This great rocking spiritual arranged by Brian Tate is simply fun to sing! A repeated ostinato section builds to the final ending.

Bells are associated with the holiday season as well as celebratory and inspirational tributes and events. This song will be your favorite choral imitating the ring and sound of bells. Polyphonic and homophonic sections play offeach other and add to the diverse sound. An optional section allows two choirs to sing together in both musical styles. Simplistic singing builds to majestic singing then fades away like bells in a steeple chiming in fallingsnow. Now two-part ensembles can enjoy this memorable choral with an optional piano accompaniment. What cannot be sung by the two voices is now provided by the piano accompaniment. However if used as an a cappella piece theflavor and excitement are still there for the singers and audience. A wonderful addition for your treble library! Available separately: SATB unaccompanied; SSAA unaccompanied SSAB unaccompanied; 2-part accompanied.

Aunu Aunu Balti Kajas-The second selection from a set of Five Latvian Folk Songs this song tells of a young woman picking the whitest of garden roses for a wreath. Its rhythmic 2/4 is playful with off-the-beat accents strewn in and the melody line weaving through the four-part women's arrangement. Featured in the 2001 National ACDA concert this makes a fine festival or competition selection. Moderately difficult. Available: SSAA a cappella.

The simple tune arranged here for SSAA voices is a traditional Lithuanian song that the composer learned as a child. The blending of traditional tonal harmony and imitative polyphony with contemporary techniques creates a cacophony of sound that is thrilling to audience and singers alike. From the Songs of the World Series

Voices Rising-From the film Slumdog Millionaire here is a wonderful fusion of Indian rhythms and scales with American pop styles and instrumentation. Excellent program notes offer guidance for the style there is an easy to understand pronunciation guide to help with the Hindi language and a separate percussion score.

Medley-Here is a tapestry of carols that you will perform again and again! Opening brightly with a mixed meter choral fanfare it then moves into a smooth and unhurried verse and chorus of “Angels We Have Heard on High ”followed by “Lo How a Rose E'er Blooming” and culminating with a joyful “Hark! The Herald Angels Sing.” It can be performed with piano or a cappella making it especially useful for community performances.Available separately: SATB SSAA. Duration: ca. 3:20.

Sarah Quartel's Snow Angel for SSAA solo Cello Djembe and Piano. Already a firm favourite with choirs across the world Snow Angel is an evocative five-movement choral work that explores themes of love rebirth and beauty through the eyes of children and the heavenly army of angels that watch over them yearning to make a difference to their lives. The work may be performed with narration in which three angels present their perspectives on their earthly charges. Sarah Quartel weaves a haunting and poignant Cello line throughout the work and a vibrant part for Djembe in movement four 'Sweet child' carriesthe listener from the ethereal and mystical realm the work predominantly inhabits into an emphatic anthem with a distinctly African feel. The musical language is emotive and pictorial allowing performers to play an active role in the storytelling. Snow Angel is also available in a version for SATB.

Par TORMIS VELJO. Langue: Estonian, English, Format: DIN A4/ Répertoire / Choeur de Femmes (SSAA)

Par TORMIS VELJO. Langue: Estonian, English, Format: DIN A4/ Répertoire / Choeur de Femmes (SSAA)

What a stunning arrangement for the holidays! Happy holiday bells! Fred Waring and His Pennsylvanians first performed this showstopper. Now you can sing and enjoy hearing this new arrangement for SATB voices and four-hand piano accompaniment including optional handbells and orchestra performed by the Mormon Tabernacle Choir! It will light up your holiday concert and certainly bring the house to its feet!

Commissioned by the Alliance for Arts and Understanding for the 2004 Alliance World Festival with uplifting text by Minnie Louise Haskins - Give me a light that I may tread safely into the unknown - and complemented by a simple Latin chorus this work offers a powerful showcase for female voices. In English and Latin.

The ?Gloria? RV 589 is one of Vivaldi?s most popular compositions today and one of the most regularly performed sacred vocal works from the Baroque era. The work was in all probability composed around 1716 during Vivaldi?s time at the Ospedale della Piet an orphanage for girls in Venice.Although Vivaldi?s ?Gloria? (BA 8953) was written for solo voices and mixed choir it is likely that it was performed at the girls? orphanage with female voices only. Taking this into account Malcolm Bruno?s careful arrangement for choir SSAA is of some relevance. The work when set for female voices or children?s choir remains a true masterpiece.The?Kyrie? RV 587 (BA 8954)for two choirs and two string ensembles as arranged here for female choir displays its own charm. It can be performed together with the Gloria as a type of short mass.Both arrangements are based on the recently published Urtext editions of these works. The piano reductions by editor Malcolm Bruno are easy to play and preserve the character of the works.- Effective arrangements for female choir- Forewords in English and German- Straightforward idiomatic piano reductions- Kyrie and Gloria can be combined for performanceThe orchestral parts for the original SATB version can be used for the performance of these arrangements.

Joni Jensen Choral Series-As the inscription on the statue that greets you as you enter Texas Woman's University this message is powerful and empowering. The primary octavo is for SSAA choir piano and percussion but there is an alternate full score and parts for string quartet and percussion. Singing of making a path in a pathless wilderness and pressing forward with unswerving courage this song addresses the strength of women and their ability to conquer adversity in ways that only they can.

'Close Harmony' offers unaccompanied arrangements of a variety of well-loved songs from the 1920's to the 1970's. Performances should work equally well with choirs or just four voices. Arranged by Nicholas Hare for SSAA. Helpful performance notes are included for each of the songs and the arrangements are notated on two staves for easy piano rehearsal.

A series of outstanding songs taken from the bestselling Close Harmony Ladies' Barbershop Songbook selected for their appropriateness for female singers arranged for close-harmony quartets or women's choirs.Nicholas Hare's beautifully crafted arrangements for SSAA are suitable for anything from four to four hundred singers. He has added helpful performance notes for each of the songs and the arrangements are notated on two stave for easy piano rehearsal.