'Bonsor has done it again. The delightful arrangement is another winner from the same Scottish stable as Tambourin and Hoe-Down. As well written as anything he has produced it is a success with performers and audience alike'. (The Recorder)

Rachel Steckler O'Kaine has written out the optional conga and sekere parts to aid your percussionist in creating Afro-Cuban rhythms as easily as possible. Check out the performance notes for specific notation used in the conga part. This is an extremely well-written chart worthy of your highest festival or contest considerations. Great material for better bands.

Great medium-tempo funk that entertains and is fun to play. It opens with a tongue-in-cheek bari sax and bass bone soli with everyone involved in five short measures.

Straight ahead Bb blues scored for big band with the brass section playing the head against a sax tutti. Solo changes are written in the tenor trumpet and trombone parts with room for additional solos.

This hot swing chart has a unique whole tone introduction that really sets the mood for the melody based on the changes from Take the A-Train. Tenor 1 and trumpet 2 share the solo spotlight in this one (and written solos are provided for less experienced jazz musicians). Exactly what you’ve come to expect from the professional arranging skills of Rob Vuono this one will have you coming out with Both Hands Swingin’!

Alice In Wonderland is a score in three main sections inspired by a short film of the same name from 1903 by Hepworth and Stow. For Flute Clarinet Violin Cello and Piano. Composed and published 2015. Duration: 9' Written for The New Music Players and Orchestra of Sound and Light for concerts in London and Sussex with funding support from The RVW Trust and Arts Council England. Premiere: Rowland Sutherland (Flute) Fiona Cross (Clarinet) Katie Stillman (Violin) Michael Atkinson (Cello) Richard Casey (Piano) University of Sussex 24th September 2015.

Described as ?Carter Family - meets - Ramones ? this 7-piece NYC ensemble whips up a bubbling cast-iron melting pot of classic country styles; from Bluegrass to Rockabilly Western Swing to Honky Tonk with just the right amountof punk thrown in for good measure. Catchy quirky melodies and left-field lyrics are heightened by virtuosic leads on Telecaster and fiddle whooping blues harp and freight train rhythms. This exciting genre-bending collectionof songs guitar tabs and more is great for non-traditional Americana songwriters guitar players looking to turn up the twang fiddlers/violinists looking for their roots and anyone inspired to start their own DIYhillbilly-blues harmonica and washboard band.

Written to showcase your lead alto this medium-easy ballad is a tribute to the legacy of the great Duke Ellington. All the solos are written out including a strain for the piano in the Duke's own fashionable way.