connait la folie destructrice qui entraîna Henri Duparc à l'anéantissement d'une large partie de son oeuvre, À ce titre, cette sonate pour violoncelle et piano (1867) passée de mains en mains à travers le temps constitue un document historique rare, Compositeur romantique de génie, élève de César Franck et maître de Jean Cras, Henri Duparc nous laisse dix-sept mélodies ainsi que cette sonate lyrique en trois mouvements en guise d'Invitation au Voyage, - Introduction - Presto Appassionato: 6'52''- Largo: 2'10''- Finale - Andante furioso 6'00' Collection Musique et Patrimoine / Violoncelle Et Piano

Par LAKS SIMON. Szymon Laks 'Sonate pour violoncelle en 1936 par Maurice Maréchal, les violoncellistes de renom français de son temps, et le spécialiste de Ravel Vlado Perlemuter dans Laks 'la maison de Paris a adopté soulevé par le baptême. Cette plante élégante, virtuose et parfaitement en forme est le Néoclassicisme français et - surtout dans sa seconde (blues) et le troisième mouvement (Perpetuum mobile) - Ravel engagé. Elle montre un jeune compositeur à la hauteur de sa maîtrise, qui se trouvait sur son chemin vers le succès international, comme le déclenchement de la 2e Seconde Guerre mondiale et la collaboration du régime de Vichy et l'Allemagne nazie, sa carrière a pris fin abruptement. Laks a été déporté à Auschwitz et a survécu à l'Holocauste comme un meneur d'hommes dans la chapelle du camp d'extermination de Birkenau. Ce joyau de la littérature pour violoncelle était épuisée depuis des décennies et est finalement vu et corrigé par une réimpression de la première édition à nouveau disponible. '... Un travail unique et inoubliable à partir de 1932, les influences du jazz, intense contrepoint comme Ravel et alla montre Honneger, mais qui est vraiment différent de tout ce dans le répertoire. Après un Andante Allegro robuste et bluesy suivie par un transfert modal avec brio attractif finales, presque minimaliste dans ses ostinatos hypnotiques. ' BBC Music Magazine / Niveau : Avancé / Répertoire / Violoncelle et Piano

22 easy pieces for cello and piano from the Baroque, Classical and Romantic eras. The pieces are mainly playable in the first position and are particularly suitable from the second year of tuition. Many of the piano arrangements can also be played by pupils. / Violoncelle Et Piano

Virtuoso and Entertaining Pieces for Cello and Piano. À l'occasion de son 250e anniversaire, Schott Music a le plaisir de vous présenter Joy of Music. Des trésors découverts dans les archives historiques, réédités et présentés dans cette très belle collection. Des ?uvres en grande partie de l'époque romantique, pour des musiciens de niveau intermédiaire à confirmé à la recherche de nouveautés. / Niveau : Intermédiaire à Avancé / Recueil / Violoncelle et Piano

For use in lessons or for your first concert performances - Easy Concert Pieces for Cello contains easy pieces from the Renaissance to the modern era which have been carefully selected according to technical and musical demands. This volume is a perfect addition to cello lessons. Along with arrangements of well-known pieces like Beethoven's Ode to Joy, there are also a lot of new pieces to discover. The accompanying CD contains recordings of all pieces. / Violoncelle Et Piano

In Cinq Morceaux Pour Piano. Par CHABRIER EMMANUEL. Format: New Edition portrait / Niveau : Facile / Recueil / Violoncelle et Piano