The volume 'Klassik für Kinder' provides young flute players with a selection of 26 easy works for lessons and concerts. The selected pieces range from the Baroque era via the Classical period to the Romantic era. Apart from original pieces, the editors have deliberately included easy arrangements of well-known masterpieces as well in order to facilitate access to the classical concert literature.The pitch range found in the pieces (not higher than E6) can be easily mastered by pupils from the second year of tuition. The collection is particularly suitable to work on various aspects of interpretation and musical performance.The enclosed CD contains all pieces as a complete version (for listening) and as pure piano accompaniment (for playing along).The 'Klassik für Kinder' series is also available for violin, clarinet, piano, guitar, and most recently for violoncello as well. / Flûte Et Piano

Celui-ci vous permettra de vous concentrer sur les possibilités techniques et expressives de l?instrument. Vous alternerez entre des pièces brillantes mettant en valeur la virtuosité, et d?autres au caractère plus cantabile grâce auxquelles vous apprendrez à contrôler le son et la respiration. Vous abordez ainsi le répertoire de la musique ancienne et de la période baroque (Anonyme, J.-S.Bach). Vous arrivez ensuite au XVIIIe siècle pour découvrir l?opéra tragique réformé par Gluck, puis plongerez au c?ur du XIXe siècle avec des ?uvres de Chopin et Popp. Le voyage s?achève avec la découverte du style cantabile du mouvement pré-impressionniste français (XIXe siècle) représenté par des compositeurs tels que Massenet et Fauré. Sur le compact disc inclus vous trouverez une version intégrale de chaque ?uvre ainsi qu?une version où ne subsite que l?accompagnement au piano.

La référence FP 146 de l'éditeur Fertile Plaine dont l'auteur célèbre est Sautereau Hervé, qui a pour titre Petite valse ( flute et piano ), a été écrite et composée pour Flûte Traversière et plus particulièrement pour Flûte Et Piano. Cette partition musicale appartient à la catégorie Classique. / Flûte Et Piano / Partition

Flute and Piano. Par LOPEZ ALAIN. 'Cette composition, créée pour les jeunes musiciens (principalement adolescents), devra être jouée comme une chanson pop. En effet, sa texture (soyeuse et policée) est liée à l'utilisation des triolets et à l'enchaînement harmonique construit sur le principe des 'couplets /refrain'. Son tempo (proche de celui des battements du corps humain) et sa durée (3 mns) en feront le tube de l'été !' - Alain LOPEZ Une Pièce originale adaptée pour une audition ou un examen de fin de Cycle I/ Répertoire / Flûte Traversière et Piano

7 European Salon Pieces. Par POPP WILHELM. In the 19th Century nationalist themes came into fashion. Composers drew on songs and dances from their native lands, working them into paraphrased adaptations, pot pourri arrangements and sets of variations or incorporating folk elements from various cultures in their compositions. Flautist Wilhelm Popp (1828-1902), who wrote music for his instrument at every level of difficulty, also took up this popular trend. In this collection seven of his ‘easily playable’ compositions have been chosen with musical links to different European countries. Here again Popp shows his ability to distil the essence from musical styles and fashions of his time, setting lyrical and virtuoso passages so well for the instrument that their effectiveness far outweighs any difficulties. The popularity of his pieces for tuition purposes, school concerts or youth music competitions remains undiminished to this day. This edition is essentially based on the first printed versions of these pieces – with just a small number of printing errors and inconsistencies corrected without comment./ Répertoire / Flûte Traversière et Piano

Grades 1 - 4-As I sit myself down to write this brief foreword I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little further up the road in Bristol) I feel I have spent sufficient time in these 'ere parts to resonate with the sturdy brass band tradition that continues to permeate this incomparably beautiful rugged county. One can almost detect a French 'accent' when listening to the piano music of Debussy and likewise speaking as a lapsed brass player there is undoubtedly something of the Cornish twang about Trelawny when played on a cornet or euphonium. Then again one gets a different yetentirely convincing effect upon hearing these melodies rendered on woodwind instruments; hence with a little gamesmanship on my part I am pleased to see my collection of these fifteen delectable ditties come to fruition in the form of arrangements for treble clef brass instruments (in B flat and E flat) trombone and tuba (bass clef) horn in F flute clarinet and bassoon.While many will find themselves humming the likes of Going up Camborne Hill Lamorna or The Helston Furry Dance even before they have turned to the first page - for these are indelibly intertwined with Cornish culture I wonder if I might draw your attention to The Cornish Squire The Pool of Pilate and Cold Blows the Wind Today Sweetheart which are quite simply sublime melodies perhaps needing that extra bit of help in bringing them to mind nowadays. In the best tradition of musical hand-me-downs Cornish folk music works equally ideally sung and played and only by doing so on a regular basis can such traditions hope to continue forward with vigour and authority. A legitimate way of achieving this is to revitalise the harmonic scheme of these ancient tunes and bring them up to date for a modern audience; after all it was such an approach that fuelled the imagination of Benjamin Britten and Ralph Vaughan Williams in decades past while skilfully paying homage to the

per flauto archi e cembalo RV 441 (F.VI. No. 11 P.V. 440)-The source of the present edition of the Recorder Concerto in C minor by Antonio Vivaldi is the Collected Works of Vivaldi edited by Malipiero published by Ricordi 1953. The title of the original score is 'Concerto in Do minore per flauto archi e cembalo'; the original setting: Flauto Violini I-II Viole Violoncelli Contrabassi and Cembalo. The arrangement for recorder and piano is kept in accurate conformity with the musical text of the score; the continuo part however has been more freely adapted (of course within the possibilities of baroque style). In contrast to previous arrangements the piano part contains the entire orchestral material in the Tuttis thus the soloist is not obliged to play all the Tutti parts. However in Movement I and III the first and last Tutti may never be omitted by the performer.

Par SAINT-LEGER PASCAL. Voici le dessin d'un thème, bâti en forme d'arc sur les piliers de la main gauche du Piano (d'ou le nom de la pièce...), décliné sous trois formes rythmiques (linéaire, swinguée et cadentielle) permettant ainsi d'aborder souplement certaines difficultées techniques devant être acquises au cours des années d'un 1er cycle... - Pascal SAINT-LEGER - Formation : Musique de Chambre, Duo, Solo and Accompagnement Piano - Instrumentation : 1 Flûte Traversière 1 Piano - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 2 mn 50 s - Style Musical : Classique, Pédagogique - Catégorie : Composition Originale - Compositeur : Pascal SAINT-LEGER - / Niveau : Intermédiaire / Classique, Pédagogique / Répertoire / Flûte Traversière et Piano