Classic répond aux Jazz ', c'est un thème bienvenu pour les nombreuses chorales, surtout si le choeur veut répéter un répertoire varié qui représente de nombreux styles. Dans ces arrangements basés sur les oeuvres de Bach (Menuet), de Brahms (Wiegenlied), de Schumann (Träumerei) et de Susato / Choeur Mixte

C,M, 14/18 est une commande de l'ensemble vocal 20/21 dirigé par Cyrille Colombier pour être une des créations du projet VoCE (Voix et Chemins d'Europe), Ce projet est un ensemble de créations artistiques et d'échanges humains européens faisant pendant aux commémorations de la Grande Guerre,La pièce est la superposition de deux mondes sonores :D'un côté, le chant du départ, chant guerrier et triomphal, composé à la Révolution Française et repris à la guerre de 14/18, Il est réharmonisé et étiré, comme un souvenir lancinant, toujours présent, mais qui aurait perdu de sa vigueur originelle, De l'autre, des paroles de poilus dont la prosodie se calque sur la langue parlée, évocation d'un quotidien de misère, de peur et de non-sens,Les mots des deux textes s'influencent les uns les autres troublant leur sens dans un contrepoint amer et les deux mondes musicaux s'altèrent l'un l'autre, mais ne se rencontrent vraiment que dans la décomposition de la sonnerie aux morts finale, / Choeur Mixte

Following the publication of Francis Jackson's organ reduction of Finzi's Requiem da Camera in 2014, Robert Gower, chairman of the Finzi Trust, recitalist and organist of Nottingham Cathedral, has created reductions of the full orchestra accompaniments to two more of Finzi's choral works. These reductions broaden the reach of these works to choirs which do not wish to present the works with orchestra, as with other standards from the sacred repertoire such the Requiems of Fauré and Duruflé. The reductions sympathetically recreate the orchestra scoring for a three-manual organ. Ingeniously, the manual couplings (II to III, II and III to I) are unaltered throughout, with pedal coupled to manuals as appropriate. Detailed registrations are not indicated as these are best left to the performer, taking into account the unique circumstances of the particular instrument, size of choir and acoustic setting at each performance. The scores are user-friendly, in landscape format and with at least one principal vocal line cued throughout, and a cappella choral passages are reproduced in full. The reductions are fully compatible with the published piano vocal scores of the respective works which the singers will use. For St Cecilia, Ceremonial Ode for tenor solo, chorus and orchestra - words by Edmund Blunden. The original work was commissioned by the St Cecilia's Day Festival Committee for the 1947 celebration of music's patron saint. The ceremonial mood is established with fanfares, and the sonorous sweep of the choral writing reflects Finzi's admiration for Parry and Elgar. The 'catalogue' of saints, shared between the soloist and chorus, are deftly delineated: St Valentine, St George, St Dunstan, St Swithin and St Cecilia herself. In rapt stillness, the English composers of the past - Merbecke, Byrd, Dowland and Purcell - are summoned. To close, Finzi creates a festal summation with exultant counterpoint and the saint's name pealing around the chorus. / Choeur Mixte (SATB) Et Orchestre

An original and exciting collection of anthems and other choral pieces written for the Orthodox Church and inspired by the Church in Russia selected by Ralph Allwood. Partly because of the re-emergence of the Church in the former Soviet Union interest in Christian musical sources alternative to the great body of the Anglican and other Western Christian traditions has grown sharply in recent years. Though the works presented here may be unfamiliar they are all masterly. Designed to appeal to choirs of various levels the collection includes a Kontakion and Ikos for the funeral service anthems by Great Russian Romantics: Tchaikovsky Rachmaninov Grechaninov; andcomposers from our age: Stravinsky Schnittke or Arvo Part speaking for a tradition outside the Orthodox Church as well as settings of the Lord's Prayer in both Russian and English by John Tavener.

Handel's 1743 sacred choral work for SATB soli SATB chorus and orchestra. This version is edited by Walter Emery and contains a piano reduction of the orchestra accompaniment.

Ned Rorem a été décrit comme 'meilleur compositeur du monde des chansons de l'art', et ces deux oeuvres contrastées et convaincante pour choeur affirmer cette description. 'Dirge' exprimer la douleur poignante inquiétude d'amour, tandis que 'Live with Me', crée une ambiance quelque peu espiègle. Dans 12 / 8, le chant de danse au-dessus des arpèges qui coule croche dans le piano. Durée: environ 3h30. / Choeur Mixte (SATB) A Cappella / Partition

Advent Calendar by the Master of the Queen's Music Peter Maxwell Davies sets the text of the former Archbishop of Canterbury Rowan Williams .  The work for SATB and Organ was commissioned by The Choirbook Trust for inclusion in the Choirbook for the Queen published to celebrate the Diamond Jubilee of Her Majesty the Queen in 2012.

The seventh of Handel's eleven Chandos Anthems written in 1717 in the year of his attachment as resident composer to James Brydges Earl of Carnarvon and later Duke of Chandos. An interesting work which draws on Handel's earlier works.Written for SATB soli SATB chorus and orchestra this version contains all vocal parts and a piano reduction of the orchestral score. Edited by Damien Cranmer.

Du Bist Ein Schatten Am Tage-Die 'Silent Moments' aus der Reihe 'Power of Voice' besteht aus Chor-Titeln für besinnliche Stunden. Hier der Text 'Du bist ein Schatten am Tage' von Friedrich Rückert in einem Chor-Arrangement. Die Musik für Chor SATB mit Klavierbegleitung ist von Thorsten Kuhn. Ebenso erhältlich mit Orgelbegleitung unter der Bestellnummer PMV16163O.

29/1. Par STRAUSS RICHARD. / Date parution : 2023-03-21/ Répertoire / Choeur Mixte (SATB) a Cappella

Par GRIEG EDVARD. Em Pianoehlungen: Chormusik der Romantik - Literaturem Pianoehlung, Kammerchor - Em Pianoehlungen von Frieder Bernius - Gattungen: Psalmen, deutsch - Reihen bei Carus: Chormusik aus Skandinavien - Verwendung / Anlässe: Trauer, Tod - Verwendung / Kirchenjahr: Himmelfahrt - / Psaumes / Répertoire / Choeur Mixte