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CHORAL - VOCAL - CHOIR
Opera
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Cor en Fa (10)
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Philip Glass: The Trial: Opera: Vocal Score
Opera
[Sheet music]
Dunvagen Music Publishers
The Trial is an opera by renowned composer Philip Glass featuring a libretto by...
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The Trial is an opera by renowned composer Philip Glass featuring a libretto by Christopher Hampton. The opera is based on Franz Kafka's classic surreal tale of a man arrested by an unknown authority foran unspecific crime. The entire opera lasts around 120 minutes. The Trial is the second opera by Philip Glass based on Franz Kafka's writings the first being 'In ThePenal Colony'. This opera was commissioned by and dedicated to Music Theatre Wales in honour of their 25th anniversary. The vocal parts in the opera are Soprano Mezzo-Soprano 2 Tenors 2 Baritones Bass-Baritone andBass. Glass's operas have received worldwide acclaim adding to the extensive list of musical forms to which he has lent his incomparable compositional talents.
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Thomas Adès: The Tempest: Opera: Vocal Score
Opera
[Sheet music]
Faber Music Limited
Opera in 3 acts Text: Meredith Oakes after Shakespeare-The opera The Tempest i...
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Opera in 3 acts Text: Meredith Oakes after Shakespeare-The opera The Tempest is inspired by Shakespeareâ??s play rather than literally being based on every aspect of it. There are key images from the play as well as new material. From among the playâ??s many themes and possible interpretations the opera focusses on the difficulty and the necessity of mercy. The libretto uses contemporary vocabulary. Its lines are short rhythmic and rhymed or semi-rhymed echoing Shakespeareâ??s strophic songs more than his blank verse. This choice reflects the playâ??s magical ritual childlike elements and acknowledges the traditional power of incantation in song. The operatic Prospero is the passionately vengeful man seen in the play more than the wise disconnected actor also seen there. Despite his near-omnipotence he finds things out as he goes along and experiences contradictory emotions to the end. Please note: Full Score and Parts are rental material. Please contact hire@fabermusic.com
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Manual De Formas Musicales (PEDRO D)
Español
Opera
[Sheet music]
Real Musical
Par PEDRO D.DE. El contenido de este material ha sido pensado y desarrollado en ...
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Par PEDRO D.DE. El contenido de este material ha sido pensado y desarrollado en dos grandes bloques: música instrumental y música vocal. Cada uno de estos grandes bloques está, a su vez, dividido en diferentes apartados: suite, sonata, variación, etc. - música vocal a, vocal religiosa, escénica, etc. Sintaxis musical, música contemporánea y nuevas grafías./ Solfège/Formation Musicale / Opéra Théorique ou Didactique
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Lectura Musical V.1 (VILLA-ROJO JESUS)
Español
Opera
[Sheet music]
Real Musical
Par VILLA-ROJO JESUS. Teoría y práctica. La amplitud estilística de la músic...
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Par VILLA-ROJO JESUS. Teoría y práctica. La amplitud estilística de la música en el siglo XX, ha supuesto un periodo lleno de aportaciones, innovaciones, transformaciones y lógicamente de contrastes. El enfoque real de este trabajo está dirigido básicamente al estudiante que conocen todos lcedimientos musicales históricos pero que no conocen o no han practicado, los nuevos sistemas de grafía utilizada por los compositores en sus partituras durante los últimos años. Los ejercicios y las lecciones de solfeo presente aquí están en funciónn cada momento se estudia, pretendiendo resaltar sus peculiares características./ Solfège/Formation Musicale / Opéra Théorique ou Didactique
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Thomas Adès: The Tempest - Limited Edition: Opera: Score
Opera
[Sheet music]
Faber Music Limited
Full Score-Thomas Adès? The Tempest one of the most striking and successful op...
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Full Score-Thomas Adès? The Tempest one of the most striking and successful operas of recent years is available for the first timeas a beautifully produced limited-edition full score. Featuring the stunning image ?Octopus? by artist Claire Burbridge this unique cased edition includes colour plates of exclusive images from Adès? original handwritten score and sketches. Each copy is signed and numbered by the composer. From the turbulent orchestral prelude with which it begins to Ariel?s stratospheric yet ethereal ?Five fathoms deep? and the radiant quintet of reconciliation inits final act Thomas Adès conjures up a wholly compelling musical world in The Tempest.Responding to librettist Meredith Oakes? clear unfussy refashioning of Shakespeare into formalised rhyme schemes Adès has created a new kind of tonal language that is both direct and communicative but also indelibly contemporary.? Limited to 250 copies with signed and numbered limitation page.? Cased square back and sewn.? Endpapers feature original artwork ?The Firmament? by Claire Burbridge.? Case features original artwork ?Octopus? by Claire Burbridge printed in neon Pantone 809 with scratch-proof matt lamination and high gloss uv.? Black book-block edges ribbon and head
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Philip Glass: Akhnaten Act 1-3: Opera: Score
Opera
[Sheet music]
Dunvagen Music Publishers
Einstein the man of science; Gandhi the man of politics; Akhnaten the man of ...
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Einstein the man of science; Gandhi the man of politics; Akhnaten the man of religion. These three men revolutionised the thoughts and ideas of their times and the subject of this Opera in three acts. The libretto wascompleted by Glass in association with Shalom Goldman Robert Israel and Richard Riddell. The Opera itself was commissioned by The Stuttgart State Opera and premiered in March 1984.
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Akhnaten (GLASS PHILIP)
Opera
Dunvagen Music Publishers
Par GLASS PHILIP. The third in Glass' trilogy of operas about men who changed th...
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Par GLASS PHILIP. The third in Glass' trilogy of operas about men who changed the world in which they lived through the power of their ideas, Akhnaten's subject is religion. The Pharaoh Akhnaten was the first monotheist in recorded history, and his substitution of a one-god religion for the multi-god worship in use when he came to power was responsible for his violent overthrow. The opera describes the rise, reign, and fall of Akhnaten in a series of tableaux. This newly typeset edition is in accord with the vocal score, DU11199, first released in 2017./ Répertoire / Opéra
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Faust (GOUNOD CHARLES)
Opera
[Sheet music]
Barenreiter
Opera with a Prologue and four Acts (First version) / Opera in five Acts (Second...
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Opera with a Prologue and four Acts (First version) / Opera in five Acts (Second version) Dialogue versions. Par GOUNOD CHARLES. Charles Gounod’s “Faust” secured its international recognition in the version as an entirely sung opera, which from thenceforth has largely obscured the fact that the work was originally composed with spoken dialogues. The early versions staged prior to the 1869 performance at the Paris Opéra containing substantial unknown material and with dialogues and melodramas are the subject of this new edition. (The third version “version opera” was published in a separate edition BA 8713 in 2016.) Even as the rehearsals were taking place at the Théâtre-Lyrique in 1858, during the first series of performances at the theatre in 1859, furthermore as the 1862 revival was approaching and during the performances on the smaller stage at the Place du Châtelet, there were constant changes and revisions. It is, thus, impossible to identify manifestly definitive versions. Nevertheless, by drawing on the entire source material now at hand (including fascinating material only recently discovered) and on the whole gamut of aspects communicated by the reception, Paul Prévost systematically presents us with a score laid out in two main versions in whose chronology constancy and change become transparent. With all the musical changes having been documented, the result is a practicable score for performances which reveals a still far too unknown “Faust” – a “Faust” that is rooted in the tradition of the opéra comique. Quite a few musical numbers are published as a score for the first time in this edition: the trio for Faust, Wagner and Siebel “À l’étude ô mon maître”, the duet of Valentin and Marguerite “Adieu, mon bon frère!”, Méphistophélès’ air “Maître Scarabée”, Siebel’s romance “Versez vos chagrins dans mon âme!”, Valentin’s air with chorus “Chaque jour, nouvelle affaire”, the chorus of witches “Un deux et trois”, and also seven melodramas whose missing or incomplete orchestration has been written for our edition. It was only recently that the long-lost second part of Faust’s original cavatina “Salut! demeure chaste et pure” was unearthed. Only in details of orchestration do other numbers differ from the well-known pieces./ Répertoire / Opéra
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Thomas Adès Tom Cairns: The Exterminating Angel: Opera: Vocal Work
Opera
[Vocal Score]
Faber Music Limited
An Opera in Three Acts-Adès?s third opera The Exterminating Angel premiered at...
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An Opera in Three Acts-Adès?s third opera The Exterminating Angel premiered at the Salzburg Festival in July 2016. Based on Luis Buñuel?s surrealist classic El ángel exterminador the opera sees a collection of society?s grandees inexplicably trapped in a room.The libretto adapted from the original Buñuel-Alcoriza screenplay by the composer together with the director Tom Cairns brilliantly captures their descent into anarchy. Featuring a jaw-dropping 15 principals (who remain on stage for the majority of the piece) The Exterminating Angel is a true ensemble opera and the skill with which Adès delineates the many intricacies and undercurrents present over itsdensely-packed span (just under two hours plus interval) is breathtaking. Like the shipwrecked characters of The Tempest the cast of this new opera are held in a state of entrapment and dramatic stasis. Like the glittering high-society world of Powder Her Face the dinner party guests are denizens of a nightmarish world of aristocratic pretension.
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Cuadernos Audic V.4 Alumno (IBANEZ / CURSA)
Español
Opera
[Sheet music]
Real Musical
Par IBANEZ / CURSA. Nueva metodología de Lenguaje Musical. En este cuarto libro...
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Par IBANEZ / CURSA. Nueva metodología de Lenguaje Musical. En este cuarto libro, en el aspecto rítmico, se abarca un conjunto de valores rítmicos básicos que resumen el nivel del grado elemental y que permiten diferenciar los pulsos binarios y ternarios con sus subdiviscorrespondientes. En el aspecto melódico, distinción entre el modo mayor y menor, intervalos melódicos y armónicos simples en cuanto a su número y especie, acordes mayores y menores, la frase musical y los cuatro tipo de escalas menores. Todo ello endo dentro de las tonalidades que tienen hasta tres alteraciones en su armadura. Como en el resto de la colección, el curso consta de un libro del profesor (con respuestas) y un libro del alumno (con fichas perforadas). Ambos presentan la misma pagina/ Solfège/Formation Musicale / Opéra Théorique ou Didactique
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Cuadernos Audic V.4 Profe (IBANEZ / CURSA)
Español
Opera
[Sheet music]
Real Musical
Par IBANEZ / CURSA. Nueva metodología de Lenguaje Musical. En este cuarto libro...
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Par IBANEZ / CURSA. Nueva metodología de Lenguaje Musical. En este cuarto libro, en el aspecto rítmico, se abarca un conjunto de valores rítmicos básicos que resumen el nivel del grado elemental y que permiten diferenciar los pulsos binarios y ternarios con sus subdiviscorrespondientes. En el aspecto melódico, distinción entre el modo mayor y menor, intervalos melódicos y armónicos simples en cuanto a su número y especie, acordes mayores y menores, la frase musical y los cuatro tipo de escalas menores. Todo ello endo dentro de las tonalidades que tienen hasta tres alteraciones en su armadura. Como en el resto de la colección, el curso consta de un libro del profesor (con respuestas) y un libro del alumno (con fichas perforadas). Ambos presentan la misma pagina/ Solfège/Formation Musicale / Opéra Théorique ou Didactique
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Pedagogia Musical V.2 (ESCUDERO MARIO)
Español
Opera
[Sheet music]
Real Musical
Par ESCUDERO MARIO. Los objetivos que persigue esta colección es: Conocimiento ...
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Par ESCUDERO MARIO. Los objetivos que persigue esta colección es: Conocimiento de la música y desarrollo del sentido musical - Desarrollo de las facultades expresivas y creadoras del niño - Despertar el sentido del ritmo y del equilibrio, a través de la música. El plan dejo que el presente volumen desarrolla está constituido por una serie de temas que siguen un orden de dificultades a superar: formación rítmica, formación auditiva, vocalizaciones, audiciones musicales./ Solfège/Formation Musicale / Opéra Théorique ou Didactique
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Pedagogia Musical V.3 (ESCUDERO MARIO)
Español
Opera
[Sheet music]
Real Musical
Par ESCUDERO MARIO. Los objetivos que persigue esta colección es: Conocimiento ...
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Par ESCUDERO MARIO. Los objetivos que persigue esta colección es: Conocimiento de la música y desarrollo del sentido musical - Desarrollo de las facultades expresivas y creadoras del niño - Despertar el sentido del ritmo y del equilibrio, a través de la música. El plan dejo que el presente volumen desarrolla está constituido por una serie de temas que siguen un orden de dificultades a superar: formación rítmica, formación auditiva, vocalizaciones, audiciones musicales./ Solfège/Formation Musicale / Opéra Théorique ou Didactique
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Educacion Musical V.1 (ESCUDERO MARIO)
Español
Opera
[Sheet music]
Real Musical
Par ESCUDERO MARIO. El objetivo principal de este libro es la educación a trav...
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Par ESCUDERO MARIO. El objetivo principal de este libro es la educación a través de la música, procurando despertar, encauzar y desarrollar las cualidades sensoriales y psíquicas de los alumnos, que beneficiarán, repercutirán y armonizarán la formación completa e integr ser humano./ Solfège/Formation Musicale / Opéra Théorique ou Didactique
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Didactica Musical Activa V.1 (ESCUDERO MARIO)
Español
Opera
[Sheet music]
Real Musical
Par ESCUDERO MARIO. Canciones y melodías (con instrumentación escolar) La Did...
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Par ESCUDERO MARIO. Canciones y melodías (con instrumentación escolar) La Didáctica Musical Activa se propone despertar el sentido del sonido, del movimiento y del ritmo.En esta colección se proponen canciones populares, folklorísticas, clásica y originales, con una serie de actividades a realizar por el alumno que norán una rigidez, sino más bien serán como una proposición flexible, que motive e incite a los alumnos al desarrollo de la creatividad, de la libre expresión, del conocimiento corporal, de la coordinación rítmica y del desarrollo psicomotriz./ Solfège/Formation Musicale / Opéra Théorique ou Didactique
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Educacion Musical Ritmica Y Ps (ESCUDERO MARIO)
Español
Opera
[Sheet music]
Real Musical
Par ESCUDERO MARIO. Especialidad de preescolar - Ciclo inicial Este libro está ...
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Par ESCUDERO MARIO. Especialidad de preescolar - Ciclo inicial Este libro está dedicado a las Escuela Infantiles y Ciclo Inicial, y se divide en 5 partes: la primera consta de Canto-Lenguaje-Ritmo - la segunda y la tercera se orientan hacia la Psicomotricidad y la Expresión corporal - la cuarta está dedicada a la ión Auditiva - la quinta parte está dedicada a los Cuentos Musicales./ Solfège/Formation Musicale / Opéra Théorique ou Didactique
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Antonio Salieri: Prima la musica e poi le parole: Voice: Score
Opera
Barenreiter
Divertimento teatrale in one act-Hardback edition of the full score for Antonio ...
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Divertimento teatrale in one act-Hardback edition of the full score for Antonio Salieri's Prima La Musica E Poi Le Parole.A memorable musical competition commissioned by the Emperor Joseph II took place on 7 February 1786 as part of a festival in the orangery of the Schönbrunn palace. A German Singspiel ensemble performed Mozart?s Schauspieldirektor whilst Antonio Salieri?s Prima La Musica E Poi Le Parole was performed by the Italian court singers and musicians.This charming opera satire belongs to the genre of 'metamelodramma' in which the opera itself becomes the subject of the action. The people who are part of an opera production forexample the librettist composer and prima donna appear as characters on the stage and are presented in a humorous self-reflection. In this ?theatre about theatre? Salieri parodies the music from Giuseppe Sarti?s Giulio Sabino in his insert arias thus playing on the music which was totally familiar with the audience of the time. By reflecting on the musical-dramatic style of that period and discussing whether the word or the music should take priority this masterpiece is considered to be an early forerunner to Richard Strauss' Capriccio.
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Amadeo Vives: Amadeo Vives: Bohemios Vocal Score: Opera: Vocal Score
Español
Opera
[Sheet music]
Unión Musical Ediciones
Bohemios was based on Henry Murger’s Scènes de la vie de bohème th...
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Bohemios was based on Henry Murger’s Scènes de la vie de bohème the same source for the operas of both Puccini and Leoncavallo.At its première in 1904 the Chorus of bohemians in Bohemios received such a rapturous response from the audience that three encores were demanded. The piece was performed an average of nine hundred times per year in its first twenty years and a fully operatic version was later produced. Amadeo Vives was a composer conductor and teacher of music in Spain in the late 19th and early 20th century. He was a choirmaster of renown and composer of many serious works as well as operettas and zarzuelas of which Bohemios was one of his best works. He broughtto zarzuela a raised standard of harmony Orchestration and taste and he suffered the frustrations of people of serious ambition whose lighter works are the most beloved and remembered.
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Lenguaje Grado Elemental V.1A (IBANEZ / CURSA)
Español
Opera
[Sheet music]
Real Musical
Par IBANEZ / CURSA. Nueva edición actualizada y revisada Cómoda y atractiva me...
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Par IBANEZ / CURSA. Nueva edición actualizada y revisada Cómoda y atractiva metodología de Lenguaje Musical que comprende los Grados Elemental y Medio completos. Cada uno de los seis cursos está dividido en tres partes (A - B - C) correspondientes a cada trimestre escolar. A su vez cada cuaderno se divide ques: Canto, compuesto de canciones de tipo popular infantil, con un propósito concreto referente a aspectos rítmicos o melódicos del bloque y algunas de estas canciones se complementan con coreografías sencillas - Ritmo, enfocado desde un punto de vistrumental, el planteamiento de ejercicios rítmicos colectivos entre dos o más alumnos pretende favorecer el sentido participativo e introduce al alumno en la música de grupo - Entonación (con un avance muy paulatino cuyo objetivo es el dominio de la - Improvisación, con la utilización de textos, la repetición y variación rítmica, las preguntas y respuestas, etc, van perfeccionando la técnica instrumental para poder plasmar en los instrumentos estas y otras ideas. Metodología de acuerdo con la L./ Solfège/Formation Musicale / Opéra Théorique ou Didactique
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Henry Purcell: Dido And Aeneas: Vocal: Vocal Score
Opera
[Sheet music]
-
Advanced
Novello & Co Ltd.
Henry Purcell’s only Opera proper Dido and Aeneas is a magnificent exampl...
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Henry Purcell’s only Opera proper Dido and Aeneas is a magnificent example of English Baroque music with lively dances and passionate aria sections that demonstrate Purcell’s masterful compositional and choral writing skill. Based on a libretto by Nahum Tate it was first performed in 1689 comprises three acts and lasts about an hour. Filled with dramatic lyricism with a wide range of musical and emotional content it is a monumental Baroque composition considered to be one of England’s foremost operatic works. Dido and Aeneas contains all the elements for a successful opera including a shipwreck sorcery love and lost love anddeath. This is the Vocal and Full Operatic Score edited by Margaret Laurie and Thurston Dart. With its interesting and imaginative realization and authentic editorial process this is an excellent edition that features some performing choices and variants and also includes the reconstructed prologue.
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The Great Gatsby (HARBISON JOHN)
Opera
Associated Music Publishers
Opera in Two Acts Piano/Vocal Score. Par HARBISON JOHN. F. Scott Fitzgerald's cl...
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Opera in Two Acts Piano/Vocal Score. Par HARBISON JOHN. F. Scott Fitzgerald's classic novel The Great Gatsby was adapted into a two-act opera in 1999 featuring words and music by John Harbison. This book presents all 11 scenes from the opera in a complete piano/vocal score. F. Scott Fitzgerald's classic novel The Great Gatsby was adapted into a two-act opera in 1999 featuring words and music by John Harbison. This book presents all 11 scenes from the opera in a complete piano/vocal score. / Opéra-opérette / Répertoire / Opéra
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Lenguaje Musical V.1 (ARENOSA / OLIVER / PILDAIN)
Español
Opera
[Sheet music]
Real Musical
Par ARENOSA / OLIVER / PILDAIN. Este volumen tiene dos misiones principales: des...
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Par ARENOSA / OLIVER / PILDAIN. Este volumen tiene dos misiones principales: desarrollar con más amplitud cada uno de los temas tratados en el volumen preparatorio y la introducción de forma gradual de nuevas materias. 91 lecciones. Contiene ámbitos, compases, elementos melódicos ycos, movimientos, formas, etc./ Solfège/Formation Musicale / Opéra Théorique ou Didactique
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Lenguaje Musical V.2 (ARENOSA / OLIVER / PILDAIN)
Español
Opera
[Sheet music]
Real Musical
Par ARENOSA / OLIVER / PILDAIN. Segundo volumen de esta colección que de nuevo ...
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Par ARENOSA / OLIVER / PILDAIN. Segundo volumen de esta colección que de nuevo presenta un dilatado número de lecciones que desarrollan ampliamente un relativo reducido repertorio de problemas con objeto de que cada uno de ellos pueda ser trabajado sin incurrir en la excesiva repetpor parte de los alumnos. Comprende: ámbitos, compases, elementos melódicos y rítmicos, otros elementos, movimientos, formas, notas de adorno y ejercicios interválicos./ Solfège/Formation Musicale / Opéra Théorique ou Didactique
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Thomas Adès: Powder Her Face: Vocal: Score
Opera
[Sheet music]
Faber Music Limited
'Powder Her Face' is an opera by Thomas Ades. It was comissioned by Almeida Oper...
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'Powder Her Face' is an opera by Thomas Ades. It was comissioned by Almeida Opera and premiered in the 'Everyman Theatre' cheltenham on July 1st 1995 as part of the Cheltenham festival.
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Lenguaje Musical V.3 (ARENOSA / OLIVER / PILDAIN)
Español
Opera
[Sheet music]
Real Musical
Par ARENOSA / OLIVER / PILDAIN. Tercer y último volumen de esta colección que ...
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Par ARENOSA / OLIVER / PILDAIN. Tercer y último volumen de esta colección que al igual que el resto de volúmenes incide no sólo en el desarrollo de lo ya aprendido sino que introduce nuevas e interesantes materias con una gran amplitud de ejercicios. 69 lecciones. Se trata de ir prndo ante el alumno todos los procesos del lenguaje musical que le llevarán a entenderlo y a ser dueño de los elementos que lo componen./ Solfège/Formation Musicale / Opéra Théorique ou Didactique
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Alan Jay Lerner Frederick Loewe: Camelot: Opera: Libretto
Opera
[Libretti]
Faber Music Limited
Camelot is a popular Musical which also received a film adaptation in 1967. Ava...
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Camelot is a popular Musical which also received a film adaptation in 1967. Available here is the Libretto for the Musical with book and lyrics by Alan Jay Lerner and music by Frederick Loewe. The show is based on the King Arthur legend as based on the T.H. White novel The Once and Future King.
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Lenguaje Grado Elemental V.4C (IBANEZ / CURSA)
Español
Opera
[Sheet music]
Real Musical
Par IBANEZ / CURSA. Cómoda y atractiva metodología de Lenguaje Musical que com...
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Par IBANEZ / CURSA. Cómoda y atractiva metodología de Lenguaje Musical que comprende los Grados Elemental y Medio completos. Cada uno de los seis cursos está dividido en tres partes (A - B - C) correspondientes a cada trimestre escolar. A su vez cada cuaderno se divide ques. En ellos convergen diferentes contenidos encaminados a comprender y superar un mismo aspecto musical./ Solfège/Formation Musicale / Opéra Théorique ou Didactique
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