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CHORAL - VOCAL - CHOIR
Concert Band/Harmonie
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Keyboard (891)
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Divers (808)
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Alto Saxophone (474)
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Accordion (340)
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Opera (255)
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Descent (Soprano) Recorder, Pi… (236)
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Recorder (185)
Piccolo, Piano (179)
Treble (Alto) Recorder, Piano (179)
Ukulele (176)
2 Trombones, Piano (169)
B Flat, E Flat and C Instrumen… (166)
CD (166)
:: (160)
2 Clarinets, Piano (156)
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Harpsichord (153)
Harp (152)
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Music Theory (149)
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Biography (134)
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Children choir (122)
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1 Piano, 6 hands (121)
Drum set and Piano (121)
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Tuba (111)
Quintette avec Piano (109)
2 Violas, Piano (107)
String Trio: violin, viola, ce… (105)
4 Euphoniums (105)
Piano Quintet: piano, violin, … (105)
Big Note Piano (104)
Soprano voice (102)
Saxophone en Mib et Piano (102)
Voice, Guitar (101)
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Descant (Soprano) Recorder (98)
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Conducteur (95)
Bassoon (93)
Mandolin (92)
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Livret (81)
Cello, Orchestra (79)
Snare drums, Piano (78)
Clarinet Quartet: 4 clarinets (78)
2 Flutes (duet) (78)
Musical Awakening (77)
Mandolin, Piano (duet) (77)
Saxophone Quartet: 4 saxophone… (76)
Band Scores (76)
Xylophone, Piano (76)
Bass Clarinet, Piano (75)
5 Part Ensemble (73)
Flûte Traversière Violoncell… (72)
Soprano ou Ténor et Piano (72)
English horn, Piano (72)
Piano Trio: Violin, Viola, Pia… (71)
Parties Orchestrales (71)
Trumpet, Trombone, Piano (70)
Cor en Mib et Piano ou Orgue (69)
Trompette, Trombone et Piano (68)
Clarinette, Violoncelle et Pia… (68)
2 Oboes, Piano (68)
Euphonium en Do et Piano (66)
Clarinette, Alto et Piano (66)
Soprano Saxophone and Piano (66)
School Ensemble (65)
2 Trombones et Piano ou Orgue (64)
Matériel D'Orchestre (64)
Euphonium en Clé de Fa Do ou … (63)
Tuba en Mib et Piano ou Orgue (63)
Violin, Cello (duet) (62)
Accordion ensemble (61)
Basse En Eb Et Piano (60)
Harmonica (60)
Banjo (59)
Quatuor Avec Piano (58)
Saxhorn Basse, Tuba et Piano (57)
Trompette ou Cornet à Pistons… (57)
Petit Ensemble Contemporain (57)
Flute Trio: 3 flutes (57)
Vibraphone, Piano (57)
2 Bassons et Piano ou Orgue (57)
Choral SSAATTBB (56)
Ensemble Mixte (55)
Tenor voice (55)
Réduction Piano (55)
Trio de Pianos, Salon Ensemble… (55)
Saxhorn Basse et Piano (54)
2 Saxophones (duet) (54)
Mezzo-Soprano voice (54)
2 Cornets et Piano (54)
2 Bassons et Piano (54)
Cor d'Harmonie et Piano (53)
Mezzo-Soprano ou Baryton et Pi… (53)
Chant et Piano (Baryton ou Mez… (53)
2 Clarinets (duet) (53)
Voix et Piano Réduction (53)
3 Trombones Ténor et 1 Trombo… (52)
2 Pianos, 8 hands (52)
Musical dictation (51)
Clarinette, Violon et Piano (51)
2 Cellos (duet) (51)
2 Cors en Mib et Piano (51)
Trompette ou Cornet ou Bugle e… (50)
2 Saxophones Ténor et Piano (50)
Guitare et Musique de Chambre (50)
Soprano, Piano (50)
Treble (Alto) Recorder (50)
Flûte Traversière Violon, Vi… (49)
Euphonium (49)
3 Cornets (49)
2 Saxophones Alto et Piano ou … (49)
Flûte à Bec et Piano (48)
Choral SSATB (48)
Choeur de Femmes (SSA) et Pian… (48)
Saxhorn Basse ou Euphonium et … (48)
Voix et Orchestre (48)
Trombone et Piano ou Orgue (48)
Violon, Alto et Piano (47)
2 Cornets et Piano ou Orgue (47)
Harp, Flute (duet) (47)
Snare drums (47)
Clarinette, Viola and Piano (t… (47)
2 Clarinettes et Piano ou Orgu… (46)
Saxhorn Basse, Euphonium, Tuba… (45)
4 Clarinettes et Piano ou Orgu… (45)
Clarinette, Violon, Violoncell… (45)
Violin, Horn and Piano (45)
Dulcimer (45)
Brass Quartet (44)
Flute, Orchestra (44)
Flûte Traversière, Clarinett… (44)
Brass Quartet: 4 trombones (44)
Trombone Alto et Piano (44)
Clarinet, Orchestra (44)
3 Trombones et Piano ou Orgue (44)
Oboe, Bassoon and Piano (43)
2 Saxophones Ténor et Piano o… (43)
Percussion Ensemble (43)
Organ, Piano (duet) (42)
Tuba en Do et Piano (42)
2 Cors et Piano ou Orgue (42)
2 Cors en Mib et Piano ou Orgu… (41)
Cor Des Alpes Et Piano (41)
Low voice (41)
Piano, Bass, Drums (trio) (41)
3 Saxophones (Alto, Ténor) et… (41)
2 Recorders (duet) (41)
Saxophone Alto, Saxophone Tén… (41)
Cornet en Mib et Piano (41)
3 Flûtes Traversières et Pia… (41)
Piano et Quatuor à Cordes (40)
2 Trombones Basse et Piano (40)
3 Clarinettes et Piano ou Orgu… (40)
Saxophone Et Piano Et/Ou Autre… (40)
4 Euphoniums et Piano ou Orgue… (39)
Basse En Bb Et Piano (Orgue) (39)
Organ, Trumpet (duet) (39)
Piano et Orchestre (39)
Treble (Alto) Recorder, Basso … (39)
Quintette (39)
2 Trompettes ou Cornets et Cor… (38)
Baritone voice (38)
Saxophone Sib Et Piano (37)
Basse En Bb Et Piano (37)
Flute ensemble (37)
Bass Clef Instruments (37)
Trompette et Piano ou Orgue (37)
Violon Solo, Violoncelle Solo,… (36)
Ensembles de Cordes et Piano (36)
Flute, Violin, Piano (36)
ENS::Ensemble (36)
Balalaïka Et Piano (36)
Flute Quartet: 4 flutes (36)
Accessoire (36)
2 Trombones et Clavier ou Pian… (35)
High voice (35)
2 Violons, Violoncelle et Pian… (35)
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5 Part Ensemble (Clavier, Guit… (34)
Recorder Ensemble (34)
Travaux Pour Choeurs (33)
4 Guitars (Quartet) (33)
1 ou 2 Violoncelles et Piano (32)
Bugle et Piano (32)
Trompette, Cor et Piano ou Org… (32)
Oboe, Bassoon (duet) (32)
Tuba or Euphonium or Saxhorn (32)
4 Saxophones (Soprano, Alto, T… (32)
Violin, Viola (duet) (32)
Violon, Clarinette et Piano (32)
Choeur SA Et Piano (32)
Clarinette, Cor et Piano (31)
2 Cornets, Cor en Mib et Tuba (31)
Exemplaire Complet (31)
Clavier ou Piano (31)
Soprano voice, Orchestra (31)
Concert band, Choral (31)
2 Bassoons (duet) (31)
Violin, Basso continuo (31)
Scores (31)
Flûte Traversière Clarinette… (30)
Trio (2 Soli Avec Réduction D… (30)
Violin, Guitar (duet) (30)
Ensemble A Vent (30)
Piano et Ensemble (30)
Quatuor (30)
Pocket, Study conductor (30)
Piano, Violon Et Violoncelle (30)
Piano Quartet: piano, 2 violin… (30)
Marimba, Piano (duet) (30)
Harp and Piano (30)
Voix Élevée et Piano (29)
Voix d'Hommes et Piano (29)
Choeur et Piano (29)
Trombone ou Tuba (29)
Chant et Guitare (29)
Ensemble (29)
C Trumpetor et Trompette Sib/C… (28)
Cor, Euphonium et Piano ou Org… (28)
Choeur à 4 Voix Mixtes et/ou … (28)
Partie Séparée (28)
3 Flûtes A Bec (SAT) Et Piano… (28)
Accordion - Piano, Voice, Guit… (28)
Edition Critique des oeuvres d… (28)
Timpani (28)
Choral, Orchestra (28)
Trio De Pianos (28)
Clarinette (2 Clarinettes) Et … (28)
Saxophone Quintet: 5 Saxophone… (28)
2 Voix et Piano (28)
Trompette, Cor et Piano (27)
Choeur de Femmes et Piano (27)
Flexible Instrumentation (27)
Saxophone en Sib et Piano (27)
Partition D'Orchestre In 16 Po… (27)
Flute, Oboe, Piano (trio) (27)
3 Clarinets (trio) (27)
Partition de Poche (26)
Choeur d'Hommes et Piano (26)
Trompette en Do ou et Trompett… (26)
Violon ou Flûte Traversière … (25)
Choeur De Femmes (SS) Et Piano… (25)
Flute, Clarinet (duet) (25)
2 Pianos et Orchestre (25)
Chorale d'Enfants et Piano (25)
Cor, Trombone et Piano ou Orgu… (24)
Piano Trio: piano, violon, vio… (24)
Flûte Traversière, Hautbois … (24)
Hautbois, Instruments à Corde… (24)
Trombone or Euphonium (24)
Saxophone Alto et Piano ou Org… (24)
Flute, Piano Trio (bass, drum,… (24)
Brass Quartet: 2 trumpets, hor… (24)
2 Recorders, Piano (24)
Book (24)
Tambour Et Piano (24)
Piano, Chant et Guitare Tablat… (24)
Soprano, Clarinette et Piano (24)
Violoncelle et Piano ou Orgue (24)
Harpe et Piano (24)
Flûte Traversière, Violon Et… (23)
Parties Supplémentaires (23)
Piano, Violin, Bandoneon, Guit… (23)
Quatuor à Cordes et Piano (23)
Alto et Piano ou Orgue (23)
Nursery rhyme (23)
Clavecin (23)
Clarinet Ensemble (23)
Concert Band/Harmonie (22)
Choeur d'Enfants (SSA) et Pian… (22)
Contrebasse et Piano ou Orgue (22)
Cello Ensemble (22)
Soli and Orchestra (22)
Stationery (22)
DVD concert (22)
3 Guitars (trio) (22)
Violon Ou Violoncelle Et Piano… (22)
Violon, Cor et Piano (21)
Soprano, Ténor et Piano (21)
Saxhorn Basse, Euphonium ou Tu… (21)
Trombone Et Clavier (Piano) (21)
Voice, Clarinet, Piano (21)
Livre Musical (21)
Euphonium Ensemble (21)
Guitar, String Quartet (21)
Choeur d'Enfants et Piano (21)
Chanson (21)
Trumpet, Orchestra (21)
Violon et Piano ou Orgue (21)
Marimba (21)
Choeur d'Enfants à 1 à 3 Par… (20)
Choeur Mixte, Soprano et Orche… (20)
Hautbois, Violoncelle Et Piano… (20)
Saxophone Alto, Saxophone Teno… (20)
Violon 1 (6 parts) Violon 2 (6… (20)
Clarinette, Trombone et Piano … (20)
String Quartet : 4 violas (20)
Horn and Orchestra (20)
Pianos Et Instruments Divers (… (20)
2 Parties Voix Aigues Et Piano… (20)
Trompette ou Cornet et Piano (20)
Violon ou Flûte Traversière … (20)
Violoncelle ou 2 Violoncelles … (20)
Piano Trio: mixed chamber inst… (20)
Trombone Alto et Piano ou Orgu… (20)
Accordion, Piano (20)
Pennywhistle (20)
Saxophone Soprano et Piano (20)
Bugle and Piano (20)
Quatuor De Pianos (20)
Choeur Mixte et Orchestre (20)
Violon, Alto, Violoncelle, Con… (19)
Recorder Quartet (19)
Bass Clarinet (19)
Violoncello, Basso continuo (19)
Orgue, 2 Hautbois, Basson Et C… (18)
Guitar, Orchestra (18)
Alto ou Baryton et Piano (18)
Cor, Trombone et Piano (18)
Orchestre Scolaire (Piano Ad L… (18)
2 Euphoniums Et Piano (Orgue) (18)
Clavier ou Orgue Electronique (18)
Hautbois, Basson et Piano (18)
Educatif (18)
Medium Voice (18)
Voix Seule (18)
Xylophone (18)
Clarinet Quintet: Clarinet, St… (18)
Voix Haute(s) Et Piano (18)
3 Pianos (18)
Piano ou Clavecin (18)
Violon, Clarinette, Violoncell… (18)
Viola and orchestra (18)
2 French horns (duet) (18)
2 Parties Voix Aigues (SA) Et … (18)
Cor (2 Cors) Et Piano (17)
Hautbois, Alto, Contrebasse et… (17)
Choeur Mixte, Piano et Orchest… (17)
Percussion et Piano (17)
Voix Mixtes SAB et Piano (17)
Piano, Oboe and Bassoon (17)
Chamber Music (17)
2 Pianos et 2 Percussions (17)
Lute (17)
Piano Ou Orgue (17)
Flute, Violin, Violoncello and… (17)
4 Trombones Et Piano (Clavier)… (17)
2 Sopranos Et Piano (17)
Flûte Traversière, Basson et… (16)
Soprano, Alto Et Piano (16)
Clarinette, Trompette et Piano… (16)
Chant, Accords Et Piano (16)
2 Violons, Violoncelle et Orgu… (16)
Melody line, Piano (16)
Flûte Traversière, Trombone … (16)
Trombone, Euphonium et Piano o… (16)
2 Cornets (16)
Trombone, Tuba et Piano ou Org… (16)
Soprano, Choeur Mixte et Piano… (16)
Hautbois, Clarinette et Piano … (16)
Flûte Traversière, Trompette… (16)
Trompette, Tuba et Piano ou Or… (16)
Trio à Cordes ou Autres Instr… (16)
2 Trompettes, 2 Trombones et P… (16)
Clarinette, Basson et Piano ou… (16)
Piano ou Clavecin et Instrumen… (16)
Trumpet, Horn and Piano (16)
3 Recorders, Piano (16)
2 Flûtes A Bec (SA) Et Piano (16)
Flute, Bassoon, and Piano (16)
Clarinette, Basson et Piano (16)
Oeuvres Théâtrales/Oratorios… (16)
Flûte Traversière ou Violon … (16)
Choeur Mixte, Piano Et Rythme (16)
Flûte Traversière et Trio à… (16)
Trio à Cordes (16)
Voix solo - piano (16)
Trompette en Sib ou Do, ou Cor… (16)
Big band (16)
Saxophone Alto Ou Tenor Et Pia… (16)
Ensemble à vent et Piano (16)
Flûte à Bec ou Alto et Clavi… (15)
Clarinette, Saxophone Alto Et … (15)
Baritone Saxophone, Piano (15)
Cor Anglais ou Hautbois et Pia… (15)
Clavecin (Ou Piano), 2 Violons… (15)
String Trio: 3 violins (15)
Double bass, Orchestra (15)
Voix (Ou Récitant) Et Piano (15)
Cornet en Mib et Piano ou Orgu… (15)
Oboe, Cello and Piano (15)
Male Voices, Piano (15)
ENS::Ensemble d'cole (15)
Solistes (SATB), Choeur Mixte … (15)
Gemischter Chor (SSATB/SSATB/S… (15)
Chorale d'Enfants et Piano ou … (15)
2 Violas (duet) (15)
2 Pianos 8 Mains (15)
Balalaika (14)
Gemischter Chor (SATB) und Orc… (14)
Choeur D'Enfants (Ou De Jeunes… (14)
Choeur SSATB et Basse Continue… (14)
2 Cornets et 2 Tubas (14)
Flûte Traversière, 2 Violons… (14)
3 Trombones et Piano ou Clavie… (14)
Voix et Piano Accompagnement (14)
Choeur de Femmes (SMezA) et Pi… (14)
Oboe and Orchestra (14)
Soprano Ou Tenor Et Piano (14)
Clarinette, Trompette et Piano… (14)
Saxophone Alto, Trombone Et Pi… (14)
Soprano (14)
Harpe ou Piano et Violon (14)
Clairon Et Piano (14)
Voice and Orchestra (14)
Saxophone and Orchestra (14)
Violin, Organ (14)
Ensemble Instrumental (14)
Bassoon, Orchestra (14)
Horn Ensemble (14)
2 Parties Voix Aigues (SS) Et … (14)
Clarinette en La et Piano (14)
Saxhorn Basse en Sib et Piano (14)
2 Trumpets (duet) (14)
Piano et Orchestre à Cordes (14)
VCE/PFA::Voice, Piano Accompan… (14)
3 Saxophones (trio) (14)
2 Flûtes A Bec Soprano Et Pia… (14)
Ensemble A 4 Parties et Piano … (14)
Trompette (Ou Cornet), Trombon… (13)
Cello, Organ (13)
Percussions (13)
Chorale d'Enfants et Ensemble … (13)
Saxhorn Basse-Tuba Et Piano (13)
Trompette, Trombone, Tuba et P… (13)
Basse En Eb Et Piano (Orgue) (13)
Brass Quartet: 2 trumpets, 2 t… (13)
CD only (13)
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5 Part Ensemble et Piano ou Cl… (13)
Vocal duet (13)
Voix Grave et Piano (13)
Soprano, Baryton et Piano (13)
Conducteur et Poche (13)
Grand Ensemble Contemporain Et… (13)
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2 Parties Voix Aigües (SS) et… (13)
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Voix et Piano ou Guitare (13)
Flûte traversière (13)
Contralto Et Piano (13)
Piano Et Orchestre De Chambre (13)
Piano Duo (13)
Choral CD (13)
4 Voix Mixtes et Piano (13)
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Voice, String Quartet (12)
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Piano, Flûte Traversière, Al… (12)
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Saxophone Alto, Trompette Et P… (12)
Cor, Tuba et Piano ou Orgue (12)
3 Clarinettes Et Piano (Orgue)… (12)
Saxophone Sib et Piano (12)
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Oboe, Clarinet and Piano (Trio… (10)
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Violon (Ou Clarinette), Alto (… (10)
3 Flûtes Traversières Et Pia… (10)
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SOP/PFA::Soprano, Accompagneme… (10)
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Dobro (7)
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3 Letzte Motetten
Concert Band/Harmonie
[Score and Parts]
Oktavian Music
Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ans...
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Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn’t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the 'modernity' of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
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3 Letzte Motetten
Concert Band/Harmonie
[Score]
Oktavian Music
Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ans...
(+)
Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn’t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the 'modernity' of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
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Ballade fra Fantasistykker for Piano op
Concert Band/Harmonie
[Score and Parts]
Norsk Noteservice
Ballad from Fantasy Pieces for Piano Op. 36. Par BACKER-GRONDAHL AGATHE. Agathe ...
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Ballad from Fantasy Pieces for Piano Op. 36. Par BACKER-GRONDAHL AGATHE. Agathe Backer Grøndahl’s ‘Ballade’ can best be described as a Romantic character piece. Such one-movement piano pieces with titles that loosely indicate a mood/idea made out a central genre in the 19th century. In Backer Grøndahl’s production, several of these are grouped under the term ‘fantasy pieces’. There are six collections with a total of 48 fantasy pieces on her opus list and ‘Ballade’ is from the first of these (Op. 36), published in 1895. ‘Ballade’ is a broader work than the other fantasy pieces. It is built around a dramatic theme that keeps returning after episodes with strongly contrasting thematic material. The arrangement is close to Backer Grøndahl’s original composition. It is transposed a semitone down: from E flat minor to D minor. The arrangement contains some challenging passages and is well-suited for amateur bands of a certain level. The instrumentation makes no special demands beyond normal concert band instrumentation and will sound just as good in small as in large bands. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
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In the Air
Concert Band / Harmonie
[Score and Parts]
Symphonic Dimensions Publishing
Par OSWALD GERALD. La composition est enjouée, dynamique, les notes dansent. El...
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Par OSWALD GERALD. La composition est enjouée, dynamique, les notes dansent. Elle ne cherche pas à raconter une histoire, mais à représenter un état, un état de gaieté et de légèreté.?Avec ses motifs malicieux et ludiques, In the Air exprime quelque chose de joyeux, d'insouciant et de positif. La pièce donne l'impression d'une brise, d'un vent léger. Gerald Oswald est né en 1968 à Groß-St. Florian. Il a suivi sa formation de trompettiste au Johann-Joseph-Fux Konservatorium et à la Hochschule für Musik und darstellende Kunst de Graz. Il a ensuite poursuivi des études de direction d'orchestre et de composition au Johann-Joseph-Fux Konservatorium de Graz (avec Franz Cibulka), à la Musik und Kunst Privatuniversität de la ville de Vienne (avec Thomas Doss), à l'école de musique de Leonding ainsi qu'au conservatoire C. Monteverdi de Bolzano. Ses œuvres pour orchestre à vent sont jouées avec succès dans le monde entier.à vent sont jouées avec succès dans le monde entier. / Date parution : 2023-10-31/ Répertoire / Concert Band / Harmonie
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Norsk Festouverture
Concert Band/Harmonie
[Score and Parts]
Norsk Noteservice
Norwegian Festival Overture. Par HALVORSEN JOHAN. The Norwegian Festival Overtur...
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Norwegian Festival Overture. Par HALVORSEN JOHAN. The Norwegian Festival Overture was written for the grand opening of the National Theatre on September 1st, 1899. In the opening bars, one can virtually imagine the stage curtain being drawn aside, and the stage is revealed to the audience. The trumpets openly quote Peer Gynts return from Grieg's music to the play Peer Gynt. The main part of the overture consists of a theme in Norwegian folk music style, which Halvorsen brilliantly develops thematically and contrapuntally. The work can probably be seen as pompous and at times seems somewhat overwrought, but then Halvorsen himself, ever so slightly self-deprecating, has written Pomposo over the grand conclusion of the work. The arrangement of the overture was written to The Royal Norwegian Navy Band for a concert in Halvorsen’s native town of Drammen in 2016. The arranger has tried to preserve as much as possible of Halvorsen's brilliant orchestration. There are a lot of cue notes which make it possible to perform also with a reduced instrumentation. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
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Bleak Forest
Concert Band / Harmonie
[Score and Parts]
Symphonic Dimensions Publishing
Par ZIEGELBACK ANDREAS. Bleak Forest is a piece for smaller concert bands and of...
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Par ZIEGELBACK ANDREAS. Bleak Forest is a piece for smaller concert bands and offers the musicians above all space to improve their sound and their effect playing. The technical requirements are therefore deliberately kept low. With this piece, the composer won the VLAMO International Composition Contest 2022. Thematically, the work is influenced by the composer's childhood memories. In his hometown there was a dark and mysterious forest, that seemed to the children in the small village to be magical. Without a reasonable explanation, every trip into the woods was exciting and somewhat terrifying. There were tales of dangerous animals, which can be heard at the beginning of the piece, as well as magical beasts. The magic of the forest is depicted musically from bar 70 in the andante section. The snapping of the fingers represents single raindrops. From bar 99 onwards, we hear the trek home, with the occasional moments of trepidation as the children spook each other with their fanciful tales. In the end, though, we arrive safely at home because after all, magical beasts only exist in fairy tales… don’t they? Andreas Ziegelbäck studied music education at the Mozarteum University in Salzburg, and history at the Paris Lodron Universität, Salzburg. In addition to his studies, he trained in ensemble conducting for wind orchestra with conductor and composer Thomas Doss. It was Doss who sparked Ziegelbäck’s interest in composing. In 2021, Andreas Ziegelbäck completed his composition studies with Johannes Maria Staud. In 2020, he took part in a brass band composition masterclass in Bern with Oliver Waespi, followed by a premiere by the Swiss Army Brass Band. / Date parution : 2023-10-31/ Répertoire / Concert Band / Harmonie
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At the Zoo
Concert Band/Harmonie
[Score and Parts]
Norsk Noteservice
Suite in Five Movements. Par HOYVIK DAHL HILDE. “At the Zoo” is a light and ...
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Suite in Five Movements. Par HOYVIK DAHL HILDE. “At the Zoo” is a light and playful piece for the beginning musicians. Different animals and their characteristics are the theme of each movement, and the melody alternates between the different sections of the band to emphasize this. Trombones play glissandos and the percussionists are featured on percussion instruments, making the piece a fun to perform at any concert! / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
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Pineapple Punch
Concert Band/Harmonie
[Score and Parts]
Norsk Noteservice
Par ESPLO HAAKON. Pineapple Punch, a lively, fun and lively piece of music with ...
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Par ESPLO HAAKON. Pineapple Punch, a lively, fun and lively piece of music with challenges for all instrumental groups. You have a great opportunity to work with both rhythm, articulation and understanding of style. Pineapple Punch is entertaining and suitable for any concert. The piece has a light Latin touch and is fun to play for the musicians. The first voices provide a challenge, while the lower voices are simpler in rhythm and range. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
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Schola Vitae
Concert Band / Harmonie
[Score and Parts]
Symphonic Dimensions Publishing
Par SADELER GEORGES. Schola Vitae, dedicated to the former director of UGDA Musi...
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Par SADELER GEORGES. Schola Vitae, dedicated to the former director of UGDA Music School in Luxembourg, Paul Scholer, describes in an 8-minute piece that learning and playing music is a school for life. Starting with popular scales that ascend and descend through various keys, an essential tool familiar to every musician appears: the metronome. It sets the tempo, and musicians practice their themes together or against each other, register by register. In music, however, it's not just about technique and precision, but also about emotions. Music connects people, fosters friendships, and accompanies them through the highs and lows of life. The sense of togetherness in music becomes increasingly audible. Everyone works together and pulls in the same direction to ultimately achieve something great. Georges Sadeler, born in 1988 is a Luxembourgish composer and saxophonist with the Grand Ducal Military Band of Luxembourg. His father kindled his interest in composing and arranging at an early age, a study he later continued under his two teachers Marco Pütz and Claude Lenners, both of whom taught at the Conservatoire of Music, Luxembourg. He gradually began to establish his own style, combining the enormous range of possibilities of contemporary music and classical music and, in the years that followed, he won six first prizes at various national and international composition competitions. His works have since been performed all over Europe. / Date parution : 2023-10-31/ Répertoire / Concert Band / Harmonie
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Coconut Island
Concert Band/Harmonie
[Score and Parts]
Norsk Noteservice
Kokosmøttøya. Par ROGERS SCOTT. A trip to Coconut Island is always enjoyable! ...
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Kokosmøttøya. Par ROGERS SCOTT. A trip to Coconut Island is always enjoyable! Soft Latin rhythms, a relaxing tempo, and tutti rhythm figures combine to create the perfect vacation. Coconut Island introduces young musicians to Latin rhythms. The percussion parts are built up of short, repeating patterns that are easily learned. The melody is mostly made up of short diatonic patterns and falling intervals of a third, making the piece easily attainable for young players. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
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Danser fra "Kosakkene"
Concert Band/Harmonie
[Score and Parts]
Norsk Noteservice
Dances from 'The Cossacs'. Par ELLING CATHARIUS. The Opera “The Cossacs” by ...
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Dances from 'The Cossacs'. Par ELLING CATHARIUS. The Opera “The Cossacs” by Catharinus Elling is based on the Nikolai Gogol novel about Taras Bulba. “The Cossacs” was premiered in 1897 at Eldorado in Kristiania (the old name on Norway’s capitol Oslo). Despite positive response in the papers of that time, the opera was newer performed again in it’s entirely. The Norwegian Broadcasting Corporation have an abbreviated recording in it’s archives, but no complete performance is known to date. The Norwegian National Opera Orchestra recorded both the overture and the dances in 2021, conducted by Ingar Bergby. Thet are both a part of the CD “Norwegian Opera Overtures”. This arrangement is not commissioned by anyone, but rather written to better the availability of quality Norwegian orchestral music arranged for Concert Band. This edition is a good opportunity to be more familiar with Norwegian heritage of orchestral music. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
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Greek Folk Song Suite No
Concert Band/Harmonie
Edition Franco Cesarini
Op. 58b. Par CESARINI FRANCO. Après le grand succès de la Greek Folk Song Suit...
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Op. 58b. Par CESARINI FRANCO. Après le grand succès de la Greek Folk Song Suite qui dure depuis plus de vingt ans, Franco Cesarini se mesure à nouveau à la longue et riche tradition de la musique folklorique grecque. Sa Greek Folk Song Suite No. 2 élabore trois dances qui donnent le nom aux trois mouvements de la pièce. Le premier mouvement, Samiotissa, est un kalamatianos, dont la caractéristique la plus distinctive est le rythme irrégulier en 7/8. C'est une danse festive, considérée aujourd'hui comme la danse nationale grecque dont les racines remontent à l'Antiquité. Le deuxième mouvement, Kato sto jalo, est un zeibekiko, une danse au rythme lent dansée par un seul homme à la fois qui est apparemment né parmi les guerriers de l'ancienne Anatolie. Chasaposerviko, le troisième et dernier mouvement, est la partie rapide de la danse hasapiko et se caractérise par sa forme plus étendue. Un nouveau voyage dans la tradition folklorique grecque qui ravira les interprètes et le public. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
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Greek Folk Song Suite No
Concert Band/Harmonie
[Score]
Edition Franco Cesarini
Op. 58b. Par CESARINI FRANCO. Après le grand succès de la Greek Folk Song Suit...
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Op. 58b. Par CESARINI FRANCO. Après le grand succès de la Greek Folk Song Suite qui dure depuis plus de vingt ans, Franco Cesarini se mesure à nouveau à la longue et riche tradition de la musique folklorique grecque. Sa Greek Folk Song Suite No. 2 élabore trois dances qui donnent le nom aux trois mouvements de la pièce. Le premier mouvement, Samiotissa, est un kalamatianos, dont la caractéristique la plus distinctive est le rythme irrégulier en 7/8. C'est une danse festive, considérée aujourd'hui comme la danse nationale grecque dont les racines remontent à l'Antiquité. Le deuxième mouvement, Kato sto jalo, est un zeibekiko, une danse au rythme lent dansée par un seul homme à la fois qui est apparemment né parmi les guerriers de l'ancienne Anatolie. Chasaposerviko, le troisième et dernier mouvement, est la partie rapide de la danse hasapiko et se caractérise par sa forme plus étendue. Un nouveau voyage dans la tradition folklorique grecque qui ravira les interprètes et le public. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
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Nimrod
Concert Band/Harmonie
[Score]
Edition Franco Cesarini
From 'Enigma Variations'. Par ELGAR EDWARD. Nimrod est le nom donné à la neuvi...
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From 'Enigma Variations'. Par ELGAR EDWARD. Nimrod est le nom donné à la neuvième variation et la plus connue des Enigma Variations d'Edward Elgar, une œuvre orchestrale de 14 variations sur un thème original composé entre 1898 et 1899. Chaque variation est aussi un portrait de l'un des 14 membres de la famille d'Elgar et cercle d'amis. Œuvre célèbre à part entière, Nimrod est un portrait d'Augustus Johannes, son meilleur ami et également l'éditeur d'Elgar. br> En raison de leur portrait, chaque variation est intitulée avec un nom ou des initiales qui identifient la personne. Bibliquement, Nimrod est un grand chasseur de l'Ancien Testament, représentant ainsi sa muse à travers un jeu de mots : Jäger en allemand signifie 'chasseur'. La mélodie semble représenter une promenade nocturne au cours de laquelle les deux discutent des mouvements lents de Ludwig van Beethoven ; les huit premières mesures rappellent en fait le début du deuxième mouvement de la Sonate pour piano Pathétique. Un arrangement de musique classique signé Franco Cesarini qui se distingue par son instrumentation habile et soignée. / Date parution : 2023-08-12/ Répertoire / Concert Band/Harmonie
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