Jubilate Deo was commissioned by the Friends of Sheffield Cathedral for Neil Taylor and the Cathedral Choirs to celebrate the opening of the Cathedral's Community Resources Centre on 6th March 2007. The semi-chorus should be formed by an ensemble of singers positioned some distance from the main choir.

First performed at the Festival of Saint Cecilia Service on 19th November 2003 in St.Paul's Cathedral.

Nico Muhly's Magnificat and Nunc dimittis was written for the choirs of Clare College and Girton College Cambridge. This work was first performed in a provisional version in 2004 by the choir of Girton College conducted by Judith Clurman. The final version was first performed by the choir of Clare College conducted by Tim Brown on 16 February 2005 as part of the BBC Radio 3 evensong broadcast. With thanks to James McVinnie for his assistance in editing the Organ part. A review in the September 2015 issue of Sunday by Sunday for the Royal School of Church Music said that this piece 'is difficult but sung by a good choir withprecision and commitment...would delight an evensong congregation.'

Words from The Roman Missal-This accessible motet is a companion piece for Lullabye for Lucy which was composed for the birth of Lucy Rendall the first child born in Rackwick Hoy for 32 years.Suscipe Quæsumus was first sung by the Mayfield Singers conducted by Neil Price on the occasion of the marriage of Lucy Rendall in St Magnus Cathedral Orkney on 18 July 2005.

English setting of Psalm 127 for SSATB a cappella. Commissioned by the Marquess and Marchioness of Salisbury to mark the 400th anniversary of Hatfield House. First performed there on 11 September 2011 by The Sixteen conducted by Harry Christophers.

Three texts from Shakespeare combine in a creative and colourful suite for a cappella mixed chorus.Includes: It Was a Lover and His Lass Oh Mistress Mine Daffodils.Performance Time: Approx. 7:25

The world première of A New Commandment a piece by the late Sir John Tavener specially commissioned for Summer Fields was in February 2014 at the Sheldonian Theatre Oxford.This work waspossibly one of his very last commissions before his sudden and untimely death in November 2013. COMPOSER’S NOTE'I have set these words from St John’s Gospel many times because I feel them to beamong the most profound and therefore key texts in the Christian faith.This setting falls into three sections with an ABA structure.A New Commandment is dedicated to my mother-in-law Mary but it is also an unspokentribute to the Spanish master Victoria who has inspired me throughout my life.'

Spring In Funen Op.42 Chorus Part-Springtime in Funen is scored for mixed chorus and soprano tenor and baritone soloists a children's chorus and a small orchestra. The moderate resource requirements coupled with the fact that the work is reasonably accessible make this work ideal for a well developed amateur chorus to perform.