Barenreiter Urtext Edition of Brahms' Sonatas In F Minor And E-Flat Op.120 for Clarinet and Piano.Features:A pioneering Urtext edition with an extensive Performance Practice CommentaryFor further information on Romantic performance practice we recommend the text booklet: ?Performance Practices in Johannes Brahms? Chamber Music? BA 9600Brahms had already announced his 'retirement' from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter renewed Brahms' enthusiasm for Mühlfeld?s muchadmired playing and inspired him to write two new Clarinet sonatas in the summer of the same year. Brahms and Mühlfeld premiered the works and played them in several performances until the Sonatas Op.120 were first published in June 1895. These two works remain pivotal in the Clarinet?s recital repertoire establishing the Clarinet sonata as a distinct and viable chamber music genre.This edition features an extensive preface that informs about the sonatas? origins their compositional process pre-publication performances and their publication history as well as their early reception. Another truly remarkable aspect of this publication is the unique Performance Practice Commentary. Here the editors start from the premise that only a few decades after Brahms' death a widening gulf was already developing between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners treatises and essays early instructive editions and historical recordings the editors deal with key issues in understanding Brahms' notation. The editors provide an indispensable assistance for a historically informed interpretation of the work through a section-by-section analysis of rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation Clarinet vibrato and portamento. At the same time the edition offers an exciting and often surprising

Here is a very beautiful Adagio written in 1821 by Heinrich Baermann, the celebrated dedicatee of works for clarinet written by Weber. For a long while considered to be a youthful work by Richard Wagner, it was only in 1964 that it was realised that this unsigned manuscript, discovered in 1922, was in fact the Adagio from the Quintet for Clarinet and Strings No. 3 Opus 23 which had become detached from the original score. - Renaud ESCRIVA Instruments: Clarinette Sib, Piano Difficuly Level: Medium-Difficult Duration: 4'15 Musical Style: Classical, Educational Category: Republished Master Piece Composer: BAERMANN Heinrich Joseph Arranger: ESCRIVA Renaud

Revised Edition - Based on Manuscript Sources-The 'Sonata for Clarinet and Piano' was Bernstein's first published composition. Sources for this new revised edition were Bernstein's pencil manuscripts of the clarinet and piano score as well as the separate clarinet part. Every detail of the sonata has been carefully prepared and reconsidered. The enharmonic note spellings in the clarinet part are different from the previous edition of the sonata and are likened more closely to that of the first published edition. The result is a fresh look at one of the most important and beloved pieces of twentieth century clarinet repertoire.

Studio Ghibli Songs for Clarinet and Piano. If you are a Studio Ghibli fan and play an instrument, here it is! All time favorite Studio Ghibli songs are arranged for clarinet (solo) and piano (accompaniment). Includes 10 songs from Nausicaä of the Valley of the Wind, Castle in the Sky, My Neighbor Totoro, Kiki?s Delivery Service, Princess Mononoke, Spirited Away, Ponyo on the Cliff by the Sea, and Howl?s Moving Castle. The book of a 36-page clarinet and piano score includes a separate 16-page clarinet solo part score. Perfect for casual piano playing scenes as well as for online video live streaming, lessons, and recitals! Check out more Studio Ghibli books available in the same series.

Sources for this revised edition were Berstein's pencil manuscripts of the Clarinet and Piano score and also the separate Clarinet part. Every detail of the sonata has been carefully prepared and reconsidered. The result is a fresh look at one of the most important and beloved pieces of twentieth century Clarinet repertoire.Includes a companion CD of recorded full performances and Piano accompaniment.

This short work for clarinet and piano began as an unaccompanied melody which Bernstein copied from the wall of his periodontist friend Dr. Ron Odrich and later dished-up as a jazz clarinet melody for his friend who also happened to be a jazz clarinettist. Odrich and his composer partner Larry Fallon then used the tune as a basis for a very stylish work for clarinet and piano.

Joseph Horovitz (b. 1926) is a British composer and conductor who is best known for his involvement the 1951 Festival of Britain and for works such as Captain Noah and His Floating Zoo. HisConcertante (1948) was his first published composition written while he was still studying under Gordon Jacob at the RCM. It was modelled on the Weber’s Concertino for Clarinet but is written in adecidedly 20th century idiom. Originally scored for Clarinet and String Quartet this version for Clarinet and Piano was transcribed by the composer.

pour Clarinette et Orchestre ou Piano-Jeanine Rueff (1922-1999) was a French composer and music educator. Her Concertino for Clarinet and orchestral or Piano accompaniment was first published in 1950 and remains a popular alternative piece in the advanced clarinetist's performance repertoire. Rueff wrote extensively for the Saxophone and Clarinet and her compositions are often used as required contest solos. Concertino is fast and contains complex rhythms. Other appealing musical features include chromaticism triplet motifs and the exploitation of the entire range of the Clarinet. Rueff's Concertino provides a challengingyet riveting piece for advanced clarinetists.

Sonatina was written for solo Clarinet in B flat with Piano accompaniment. It was first published in 1982.Rory Boyle (b.1951) is a Scottish composer and educator currently Professor ofComposition at the Royal Conservatoire of Scotland. He was a chorister at St George’s Chapel Windsor before studying Piano Organ Clarinet and conducting at the RSAMD and composition with Frank Spedding and Lennox Berkeley. Hismusic covers every style from large orchestral works to solo instrumental pieces. He is regularly in demand for commissions from Festivals Music Societies and leading performers.

Par BENSHOOF KEN. BitterSweet for E-flat Clarinet and Piano by Ken Benshoof. Take a pair of themes, which are to each other as Bitter is to Sweet: The first ? a whimsical, quizzical, searching Clarinet, with commentary from the Piano. The second ? soft modal tonalities in the Piano, with lyrical thoughts in the Clarinet. / Date parution : 2022-11-29/ Répertoire / Clarinette en Eb et Piano

Edited for the first time based on the autograph.The only wind instrument for which Felix Mendelssohn wrote any solo works is the Clarinet. This Sonata written by a young Mendelssohn is genuine chamber music: the Clarinet and Piano are both used equally as a melody and an accompaniment instrument. The various playing characteristics of the Clarinet are not fully exploited; instead Mendelssohn focuses more on the cantabile character of the instrument.

Clarinet and Piano-The circumstances in which these poetic “Soirée Pieces” (thus their original title) came into being are quite surprising. In 1849 Dresden was seized by violent political turmoil that ultimately forcedSchumann to flee with Clara to the countryside. Yet none of this is apparent in the music of these three pieces whose idyllic character signifies a longing for harmony and seclusion. Originally conceived for the clarinet theywere accompanied by alternative parts for violin and cello as early as the original print. We have subjected our editions to a thoroughgoing critique and include a section of detailed editorial notes.

Ignaz Joseph Pleyel's Concerto for Clarinet and Orchestra In C Major published by Breitkopf & Hartel is a perfect piece for the intermediate Clarinet player looking for a rewarding addition to their repertoire. This piece is arranged for Clarinet solo and Piano Reduction.

From Easy Dances Clarinet and piano Arranger: Haan, Stefan de The Dance Suite for clarinet and piano is an arrangement of selected pieces from Mátyás Seiber's Easy Dances, originally composed as piano pieces on the popular dance-styles of the 1920s and 30s and focusing particularly on the rhythmic characteristics of each. Seiber's life and work linked and developed many diverse musical influences, from the Hungarian tradition of Bartók and Kodály, to Schönberg and serial music, to jazz, folksong, film and lighter music (rewarded by an Ivor Novello Prize for By The Fountains of Rome). A late collaboration with John Dankworth produced the Improvisations for Jazz Band and Orchestra. Contenu - Foxtrot - Mazurka - Gipsy Tango - Walzer - Novelty Foxtrot - Six-Eight

after the Sonata for Violin and Piano-Janá ek?s masterpiece in a convincing arrangement for Clarinet.Foreword by the arranger (Eng/Cz/Ger)This arrangement of the well-known Violin sonata is based on the volume of the Complete Critical Edition of the Works of Leo? Janá ek (Series E/1 2).The Israeli clarinetist Shirley Brill who teaches at the Hanns Eisler School of Music Berlin has arranged the work for her instrument with a sensitive ear for the sound quality of the original composition. Her version displays the specific potential of the Clarinet to good advantage; in a few passages it proved necessary to adapt the Piano accompaniment.The arrangement was commissionedfor the International Janá ek Competition 2014 in Brno (Czech republic).