Sange For Pigekor 2 - A collection of the best songs from the Danish National Girls Choir's repertoire edited by Phillip Faber and Jakob Faurholt. This volume contains old and new Danish songs ranging from Carl Nielsen to Agnes Obel and Marie Key.

Bells are associated with the holiday season as well as celebratory and inspirational tributes and events. This song will be your favorite choral imitating the ring and sound of bells. Polyphonic and homophonic sections play offeach other and add to the diverse sound. An optional section allows two choirs to sing together in both musical styles. Simplistic singing builds to majestic singing then fades away like bells in a steeple chiming in fallingsnow. Now two-part ensembles can enjoy this memorable choral with an optional piano accompaniment. What cannot be sung by the two voices is now provided by the piano accompaniment. However if used as an a cappella piece theflavor and excitement are still there for the singers and audience. A wonderful addition for your treble library! Available separately: SATB unaccompanied; SSAA unaccompanied SSAB unaccompanied; 2-part accompanied.

Now available in a treble voicing this energetic spiritual features a soloist with choral backup bright percussive rhythms a bluesy vocal bass line and the visual appeal of body percussion making this a first-rate showcase formixed or treble choirs! Available separately: SATB SSAA. Duration: ca. 2:30.

A delightful traditional English nonsense song from the King'singers Edition series. Available: SSAA 2-Part ShowTrax Cassette. Performance Time: Approx. 2:25.

Uses: General All Saints Day ConcertScripture: Revelation 21:2; Ezra 1:1-4Beginning with the languid strains of a stunning low voice solo and incorporating the traditional spiritual “CityCalled Heaven ” this compelling anthem is a mixture of styles. The stately opening surrenders to a jazzy theme that is contagious in its “vibe” using the words almost as a rhythm instrument. The solo returns withchoral backup and the anthem ends with soulful exclamations celebrating the hope of heaven. Now available in three voicing options! Available separately: SATB TTBB SSAA Rhythm Pack (Guitar Bass Drums) StudioTrax CD(Accompaniment Split-Trax Performance) Orchestration (Score & parts for Flute 1&2 Clarinet 1&2 Bassoon Horn 1&2 Trumpets 1-3 Trombone 1&2 Bass Trombone/Tuba Drum Set Piano Violin 1&2 Violin Cello Double Bass).Duration: ca. 3:14.

from Requiem-This hauntingly beautiful work from Andrew Lloyd Webber's acclaimed Requiem is now available in a simply stunning a cappella edition. Available separately: SATB divisi SSAA divisi TTBB divisi. Duration: ca. 2:35.

The intertwining of women’s voices in Gustav Holst’s Tears Idle Tears will lend an elevated atmosphere to any performance giving this secular piece an almost sacred character. It was written for a cappella female chorus (SSAA) in 1905 as the 3rd movement of the 5-movement suite ‘Songs From The Princess’ which was based on 5 thematic short poem’s from the British poet Tennyson’s long narrative poem ‘The Princess’ (1847). Performance time is approximately 2 minutes.As an experienced instrumentalist and orchestra member English composer arranger and teacher Gustav Holst understood music from the standpoint of his players and madesure that however challenging their parts were always practicable a compositional characteristic still well received and appreciated by performers and audiences today.

This powerful setting of the African-American spiritual will be a dramatic expression for women's ensembles. Keep your hand on that plow - hold on! Performance Time: Approx. 2:30.Available separately: SATB and SSAA/SSAA a cappella.

Franz Schubert was an Austrian composer who was extremely prolific during his lifetime despite dying at 31 his output consists of over six hundred secular Vocal works (mainly Lieder) seven complete symphonies sacred music operas incidental music and a large body of chamber and Piano music. Schubert is ranked among the greatest composers of the late Classical era and early Romantic era and is one of the most frequently performed composers of the early nineteenth century.Schubert composed his ‘Mass No. 2 in G major’ in less than a week (March 2 to 7 1815). Kyrie the second of the 6 movements is arranged here byWilliam Hermann for SSAA choir and Piano accompaniment. Performance time of this piece is approximately 3:10.

Fred Bock's setting of this famous Samuel Wesley tune was a classic from the start. It has been newly released as part of Fred's “Classics” series. A tasty keyboard accompaniment as only Fred could write supports awarm and rich choral part. Useful as an anthem offertory or service piece it is easy to medium in learning difficulty. Also available in SAB 2-Part and SSA.

Aunu Aunu Balti Kajas-The second selection from a set of Five Latvian Folk Songs this song tells of a young woman picking the whitest of garden roses for a wreath. Its rhythmic 2/4 is playful with off-the-beat accents strewn in and the melody line weaving through the four-part women's arrangement. Featured in the 2001 National ACDA concert this makes a fine festival or competition selection. Moderately difficult. Available: SSAA a cappella.

This contemporary a cappella setting of the Latin text from Lamentations 1:12 is meditative and profoundly moving in its simplicity. Ideal for concert or contest programming. Available: SSAA a cappella. Performance Time: Approx. 2:30.

A set of four movements to Haiku by Matsuo Basho (1644-1694) these settings for SSAA divisi choir are full of imagery and color. 1. Skylark 2. Cuckoo 3. Butterfly 4. Dawn Flowers

Here is a touching standard from The Music Man in a beautiful a cappella setting by Kirby Shaw. The jazz harmonies will enchant your singers and your audience. Available for SATB and SSAA a cappella. Performance Time: Approx. 2:25.

The iconic spiritual arrangement by Moses Hogan has been masterfully adapted for treble voices by Rollo Dilworth. From the powerful opening chords to the exhilarating call and response sections this is a work that will bring downthe house! Available: SSAA a cappella. Duration: ca. 2:45.