SKU: CF.YPS201F
ISBN 9781491152898. UPC: 680160910397.
Already one of the most popular choral settings in the Carl Fischer Music catalog, Michael John Trotta's setting of Veni, Veni Emmanuel has now been skillfully transcribed by James Meredith for band. Trotta's setting of this seminal carol juxtaposes the old and new together in a refreshingly different approach to the song. The piece can work with band alone or with the popular choral setting. It is sophisticated enough for high school groups to put together quickly and can also work well with middle school groups.This piece was conceived as a dialogue between the supplicants and the creator, a combination of old and new, juxtaposing a personal longing for something still to come, with the steadfast assurance of something ever-present yet not always seen. While the original theme is associated with the Christmas season, the wider theme of longing for something greater is universal to the human condition and allows this piece to be programmed throughout the year.This work may be performed with SATBÂ Voices (published by Carl Fischer Music, CM9418).
SKU: CF.YPS201
ISBN 9781491152218. UPC: 680160909711. Key: F minor.
SKU: CF.YPS24F
ISBN 9780825844584. UPC: 798408044589. 9 X 12 inches.
Published initially for band, the style of the accompaniment of this tender and richly scored setting of a Christmas favorite is based on the familiar Gymnopedie No. 1 by Eric Satie. It will add great distinction to seasonal programs that involve both the band and the chorus, though the choral and band versions can also be performed independently. The choral octavo comes in three versions – SATB, SAB and SSA.
SKU: CL.CTS-7711-00
This has become a staple of band literature. Claude Smith is well known for taking hymn tunes and creating wonderful pieces of music. Trumpet and trombone trios are featured in the opening statement, followed by free-flowing Rubato flute solo. A piccolo and bassoon duet follow in the next section. Variations of the theme appear in the fugato section, followed by the full chorale. The audience may sing the hymn tune during the full chorale. The triumphant ending features the horn section which leads to an emotional finale. God of Our Fathers is also available for full orchestra, and an edition for SATB Choir with piano/organ, which may be used in a massed band/orchestra/choir setting as well. An audience favorite and one of Smith’s most popular works.
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