This collection presents pieces by two great Brazilian composers- Ernesto Nazareth and Chiquinha Gonzaga. Arranged for flute and guitar by the renowned author and guitarist Julian Byzantine, this set of 15 beautiful pieces cover a variety of Brazilian styles, including the 'Choro' music popularised by the two composers.The collection is accompanied by a CD featuring each of the pieces performed by Julian Byzantine and Brazilian music specialist Anna Noakes on flute. MP3 playalong tracks, as well as French and German translations of the introduction and notes on performance are available as free downloads from the Schott Music website. Suitable for students of grades 3-8. / Flûte Et Guitare

Par IANNARELLI SIMONE. / Niveau : Avancé / Répertoire / Guitare et Flûte Traversière

Per Flauto O Violino e Chitarra. Par SCHUBERT / FABBRICIANI. / Répertoire / Flûte Traversière et Guitare

Guitar Part-Performed by Christian Reichert guitar Accompaniment: Katarzyna Bury flute Two seminal pieces for guitar and flute duet. Castelnuovo-Tedesco's 20th-century masterpiece of the genre his Sonatina is a brilliant piece cast in three movements (I. Allegretto grazioso; II. Tempo di Siciliana; III. Scherzo-Rondo/Allegretto con spirito). Giuliani's Serenata is a perfect distillation of this 19th-century master's distillation of Italian and Viennese Early Romantic style. This deluxe 2CD set includes a slow-tempo practice version of each of these classics to help you get up to speed. Includes an authoritative newly engraved solo part printed on high-quality ivory paper; a digitalstereo compact disc featuring a complete performance of the concerto with guitar

John W. Duarte (1919-2004) was a British guitarist composer and music journalist. Having received a degree in Chemistry his fascination with the endless possibilities of the Guitar caused him to abandon science infavour of music. Despite having never formally studied music he is regarded as one of the foremost composers for Guitar of the 20th century. His English Suite No. 4 was composed for Flute (orRecorder) and Guitar and published in 1979 as his opus 82. Scored in three movements it makes use of traditional English folksongs: All in a Garden Green/The Rambling Sailor - Scarborough Fair - The Two Magicians.

Work for Flute and Guitar commissioned by Clive Conway and Gerald Garcia.Anthony Payne: 'As a passionate Elgarian for most of my musical life I was fascinated by the prospect of writing something which reflected or somehowincorporated his Memorial Chimes written for the Loughborough Carillon a piece moreover which I did not know although I pride myself on an intimate acquaintance with the greater part of his output. My own style is a far cryfrom that of the English late-romantics which I so love but I have recently discovered how to relate to their music in more than just spiritual and emotional particulars and in Spring's Shining Wake I produced a gloss of Delius'In a Summer Garden finding equivalents in my vocabulary for each of that work's procedures somethings approaching the original closely and sometimes shadowing it from afar.p>When I saw the Elgar I immediately realised that thiskind of approach was out of the question. For one thing it is quite a short piece and frankly it is not one of the master's great inspirations. It does however possess one characteristically haunting phrase and I saw how Icould draw it within my own harmonic and textural orbit not the sort of idea to base a work on but a happy little discovery such as one often makes during the course of composing a work.I accordingly set out to write a shorttone poem which somehow draws together the sonorous 'objets trouvés' which float into the mind during intense contemplation of a still landscape memories of the past (the Elgar) intimations of magic in the wind sudden intenseperceptions of the cosmic forces of which we form such an insignificant part ominous vibrations borne on the air from some other existence.

After hearing Castèréde's Sonatine D'Avril for Flute and Guitar the realisation that his music remains in the shadows of his French contemporaries is one that is hard to fathom. Should you be a fan of Messiaen then Castèréde's Sonatine D'Avril is one for you. Having won prizes in Piano chamber music harmony composition analysis and aesthetics in music whilst studying at Paris Conservatoire it is not surprising that the composer's Sonatine D'Avril is full of musically appealing features. Elements include exquisite use of Flute technique exploiting tonality and clever accompanimentfeatures in the Guitar. From allegro semiquaver passages to luscious melodies Sonatine D'Avril provides an enjoyable listen and fun piece to learn for all advanced flautists and guitarists.