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Heinrich Schütz
CHORAL - VOCAL - CHOIR
Choral
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Choral SATB (148)
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Choral (35)
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8 Parties et Basse Continue (2)
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3 Choeurs Mixtes à 4 Voix et … (2)
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1-3 Ch, Basso continuo (2)
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Heinrich Schütz: Deutsches Magnificat 1671: Double Choir: Vocal Score
Choral
[Sheet music]
Barenreiter
German Magnificat - Meine Seele erhebt den Herren SWV 494from 'Schwanengesang' (...
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German Magnificat - Meine Seele erhebt den Herren SWV 494from 'Schwanengesang' (1671)Heinrich Schütz (1858-1672) was a German composer and organist who studied in Venice with Giovanni Gabrieli. Gabrieli's influence can be heard in many of Schütz's compositions. Towards the end of his life in 1671 he wrote a large volume 'Schwanengesang' including this setting in German of the Magnifcat (My Soul Doth Magnify the Lord) for double SATB chorus.
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Heinrich Schütz: Sacred Choral Music SWV 369-380: Mixed Choir: Vocal Score
Choral
Barenreiter
The five-part motets Nos. 1-12-The Five-Part Motets Nos. 1-12 (SWV 369-380)Ref...
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The five-part motets Nos. 1-12-The Five-Part Motets Nos. 1-12 (SWV 369-380)Reflects the latest in musicological research based on the New Schutz Edition.Includes a detailed foreword (Eng/Ger) on performance practice by a Schutz expertInstrumental parts (Strings Winds) available in transpositions.In 1648 Heinrich Schutz published a collection of 29 motets with five to seven parts titled ?Geistliche Chor-Music? (Sacred Choir Music). Here the term ?Chor? (Choir) refers not only to a (large) Vocal ensemble but more generally to a group of musicians vocal or instrumental. As explained by Schutz in the foreword he published withthe collection all parts of the motets can be performed vocally and/or instrumentally.This practice common in Schutz?s time has been incorporated into Bärenreiter?s new publication. The edition includes the twelve five-part motets at original pitch with Basso Continuo. In addition instrumental parts for String and Wind instruments can be purchased. These parts which include the text serve to support and complement the choral sound ?colla parte?. To enable varying tone-colour possibilities instrumental parts are available in different transpositions.Of great significance is the detailed foreword on performance practice by Manfred Cordes.Manfred Cordes is a specialist for the music of the 16th and early 17th centuries. He works as professor for music theory counterpoint and ensemble and is also rector of the ?Hochschule für Künste Bremen?. He performs internationally as the director of the ensemble ?Weser-Renaissance Bremen?.
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Sacred Choral Music SWV 381-397: Mixed Choir: Score
Choral
Barenreiter
The Six and Seven-part Motets (nos. 13-29)-The Heinrich Schütz: Sacred Choral M...
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The Six and Seven-part Motets (nos. 13-29)-The Heinrich Schütz: Sacred Choral Music collection can be performed vocally and/or instrumentally. These motets offer smaller choirs and ensembles new possibilities to perform these works based on historically-informed performance practice.The Basso Continuo realisation follows the composer?s intention of using the score merely as a basis for performance but with its relatively simple realisation it allows performers to create their own version.Heinrich Schütz was a German composer and organist widely regarded as the most important German composer before Bach and one of the most important composers of the17th century. Schütz is said to have written what is considered to be the first German Opera in 1627 titled Dafne (Opitz- Shütz).
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Mit Lust Tät Ich Ausreiten (POOS HEINRICH / BIALAS GUNTER / BRAHMS JOHANNES /)
Choral
Schott
Par POOS HEINRICH / BIALAS GUNTER / BRAHMS JOHANNES / . Vier Volksliedsätze/ Fe...
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Par POOS HEINRICH / BIALAS GUNTER / BRAHMS JOHANNES / . Vier Volksliedsätze/ Feuillet / Choeur
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Sinfonia Sacra (Choristes)
Français
Choral
Delatour France
Comme son titre le sugge?re, cette oeuvre (compose?e en 01/01/12) a pour but d'e...
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Comme son titre le sugge?re, cette oeuvre (compose?e en 01/01/12) a pour but d'e?tre un reflet musical, une amplification, de la parole biblique, La musique ici est ne?e presque naturellement des sonorite?s des textes choisis, chante?s en allemand (dans la traduction de Luther), Quoique le langage musical soit fort diffe?rent, l'esprit qui est a? l'origine de l'oeuvre est tout a? fait le me?me que celui qui animait de?ja? un Heinrich Schu?tz (le titre Sinfonia Sacra est directement un hommage aux Symphoniae Sacrae de ce dernier), Les choeurs portent l'oeuvre de bout en bout, L'orgue et les percussions (timbales, grosse caisse, cymbales, gong, tamtam) cre?ent un contexte sonore mouvant et colore?, extatique ou myste?rieux, grandiose ou de?pouille?,Le premier mouvement met en musique le Psaume 121 : son de?roulement e?voque le profil d'une montagne,Le deuxie?me est ba?ti sur un extrait de la Ie?re Epitre de Pierre qui met en opposition de manie?re saisissante la vanite? de la vie humaine et la transcendante e?ternite? de Dieu,Le dernier mouvement est ba?ti sur le Psaume 150 : la louange y prend des tons tour a? tour jubilatoires, incantatoires, et finalement infiniment recueillis, ExécutantsChoeur mixte SATB (au moins 40 voix)Grand orguePercussions (3 exécutants) Conducteur : DLT220Matériel : DLT2220ECahier des choristes : DLT2221 / Choeur Mixte
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So Fahr Ich Hin Zu Jesu Christ, Swv 379 Swv 379 (SCHUTZ HEINRICH)
Choral
[Sheet music]
Doblinger
Ssatb. Par SCHUTZ HEINRICH. 8. Folge: Tod und Vergänglichkeit/ Répertoire / Ch...
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Ssatb. Par SCHUTZ HEINRICH. 8. Folge: Tod und Vergänglichkeit/ Répertoire / Choeur
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Freut Euch Des Herrn (SCHUTZ HEINRICH)
Choral
[Sheet music]
Doblinger
Satb. Par SCHUTZ HEINRICH. 9. Folge: Psalmlieder/ Répertoire / Choeur
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Also Hat Gott Die Welt Geliebt, Swv 380 Swv 380 (SCHUTZ HEINRICH)
Choral
[Sheet music]
Doblinger
Geistliche Chormusik Nr. 12. Par SCHUTZ HEINRICH. 4. Folge: Christus, der Herr/ ...
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Geistliche Chormusik Nr. 12. Par SCHUTZ HEINRICH. 4. Folge: Christus, der Herr/ Répertoire / Choeur
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Macht Auf Die Tor (SCHUTZ HEINRICH)
Choral
[Sheet music]
Doblinger
Par SCHUTZ HEINRICH. SATB/ Répertoire / Choeur
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Ich Ruf Zu Dir (SCHUTZ HEINRICH)
Choral
[Sheet music]
Doblinger
Ich Ruf Zu Dir, Mein Herr Und Gott. Par SCHUTZ HEINRICH. 9. Folge: Psalmlieder/ ...
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Ich Ruf Zu Dir, Mein Herr Und Gott. Par SCHUTZ HEINRICH. 9. Folge: Psalmlieder/ Répertoire / Choeur
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Danket Dem Herren (SCHUTZ HEINRICH)
Choral
[Sheet music]
Doblinger
Danket Dem Herren, Denn Er Ist Sehr Freundlich. Par SCHUTZ HEINRICH. 6. Folge: L...
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Danket Dem Herren, Denn Er Ist Sehr Freundlich. Par SCHUTZ HEINRICH. 6. Folge: Lob und Dank/ Répertoire / Choeur
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Kleine Geistliche Konzerte. Heft 8
Choral
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Geistliche Chormusik I (1648)
Choral
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Ich Heb Mein Augen Sehnlich Auf, Swv 226 Swv 226
Choral
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Herr Ist König Überall, Der, Swv 195 Swv 195
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Selig Sind Die Toten, Swv 391 Swv 391
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2 Motetten
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Des Heil'Gen Geistes Gnade Groß
Choral
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Aus Tiefer Not, Swv 235 Swv 235
Choral
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Ich Bin Die Auferstehung Und Das Leben - Herr, Nun Lässest Du Deinen Diener In Frieden Fahren
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Danket Dem Herren
Choral
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In Dich Hab Ich Gehoffet
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Dank Sagen Wir Alle, Swv 425 Swv 425
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Himmel, Herr, Preisen Sehr, Die, Swv 115 Swv 115
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Danket Dem Herrn
Choral
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Herr Ist König Und Regiert, Der, Swv 197 Swv 197
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Wohl Denen, Die Da Wandeln
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Musica Corale Di 1000 Anni
Choral
EMB (Editio Musica Budapest)
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Schutz Heinrich - Selig Sind Die Toten, Swv 391 - Choeur Mixte, Basse Continue
Choral
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Motette Nr.23 aus 'Geistliche Chormusik 1648' Edition : Singing Score; Urtext E...
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Motette Nr.23 aus 'Geistliche Chormusik 1648' Edition : Singing Score; Urtext Edition Editor : Kamlah, Wilhelm Binding : stapled Instrumentation : Mixed Choir-SSATTB, Basso continuo ad lib.
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