Cantata for string orchestra and chorus. Triptych represents the concatenation and re-orchestration of two extant works. Movement I was commissioned with funds from The RVW Trust for the inaugural concert of the Choir of London conducted by Jeremy Summerly in Christ Church, Spitalfields on 18th December, 2004 - the work, premièred as Threnody, was subsequently toured by the Choir to Jerusalem and the West Bank from 19th-26th December, 2004. Movements II and III, commissioned by Portsmouth Grammar School with financial support from the PRS Foundation, were premièred as And There Was a Great Calm in a contiguous version for lower strings and upper voices by the Portsmouth Grammar School Chamber Choir and the London Mozart Players in a concert at Portsmouth Anglican Cathedral on 13th November, 2005 conducted by Nicolae Moldoveanu. The title of this latter section is taken from Thomas Hardy's poem of the same name, written at the signing of the Armistice on 11th November, 1918 - a couplet from which is set, in a moment of tranquillity, in the final movement. Relatively new to living in New York, I am much more aware of the independent, vibrant cultural plurality that exists today - it's probably the single most dazzling facet of the City and is largely responsible for the infamous 'edginess' that pervades daily life there. With this in mind, I set to work on Threnody (movement I here) in 2004 - I wanted to write something that was relevant to the Israeli/Palestinian issue without losing that City 'edge'. The texts, in English, are excerpted from a variety of sources: William Penn, William Blake, the Psalms of David and Muhammad Rajab Al-Bayoumi, an Egyptian poet of the early twentieth-century. Fast and rhythmically influenced by the music of North Africa in its syncopations, this movement was the first composition that evolved entirely from my New York perspective. From the moment that the commission for And There Was a Great Calm (movements II and amp - III here) was offered, I knew the piece I was about to embark upon would end up being linked with Threnody in some way. I realized that what I had been aiming for in Threnody served as a template for this new piece, originally composed for a Remembrance Sunday concert. Musical works connected with commemoration or memorials are often suitably pensive and slow - I wanted to start with that concept, but to bring in some of the relentless urban rhythms that had been such a large influence on my life in the preceding two years. The result is that that the second movement is quiet and gentle (a moment of recollection), while the final movement is much faster and vibrant, returning to a more openly elated rendering of the start of Triptych (the texts here dealing with transmigration and the future). and nbsp - I gratefully acknowledge the assistance of Bruce Ruben and Judith Clurman, as well as that of my parents, with the collation of the texts. Tarik O'Regan New York, February 2006 / Soprano, SATB Et Orchestre De Cordes

An anthem written for the Sunday after Christmas with a message to carry the spirit of Christmastide throughout the year. Hope and joy are revealed in the birth of our Savior and this anthem calls the world to come and behold thatprecious miracle. A pleasant flowing melody leads the piece onward beckoning the listener to follow the warmth of a shining star to find true light. The writers have utilized the classic “In the Bleak Midwinter” andupdated it with a relevant new text which points the church toward the coming year and the spiritual journeys lying ahead. Once again Nancy Price and Don Besig provide the singing church with beautiful and useful material.“A Time for Hope A Time for Joy” is a sure statement of faith to treasure the feeling of Christmas all year long.

Nobody Does It Better sung by Carly Simon came from the James Bond film The Spy Who Loved Me. Marvin Hamlisch and Carole Bayer Sager’s song marked the first time a bond song had not shared its title with that of the film - since the tradition started. It stood as an excellent pop song in its own right and has endured as Carly Simon’s longest-charting hit and the title of her greatest hits album.This choral version has been arranged for mixed voice SATB choir with piano accompaniment by Thomas Lydon.

Glee Volume 1 est une collection d'excitinf de trois chansons, rendu célèbre par le hit show tv _ voyage Don't stop believin, Don't rain on my parade de la fille drôle musicale du film et d'I ' ll Stand par vous par les prétendants / TV, Film, Comédie musicale / Feuillet / SATB

The Advent season wouldn't be complete without a spiritual by Don Besig and Nancy Price. This a cappella anthem for SATB choir and soloists will draw your congregation in closer with the intimacy of unaccompanied singing. Theminor color of this attractive octavo adds a touch of mystery to the preparations for Christ's arrival. Effective word painting with well-placed silences gives the thoughtful choir director ample opportunities for drama throughinterpretation. The impeccable part-writing makes “Waiting for the Light!” a sure success for your ensemble. Beautifully done.

Mozarts Reich Mir Die Hand Mein Leben-Die 'Wedding-Edition' aus der Reihe 'Power of Voice' besteht aus Chor-Titeln für den schönsten Tag im Leben eines Paares. Hier Reich mir die Hand mein Leben (Duettino aus Don Giovanni) von W.A. Mozart. Die Bearbeitung für Chor SATB mit Orgelbegleitung ist von Thorsten Kuhn. Ebenso erhältlich mit Klavierbegleitung unter der Bestellnummer PMV16158G. Beispielcover (alle Cover dieser Serie sind bis auf den Titel identisch).

Gathering the faithful together for worship and praise this joyful acclamation instills confidence in the choir. Solid four-part writing permeates the piece creating a boldness of purpose in the presentation. The contrasting lyric section is a melodic treat made for expressive legato lines. A sturdy piano support ignites the energy of the anthem and with one great crescendo it delivers its message with power and conviction.

Arch Gwyn (Arranger). Par ARCH GWYN. La série acclamée par la chorale Programme est très appréciée par les chefs de choeur pour sa largeur de répertoire et de pratiques pour l'optimisation éditions. La série a été re-conçue et offre maintenant un nouveau look élégant sur toute la gamme. Chaque volume est publié à une taille plus petite et plus maniable in-octavo (254x176mm) et coloris distinctifs aider à distinguer entre genre et accordage supérieure et inférieure. Cinq nouvelles publications maintenant étendre davantage l'immense étendue du répertoire./ Feuillet / SATB

Keith and Kristyn Getty are perhaps the two most popular contemporary hymn-writers. Their unique style transcends the popular praise idiom with a multicultural quality that brings it right into mainstream hymnody. Richard Nichols has done a remarkable job of maintaining those elements and lifting them into a setting worthy of the cathedral or concert choir.

Uses: Pentecost RevivalScripture: Acts 2; Ezekiel 37:5Refreshing unaccompanied writing characterizes this anthem for Pentecost. From the freely flowing opening to the joyful strains of the maintheme this sacred choral is bound to please. The text invites the Spirit of God to dwell within us and to work through us. Equal time for all four vocal parts gives everyone a chance to shine! Especially interesting are thespecial effects found in the body of the anthem. Duration: ca. 3:19.

These two previously-unpublished Psalm settings were written while Benjamin Britten was studying at the Royal College of Music in London but despite encouragement from Ireland Vaughan Williams and Howells werenever performed during the composer's life.Scored for chorus and orchestra the contrasting movements show many of the traits so loved in Britten's later music. After being unearthed again from archives the premiere ofTwo Psalms was given on 1 December 2012 by the Oxford Bach Choir and English Chamber Orchestra conducted by Nicholas Cleobury.Out Of The Deep and Praise Ye The Lord for SATB chorus and orchestra.Full Score.

Cantata for string orchestra and chorus.Triptych represents the concatenation and re-orchestration of two extant works. Movement I was commissioned with funds from The RVW Trust for the inaugural concert of the Choir of London conducted by Jeremy Summerly in Christ Church Spitalfields on 18th December 2004; the work premièred as Threnody was subsequently toured by the Choir to Jerusalem and the West Bank from 19th-26th December 2004. Movements II and III commissioned by Portsmouth Grammar School with financial support from the PRS Foundation were premièred as And There Was a Great Calm in a contiguous version for lower strings and upper voices by thePortsmouth Grammar School Chamber Choir and the London Mozart Players in a concert at Portsmouth Anglican Cathedral on 13th November 2005 conducted by Nicolae Moldoveanu. The title of this latter section is taken from Thomas Hardy’s poem of the same name written at the signing of the Armistice on 11th November 1918; a couplet from which is set in a moment of tranquillity in the final movement.Relatively new to living in New York I am much more aware of the independent vibrant cultural plurality that exists today; it’s probably the single most dazzling facet of the City and is largely responsible for the infamous ‘edginess’ that pervades daily life there. With this in mind I set to work on Threnody (movement I here) in 2004; I wanted to write something that was relevant to the Israeli/Palestinian issue without losing that City ‘edge’. The texts in English are excerpted from a variety of sources: William Penn William Blake the Psalms of David and Muhammad Rajab Al-Bayoumi an Egyptian poet of the early twentieth-century. Fast and rhythmically influenced by the music of North Africa in its syncopations this movement was the first composition that evolved entirely from my New York perspective.From the moment that the commission for And There Was a Great Calm (movements II & III here) was offered I knew the piece I was

Uses: General Thanksgiving Scripture: Galatians 5:22 Ephesians 1:3 Beginning with a free flowing opening replete with luxuriant harmonies this anthem awakens the dawn with the spirit of gratitude. Soon a good-natured accompaniment takes the reins and the appearance of the familiar hymn Count Your Blessings lifts spirits with a confident statement of faith and thanksgiving. Splendid part-writing makes this an easy learn. A winner!