Voces8-Beethoven's folks songs are given the VOCES8 treatment in these fantastic new arrangements made in the Beethoven 250th birthday year.The internationally-renowned British vocal ensemble VOCES8 is proud to inspire people through music and share the joy of singing. The celebration of diverse musical expression is central to the ensemble's ethos and this is shown in their versatile concert programmes and innovative educational work.The VOCES8 singles series includes songs for which the group is particularly well known in choral arrangements produced specifically for VOCES8.

Voces8-VOCES8 present a dreamlike choral fantasia based on the first movement of Beethoven's famous Moonlight piano sonata. Particularly suitable for mixed ability choirs this piece has been used by VOCES8 in many of their school workshops.The internationally-renowned British vocal ensemble VOCES8 is proud to inspire people through music and share the joy of singing. The celebration of diverse musical expression is central to the ensemble's ethos and this is shown in their versatile concert programmes and innovative educational work.The VOCES8 singles series includes songs for which the group is particularly well known in choral arrangements produced specifically forVOCES8.

The final section of Beethoven's Choral Fantasia with English words by Robert Elkin. For SSATB with piano accompaniment.

with Joyful Joyful We Adore Thee-This exciting and upbeat a cappella version of the traditional spiritual Mary Had A Baby has been combined with Beethoven's ever-popular tune from the Ninth Symphony Joyful Joyful We Adore Thee. New seasonal lyrics for the Beethoven will be perfect for any winter concert! SATB version.

Editions Peter's presents a wonderful vocal score for Beethoven's Mass In C Op.86  arranged for SATB and Piano accompaniment.

'Die Lebensbahn'-Die 'Silent Moments' aus der Reihe 'Power of Voice' besteht aus Chor-Titeln für besinnliche Stunden. Hier Die Lebensbahn aus der 'Sonate Pathétique' op. 13 von Ludwig van Beethoven. Die Bearbeitung für Chor SATB mit Orgelbegleitung ist von Thorsten Kuhn. Beispielcover (alle Cover dieser Serie sind bis auf den Titel identisch).

Ode to Joy - Final Movement of Symphony No.9 in d Op.125-The Symphony No. 9 in D minor Op. 125 is the final complete symphony composed from 1822 to 1824 by the German composer Ludwig van Beethoven. It was first performed in Vienna on 7 May 1824. For SATB and Piano.

c-Moll-Cherubini's Requiem in C minor for SATB and Orchestra.Cherubini’s Requiem in C minor for mixed choir (without vocal soloists) and orchestra which is presented here in a critical new edition is among the most significant contributions to this genre in the 19th century. It was composed in Paris in 1816 and within a short time it became well known. Musicians such as Beethoven Schumann and Brahms held it in high esteem because of the work’s superior compositional construction orchestration mastery of form and the balance in proportion between text and music.

Missa Pro Defunctis-Cherubini owes his fame as a church composer primarily to the Requiem in C minor of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings.Dispensing entirely with solo voices it captivates with its rigorous formal concentration and its restrained use of musical resources in both Choir and Orchestra.This Urtext edition takes into account not only the autograph score with spartitino (additional instruments written in by hand) but also the first edition and a copyist’s manuscript. Rounding off this exemplary Urtext publication is an informativeIntroduction and a Critical Commentary (Eng).

Une parodie intelligente des travaux les plus célèbres d'Offenbach, cette hilarante parodie, de la perruque nominé aux Grammy Awards de Beethoven: Symphonies Sing Along, est une bombe à chanter. 'Oui, oui, oui, nous le pouvons Can-Can!' / Choeur Mixte (SATB)

Cherubini owes his fame as a church composer primarily to the “Requiem in C minor” of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings. Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both choir and orchestra. This Urtext edition takes into account not only the autograph score with “spartitino” (additional instruments written in by hand) but also the first edition and a copyist’s manuscript. Rounding off this exemplary Urtext publication is an informative Introduction and a Critical Commentary (Eng). • Cherubini’s well-known Requiem in a definitive Urtext edition • Bilingual Foreword (Eng/Ger) • Idiomatic, uncluttered piano reduction Edition no.: BA 8961-90 ISMN: 9790006559244 Editor: Schellevis, Hans Language(s) of work: Latin Language(s) of text: English, German Product format: Piano reduction, Urtext edition Binding: Stapled Pages / Format: X, 70 S. - 27,0 x 19,0 cm

Vocal score for the cantata for SATB chorus with Piano realisation of the orchestral parts. Based on verses by and dedicated to Goethe.