Mauro Giuliani is considered today to have been the most important guitarist-composer of the early nineteenth century. Not only was Giuliani the foremost player of his day: his fame reached far beyond the realm of guitar enthusiasts, earning him a place among the musical élite as a complete, versatile musician. Even so, by the end of the nineteenth century he was largely forgotten and his music managed to retain little more than a marginal presence in the repertory of the great guitarists of the early twentieth century. The current revitalization of his work owes its origins to the monumental research begun by Thomas Heck in 1971 and continued by Ruggero Chiesa, Mario Torta, Marco Riboni, and Gerhard Pen. Thanks to the dedication of these scholars, Giuliani's music has progressively returned to its erstwhile prominence in the performing repertory. Giuliani wrote some 230 works, of which 150 carry opus numbers. They consist above all of pieces for solo guitar and a considerable quantity of chamber music for guitar and violin, flute, piano, or voice, as well as three guitar concertos. Based on the texts of the first published editions, the pieces in this collection have been revised only with the addition of fingering (according to the technique documented in Giuliani's method (Studio per la chitarra opus 1) and his Esercizio per la chitarra contenente 24 pezzi della maggiore difficoltà, diversi preludi passaggi ed assolo opus 48, published by Steiner in 1813) and the correction of obvious typographical errors. / 1 Ou 2 Guitare(s)

Par BERG CHRISTOPHER. Along with some of the right-hand exercises from Mauro Guiliani's, Studio per la chittarra, Op.1, this book contains numerous original exercises by Berg based on pieces composed since Guiliani's time and other exercises considered helpful for developing a well-rounded technique and for meeting the challenges of the guitar repertoire. There is an abundant practice material here for guitarists of all levels. Standard notation only. / Niveau : Débutant à Intermédiaire / Classic - Technic / Recueil / Guitare Classique

Par GIULIANI MAURO. Here is a piece by Mauro Giuliani of great beauty and musical value that is within the reach of any guitar player. I have added my fingerings to this piece so that the guitar can sing beautifully while the player maintains natural hand positions. I hope you enjoy it as much as I have!'- Pepe Romero 'Here is a piece by Mauro Giuliani of great beauty and musical value that is within the reach of any guitar player. I have added my fingerings to this piece so that the guitar can sing beautifully while the player maintainsnatural hand positions. I hope you enjoy it as much as I have!' - Pepe Romero/ Répertoire / Guitare

Par GIULIANI MAURO. Rossiniana no 2 de Mauro Giuliani tirée de l?édition critique complète de Frédéric Zigante / Date parution : 2022-07-20/ Répertoire / Guitare Classique

Classical Guitar Solos - Favorite Sonatinas. In this book, guitarist and music historian David Grimes presents 20 ?small sonatas? or sonatinas, complete with detailed performance notes and bio sketches of each of the contributing composers: Leonhard von Call, Matteo Carcassi, Ferdinando Carulli, Mauro Giuliani, Francesco Molino, and Antonio Nava. While flexible, the early 19th-century sonatina form usually consists of 2 - 4 contrasting movements, here in guitar-friendly keys, making these pieces ideal for performance by intermediate-level students. In all but the most challenging passages, Grimes has intentionally kept fingering to a minimum to allow students to form their own concept of this critical skill. Then, as many bass notes in these pieces are played on open strings, the player must develop a sense of when to selectively damp dissonant tones or observe a rest? exposing and overcoming yet another shortcoming in the education of many guitarists. Most classic guitar teachers are familiar with the easy didactic studies by Carcassi, Carulli and Giuliani; Favorite Sonatinas offers more highly developed, but not yet virtuoso pieces by the same Italian triumvirate? plus three more composers in a similar vein? promoting confident, enjoyable sight-reading by guitarists of all levels.

Six Variations for guitar on Giuliani Mauro Giuliani's Folies d'Espagne op. 45 edited by Karl Scheit.

The studies of Mauro Giuliani (1781-1829) stand alongside those of Fernando Sor Matteo Carcassi Dionisio Aguado and Ferinando Carulli as the staples of the didactic pieces by the 'first generation' of classical guitarists. Giuliani was one of the most celebrated guitarists of his age a brilliant performer and prolific composer. He left a legacy of compositions and many of his works are heard regularly in recitals and concerts today. His studentpieces are considered indispensable by generations of guitarists. The studies and exercises contained in the six opus numbers here provide some of the most effective material in the entire guitar literature for building andrefining a superior technical command of the guitar. In this edition David Grimes has modernized some of the notation and corrected a number of misprints from Giuliani's original publications.

David Starobin performs 19 pieces by the 19th century’s greatest guitarist/composers; Fernando Sor and Mauro Giuliani. Featured are rarities including Giuliani’s Tarantella and Sor’sGalop.Starobin performs these works on a 1923 Herman Hauser Guitar a Guitar patterned after 19th century Viennese design. National Public Radio recently called Starobin 'More than a virtuoso Starobin is a champion for musical truth.'

Parlor Gems A Treasury of 19th Century Music for Classical Guitar. In the late eighteenth and nineteenth centuries, the parlor was a room set aside for particular functions. Before the advent of the radio, it was the place where formal presentations were staged, including amateur and semi-professional concerts. This classical guitar solo collection for the intermediate to advanced player offers nine engaging and lyrical European and North American favorites of this bygone era. All of the solos are presented in standard notation only and played on authentic reproductions of period instruments on the book?s online companion recording. Author Joseph Mayes plays works by well-known guitarist-composers Carulli, Coste and Giuliani as well as the lesser-known but deserving ?Kathleen Mavoureen?Romanza? by Frederick N. Crouch arranged by Charles de Janon, and Felix Arndt?s ?Nola,? one of the era?s most popular ragtime piano themes, here transcribed and arranged by William Foden and the author. Includes access to online audio.

Giuliani Mauro Giuliani's Variations on a Theme by G. F. Handel The Harmonius Blacksmith op. 107 for guitar. 

Rossiniana no 1 de Mauro Giuliani tirée de l?édition critique complète de Frédéric Zigante (DF 01669600) / Partitions classique / Guitare - luth / Guitare / DURAND